View allAll Photos Tagged broadcasting
Permission granted for journalism outlets and educational purposes. Not for commercial use. Must be credited. Photo courtesy of South Dakota Public Broadcasting. ©2018 SDPB/Craig Wollman
Circa 1940. Fritz was at this time broadcasting a show of himself on piano (often accompanied by his wife, Olya, an accordionist and singer) over the Binghamton, NY, airwaves of WNBF, located at the Arlington Hotel.
相次ぐアナログテレビの不法投棄。
アナログ→デジタル移行がテレビ離れを加速させるとしたら、テレビ嫌いのワタシにとっては願っても無いことですが、地上波放送のデジタル化って、そもそも”誰得”なんでしょうかね。
少なくとも視聴者の得にはなっていないと思われ。
Leeds Metropolitan University. Architects Feilden Clegg Bradley. Voted Best Tall Building in the World 2010 by the Council on Tall Buildings and Urban Habitat (CTBUH)
The British Broadcasting Corporation (BBC) asked the Boat School to build three traditionally-built Whitehalls as replicas of the boats used by John Wesley Powell and his group of explorers during their first-ever descent of the Colorado River in 1869. The BBC will film a reenactment of the voyage later in 2013.
The School is building one 16-foot Whitehall, the "Scout Boat", and two 21-foot Whitehalls. Though Powell launched four Whitehalls onto the river in 1869, one, the 21-foot "No Name", was lost to the river shortly after the descent began.
The white oak from which the boats are constructed was supplied by Newport Nautical Timbers www.newportnauticaltimbers.com/ . The 16-foot boat will be planked in larch from eastern Washington, which is as close as it is possible to come to the original white pine planking used on that boat.
Whitehalls are the iconic American pulling boat.
They emerged in New York City and, possibly, shortly thereafter in Boston in the 1830's. It is thought the name derives from Whitehall Street in New York City, though no one is sure. By the mid-19th century, they could be found anywhere there was a sizeable body of water - the East Coast, the Great Lakes, and the Pacific Coast at San Francisco all boasted boatbuilders turning out Whitehalls.
The boats were usually used under oars and occasionally sail as fast harbor ferries and the boat used to take harbor pilots out to meet inbound sailing ships. They have a fine reputation as fast, easy-rowing vessels that are capable of carrying a great deal of weight.
Nearly all Whitehalls were carvel-built with white cedar planking on an oak backbone with oak frames. (Carvel planking means that the planks butted up against each other, edge to edge, which results in a smooth hull). The finer boats were highlighted with a bright sheer plank (the top plank) varnished to catch one's eye.
There is surprisingly little known about the boats used by the 1869 Powell Expedition, the first to descend the Grand Canyon of the Colorado River. We do know that the Powell Expedition boats were built in Chicago IL to Powell's specifications.
It's known that the "Scout Boat" as Powell called it was 16 feet long and planked in white pine, that the remaining boats were 21 feet long and planked in white oak with twice the number of frames and doubled stems and stern posts.
There are no complete descriptions of the boats themselves, no pictures, and only a few scattered references made to the boats in the surviving journals and records of the Expedition.
The three boats we are building for the BBC are being constructed to the best information available, using the general scantlings provided by John Gardner's historical work, extent plans, our significant experience in building Whitehalls over our 32 years, and the historical data available to us.
The boats will be completed by mid-July, 2013.
The Northwest School of Wooden Boatbuilding is located in Port Hadlock WA and is an accredited, non-profit vocational school. You can find us on the web at www.nwboatschool.org .
Our mission is to teach and preserve the fine art of wooden boatbuilding and traditional maritime crafts.
We build both commissioned and speculative boats for sale while teaching students boatbuilding the skills they need to work in the marine trades. If you're interested in our building a boat for you, please feel free to give us a call.
You can reach us via e-mail at info@nwboatschool.org or by calling us at 360-385-4948.
Permission granted for journalism outlets and educational purposes. Not for commercial use. Must be credited. Photo courtesy of South Dakota Public Broadcasting.
©2021 SDPB
5016b) Dorothy Ashby - 1965 Event Program for the Afro-American Broadcasting Company Awards Night Presentation held on February 14, 1965 at the Ford Auditorium in Detroit, Michigan. At that event the Dorothy Ashby Trio performed jazz music and El Hadj Malik Shabazz (aka the famous historical African-American figure widely known as Malcolm X) gave his last major speech before being assassinated exactly one week later on Feb 21, 1965.- Front Cover
This is an original issue 1965 event program booklet that was published to commemorate an event on February 14, 1965 at which Malcolm X gave his last major message just 7 days before his assassination on February 21, 1965. This event happened on the very same day that Malcolm X (or El Hajj Malik El Shabazz as was his preferred name at this time) had his Queens, New York home firebombed. Because of the damage his home suffered that night, he was not wearing his customary coat and tie because most of his clothes had been destroyed.
The "Afro American Broadcasting Company" was an African American organization that was formed in 1964 primarily to produce over the air radio programs that "met with African-American approval as spiritually free Black people". The organization began in 1964 to produce and distribute its own radio programs about the African American experience for radio stations throughout the Northeastern United States. The organization was formed in response to widespread dissatisfaction in the African American community with the content and character of radio programs produced about African Americans on "white radio stations". The purpose of the event held that Valentine's Day in 1965 was to raise money by selling tickets to the event itself. The money was to be used to provide scholarships to Afro American youth to enter the field then known as "mass communications". Malcolm X was particularly interested in supporting the African American media at this time because he recognized the importance of his speeches being accurately reported to the public by the mass media. Malcolm X's concern for accurate reporting of his views would explain his supporting this organization.
The event at which Malcolm X spoke that night was actually an awards event called the "First Annual Dignity Projection and Scholarships Award Night" sponsored by the Afro American Broadcasting Company. The event was complete with live music and famous persons being honored for their achievements including African-Americans such as Rosa Parks, Sidney Poitier, and Marion Anderson. The Dorothy Ashby Trio was part of the entertainment for this event. Malcolm X was the scheduled keynote speaker and he was the final speaker for that evening.
What was not commonly known is that the FBI, was very active in monitoring aka spying on the life of Malcolm X as well as others active in the civil rights movement. The FBI was concerned enough about the impact that this particular event in Detroit, Michigan might have. In fact the FBI was so concerned about this event that the FBI instituted what Malcolm X described later in his speech that night as a “Blackout” In this case a “blackout” meant that the FBI instituted a “counterintellengence” (COINTEL) action against the event by contacting and discouraging the larger sponsors such as Ford Motor Company, Chrysler Motor Company and others from supporting this event.
Near the end of his speech Malcolm X thanked his Detroit audience for attending the event. Apparently the fact that the FBI had attempted to sabotage this event was well known to Malcolm X. The FBI effort to peel support away from this event was at least successful enough so that the attendance was less than expected.
So few copies of this event program exist that I myself was contacted by a Detroit historian to provide photo scans of this copy.
The only other known copy of this event program noted on the Internet is a copy formerly owned by Rosa Parks, who was one of the individuals honored and pictured in the program. Distribution for this program may have been limited to the honorees and to the individuals and groups providing entertainment for the event.
This event program is not part of any collection that originated directly from Malcolm X or his family. It was and still is traditional to publish a very limited number of programs such as this to commemorate an event and then sell or give them away at the event. Since the program is dated on the front and was published strictly for this event, it is highly unlikely that the program was distributed after the date on the front. Because of the government pressure to suppress this historic event, chances are that any surviving copies of the event program were destroyed after the event.
This event program booklet is both extremely rare and very historic. Photographs of a corresponding 2 LP record set of Malcolm X's speech that night is included elsewhere in the Dorothy Ashby Legacy Photograph Collection only to give an additional historical reference as to what other recorded media was spawned as a result of the 1965 event that that this program commemorates.
Permission granted for journalism outlets and educational purposes. Not for commercial use. Must be credited. Photo courtesy of South Dakota Public Broadcasting.
©2018SDPB
Permission granted for journalism outlets and educational purposes. Not for commercial use. Must be credited. Photo courtesy of South Dakota Public Broadcasting. ©2021 SDPB
Public Service Broadcasting commissioned us to design and letterpress print a limited edition (100 copies) poster, to accompany the launch of their debut album ‘Inform, Educate, Entertain’ (publicservicebroadcasting.net/inform-educate-entertain-ou...) in May 2013.
Printed from antique Elongated Sans Serif wood type and Granby Light metal type onto high-quality 170gsm cartridge paper, signed and editioned by J. Willgoose Esq. himself.
Reviews for IEE:
Permission granted for journalism outlets and educational purposes. Not for commercial use. Must be credited. Photo courtesy of South Dakota Public Broadcasting.
©2018SDPB
The Gibraltar Broadcasting Corporation (GBC) is Gibraltar's public service broadcaster. It has provided the community with a radio and television service since 1963.
Modelled on the BBC, the Corporation was established in 1963 with the amalgamation of Gibraltar Television, a private company, and the Government-owned radio service, Radio Gibraltar which started regular broadcasting in 1958. Unlike the BBC, the majority of GBC's funding comes in the form of a grant from the Government. GBC did receive a small amount of income from the levying of a television licence fee. However, it was announced in Gibraltar's budget speech of 23 June 2006 that the TV licence was to be abolished.
This was taken during the Royal Gibraltar Regiment's Queen's Birthday Parade at Grand Casemates Square on 10th June 2010.
James Murphy - GBC Cameraman
Title: NZBC [New Zealand Broadcasting Corporation] technical [160 photographs]
Description: 2YA Control Room, Waring Taylor Street, Wellington
Photographer: unknown
Archives New Zealand reference: AAFH 7304 W4771 Box 2/a
www.archway.archives.govt.nz/ViewFullItem.do?code=20828542
This image was created by the Broadcasting Corporation of New Zealand and is from a photographic series of various subjects, including: personalities, disasters, industry, and sport.
For further enquiries please email Research.Archives@dia.govt.nz
For updates on our On This Day series and news from Archives New Zealand, follow us on Twitter www.twitter.com/ArchivesNZ
Material from Archives New Zealand
From May 1956 until recently, this was the beating heart of regional telly in this part of the North West on the ITV network, but now all that has been transferred to the characterless and frankly unprepossessing Media City on the other side of the Irwell in Salford Quays a venue shared by the BBC, who also broadcast from the iconic (and should never have been closed) Television Centre. Anyway. this was Quay Street Studios, home to a television station named by founder Leonard Bernstein after his favourite place - the Sierra Granada mountain range in the Andalusia region (pronounced 'Andaloothia') of Spain.
"What Manchester sees today London will see tomorrow" was his proud boast in the year when Britain and France invaded Suez, only for America to tell them to get out of there. Because it wasn't a war they started, they had to get jealous but I digress.
This was also where Richard Madeley (big, BIG fan of Tesco!) met Judy Finnegan who cheerfully told him on his first day at the station back in 1982 that she 'was his mummy' and, let's face it, the years haven't exactly been kind to her!
Of course, I should really have taken a few photos of this in the past when it was an active TV studios but what spurred me into action was Peter Kay's tribute to the station Goodbye Granadaland and that was a week before I took these shots. Why a week you may ask? Well, because I forgot to charge my camera battery the night before I first went (June 16), I had to make do with the camera on an old mobile phone. I only took a few photos with that because I was used to MY camera. Anyway, long story short, as soon as I got home that day, I put the battery on charge and it was ready the following week.
Oh yeah, you may be wondering how the title came about. Well, years ago when the telly started at half nine in the am, they were the words you would have heard uttered in the dulcet tones of Graham James or whoever was announcer that day.
Showing my age, aren't I? But hey, I don't give a fuck!
5016a) Dorothy Ashby - 1965 Event Program for the Afro-American Broadcasting Company Awards Night Presentation held on February 14, 1965 at the Ford Auditorium in Detroit, Michigan. At that event the Dorothy Ashby Trio performed jazz music and El Hadj Malik Shabazz (aka the famous historical African-American figure widely known as Malcolm X) gave his last major speech before being assassinated exactly one week later on Feb 21, 1965.- Front Cover
This is an original issue 1965 event program booklet that was published to commemorate an event on February 14, 1965 at which Malcolm X gave his last major message just 7 days before his assassination on February 21, 1965. This event happened on the very same day that Malcolm X (or El Hajj Malik El Shabazz as was his preferred name at this time) had his Queens, New York home firebombed. Because of the damage his home suffered that night, he was not wearing his customary coat and tie because most of his clothes had been destroyed.
The "Afro American Broadcasting Company" was an African American organization that was formed in 1964 primarily to produce over the air radio programs that "met with African-American approval as spiritually free Black people". The organization began in 1964 to produce and distribute its own radio programs about the African American experience for radio stations throughout the Northeastern United States. The organization was formed in response to widespread dissatisfaction in the African American community with the content and character of radio programs produced about African Americans on "white radio stations". The purpose of the event held that Valentine's Day in 1965 was to raise money by selling tickets to the event itself. The money was to be used to provide scholarships to Afro American youth to enter the field then known as "mass communications". Malcolm X was particularly interested in supporting the African American media at this time because he recognized the importance of his speeches being accurately reported to the public by the mass media. Malcolm X's concern for accurate reporting of his views would explain his supporting this organization.
The event at which Malcolm X spoke that night was actually an awards event called the "First Annual Dignity Projection and Scholarships Award Night" sponsored by the Afro American Broadcasting Company. The event was complete with live music and famous persons being honored for their achievements including African-Americans such as Rosa Parks, Sidney Poitier, and Marion Anderson. The Dorothy Ashby Trio was part of the entertainment for this event. Malcolm X was the scheduled keynote speaker and he was the final speaker for that evening.
What was not commonly known is that the FBI, was very active in monitoring aka spying on the life of Malcolm X as well as others active in the civil rights movement. The FBI was concerned enough about the impact that this particular event in Detroit, Michigan might have. In fact the FBI was so concerned about this event that the FBI instituted what Malcolm X described later in his speech that night as a “Blackout” In this case a “blackout” meant that the FBI instituted a “counterintellengence” (COINTEL) action against the event by contacting and discouraging the larger sponsors such as Ford Motor Company, Chrysler Motor Company and others from supporting this event.
Near the end of his speech Malcolm X thanked his Detroit audience for attending the event. Apparently the fact that the FBI had attempted to sabotage this event was well known to Malcolm X. The FBI effort to peel support away from this event was at least successful enough so that the attendance was less than expected.
So few copies of this event program exist that I myself was contacted by a Detroit historian to provide photo scans of this copy.
The only other known copy of this event program noted on the Internet is a copy formerly owned by Rosa Parks, who was one of the individuals honored and pictured in the program. Distribution for this program may have been limited to the honorees and to the individuals and groups providing entertainment for the event.
This event program is not part of any collection that originated directly from Malcolm X or his family. It was and still is traditional to publish a very limited number of programs such as this to commemorate an event and then sell or give them away at the event. Since the program is dated on the front and was published strictly for this event, it is highly unlikely that the program was distributed after the date on the front. Because of the government pressure to suppress this historic event, chances are that any surviving copies of the event program were destroyed after the event.
This event program booklet is both extremely rare and very historic. Photographs of a corresponding 2 LP record set of Malcolm X's speech that night is included elsewhere in the Dorothy Ashby Legacy Photograph Collection only to give an additional historical reference as to what other recorded media was spawned as a result of the 1965 event that that this program commemorates.
From May 1956 until recently, this was the beating heart of regional telly in this part of the North West on the ITV network, but now all that has been transferred to the characterless and frankly unprepossessing Media City on the other side of the Irwell in Salford Quays - a venue shared by the BBC, who also broadcast from the iconic (and should never have been closed) Television Centre. Anyway. this was Quay Street Studios, home to a television station named by founder Leonard Bernstein after his favourite place - the Sierra Granada mountain range in the Andalusia region (pronounced 'Andaloothia') of Spain.
"What Manchester sees today London will see tomorrow" was his proud boast in the year when Britain and France invaded Suez, only for America to tell them to get out of there. Because it wasn't a war they started, they had to get jealous but I digress.
This was also where Richard Madeley (big, BIG fan of Tesco!) met Judy Finnegan who cheerfully told him on his first day at the station back in 1982 that she 'was his mummy' and, let's face it, the years haven't exactly been kind to her!
Of course, I should really have taken a few photos of this in the past when it was an active TV studios but what spurred me into action was Peter Kay's tribute to the station Goodbye Granadaland and that was a week before I took these shots. Why a week you may ask? Well, because I forgot to charge my camera battery the night before I first went (June 16), I had to make do with the camera on an old mobile phone. I only took a few photos with that because I was used to MY camera. Anyway, long story short, as soon as I got home that day, I put the battery on charge and it was ready the following week. From May 1956 until recently, this was the beating heart of regional telly in this part of the North West on the ITV network, but now all that has been transferred to the characterless and frankly unprepossessing Media City on the other side of the Irwell in Salford Quays - a venue shared by the BBC, who also broadcast from the iconic (and should never have been closed) Television Centre. Anyway. this was Quay Street Studios, home to a television station named by founder Leonard Bernstein after his favourite place - the Sierra Granada mountain range in the Andalusia region (pronounced 'Andaloothia') of Spain.
"What Manchester sees today London will see tomorrow" was his proud boast in the year when Britain and France invaded Suez, only for America to tell them to get out of there. Because it wasn't a war they started, they had to get jealous but I digress.
This was also where Richard Madeley (big, BIG fan of Tesco!) met Judy Finnegan who cheerfully told him on his first day at the station back in 1982 that she 'was his mummy' and, let's face it, the years haven't exactly been kind to her!
Of course, I should really have taken a few photos of this in the past when it was an active TV studios but what spurred me into action was Peter Kay's tribute to the station Goodbye Granadaland and that was a week before I took these shots. Why a week you may ask? Well, because I forgot to charge my camera battery the night before I first went (June 16), I had to make do with the camera on an old mobile phone. I only took a few photos with that because I was used to MY camera. Anyway, long story short, as soon as I got home that day, I put the battery on charge and it was ready the following week. This rather long shot, taken at the back of the studios from Atherton Street, is of the top of the office block and you can just about make out where the big letters proclaiming 'GRANADA TV' would have been. Because they were so high up, I think that getting them off would have been a bit of a mission and not one for those with a fear of heights.
Oh yeah, you may be wondering how the title came about. Well, years ago when the telly started at half nine in the am, they were the words you would have heard uttered in the dulcet tones of Graham James or whoever was announcer that day.
Showing my age, aren't I? But hey, I don't give a fuck!
Oh yeah, you may be wondering how the title came about. Well, years ago when the telly started at half nine in the am, they were the words you would have heard uttered in the dulcet tones of Graham James or whoever was announcer that day.
Showing my age, aren't I? But hey, I don't give a fuck!
Title / Titre :
A Canadian Broadcasting Corporation television studio during a live broadcast, February 1954 /
Un studio de télévision de la Société Radio
Canada pendant une radiodiffusion en direct, février 1954
Creator(s) / Créateur(s) : Gar Lunney
Date(s) : February 1954 / février 1954
Reference No. / Numéro de référence : ITEM 3231998
central.bac-lac.gc.ca/.redirect?app=fonandcol&id=3231...
Location / Lieu : Montreal, Quebec, Canada /
Montréal, Québec, Canada
Credit / Mention de source :
Gar Lunney. Canada. National Film Board of Canada. Photothèque. Library and Archives Canada, PA-169804 /
Gar Lunney. Canada. Office national du film du Canada. Bibliothèque et Archives Canada, PA-169804
The British Broadcasting Corporation (BBC) asked the Boat School to build three traditionally-built Whitehalls as replicas of the boats used by John Wesley Powell and his group of explorers during their first-ever descent of the Colorado River in 1869. The BBC will film a reenactment of the voyage later in 2013.
The School is building one 16-foot Whitehall, the "Scout Boat", and two 21-foot Whitehalls. Though Powell launched four Whitehalls onto the river in 1869, one, the 21-foot "No Name", was lost to the river shortly after the descent began.
The white oak from which the boats are constructed was supplied by Newport Nautical Timbers www.newportnauticaltimbers.com/ . The 16-foot boat will be planked in larch from eastern Washington, which is as close as it is possible to come to the original white pine planking used on that boat.
Whitehalls are the iconic American pulling boat.
They emerged in New York City and, possibly, shortly thereafter in Boston in the 1830's. It is thought the name derives from Whitehall Street in New York City, though no one is sure. By the mid-19th century, they could be found anywhere there was a sizeable body of water - the East Coast, the Great Lakes, and the Pacific Coast at San Francisco all boasted boatbuilders turning out Whitehalls.
The boats were usually used under oars and occasionally sail as fast harbor ferries and the boat used to take harbor pilots out to meet inbound sailing ships. They have a fine reputation as fast, easy-rowing vessels that are capable of carrying a great deal of weight.
Nearly all Whitehalls were carvel-built with white cedar planking on an oak backbone with oak frames. (Carvel planking means that the planks butted up against each other, edge to edge, which results in a smooth hull). The finer boats were highlighted with a bright sheer plank (the top plank) varnished to catch one's eye.
There is surprisingly little known about the boats used by the 1869 Powell Expedition, the first to descend the Grand Canyon of the Colorado River. We do know that the Powell Expedition boats were built in Chicago IL to Powell's specifications.
It's known that the "Scout Boat" as Powell called it was 16 feet long and planked in white pine, that the remaining boats were 21 feet long and planked in white oak with twice the number of frames and doubled stems and stern posts.
There are no complete descriptions of the boats themselves, no pictures, and only a few scattered references made to the boats in the surviving journals and records of the Expedition.
The three boats we are building for the BBC are being constructed to the best information available, using the general scantlings provided by John Gardner's historical work, extent plans, our significant experience in building Whitehalls over our 32 years, and the historical data available to us.
The boats will be completed by mid-July, 2013.
The Northwest School of Wooden Boatbuilding is located in Port Hadlock WA and is an accredited, non-profit vocational school. You can find us on the web at www.nwboatschool.org .
Our mission is to teach and preserve the fine art of wooden boatbuilding and traditional maritime crafts.
We build both commissioned and speculative boats for sale while teaching students boatbuilding the skills they need to work in the marine trades. If you're interested in our building a boat for you, please feel free to give us a call.
You can reach us via e-mail at info@nwboatschool.org or by calling us at 360-385-4948.
Mingle Media TV and Red Carpet Report host Ashley Harrington were invited to cover the 2014 Daytime Emmy® Awards Nominees Cocktail Reception Hosted by the Television Academy’s Daytime Programming Peer Group Governors at the London West Hotel in Hollywood.
Get the Story from the Red Carpet Report Team, follow us on Twitter and Facebook at:
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About the 41st Annual Daytime Emmy Awards
The 41st Annual Daytime Emmy Awards are administered and presented by the National Academy of Television Arts & Sciences, and will take place on June 22, 2014 at the Beverly Hilton Hotel. The National Academy’s Daytime Creative Arts Emmy Awards Gala will be held on June 20, 2014 at the Westin Bonaventure in Downtown LA. The Daytime Emmy® Awards has been honoring excellence in all fields of daytime broadcast production for thirty-eight years. The Emmy® is awarded in sixty-eight categories, including acknowledgements for series, performers and all other technical and creative areas. The Daytime Emmy® Awards season culminates with a televised show that pays tribute to the exceptional work of daytime broadcasting’s elite. For more info, please visit, emmyonline.org.
For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:
www.facebook.com/minglemediatvnetwork
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Follow our host Ashley Harrington on Twitter at twitter.com/Ash_Harrington