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Phoenix Pro Theater offers a theatrical experience brought to your living room. Sitting in the comfort of your home, you can sense the real feeling of watching a movie in an enriched theater. Any movie of choice, available in your PC or laptop, can be played in Phoenix Pro Theater.
store.steampowered.com/app/1727320/Phoenix_Pro_Theater_Me...
Phoenix Pro Theater, elevates you to the ownership of a personal theater. The ambiance excels to that of a real theater. The player is provided with all facilities to choose and play any movie available in your system. It is meticulously designed to cater to your taste, comfort and convenience.
In order to improve the ambiance and magnificence of the theater, facilities have been provided to customize the theater to your liking.
To the viewers’ delight, Phoenix Pro Theater offers surround sound, animated audience captured to visualize real life situation. The theater ambiance light mimics and adjusts to that of the brightness and color tone present in the movie played. The Theater is illuminated with pleasing lights, and movie can be watched either with the lights on or off, as per the liking of the viewers.
An array of choices offered are
(i) Selection of seats, in six Zones viz. Front (Left, Middle or Right) or Rear (Left Middle or Right),
(ii) 15 types of Leather Seat Upholstery,
(iii) Movie Brightness can be increased,
(iv) Choose from any one of the 6 Colors of lights displayed on Side Walls,
(v) Color tone of the movie played can be changed
(vi) Individual Color Theme, wherein the viewer can change the color of the dresses of all the characters in the movie offering a very unique experience not found in any main stream video player.
An impressive Control Panel has been provided to enable the viewer to select and exercise all available options and between choices. The LCD panel displays options selected.
Technically, Phoenix Pro Theater supports 12 video formats. It also supports vertical video playback plus video rotation and flip options. It is Full HD, 4K & 8K supported, making it future ready. The Auto resume option, remembers the last played scene and resumes playback from the last played position.
Ideally, the viewers’ long search for an ultimate theater is likely to stop at “PHOENIX PRO THEATER”.
Supported formats : mp4, mov, avi, mkv, wmv, m4v, webm, flv, vob, ogg, mpg, 3gp
Download on Steam !
store.steampowered.com/app/1727320/Phoenix_Pro_Theater_Me...
The Great Western Railway (GWR) 5700 Class is a class of 0-6-0 pannier tank steam locomotive, built between 1929 and 1950. 863 were built, making them the second most-produced British class of steam locomotive.
The GWR had favoured pannier tank locomotives since 1911 when they had started rebuilding saddle tank locomotives built between 1870 and 1905 into this style. By 1929 these older locomotives were in need of replacement.
The first 5700s were almost identical in appearance to several of the older converted locos (e.g. classes 645, 1701, 1854, 2721) and had round spectacles (windows) in the cab front, but those built after 1933 from no. 8750 onwards had rectangular windows and a slightly different cab profile.
Eleven 5700s were bought by London Transport and used on the London underground network starting in 1956. They replaced older LT steam locomotives on permanent way trains and were never used on normal passenger services. Main line running included trips between depots, to Acton Works and runs out to Croxley Tip, near Watford. A further two locomotives were later bought to replace classmates that were withdrawn in need of major repairs.
They were numbered L89 to L99 and were allocated to the depots at Lillie Bridge (Kensington) and Neasden. Only eleven were running at any one time, the original L90 being withdrawn for repairs but scrapped instead and replaced by another locomotive which carried the same number.
L92 was built as 5786 at Swindon in 1930, transferred to London Transport in 1958 and withdrawn in 1969.
5786 came out of service at the end of October 2011 and returned to service in March 2013 in the striking maroon livery of London Transport as No L.92, celebrating the 150th anniversary of the opening of London's Underground in 1863, the world's first underground railway, between Farringdon and Paddington.
Two beautiful peacock blue pearls are captured within each handmade copper link. Each link hangs from a sterling silver ear wire. The metals have been oxidized and buffed to expose a soft shine.
I'd hoped this year to fill a folder with some eye-searingly colourful autumnal images but bad weather and ill health have deprived me of the opportunity. Having said that, while journeying back and forth to work I've noticed that the birches have only just turned into a sublime yellow with dapples of orange, so this weekend a visit to the woodlands of the Peckforton Hills may be in order. Shortly after the leaves started turning this year it became evident that it was going to be a special display of colour, and it was and still is so far. I've driven past groupings of trees that look as if they're on fire, especially with a playful breeze blowing, and that was the image of autumn that I'd hope to be able to capture. So far I haven't achieved it, at least on the large scale but when out with Jay a few weeks back I came across this solitary small Lime tree that had turned and was shaking its booty in the breeze. It had been my intention to do an LE of a large copse of turned trees, thereby emphasising their fiery appearance, instead I did what I could with just a few branches on this Lime. I'm pleased with the result, with just a tweak on the Saturation (seriously, it was only a tweak, the vibrant colour of the leaves and the rich, late afternoon sunlight did the rest) and a slight vignette, I've achieved the Impressionistic look of fire that I'd wanted to portray.
Looks good in L.
This image was captured with a Nikon D-2X camera with a 14mm lens using the Nikon electronic file format (.Nef) Shot on Lexar Flash media. All file was post processed using NIKON capture.
© Vincent Versace 2008
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Spring in Barcelona is very windy.
I use flash to shoot at 1:250 sec and make it less detectable motion blur caused by wind and capture without a tripod.
I am creating soft textures for photos of nature.
Metz 48 AF flash unit with white modifier on hot shoe.
Mode: P + TTL-II.
1 texture by MAT
Raw processed in ACR4
Fallout 4 - "A Christmas Greeting" - Pip-Boy/Photo/Postcard
by The Game Tips And More Blog
(Ultra Settings in-game capture with added Border, Vignette, Text and Effects)
The Pip-Boy overlay used for this image was captured in-game with the ULTRA graphic Video Setting, with the screen area 'cut out'. I then captured a Christmas scene in-game on Dec.25th (in-game time) with Codsworth next to the tree in Diamond City. I then emulated some Pip-Boy-style text with a free font (Bitstream Vera Sans, the Public Domain version) and added a 'screen output' effect by simply erasing every other row in The GIMP [now called just GIMP?]. Adding some Christmas-style overlays (free light style wallpapers) and a 'fisheye' effect to make it look more like it is on a curved screen finished the effect. As always, it was seemingly simple to think of, but took longer than expected to complete the composition (a day late for Xmas, heh). Merry Christmas anyway!
[I’m having a ton of fun with Fallout 4, which was a gift from My Better Half - even though I am mainly just building up my Settlements (as opposed to actually getting the Main Storyline Quest(s) done)... ]
Game Material by Bethesda Game Studios (bgs.bethsoft.com)
Captured and Edited by Troy from The Game Tips And More Blog
No matter what holiday you may be celebrating, no matter how many games you may be playing (or wishing for)... Merry Christmas to you and yours.
Sincerely,
Troy from The Game Tips And More Blog
Catwoman Show @ Movie World 2012
www.youtube.com/watch?v=dBpiR-Mu9QY
Published on Oct 22, 2012 by Matthew Goodwin
The Catwoman show at Movie World on the Gold Coast, Australia. 2012.
Jill Ireland - LEILA KALOMI
(Season 1, Episode 25: "This Side of Paradise")
Jill Ireland's disntinct, natural beauty was well-made for this episode in which she's a cross between a farm girl and an extra in "The Sound of Music." She conquers Spock's heart anew.
THE KIRK CONNECTION: For the first time in his life, Spock was happy and Kirk had to take her away from the Science Officer.
Susan Oliver - VINA
(Star Trek Pilot: "The Cage")
She’s like a menagerie of the best things in a Star Trek woman: she transforms from a wild child in grass skirts to a potent Eve to an exotic green-skinned dancing alien…and Captain Pike rejected her. With good reason, of course. She is an illusion far from her true appearance of a deformed crash victim. But with the Talosian illusionists as insurance, the play acting scenarios are limitless.
THE KIRK CONNECTION: Pike was the Captain.
Sun 22.06.17: Two panel photomosaic of sunspots 12664 and 12662 captured with a 100mm f5 Helios refractor and Vesta pro webcam. Motorised EQ1 Mount.
Prime focus
Hazy blanket cloud, moderate seeing.
Processed in MS ICE and Paint Shop Pro. False colour. Resized 200%