View allAll Photos Tagged automative

2 hours of indoor light painting to pass my quality control.

 

Usery Mountain Park, Mesa, Arizona. LomoInstant Automat with Instax film.

Aires Automat with Nikkor-QC 7.5cm f3.5, Tri-X 120 developed in HC-110

Kodak Colorplus 200 35mm film

Fuji GA645 / Fuji Pro 400H +0,5 stop

Rolleiflex Automat X

Kodak Portra 400VC

Yangpyeong, 2011

 

Rolleiflex Automat X

Fuji Pro 400H

Venice, 2008

Mamiya 6 Six Automat

Zuiko 7.5cm f:3.5

Kodak Tri-X @400

Developed in Caffenol-C-L semi-stand 35min@20C

Lomo Instant Automat Glass. Instax mini film

 

Rolleiflex Automat X

Kodak Portra 160VC

Wells, 2008

Leica M3

Elmar 50mm

Kodak Gold 200

 

Darmstadt Oktober 2015

after castings what else is there to do but get grilled cheese and stuff your face! yum

aus meinem analogen Archiv (1995)

Rolleiflex Automat K4B

Ilford FP4+ @100

Rodinal 1+50 8.30 min. 22°C

 

Lomography Automat Glass.

Kowa Kalloflex Automat TLR

Prominar 75mm f3.5

Fuji Pro400h

 

Developed With Rollei Digibase c41 kit

Scanned on a Canon Canoscan8400f

 

www.instagram.com/analogue_keith/

 

Flexaret VI Automat by Meopta

Belar 3.5/80

Fomapan 100 @ 80 iso

Sverdlovsk 4

Adonal 1+37

Epson V600

One hundred and fifty-eight HORN & HARDART Automat - Cafeterias, Restaurants, and Retail Shops in New York and Philadelphia serving over half a million patrons a day.

 

"The Public Appreciates Quality"

Petit coup de coeur pour cette laverie automatique à Montpellier :)

Kodak Colorplus 200 35mm film

1955 Mamiya-6 Automat

UNIT 4 age 6

 

Liesegang Fantax 300 Automat mit Rundmagazin.

Komplett mit allem was dazugehört: Timer, Anleitungen, Einstellmaske für die Lampe.

Das Rundmagazin war voll mit alten Dias.

Lomography Automat Glass

Same truck, different angle, different day.

This truck subbed for the Durapak 7000 while it was in the process of being replaced. Trucks like this used to collect single sort in Anoka, I don't know what does now, but I'd be willing to assume its the usual newer Autoreach.

Kodak Colorplus 200 35mm film

Rolleiflex Automat X

Pocheon, 2006

Mamiya-6 Automat

Auto-Up attachment (close focus)

FOMAPAN 100

Mirror Reflection

Rolleiflex Automat, 75mm Teslar, Fuji Pro400H, digitized with a Fuji XE2 and a macro lens.

Vista en detall d'un obturador Bausch & Lomb Automat, del 1906. Es tract d'un obturador central del tipus pneumatic, perque tant el disparador com les velocitats lentes estan regulades per cilindres d'aire (els dos elements verticals a banda i banda de la lent). Posteriorment els obturadors es regularan per rellotgeria, i no per aire, guanyant en eficiencia tot allò que perdran en encant steam-punk. Finalment dir que, com el seu nom indica és un obturador automatic o "everset", en el que no cal "carregar" el mecanisme per a disparar-lo. Això en facilita l'ús però en limita la velocitat màxima.

 

La Kodak No.3 Folding Pocket és una càmera de rodet de gran format produida per Eastman Kodak entre 1900 i 1915. Emprava el format 118 i fou molt popular, amb gran varietat de sub-models. Aquesta en concret és un model F, equipada amb obturador Bausch & Lomb Automat i objectiu Goerz Doppel-Anastigmat Syntor f.6,8 de 120mm. Data del 1910, pel nº de serie 626xx-R.

 

Un detall interessant d'aquest model en concret, si no vaig errat, es que es tracta de l'única camara que apareix a bord del Titanic durant el seu únic i fatidic viatge. Es tracta de la fotografia de la familia Odell. El jove Jack Odell porta a les mans el que estic gairebé segur és una No.3 Folding Pocket (la forma corbada a la part superior del aparell el delata). Que aquesta fotografia sobrevivis al enfonsament del Titanic (i tota la familia Odell) s'explica pel fet que embarcaren a Southampton, però desembarcaren a Queenstown (actualment Cobh), Irlanda. Un darrer detall al respecte, va. El fet que porti una lent Goerz indica que aquesta Kodak fou feta als Estats Units, però venguda al Regne Unit. I sabeu d'on em va venir? de Southampton, port de sortida del Titanic!

 

=============================================

 

This gorgeous early XX Century leaf shutter is of the pneumatic type, with double cylinders to release the shutter and to control the slow speeds. Latter shutters had a clock mechanism for the slow speeds, making them much more accurate but also much more boring. This one is an automatic or everset shutter, because you don't need to cock it (like a gun) before release.

 

This is the Kodak No.3 Folding Pocket camera, made in Rochester NY from 1900 to 1915 with quite a lot of models. It was a very popular roll film camera, using the 118 format. This one is a model F, made in 1910 (serial nº 626xx-R). It has a Bausch & Lomb Automat leaf shutter and a Goerz Doppel-Anastigmat Syntor lens, f6.8 120mm. Only cameras selled in the UK mounted a Syntor lens.

 

I've found a quite interesting link between this camera and the Titanic. Maybe I'm wrong, but I think this is the only camera shown in a picture onboard the Titanic during it's only and dramatic voyage. It appears on the hands of a boy called Jack Odell, and the top-side curve it's the key to identify this camera. Why this picture (and even the Odell family) survived the Titanic? Because they boarded the ship in Southampton, BUT disembaked in Queenstown (now Cobh), Ireland. And even a more closed link. I bought this camera in eBay, to someone in Southampton. Just an "evil" coincidence, I presume...

 

About the shutter:

 

www.earlyphotography.co.uk/site/entry_S12.html

 

About the camera:

 

www.historiccamera.com/cgi-bin/librarium2/pm.cgi?action=a...

 

camera-wiki.org/wiki/No._3_Folding_Pocket_Kodak_Model_F

 

www.earlyphotography.co.uk/site/entry_C32.html

  

About this camera onboard the Titanic:

 

www.encyclopedia-titanica.org/files/admin/images/odell_fa...

 

www.encyclopedia-titanica.org/the-odell-titanic-album.html

Kosmo Foto 100 35mm film

2 4 5 6 7 ••• 79 80