View allAll Photos Tagged bubblebokeh

A healthy patch of fungi is living on old mossy stump in our local forest. The morning fog provided enough water in the surroundings to play around with the bubble Bokeh effect of my Trioplan lens.

 

Shot with my Meyer Optik Görlitz Trioplan 50/2.9 V Lens from the 1950ies in Altix mount with extension tubes on a macro focusing rail. I modified it to fit a modern Nikon FX body. The lens is in good shape and depending on the subject of the photo mostly free of fungus ;)

Lens used: Meyer-Optik Görlitz Trioplan 100mm ƒ/2.8 (M42) wide open.

The Telemegor 400 mm f/5.5 is a bubble bokeh monster. I would say it has stronger bubbles than the Trioplan 100. Here I've used a focusing helicoid to get a little closer then the rather long minimum focusing distance of 5.5m, which will render bigger bubbles. It is not a very sharp lens but it renders in a unique soft way like no other lens.

This image is uncropped and de-saturated.

Lens: Jupiter 11 135mm f/2 MF

35 mm equivalent: 202 mm

«La sfera è il modo in cui le linea cerca di spiegare a cubi e piramidi la spiritualità» – Fabrizio Caramagna

 

Metaphysic of railing: spheres and lines at the entrance. Home, Tokyo, Japan. © Michele Marcolin, 2023. K1ii + smc Pentax 200mm f2.5

I didn't like this composition first but after some processing I kind of like this mess. There is a little bit of everything in here. Bright against dark, dark against bright, bubble bokeh, sunflares. Taken on a particular messy part of the shoreline. Pentacon 50mm f1.8 wide open and shot "blind".

Fujinon EBC 55/F1.8 M42

Canon 50mm f/0.95 wide open. Crazy lens this.

... in early morning light at St Marx' Cemetery in Vienna, where Wolfgang Amadeus Mozart lies buried in an unmarked grave. This little fellow stands not too far from the supposed spot.

 

Meyer Primotar 3.5/135

PENTAX K-1

Canon 50mm f0.95, dream lens @ f/0.95

Meyer-Optik Görlitz 1Q Primoplan 1:1.9/58 V at f/1.9.

Modified Helios 44-4 lens.

 

"▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

shot with a fujifilm x-s10 and fujinon 55mm f2.2 screw-mount lens, with helicoid adapter

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

my review of this lens: www.aarondesigns.org/Fujinon55mmf22Review/

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬"

"▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

shot with a fujifilm x-s10 and fujinon 55mm f2.2 screw-mount lens, with helicoid adapter

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬

my review of this lens: www.aarondesigns.org/Fujinon55mmf22Review/

▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬"

Canon Eos 450d Meyer-Optik Görlitz Primotar 3.5/135 @ f/3.5

I took this photo with one of my favourite lenses the meyer optik gorlitz primotar 135mm, you can still pick this lens up relatively cheaply and for me the bokeh effect is amazing.

shot with a fujifilm x-s10 and a fujinon 50mm f1.4 m42 screw-mount lens

Carl Zeiss Jena 50/F1.8 M42

lens: Helios 44M-4 58mm f/2 (87mm in 35mm equivalent)

Lens: Helios 44M 58mm f/2 (87mm equiv)

London - Tate Modern + Notting Hill March 27th 2017, all taken with a Fujinon 55mm 2.2

 

London Fog (2017)

Fujiko Nakaya

 

Made in collaboration with Ryuichi Sakamoto and Shiro Takatani

 

BMW Tate Live Exhibition: Ten Days Six Nights (24 March-2 April) - Tate Modern Art Installation

 

theartnewspaper.com/news/tate-modern-opens-first-live-exh...

Finally, the winter seems to be over. Happy second day of spring everyone!

Trioplan 50mm f/2.9

Trioplans are too expensive for me. But my F-mount converted Helios 44-2 with 20mm extension tubes is at least close for the bubble bokeh :)

 

I will need more time to play around with this but it actually looks quite promising!

Looking close... on Friday! - May 10, 2019: Small Figures

 

Macro Mondays - March 19, 2018: Once Upon A Time

 

... shimmering heat - and a 'sweeting' / burning tree (which also is the entrance to the underworld and the way to the Rain Maiden)

 

"Die Regentrude" [The Rain Maiden], a German tale by Theodor Storm (published in the year 1863):

 

Beneath a scorching sun the fields are parched, the crops withering, the trees burning and the animals dying. Somewhere under the earth the young goddess, the Rain Maiden, has fallen asleep, forgotten by the villagers who once paid annual homage to her in return for rain. But only she can defeat the Fire Goblin and release the clouds from their fortress prison to make it rain.

 

The rich meadow farmer, unaffected by such droughts, disbelieves such legends and hastily promises his elderly neighbour that his daughter, Maren, can marry her son, Andrew, if the Rain Maiden can make it rain within a day.

Responding to her father's promise, Maren sets off with Andrew to find the Rain Maiden on a journey that takes them down a hollowed tree into a strange underworld among arid landscapes of dried-up lakes, dry river beds, dying forests and withered gardens.

 

www.theodorstorm.co.uk/translations/tales_of_enchantment.htm

 

I love(d) this fairy tale, because (for me) it is telling a story of strong women ... : ))

 

****************

Height of the figurine: 4 cm / 1,575 inches

Height of the capture: about 5,5 cm / 2,165 inches

 

************************

... gleißende Hitze und ein "schwitzender" / brennender Baum, der zugleich auch den Eingang zur Unterwelt ist - der Weg zur Regentrude (im Märchen eine Weide)

 

"Die Regentrude" von Theodor Storm (veröffentlicht 1863):

 

Ein sengend heißer Sommer lässt die Menschen im Dorf fast verzweifeln. Die Ernte verdorrt, Gras und Bäume brennen und das Vieh verdurstet auf den Weiden.

Angesichts der drohenden Hungersnot erwacht bei vielen Dörflern der alte Glaube an die Regentrude, die für den Leben spenden Regen zuständig ist. Doch von Zeit zu Zeit schläft sie ein — besonders dann, wenn der Glaube an sie erlischt. Jemand muss die Regentrude aufwecken! Die rettende Tat kann nur von einem mutigen jungen Mädchen vollbracht werden, das den anstrengenden und gefährlichen Weg zur Regentrude auf sich nimmt, der in die Unterwelt führt. Der Eingang ist eine alte vertrocknete Weide.

 

Eine Geschichte vor allem über starke Frauen!

 

Volltext unter:

archive.org/stream/dieregentrude08923gut/7rgtd10.txt

 

********************************

 

Happy Macro Monday everybody !!

Another - perhaps even more subdued - version of my little friend at St Marx' Cemetery, Vienna.

 

Meyer Primotar 3.5/135

PENTAX K-1

Photographed January 2017 : Canon FP + Canon lens mount convertor 'E' + Meyer-Optik Gorlitz Trioplan 50mm/2.9, FOMA Retro 320 soft rated ASA 200 developed in ADOX ATOMAL 49 (125ml > 600ml , 15min 30sec @ 20*C)

Fujifilm X-M1

Meyer-Optik Domiplan 50mm f2.8 (M42)

with mount-adapter

***

Bokeh from Canon G7X

Meyer-Optik Görlitz Domiplan 50mm f/2.8

Empire of the Undergrowth a light adventure

1 2 ••• 30 31 33 35 36 ••• 47 48