View allAll Photos Tagged capdantibes
Er was al een serie foto's van deze trip, maar dit jaar hebben we een nieuwe serie ontdekt. Waarschijnlijk gemaakt door mijn vaders neef Oscar, waarmee mijn vader de trip geboekt had.
Ik vermoed een terras van de camping.
Nomade, A Man of Letters The monument Jaume Plensa
The Bastion Saint-Jaume is a geometric fortification in the purest style of Vauban. It once protected the entrance to the port of Antibes. On the terrace, facing the sea, the Spanish sculptor Jaume Plensa has placed spring Nomade , a perennial plant financed by the municipality, the Regional Acquisition Fund for museums and local stakeholders.
Nomad is a form of ten meters high. Its curves evoke a human body sitting with one leg bent, his face turned towards the sea and is entirely comprised of a kind of net that each cell is an uppercase letter stainless steel painted white.
Nomad is a transparent sculpture, a light mesh and wrapping within which it is attempting to enter and the children try to climb - and also a photogenic subject, as can be checked by observing walkers who seek best vantage point for their devices. This is the archetype of the spectacular sculpture, attractive and symbolic.
Plensa, who had been out in the 1980s by its castings abstract powerfully massive, is one of the busiest for monumental creations of such artists. A Nice Place Massena in 2007, he placed on high metal matt white figures Conversation in Nice , figures midway between Buddhas and protective deities. Recently he was asked to Düsseldorf, Jerusalem, Chicago or Zaragoza.
The Nomad of Antibes is a continuation of the trend towards art increasingly allegorical and accessible to all. To demonstrate this consistency, the inauguration of Saint-Jaume bastion comes at Picasso Museum nearby, an exhibition dedicated to drawing Plensa a decade.
If it is called "The Soul of the words" it is not only with reference to letters welded Nomad, but because when he works on paper, the artist writes more than he draws properly speak . It takes a photograph in black and white - a face most often - sometimes stretched, partially covered with dark streaks, and prints over inscriptions in capitals.
Ports Antibes
There are many yachting harbours which provide moorings for a range of ships ranging from fishing vessels to full sized yachts.
Port Vauban: The largest yachting harbour in Europe, with more than 2,000 moorings, can accommodate craft of more than 100 metres. This old port was the heart of the ancient Greek city of Antipolis and has a long and colourful history which includes Ligurians, Romans and Crusaders on their way to the Holy Land. Today, it is the largest marina in Europe, serving both local fishing boats and luxury yachts.
Port Galice: 542 moorings
Port de la Salis: 233 moorings
Port du Croûton: 390 moorings
Port de l'Olivette: Situated in the sheltered cove of the same name, this is a harbour for sailors and their wooden fishing boats who enjoy the old marine, provencal traditions.
arrives at the 2012 amfAR's Cinema Against AIDS during the 65th Annual Cannes Film Festival at Hotel Du Cap on May 24, 2012 in Cap D'Antibes, France.
CAP D'ANTIBES, FRANCE - MAY 25: Tracee Ellis Ross attends the amfAR Gala Cannes 2017 at Hotel du Cap-Eden-Roc on May 25, 2017 in Cap d'Antibes, France. (Photo by George Pimentel/WireImage for amfAR )
Nomade, A Man of Letters The monument Jaume Plensa
The Bastion Saint-Jaume is a geometric fortification in the purest style of Vauban. It once protected the entrance to the port of Antibes. On the terrace, facing the sea, the Spanish sculptor Jaume Plensa has placed spring Nomade , a perennial plant financed by the municipality, the Regional Acquisition Fund for museums and local stakeholders.
Nomad is a form of ten meters high. Its curves evoke a human body sitting with one leg bent, his face turned towards the sea and is entirely comprised of a kind of net that each cell is an uppercase letter stainless steel painted white.
Nomad is a transparent sculpture, a light mesh and wrapping within which it is attempting to enter and the children try to climb - and also a photogenic subject, as can be checked by observing walkers who seek best vantage point for their devices. This is the archetype of the spectacular sculpture, attractive and symbolic.
Plensa, who had been out in the 1980s by its castings abstract powerfully massive, is one of the busiest for monumental creations of such artists. A Nice Place Massena in 2007, he placed on high metal matt white figures Conversation in Nice , figures midway between Buddhas and protective deities. Recently he was asked to Düsseldorf, Jerusalem, Chicago or Zaragoza.
The Nomad of Antibes is a continuation of the trend towards art increasingly allegorical and accessible to all. To demonstrate this consistency, the inauguration of Saint-Jaume bastion comes at Picasso Museum nearby, an exhibition dedicated to drawing Plensa a decade.
If it is called "The Soul of the words" it is not only with reference to letters welded Nomad, but because when he works on paper, the artist writes more than he draws properly speak . It takes a photograph in black and white - a face most often - sometimes stretched, partially covered with dark streaks, and prints over inscriptions in capitals.
Ports Antibes
There are many yachting harbours which provide moorings for a range of ships ranging from fishing vessels to full sized yachts.
Port Vauban: The largest yachting harbour in Europe, with more than 2,000 moorings, can accommodate craft of more than 100 metres. This old port was the heart of the ancient Greek city of Antipolis and has a long and colourful history which includes Ligurians, Romans and Crusaders on their way to the Holy Land. Today, it is the largest marina in Europe, serving both local fishing boats and luxury yachts.
Port Galice: 542 moorings
Port de la Salis: 233 moorings
Port du Croûton: 390 moorings
Port de l'Olivette: Situated in the sheltered cove of the same name, this is a harbour for sailors and their wooden fishing boats who enjoy the old marine, provencal traditions.
CAP D'ANTIBES, FRANCE - MAY 17: Jennifer Lawrence attends Lionsgate's "The Hunger Games: Mockingjay Part 1" party at a private villa on May 17, 2014 in Cannes, France. (Photo by David M. Benett/Getty Images for Lionsgate)
Nomade, A Man of Letters The monument Jaume Plensa
The Bastion Saint-Jaume is a geometric fortification in the purest style of Vauban. It once protected the entrance to the port of Antibes. On the terrace, facing the sea, the Spanish sculptor Jaume Plensa has placed spring Nomade , a perennial plant financed by the municipality, the Regional Acquisition Fund for museums and local stakeholders.
Nomad is a form of ten meters high. Its curves evoke a human body sitting with one leg bent, his face turned towards the sea and is entirely comprised of a kind of net that each cell is an uppercase letter stainless steel painted white.
Nomad is a transparent sculpture, a light mesh and wrapping within which it is attempting to enter and the children try to climb - and also a photogenic subject, as can be checked by observing walkers who seek best vantage point for their devices. This is the archetype of the spectacular sculpture, attractive and symbolic.
Plensa, who had been out in the 1980s by its castings abstract powerfully massive, is one of the busiest for monumental creations of such artists. A Nice Place Massena in 2007, he placed on high metal matt white figures Conversation in Nice , figures midway between Buddhas and protective deities. Recently he was asked to Düsseldorf, Jerusalem, Chicago or Zaragoza.
The Nomad of Antibes is a continuation of the trend towards art increasingly allegorical and accessible to all. To demonstrate this consistency, the inauguration of Saint-Jaume bastion comes at Picasso Museum nearby, an exhibition dedicated to drawing Plensa a decade.
If it is called "The Soul of the words" it is not only with reference to letters welded Nomad, but because when he works on paper, the artist writes more than he draws properly speak . It takes a photograph in black and white - a face most often - sometimes stretched, partially covered with dark streaks, and prints over inscriptions in capitals.
Nomade, A Man of Letters The monument Jaume Plensa
The Bastion Saint-Jaume is a geometric fortification in the purest style of Vauban. It once protected the entrance to the port of Antibes. On the terrace, facing the sea, the Spanish sculptor Jaume Plensa has placed spring Nomade , a perennial plant financed by the municipality, the Regional Acquisition Fund for museums and local stakeholders.
Nomad is a form of ten meters high. Its curves evoke a human body sitting with one leg bent, his face turned towards the sea and is entirely comprised of a kind of net that each cell is an uppercase letter stainless steel painted white.
Nomad is a transparent sculpture, a light mesh and wrapping within which it is attempting to enter and the children try to climb - and also a photogenic subject, as can be checked by observing walkers who seek best vantage point for their devices. This is the archetype of the spectacular sculpture, attractive and symbolic.
Plensa, who had been out in the 1980s by its castings abstract powerfully massive, is one of the busiest for monumental creations of such artists. A Nice Place Massena in 2007, he placed on high metal matt white figures Conversation in Nice , figures midway between Buddhas and protective deities. Recently he was asked to Düsseldorf, Jerusalem, Chicago or Zaragoza.
The Nomad of Antibes is a continuation of the trend towards art increasingly allegorical and accessible to all. To demonstrate this consistency, the inauguration of Saint-Jaume bastion comes at Picasso Museum nearby, an exhibition dedicated to drawing Plensa a decade.
If it is called "The Soul of the words" it is not only with reference to letters welded Nomad, but because when he works on paper, the artist writes more than he draws properly speak . It takes a photograph in black and white - a face most often - sometimes stretched, partially covered with dark streaks, and prints over inscriptions in capitals.
Nomade, A Man of Letters The monument Jaume Plensa
The Bastion Saint-Jaume is a geometric fortification in the purest style of Vauban. It once protected the entrance to the port of Antibes. On the terrace, facing the sea, the Spanish sculptor Jaume Plensa has placed spring Nomade , a perennial plant financed by the municipality, the Regional Acquisition Fund for museums and local stakeholders.
Nomad is a form of ten meters high. Its curves evoke a human body sitting with one leg bent, his face turned towards the sea and is entirely comprised of a kind of net that each cell is an uppercase letter stainless steel painted white.
Nomad is a transparent sculpture, a light mesh and wrapping within which it is attempting to enter and the children try to climb - and also a photogenic subject, as can be checked by observing walkers who seek best vantage point for their devices. This is the archetype of the spectacular sculpture, attractive and symbolic.
Plensa, who had been out in the 1980s by its castings abstract powerfully massive, is one of the busiest for monumental creations of such artists. A Nice Place Massena in 2007, he placed on high metal matt white figures Conversation in Nice , figures midway between Buddhas and protective deities. Recently he was asked to Düsseldorf, Jerusalem, Chicago or Zaragoza.
The Nomad of Antibes is a continuation of the trend towards art increasingly allegorical and accessible to all. To demonstrate this consistency, the inauguration of Saint-Jaume bastion comes at Picasso Museum nearby, an exhibition dedicated to drawing Plensa a decade.
If it is called "The Soul of the words" it is not only with reference to letters welded Nomad, but because when he works on paper, the artist writes more than he draws properly speak . It takes a photograph in black and white - a face most often - sometimes stretched, partially covered with dark streaks, and prints over inscriptions in capitals.
Cap d'Antibes | Avenue Mrs Beaumont
Luxurious neo-classical mansion commissioned by Hugh-Hope Loudon.
Arch. Charles Garnier
1860-67
Saracen Towers in Antibes
The tower near the cathedral housing the bells , 40 meters high
Located on the town walls of Antibes, the towers "said Saracen" which dates back to the eleventh and early twelfth century, had a protective role for the city of Antibes.
Indeed the devastating Saracen invasions forced the city to protect themselves.
One of the towers; next to the cathedral measures 40 meters high and houses the cathedral bells said.
Her neighbor is integrated into the Picasso Museum overlooking the waterfront.
To access either pass by the old city and the Provencal market or Promenade Admiral de Grasse, and mounted the Souchère Dor (near the cathedral).
CAP D'ANTIBES, FRANCE - MAY 22: Model Charlotte Free poses for a portrait at amfAR's 21st Cinema Against AIDS Gala Presented By WORLDVIEW, BOLD FILMS, And BVLGARI at Hotel du Cap-Eden-Roc on May 22, 2014 in Cap d'Antibes, France. (Photo by Pascal Le Segretain/amfAR14/WireImage)
Nomade, A Man of Letters The monument Jaume Plensa
The Bastion Saint-Jaume is a geometric fortification in the purest style of Vauban. It once protected the entrance to the port of Antibes. On the terrace, facing the sea, the Spanish sculptor Jaume Plensa has placed spring Nomade , a perennial plant financed by the municipality, the Regional Acquisition Fund for museums and local stakeholders.
Nomad is a form of ten meters high. Its curves evoke a human body sitting with one leg bent, his face turned towards the sea and is entirely comprised of a kind of net that each cell is an uppercase letter stainless steel painted white.
Nomad is a transparent sculpture, a light mesh and wrapping within which it is attempting to enter and the children try to climb - and also a photogenic subject, as can be checked by observing walkers who seek best vantage point for their devices. This is the archetype of the spectacular sculpture, attractive and symbolic.
Plensa, who had been out in the 1980s by its castings abstract powerfully massive, is one of the busiest for monumental creations of such artists. A Nice Place Massena in 2007, he placed on high metal matt white figures Conversation in Nice , figures midway between Buddhas and protective deities. Recently he was asked to Düsseldorf, Jerusalem, Chicago or Zaragoza.
The Nomad of Antibes is a continuation of the trend towards art increasingly allegorical and accessible to all. To demonstrate this consistency, the inauguration of Saint-Jaume bastion comes at Picasso Museum nearby, an exhibition dedicated to drawing Plensa a decade.
If it is called "The Soul of the words" it is not only with reference to letters welded Nomad, but because when he works on paper, the artist writes more than he draws properly speak . It takes a photograph in black and white - a face most often - sometimes stretched, partially covered with dark streaks, and prints over inscriptions in capitals.
CAP D'ANTIBES, FRANCE - MAY 22: Model Charlotte Free is seen after the runway at the amfAR's 21st Cinema Against AIDS Gala Presented By WORLDVIEW, BOLD FILMS, And BVLGARI at Hotel du Cap-Eden-Roc on May 22, 2014 in Cap d'Antibes, France. (Photo by Vittorio Zunino/amfAR14/WireImage)
After a few exhausting hours of hiking, we finally reach the tip of the cape—and the decayed grandeur of the Villa Eilenroc. Designed by Charles Garnier (architect of the Paris Opera and the Casino Monte Carlo) for the wealthy Dutchman Hugh Hope Loudon in 1867, the villa derives its name from a reversed anagram of Loudon's wife's name, Cornélie.
Saracen Towers in Antibes
The tower near the cathedral housing the bells , 40 meters high
Located on the town walls of Antibes, the towers "said Saracen" which dates back to the eleventh and early twelfth century, had a protective role for the city of Antibes.
Indeed the devastating Saracen invasions forced the city to protect themselves.
One of the towers; next to the cathedral measures 40 meters high and houses the cathedral bells said.
Her neighbor is integrated into the Picasso Museum overlooking the waterfront.
To access either pass by the old city and the Provencal market or Promenade Admiral de Grasse, and mounted the Souchère Dor (near the cathedral).
Nomade, A Man of Letters The monument Jaume Plensa
The Bastion Saint-Jaume is a geometric fortification in the purest style of Vauban. It once protected the entrance to the port of Antibes. On the terrace, facing the sea, the Spanish sculptor Jaume Plensa has placed spring Nomade , a perennial plant financed by the municipality, the Regional Acquisition Fund for museums and local stakeholders.
Nomad is a form of ten meters high. Its curves evoke a human body sitting with one leg bent, his face turned towards the sea and is entirely comprised of a kind of net that each cell is an uppercase letter stainless steel painted white.
Nomad is a transparent sculpture, a light mesh and wrapping within which it is attempting to enter and the children try to climb - and also a photogenic subject, as can be checked by observing walkers who seek best vantage point for their devices. This is the archetype of the spectacular sculpture, attractive and symbolic.
Plensa, who had been out in the 1980s by its castings abstract powerfully massive, is one of the busiest for monumental creations of such artists. A Nice Place Massena in 2007, he placed on high metal matt white figures Conversation in Nice , figures midway between Buddhas and protective deities. Recently he was asked to Düsseldorf, Jerusalem, Chicago or Zaragoza.
The Nomad of Antibes is a continuation of the trend towards art increasingly allegorical and accessible to all. To demonstrate this consistency, the inauguration of Saint-Jaume bastion comes at Picasso Museum nearby, an exhibition dedicated to drawing Plensa a decade.
If it is called "The Soul of the words" it is not only with reference to letters welded Nomad, but because when he works on paper, the artist writes more than he draws properly speak . It takes a photograph in black and white - a face most often - sometimes stretched, partially covered with dark streaks, and prints over inscriptions in capitals.
CAP D'ANTIBES, FRANCE - MAY 17: (L to R) Zygi Kamasa, CEO of Lionsgate UK, Laura Haddock and Sam Claflin attend Lionsgate's "The Hunger Games: Mockingjay Part 1" party at a private villa on May 17, 2014 in Cannes, France. (Photo by David M. Benett/Getty Images for Lionsgate)
Model: neytiria
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Single shot, LDR, untouched colors, soft blurring, slightly cropped. Taken in Cap d'Antibes at the sunset... a lucky shot! The title is a tribute to one of my favorite albums (Judgement) of one of my favorite bands (Anathema).
The hectares of landscaped gardens were commissioned by its next owner, James Wyllie. In the 1920s, the American philanthropist Louis Beaumont acquired the property, restored it, and later bequeathed it to the city of Antibes in 1982.
Model: neytiria
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