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Nachdem ich die Kontaktplatte mit einem Glasfaserpinsel gereinigt und mit etwas Silikonöl behandelt habe, setzte ich den Taster wieder zusammen, lötete ihn wieder auf die Platine und setzte den Scheinwerfer wieder zusammen. Operation geglückt, Patient lebt.
After cleaning the contact plate with a class fibre brush and applying some silicon oil, I reassembled the push button, soldered it on the PCB and reassembled the head light. Operation successful, patient alive!
Wonderful DIY Super Cute Button Cookies
These button cookies are so adorable and you will have fun with them! They take minutes to make and will disappear as quickly!
Ingredients: (32 cookies for reference)
1 1/3 cups flour
1 stick butter
1/3 or 1/2 cup sugar
2 egg yolks
1 teaspoon vanilla extract
2 teaspoon cocoa powder
Instructions:
...
#11, SMP Racing, BR Engineering BR1- AER, LMP1 driven by: Mikhail Aleshin, Vitaly Petrov, Jenson Button, 24 Heures Du Mans 2018, , 17/06/2018,
I dug through my button jar and pulled out a couple of options. Which do you like better: the one blue button or the two pink ones?
Little-button Quail (Turnix velox) and a yellow mealworm (Tenebrio molitor ) at the Alice Springs Desert Park.
My Button fell off! good jeans bad button attaching.
Lagrandstudios.com
Please don't use this image on websites, blogs or other media without my explicit permission. © All rights reserved
Jenson Button goes through the Luffield corner on day 1 at Silverstone on what was a wet P1 session.
24 September 2010: Jenson Button in his McLaren MP4-25 Mercedes heads over the Anderson Bridge and approaches turn 13 in front of Fernando Alonso's Ferrari F10, free practice 2, Singapore F1 Grand Prix, Marina Bay circuit
On the Button Bridge, that is.
Or to be strictly accurate, next to the Button Bridge.
The Jenson Button Bridge.
The Jenson Button Bridge was named after ... yes, you've guessed it, the Frome Flyer, Jenson Button, who was born and educated in Frome.
The bridge is a "21m span, masted and cable-stayed footbridge is fabricated entirely in exposed weathering grade steel plate", which, loosely translated, means that it hasn't gone rusty but is meant to look like this.
Thank you so very moishes for the 365 button
M-C1!
(My other buttons are numb "skull" and ding "bat")
Buttoned Down Disco's dancefloor rocked with Christian Laing's blend of indie electro poppin' mayhem in the main room, while Killer Kitsch hosted The Gallery Bar with leftfield electro. It's invite only entry, so make sure you request invites for the next party at: www.buttoneddowndisco.com
A mother of peal button forms the centre and is embellished with czech crystals and fluorite gem chips.Polka dot and organza ribbons surround it .
If you miss the share button on a single picture page, click on the area marked in green color. The button is there, but displayed black on black
Auclair-Button Farmstead
Melrose, New York
Listed 06/05/2013
Reference Number: 13000360
The Auclair-Button Farmstead, located in the Town of Pittstown, Rensselaer County, New York, satisfies National Register of Historic Places Criterion Cas an intact and representative example of an historic farmstead in the Town of Pittstown. It is additionally significant under Criterion A, in the area of agriculture, for the historic agricultural activities undertaken there. This property is being nominated in association with the Multiple Property Documentation Form (MPDF) entitled Historic Farmsteads of Pittstown, New York. The Auclair Button Farmstead retains an intact assemblage of historic agricultural outbuildings and a house embodying characteristic construction features of the region during the cited period of significance and which exhibit distinctive and qualifying attributes as outlined in the associated MPDF context. Among the farmstead's contributing resources are two historic period houses, each with associated garages and one also associated with an ice house; a dairy barn, a horse barn, a hen house, a sheep barn, a shop barn, a corncrib, a milk house, and an equipment shed. Additional non-contributing resources include a second dairy barn, a hay barn, a second equipment shed, and a house trailer. These resources survive in an intact rural setting, which provides an appropriate context for this substantially intact Rensselaer County farm.
National Register of Historic Places Homepage
Buttoned Down Disco's dancefloor rocked with Christian Laing's blend of indie electro poppin' mayhem in the main room, while Killer Kitsch hosted The Gallery Bar with leftfield electro. It's invite only entry, so make sure you request invites for the next party at: www.buttoneddowndisco.com
The Red School House - 1873
Winslow Homer
American, 1836 - 1910
Shown nearly full-length, a young schoolteacher fills the foreground of The Red Schoolhouse. Standing on a wide dirt path or road, she gazes off to her right with a solemn expression, holding two books in her left hand and the striped fabric of her flounced skirt in her right. Around her neck the teacher wears a lacy triangular shawl known as a fichu that appears to be fastened with a square gold brooch or button. Her black and white ruffled bonnet is similarly elegant. Though only roughly sketched, the building behind the central figure is recognizable as a small red schoolhouse toward which a trio of schoolgirls appear to be headed. The surrounding landscape, lush and green, is silhouetted against a wide expanse of sky that glows with the warm, bright colors of early morning.
The Red School House is related to a series of school subjects that Winslow Homer painted from 1871 to 1874. Though he varied the composition and narrative emphasis across the series, three elements remain consistent: a small red schoolhouse, its young female teacher, and a luminous mountain setting. Homer’s attention to this theme reflected a popular wave of nostalgia in late 19th-century America for small country schools and the simpler lifestyle they recalled. Part of a larger body of paintings of children completed in the 1870s, Homer’s school subjects, including The Red School House, simultaneously express the country’s sense of optimism for future generations in the wake of the Civil War.
More information on this painting can be found in the Gallery publication American Paintings of the Nineteenth Century, Part I, pages 305-309, which is available as a free PDF at www.nga.gov/content/dam/ngaweb/research/publications/pdfs...
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For earlier visit in 2024 see:
www.flickr.com/photos/ugardener/albums/72177720320689747/
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
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Your coat keeps you warm. A spy's coat keeps secrets. Agents from the US, Soviet Union and all over Europe modified clothing to hide cameras—and buttons were the perfect disguise for a lens. The one we see here is of KGB origin, stitched in the 1970s, but most agencies had their own version of the getup. According to the International Spy Museum, they all worked about the same, too. Need to snap a picture? Reach in your pocket, squeeze the trigger and you're done. Just be wary of coat-checks.
Sony a6000 - Sony E PZ 16-50mm 1:3.5-5.6 OSS
This is what I recieved from Melissa, she seen on one of my blogs that I liked numbers and made this necklace from an old cinema seat!