View allAll Photos Tagged bubblebokeh
Today's homework: spring in the neighborhood.
You've got mail! In the neighborhood, Tokyo, Japan. © Michele Marcolin, 2022. K1ii + smc Pentax-M 50mm f1.2
Still trying to get a grip of this lens to have it perform as I like. Not as easy as I thought... The blur it creates is rather different according to distance or light conditions. Rikenon 55mm f1.2 was easier to handle.
Taken with Meyer-Optik Görlitz Domiplan F2.8 50mm
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Photographer / Valokuvaaja:
Markus Kauppinen
My websites / Verkkosivuni:
My web gallery / Kuvagalleriat:
www.valonkuvaaja.com/kuvagalleria
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Facebook:
www.facebook.com/Valonkuvaajacom
instagram.com/kauppinen_markus
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Paikkoja joista voit ostaa valokuviani / Places where you can buy my photos:
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shot with a fujifilm x-s10 and fujinon 55mm f2.2 screw-mount lens, with helicoid adapter
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my review of this lens: www.aarondesigns.org/Fujinon55mmf22Review/
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Picture for the MacroMondays group theme on December 24th, 2012: A Wee Bit of Red.
Happy Holiday and Happy MacroMonday!
~世界山莊, 文山區, 台北市
Vision City Community, Taipei, Taiwan
- ISO 100, F8, 2 sec, 100mm
- Canon 5D Mark III with EF 100mm f/2.8 macro lens
- Shot @ 8.39pm
Taken using a Meyer-Optik Gorlitz 30mm f/3.5 Lydith adapted to my Nikon Z6. Love the bokeh on this lens and it's surprisingly sharp when stopped down a little. This was shot wide open at f/3.5.
Today's homework: spring in the neighborhood.
Maintenance ongoing. In the neighborhood, Tokyo, Japan. © Michele Marcolin, 2022. K1ii + smc Pentax-M 50mm f1.2
Still trying to get a grip of this lens to have it perform as I like. Not as easy as I thought... The blur it creates is rather different according to distance or light conditions. Rikenon 55mm f1.2 was easier to handle. The mae-bokeh, particularly if very close, tends to disappear almost completely under f2.8.
The DC control was set on full "F". I used a 1 inch Macro Tube and set focus on infinity. I sprayed water about 2 feet in front of the lens and positioned the flash about 2 feet above the lens pointing at the water. The color hues were added in Adobe Bridge to give it some interest.
Taken with Meyer-Optik Görlitz Domiplan F2.8 50mm
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Photographer / Valokuvaaja:
Markus Kauppinen
My websites / Verkkosivuni:
My web gallery / Kuvagalleriat:
www.valonkuvaaja.com/kuvagalleria
My blog / Blogini:
Twitter:
Facebook:
www.facebook.com/Valonkuvaajacom
instagram.com/kauppinen_markus
Youtube:
Paikkoja joista voit ostaa valokuviani / Places where you can buy my photos:
Meyer-Optik Görlitz 50mm ƒ/2.9 Trioplan, wide open. Adapted to Fujifilm X-T3, 10 mm macro tube to get close.
The clovers are in bloom these days so I went out and shot into the sun to highlight the flowers. My goal was to get soap bubble bokeh on the background highlights. I set the DC control to full "F" setting which creates bubble bokeh. The lens is very soft on this setting.
Nature is bold and beautiful as Spring approaches...
Fuji film X-T1
Meyer Optik Gorlitz Trioplan f/2.8 100mm
I know this is wrong in so many ways...noisy, lacking sharpness and obviously way off the mark focus wise but sometimes I think sod it...I love the rainbow effect of the light and the crazy Trioplan bokeh! What the heck ;-))
With ISO 50 film you inevitably find yourself shooting with the diaphragm rather wide open and therefore a limited DoF, which can lead to strange effects, such as here: distinctive bubble bokeh.
Silbersalz35 is a German startup that offers Kodak cine film re-packaged in standard 35 mm film cartridges plus development and high resolution scans. Their film is sold in packs of four cartridges.
I tried them once last winter, at the time with four rolls of their 500T tungsten balanced high ISO film.
This time I ordered a pack of four different rolls. This is the ISO 50 daylight balanced fine grain fim. Silbersalz 35 now comes in DX coded cartridges. The DX code would automatically set an overexposure by one stop, but I overrode that and exposed it at ISO 50.
I used the Zeiss Ikon Contarex with a Planar 50 lens for this roll.
I have created a Flickr group for photos shot with the Zeiss Ikon Contarex.
Camera: Zeiss Ikon Contarex (built in 1965-1966)
Lens: Carl Zeiss Planar 1:2 50mm Contarex Mount
Silbersalz35 50D colour cine film
Developed and scanned by silbersalz35.com