Basing
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I wish you the best year ever my dear Flickr friends! Lots of love, happiness and good health for you and your families!
Thank you for the ungoing support! I appreciate it!
Check out my new website: www.esthersfotografie.nl
【memo】
@FaMESHed
maps.secondlife.com/secondlife/FaMESHed/217/229/799
KraftWork Slumber Party . FATPACK
▶KraftWork Slumber Party . Decor Hanging Cloth
▶KraftWork Slumber Party . Floor Pillows 1
▶KraftWork Slumber Party . Floor Pillows 2
▶KraftWork Slumber Party . Fur Rug
▶KraftWork Slumber Party . Lingerie Hanger
▶KraftWork Slumber Party . Mattress Tent Type A
▶KraftWork Slumber Party . Mattress Tent Type B
▶KraftWork Slumber Party . Pallet Table
▶KraftWork Slumber Party . Pink Martini Glass (decor)
▶KraftWork Slumber Party . Place Setting
▶KraftWork Slumber Party . Sleeping Masks
▶KraftWork Slumber Party . Strawberries Plate
👍KraftWork Mainstore
maps.secondlife.com/secondlife//246/149/21
@Mainstore
.PALETO. Backdrop:. Oakland City
In 1908, the Düsseldorf-based Central-trade-ssociation for Rhineland, Westphalia and neighbouring districts praised a competition for a fountain in front of the Düsseldorf Art Palace.
As a "figurative representation of the iron industry and the mining industry," it was to be sent to the 1902 on the site on the banks of the Rhine (then Kaiser Wilhelm Park, now Rheinpark) the industrial and commercial exhibition was held.
Among the 44 designs submitted, the jury, which was prominently occupied by the painter Fritz Roeber, the painter Georg Oeder, the architect Wilhelm Kreis and the Düsseldorf garden director Walter von Engelhardt, was Prize awarded, so also do not recommend a design for execution. It was initially planned to give the authors of the shortlisted drafts the opportunity to revise them in a second stage of competition (a closer competition).
The fountain was built in its original form between 1911 and 1913. While the Düsseldorf architect Gotthold Nestler designed the actual well complex, the sculptor Friedrich Coubillier created the three bronze figures "Schmied Vulkan," "Bergmann" and "Hüttenarbeiter." Miner and cottage worker are depicted in the loincloth. The bronze casting of the figures took place at the Kunstgießerei Lauchhammer.
On the occasion of the opening of the Grand Art Exhibition in 1913, the industrial fountain in front of the former Art Palace was inaugurated. In 1925 the fountain was dismantled there because of the extensive new buildings at the Ehrenhof.
In 1939, the three sculptures were erected in a new facility on Fürstenplatz in Friedrichstadt. In 1942 the figures were to be melted down as metal donations by the German people for armaments and were removed. However, they remained intact, and in 1950 they were restored.
*Picture based on DPR Ian's MIITO movie**
How does it feel to be alive again?
You know all the words to the play
But all I wanted was you to stay
Your time is running thin
'Cause I'm falling through the cracks under your floor
How does it feel to be alive again?
Stop holding on with your dear breath
You're one step closer to me
On the ballroom extravaganza
I know you won't find me anymore
I tried to reach for you once more
But the world came
Crashing to the ground
When the story comes to an end
Will it be the same again?
When all the king's horsemen and all the king's men
They couldn't put you back together again
Una de las pocas imágenes que hice en vertical en mi estadía en la base, una maravilla de lugar, geoformas por todos los rincones con origenes diferentes...
Sigue mis fotografias en www.instagram.com/felipe_cabellog/
View from the Sedrun multi functional station inside the Gotthard base tunnel.
The exit of the tunnel in this direction is 20 km away, in the other direction it is even 37 km away.
By chance I had the opportunity to visit the tunnel through the SBB gottardino program. Once the tunnel goes into full operation in December 2016, it will no longer be possible for the public to have such a close look.
Alla base del promontorio di Tindari si trova una zona sabbiosa con una serie di piccoli specchi d'acqua, la cui conformazione si modifica in seguito ai movimenti della sabbia, spinta dalle mareggiate. La spiaggia è conosciuta con il nome di Marinello o il mare secco e vi sono legate diverse leggende. At the base of the promontory of Tindari there is a sandy area with a series of small stretches of water, the share of which changes due to the movement’s of the sand, pushed by storm surges. The beach is known by the name of Marinello or the dry sea and there are various legends connected with it.
The muted rumble of the ocean and the wind whistling through the sea oats are the only sounds as a cold front rolls across the beach and heads east over the ocean. Thanks for looking and have a great weekend.
Not on the moon and not a base but a restaurant in Timmendorfer Strand, Baltic Sea, Germany.
Keine Mondlandebasis aber das relativ neue Restaurant auf dem Pier in Timmendorfer Strand, Ostsee.
Something white...ha,ha!
Have a great week guys.Thank you for comments and faves.
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The four DL Alcos that have just dropped their train in Pocono and Cresco are closing in on Scranton with their return train. The set is crossing Roaring Brook River viewed from Davis trail, a neat way to finish the day.
Cumbre considerada el mirador de Picos, el Coriscao (2.234 m.) divide Cantabria y León. Ascendida desde el puerto de San Glorio, con mucha nieve y mucho viento hasta llegar a la cima. Las vistas, alucinantes, hacia Picos de Europa, la montaña cántabra, palentina, leonesa...
www.youtube.com/watch?v=XT-_7BesEK4&t=6s / www.youtube.com/watch?v=TutW_updo10 / www.youtube.com/watch?v=h8axTLkm0-k / www.youtube.com/watch?v=TaZ1xQHbSbo / www.youtube.com/watch?v=CVIbslyxUXM
Composite: The background of this photo is an infrared image I took with my Canon Rebel XT using a Canon EFS 17-85 lens. The pose is based on a publicity photo of Lon Chaney for a now lost movie "London After Midnight." The face is mine manipulated in Photoshop. It made a journey through many filters to appear as it is now. I entered a square format version of this in a Halloween contest by BenQ.
I just love my vista’s to be moody with a bit of edge and the bonus of random light highlighting one of the tops, unfortunately this is as good as it got on Tuesday. I didn’t bother to get my Canon out of the backpack as I was iffy on it’s worth and took the photo with my Fujifilm XT30 16-80mm utility lens. This is a super little combo to be hanging on my shoulder in my old crumpler quick escape pouch. The xt30 is small and has got the best aps-c sensor Fujifilm produce at the moment and this 16-80mm is a very versatile lens, giving an equivalent 24-120mm focal range. It’s sharp enough for this sensor and has a great stabilisation. I always like a camera to be handy when I’m in the hills to catch the little moments of drama, regardless of it being a photography day where I would have a bit more camera umph in my rugsack, or a mountain day where I would only carry the small Fujifilm. The photo was taken maxed out at 80mm to catch a rare sight of the high tops. It’s centred on Base Brown flanked by a snow dusted Great End and the Gables either side.
Junkyard, Fresno, Ca.
Full story may be found here: www.flickr.com/photos/dclmeyer/albums/72177720332227197