View allAll Photos Tagged awesomeglobe
You will never forget your first time on the Isle of Skye, surrounded by mystical sceneries and magical light it will make you feel like you’re in a fairy tale.
A view of the #AmericanFalls from the Canadian side of #NiagaraFalls. This mighty #waterfall is a spectacular sight to see with your own eyes! Which side do you think is the best place to see the falls? The American side or the Canadian side?
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In The Glow Of The Long Setting Sun (2016-06-22 21:36)
Route 1, or Ring Road, has many scenes with fantastic beauty. When I saw how the sun was illuminating this mountain and the beautiful meadow of lupines, I immediately pulled over and set up my camera. The beautiful lighting went away, but I thought I would remain there, hopeful that the clouds would part and this would be cast in a beautiful, buttery glow again. The golden hour. And thankfully, that happened. Most of the time I was in Iceland, it was overcast. But at this moment, magic occurred. And when these moments occur, I want to give it a big giant hug and a kiss and savor it.
Throughout Iceland, there were many beautiful fields of lupine, whether here in the south part of Iceland or in the Westfjords. Being from California, this made me feel quite at home. Nikon D610/Nikkor 28-300mm. 1s f/8 ISO 100.
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Four Eyes Lift Off (4833)
Pearsonville Auto Salvage Yard, Mojave Desert, California. I used a handheld LED flashlight to illuminate the car, and then used it with a homemade snoot to hit thehead lights with a yellow light to make them glow a bit more. We had these amazing clouds most of the evening, creating fantastic shapes with or without long exposures.
This is a real photo taken at night. Everything was illuminated by a big bright moon, an almost full moon, almost bright enough to read a book. And setting my tripod-mounted camera to a long exposure made the camera much more sensitive to light than our eyes on this already bright evening. This is why this photo seems brighter than what we might see at night. It is not due to post-processing. The moon, which reflects light from the sun, also makes the sky bluer, and when the photo is a long exposure photo, the sky will appear brighter, making the blue more apparent. I also illuminated the junkyard car with a handheld ProtoMachines LED2 flashlight while the camera shutter was open. This is not a post-processing creation. No pixels were harmed during the creation of this photo. :D
I am fascinated with how a single long exposure photo can show movements and the cumulative effects of light in a single image. Thank you for reading this and looking at the image. -Ken
Nikon D610/14-24mm f/2.8, 188 seconds @ f/8 ISO 200. Oct 2016. I photographed this with Tim Little, Steve McIntyre, and Troy Paiva near a full moon. Troy is an enormous pioneer in light painting night photography.
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#TowerBridge is a suspension bridge in London built between 1886 and 1894. The bridge crosses the #RiverThames close to the Tower of London and has become an iconic symbol of London.
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This morning we woke up to this winter wonderland. Believe it or not, this isn't a black and white photo.
I took a similar photo earlier in the year. But it wasn't a picture of the day for the project and the fogginess gave it a drastically different look.
My attempt at a Starry Night “Selfie”, captured at Phillip Island earlier in the year.
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Every time I go back home to Italy I feel the need to visit this location. It's incredible how one place can give you so many emotions. Here is a shot from this summer - a stormy sea at sunset, quite spectacular.
During my last trip to the Isle of Skye I went to one of the most popular locations on the Isle, the Fairy Pools, which were completely frozen and almost unrecognisable. A few moments after I took the shot I was caught in a snow blizzard coming from the Cuillins.
This picture was taken from inside my tent during a rainy evening, showing you don’t need to go far to find the perfect spot for a photo.
Pearsonville Auto Salvage Yard, Mojave Desert, California. I used a handheld LED flashlight to illuminate the Edsel, and then used it with a homemade snoot to hit the red taillights with red light to make them glow a bit more. We had these amazing clouds most of the evening, creating fantastic shapes with or without long exposures.
This is a real photo taken at night. Everything was illuminated by a big bright moon, an almost full moon, almost bright enough to read a book. And setting my tripod-mounted camera to a long exposure made the camera much more sensitive to light than our eyes on this already bright evening. This is why this photo seems brighter than what we might see at night. It is not due to post-processing. The moon, which reflects light from the sun, also makes the sky bluer, and when the photo is a long exposure photo, the sky will appear brighter, making the blue more apparent. I also illuminated the junkyard car with a handheld ProtoMachines LED2 flashlight while the camera shutter was open and also illuminated the interior with a blue light. This is not a post-processing creation. No pixels were harmed during the creation of this photo. :D
I am fascinated with how a single long exposure photo can show movements and the cumulative effects of light in a single image. Thank you for reading this and looking at the image. -Ken
www.facebook.com/kenleephotography
www.500px.com/kenleephotography
plus.google.com/+KenLeePhotography/
Nikon D610/14-24mm f/2.8, 231s total @ f/8 ISO 200. Oct 2016. I photographed this with Tim Little, Steve McIntyre, and Troy Paiva near a full moon. Troy is an enormous pioneer in light painting night photography.
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