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Loving all the lemon lime turquoise I am seeing lately. Just had to pick up some of this too! Buttercuppity is a dangerous place.
On this day 163 years ago, July 9, 1854 Eliza Case died at 7 years, 5 months, 8 days. She was the last of 5 children to pass away. The first David on July 3, 1854.
No record of the cause of death has been found so far, but likely a disease, possibly Small Pox.
Neko Case plays July 15, 2011, at the Pitchfork Music Festival in Chicago's Union Park. My blog posts about the festival and more photos begin at: www.undergroundbee.com/2011/07/16/pitchfork-day-one-photos/
1/18/1 The murder in the Black Lacke Floodplain, the case Josef Werderitsch, 1897
View in lateral position of the corpse of Johann Werderitsch, murdered on 4th of November, 1897, as found on the morning of the 5th of November, 1897, in a scrub at the Danube Dam Black Lacke Floodplain. Johann Werderitsch, according to very extensive criminal investigations, had been slain with a stone by his cousin Josef Werderitisch. Josef Werderitsch was found guilty by the jurors of the County Court Korneuburg to have intentionally murdered his cousin and was sentenced to death.
1/18/1 Der Mord in der Schwarzen Lacken Au, der Fall Josef Werderitsch, 1897
Ansicht in Seitenlage der Leiche des am 4. Novembe 1897 ermordeten Johann Werderitsch, wie er am Morgen des 5. November 1897 in einem Gestrüpp beim Donaudamm in der Schwarzen Lacken Au gefunden wurde. Johann Werderitsch war, wie sich nach sehr umfangreichen kriminalistischen Erhebungen ergeben hatte - von seinem Vetter Josef Werderitisch in Raubabsicht mit einem Stein erschlagen worden. Josef Werderitsch wurde von den Geschworenen des Kreisgerichtes Korneuburg für schuldig befunden, seinen Vetter vorsätzlich ermordet zu haben und wurde zum Tode verurteilt.
The Vienna Crime Museum is a museum in the 2nd district of Vienna, the Leopoldstadt, in the district of the same name.
Location
The museum, emerging at the end of 1991 at the current location from the Criminal Police Museum of the Federal Police Office Vienna (founded in 1984), successor of the former Imperial-Royal Police Museum (founded in 1899), is situated in the Soap Boiler's house, one of the oldest houses in the second district, in Great Sperl alley 24 (until 1862: Street of the Lords 297). It stands at that place where previously the community hall of the (displaced) Jewish Community had been located and it was built in 1685 (designated on the arch brick of the portal). The name of the house is based on the fact that it was purchased in 1794 by a soap boiler. Today, the museum is located between Karmeliter market and the church of Saint Leopold.
In the courtyard of the building is a café.
Exhibition
Burglar tools of the legendary "Burglar King" Breitwieser
The museum consists of 20 rooms, where the history of the judiciary, the police system and the criminality from the Middle Ages to the new era are presented. Represented there are medieval penal system and the last public executions in Vienna. Furthermore, some interesting criminal cases such as those of the poison-murderer Hofrichter or the case of Josefine Luner from the inter-war period are shown.
The exhibits include numerous original documents and reproductions on criminal cases, crime scene photos and court documents as well as body parts of executed criminals, including the heads of Juliana Hummel and Franz Hebenstreit. After protests, Hebenstreits head 2012 was removed from the collection.
The director of the museum is Harald Seyrl, who has been working on the matter since 1984, suggested the location of the museum and is heading the house since 1991.
Das Wiener Kriminalmuseum ist ein Museum im 2. Wiener Gemeindebezirk, der Leopoldstadt, im gleichnamigen Bezirksteil.
Standort
Das Ende 1991 aus dem Kriminalpolizeilichen Museum der Bundespolizeidirektion Wien (gegründet 1984), Nachfolger des ehem. k.k. Polizeimuseums (gegründet 1899), am heutigen Standort hervorgegangene Museum befindet sich im Seifensiederhaus, einem der ältesten Häuser im 2. Bezirk, in der Großen Sperlgasse 24 (bis 1862: Herrengasse 297). Es steht dort, wo sich zuvor in der (vertriebenen) Judengemeinde das Gemeindehaus befunden hatte, und wurde (bezeichnet am Keilstein des Portals) 1685 errichtet. Der Name des Hauses beruht darauf, dass es 1794 von einem Seifensieder gekauft wurde. Heute liegt das Museum etwa zwischen Karmelitermarkt und Leopoldskirche.
Im Innenhof des Gebäudes befindet sich ein Kaffeehaus.
Ausstellung
Einbruchswerkzeuge des legendären „Einbrecherkönigs“ Breitwieser
Das Museum besteht aus 20 Räumen, in denen die Geschichte der Justiz, des Polizeiwesens und auch die Kriminalität vom Mittelalter bis in die neue Zeit präsentiert wird. Es werden mittelalterlicher Strafvollzug und die letzten öffentlichen Hinrichtungen in Wien dargestellt. Weiters werden einzelne interessante Kriminalfälle wie der des Giftmörders Hofrichter oder der Fall Josefine Luner aus der Zwischenkriegszeit gezeigt.
Zu den Exponaten zählen zahlreiche Originaldokumente und Reproduktionen zu Kriminalfällen, Tatortfotos und Gerichtstexte sowie Körperteile von Hingerichteten Verbrecher, u. a. die Köpfe von Juliana Hummel und von Franz Hebenstreit. Nach Protesten wurde Hebenstreits Kopf 2012 aus der Sammlung entfernt.
Direktor des Museums ist Harald Seyrl, der seit 1984 mit der Materie befasst war, den Standort des Museums vorschlug und das Haus seit 1991 leitet.
My niece Lilly bought her charango and case in Quito last year. She was nice enough to loan them to me for a gig this past weekend while my own instrument awaits repair.
This 5280-Case is now available in Black/burgundy or black/white color with 2, larger is 14 inches in length pockets.
As some of you know, I love shooting wildlife with my trusty, light, gorgeously-sharp Nikon 300mm f/4D IF-ED AF-S and Nikon 1.4TCII. Although I love this combo for all that it offers on a budget, I was itching for a little more reach and possibly VR.
Tamron and Sigma were offering a lot of reach for a great price, but as good as these lenses seemed to perform according to users, I just wasn't terribly tempted. I wasn't in love with the bokeh on the Sigmas, nor the weight, nor the questionable reliability I've experienced in the past with Sigma super-zooms. I know that times are changing and Sigma has been on fire as of late, but I still see people having AF issues with their "Art" series lenses here and there. What hope does a super-telephoto lens have if some copies of primes front/back-focus? Tamron's first generation 150-600mm super-zoom was impressive when it was announced and the price was right, but,... after giving it a try, I didn't think it would make me happier than the 300mm f/4D and TC did, so I held out.
A couple months ago Tamron announced the new and improved 150-600mm G2. Tamron made many improvements with this lens and that's when I thought that just maybe I was ready to buy. I think I may have added that lens to my B&H cart like five times in a span of two weeks. I even entered my card info and was about to hit "Subit Order", but stopped myself at the last second and hit "X". :P I still wasn't sure whether to go with the shorter Nikon 200-500mm f/5.6E ED VR, or the Tamron G2.
The Tamron offered more reach; 50mm less at the wide end and 100mm more at the long end. They also added customizable features as far as AF tuning and VR go. The Nikon offered a constant aperture of f/5.6 all the way to 500mm, I liked the bokeh a little more, it had 4.5 stops of VR (Tamron rates the G2 at 4.5 stops as well) and it was Nikon-brand, which meant that future compatibility was a no-brainer. They both cost about the same, so price was not a consideration.
On paper the Tamron made far more sense. How can you go wrong with more reach, more options, similar optical quality and same price??? Yet I still couldn't buy it, not knowing how it felt in my hands compared to the Nikon. I decided to go down to Sammy's Camera and try them both out with my D750.
Of course it was raining, so going outside with them wasn't an option. I aimed both lenses at stationary cars outside, aimed them at stuff inside the store, well-lit corners, dim corners, etc. The Tamron was quite good, nothing to complain about considering I was shooting both at 1/125s hand-held, but when I pulled up the Nikon images on my play-back screen, I was kind of blown away. I wasn't expecting that from a super-zoom. The images were sharp, detailed and nailed focus. Although the Tamron was quicker to acquire focus, it did seem to miss a couple of times in bad light. I don't think it needed AF fine tuning, because in good light it seemed to nail focus despite some camera-shake from me.
To be fair, I was shooting the Tamron at 600mm wide open and the Nikon at 500mm wide open. The Tamron was at f/6.3 and Nikon was at f/5.6, so it was getting less reach and more light than the Tamron. I know some might say I should have shot both the Tamron and Nikon at 500mm, but in my mind if 600mm on the Tamron didn't perform to my expectations, what's the point in buying the extra reach if I'm not going to be happy with it? I simply used both lenses the way I planned to use them all the time, which was at their maximum focal length and wide open.
The Nikon VR was very effective. Tamron had three or four VR options, I made sure to try at least two of them, but wasn't as impressed by their effectiveness at 600mm and 1/125s. Maybe if the Nikon had gone to 600mm, it also wouldn't have done so well, but,... there was just something about the Nikon that made me go "wow". It wowed me so much in fact, that although I planned on buying it through B&H, I decided that I had to have this particular copy of it then and there. It just performed so well with zero AF fine tuning! It was spot-on at every focal length. Hearing about copy variation struck fear in me that if I had bought it online, maybe a different copy wouldn't perform the same way optically.
I'd like to say that the Tamron G2 is quite impressive for the price and what it offers. It seems like a really great lens, and I'm sure it would have performed better if I had been shooting it at 1/2000s in good light. Then again, so would the Nikon under the same circumstances! Whether you go with one or the other, I don't think you can make a bad decision. They're both awesome offerings. 2016 was a very good year for wildlife photogs on a budget. I never in a million years thought I'd love a super-zoom for under $1,400.00 this much!
You're probably wondering how it compares to the 300mm f/4D and 1.4TCII. Prepare to be shocked...... the Nikon 200-500mm matches (if not surpasses by a tiny margin) the 300mm f/4D and TC at 420mm, especially in center sharpness and detail. Well, what about the 300mm f/4D at 300mm without the TC vs. 200-500mm at 300mm? Guys,..... from my non-scientific (but fairly tedious) tests, both lenses are equally sharp in the center. It's insane. I did a comparison test on a tripod both indoors and outdoors using slow and fast shutter speeds, wide open, closed down, and no matter how I tried, the Nikon 200-500mm just kept hitting the target with prime-like sharpness and resolution. It also benefits from being heavier on the tripod. When you use the "Sports" VR on tripod with slow shutter speeds like 1/13s, it actually helps a lot. I couldn't get the 300mm f/4D to take a pin-sharp picture even on a tripod and using the timer at 1/13s, but the 200-500mm did just fine.
I recently went to the wetlands to shoot with the Nikon 200-500mm f/5.6E ED VR. I also brought my Nikon 1.4TCII, just in case. Mobile or still, anything I touched with this lens ended up in focus. Images came out sharp, detailed, clear and contrasty. Although the lens can be slow to acquire focus at first, once it does grab focus, it holds on very well. I shot some incoming ducks far away, very small in the frame, and they were in focus. If something ended up being out of focus, that's because I was still getting used to weilding this beast of a lens. It's larger and heavier than my 300mm f/4D and TC combo, so waving it around to follow fast-moving subjects is still new to me.
If you're looking to buy a telephoto lens for wildlife and you're wondering if you should go the 300mm f/4D or PF route with 1.4TC II or III,... again...in my opinion unless you have trouble hand-holding the 200-500mm due to it's size and weight (which is understandable!), go with the 200-500mm, or go test the Tamron 150-600mm G2 alongside the Nikon. It just makes no sense to spend $2,000.00 on the 300mm f/4PF (or $1,400.00 on the 300mm f/4D version) and $500 on a TC III for a combined cost of $2,500.00, when you could pay $1,400.00 for a sharp zoom that gives you about equal sharpness/detail, more reach, the ability to zoom out to 200mm when you need it and 4.5 stops of VR. It even works with a 1.4TC! You could easily buy the 1.4TC III and get 700mm at f/8 with very acceptable results for a little less than $2,000.00! I don't know how you could beat that for the price.
So you're probably wondering; "But how sharp is this lens really?" You be the judge. Check out the 100% crop here: www.flickr.com/photos/jpivkova/31748909950/in/photostream/
Stuff I crocheted: A case to protect one of Dennis' DSLR camera lenses. The black net inside works as an extra padding against shocks. (No pattern used)
the 1942 DI up close. it looks better from a distance :) I put some headlights on it since this photo.
CASE President John Lippincott kicked off the conference with an update on the association before handing the microphone to Jeff Selingo, editor-at-large of The Chronicle of Higher Education.
Here are the completed cases. The end caps are fastened to the leather strap with a snap on the other side. So the end opens and the flyrod is slid inside. Both of these cases are 57" long.
The bows are there because these are gifts... I wish I made myself one.
Neko Case @ the 2009 All Points West Festival in New Jersey, photo by Dominick Mastrangelo
Venuszine.com review: venuszine.com/articles/music/live_reviews/6200/All_Points_West_2009_Jay_Z_makes_his_first_American_festival_appearance_Lykke_Li_takes_the_crown_from_Karen_O_and_just_about_everybody_gets_soaked
Missing teddy toddler: Kooky Beanie Boo's.
I got a phone call about missing bear. Kooky lost in the jungle garden . I hope, we will find her. hugs
The William M. Case House (1855-1859), near Aurora, Oregon.
This is the oldest house in Oregon's lovely Willamette Valley that's still occupied.
It belongs to one of Frank's clients, who had an open house yesterday.
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Esta es la casa del pionero William M. Case, construida entre 1855 y 1859.
En Lantinoamérica, la casa no sería muy antigua, pero como somos una nación jóven, no hay casa más antigua en el Valle del Río Willamette que esté habitado.
Tomé estas fotos ayer cuando un cliente de mi esposo celebró una jornada de puertas abiertas para compartir con sus amigos su nuevo hogar.
كفرات للجلكسي بنوتية من الطراز الاول طبعا الصور واضحة جدا مع ساعة خلفية صنف ممتاز
الكفر شفافي - طبعا لاهل الفخامة و لمحبي الكشخة - الكفر غير متوفر بالاسواق
البيع بالكمية فقط واقل كمية 18 بمعنى 6 حبات لكل نوع ( اقل كمية )
السعر 1440 بمعنى 80 ريال للحبة
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