Automatic wrist watches
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Domicile, Duhamel, Québec, Canada
Puisque j'ai la chance et le bonheur d'avoir beaucoup de vie sauvage et surtout d'oiseaux chez moi et au alentour ça attire automatiquement les prédateurs...
L'année passée, j'ai creusé la neige et installé ma petite tente camouflage que j'ai adapté avec un drap blanc et des épingle à couche afin d'essayer de me fondre dans le décor. Je voulais essayer de capturer des oiseaux au vol avec mon nouveau boîtier R5 et aussi être plus discret au cas où elle ( la Pie-grièche ) viendrait qu'à se présenter autour de mon installation # 2 de mangeoires sur les rives du lac là ou la lumière est favorable une partie de la journée et qui est son endroit de prédilection pour la chasse aux petits oiseaux pour elle. J'ai eu l'occasion d'observer cette superbe Pie-grièche à plusieurs reprises lors de mes sessions de photographie, elle a même attaqué des Gros-bec errant avec succès à ma grande surprise bien que ces proies favorites était beaucoup plus petites. Ce que je peu vous affirmez avec certitude c'est que c'est très rapide et très farouche comme oiseau de proie...
P.s Si vous vous demandez pourquoi je n'affiche pas plus sur Flickr et que j'avais délaissé le média et bien ce matin j'ai seulement 0.06 Mbps de Download et 0.04 Mbps de Upload chez moi... C'est long en maudit afficher une photo et commenter vos photos chaque jour...
Residence, Duhamel, Quebec, Canada
Since I am very lucky to have a lot of wild life and especially birds at home and around it automatically it attracts predators...
Last year, I dug the snow and set up my little camouflage tent, which I adapted with a bed white sheet and diaper pins to hold it to try to blend in with the snow. I wanted to try to capture birds in flight with my new R5 camera and also be more discreet in case it (the Northern Shrike) just happened to show up around my feeders installation # 2 on the shores of the lake where the light is favorable part of the day and the favorite hunting spot for small birds for the Shrike. I had the opportunity to observe this superb Northern Shrike several times during my photography sessions. It even attacked Evening Grosbeaks successfully to my surprise although here favorite preys were much smaller birds and mouses. What I can tell you with certainty is that it is very fast and very skittish bird of prey...
Ps If you're wondering why I don't post more on Flickr and that I had neglected the media, well this morning I only have 0.06 Mbps of Download and 0.04 Mbps of Upload at home... It's a long time to post and comment on your photos every day...
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This is from my new set, "Automatic Photography," so called because like Automatic Writing I utilize many different software programs on my realistic photographs and let Spirit lead the way into these abstractions.
See more here as the set develops:
www.flickr.com/photos/motorpsiclist/albums/72157709703855097
Copyright © by John Russell
A watch, especially a complication like this one, comes with many labels to identify the various parameters of time. This Oris moon phase, dual time zone complication is powered by the Calibre 581 developed in 1991 by its watchmakers in Holstein, Switzerland.. This particular watch has performed flawlessly through many time zones for many years. Submittal for the 6/15/20 Macro Monday's theme of "Label.”
Click the photo to view it larger.
This is from my new set, "Automatic Photography," so called because like Automatic Writing I utilize many different software programs on my realistic photographs and let Spirit lead the way into these abstractions.
See more here as the set develops:
www.flickr.com/photos/motorpsiclist/albums/72157709703855097
Copyright © by John Russell
Click the photo to view it larger.
This is from my new set, "Automatic Photography," so called because like Automatic Writing I utilize many different software programs on my realistic photographs and let Spirit lead the way into these abstractions.
See more here as the set develops:
www.flickr.com/photos/motorpsiclist/albums/72157709703855097
Copyright © by John Russell
Hair: Stealthic - Barbwire
Head: LeLutka - Prim
Skin: tres beau - elodie
Brows: Simple Bloom - Julia Earth Low Tail
Eyes: Tville - Platinum
Eye Liner: Choory
Earrings: e.marie - Marta
Lipstick: Delicata - Liz
Necklace: Rawr - Saint V
Una delle più belle sorprese della giornata sulla Hannover-Magdeburgo è stata sicuramente l'essere riuscito ad incontrare ancora una coppia di Br151 dotate del gancio automatico destinato alla trazione dei pesantissimi convogli di minerale ferroso fra Amburgo e Salzgitter.
Nella foto le unità .094 e .112 stanno giungendo alla protezione dei bivi di Braunschweig poco oltre l'abitato di Wechelde. (1/10/15)
Click on the photo to view large.
This is from my new set, "Automatic Photography," so called because like Automatic Writing I utilize many different software programs on my realistic photographs and let Spirit lead the way into these abstractions.
See more here as the set develops:
www.flickr.com/photos/motorpsiclist/albums/72157709703855097
Copyright © by John Russell
Click on the photograph to view it larger size.
This is from my new set, "Automatic Photography," so called because like Automatic Writing I utilize many different software programs on my realistic photographs and let Spirit lead the way into these abstractions.
See more here as the set develops:
www.flickr.com/photos/motorpsiclist/albums/72157709703855097
Copyright © by John Russell
1977 Opel Typ City (1975-1979) Modell 3-türige Schrägheck-Limousine
Unfortunately, I will have less time to spend on FLICKR in the coming period due to my study 'Drone Pilot Advanced EASA Specific-Category STS-01/PDRA-S01' 🚁
I keep trying to post 2 automotives a day on my stream and not in groups except by request
MOVE! Cologne Automatic Dance HUD
Tired of looking for your dances? This hud is easy to use with 2 free dances and you can add all your favorite dances you want, it has an alphabet search. With it you can invite infinite friends to dance with you. See the user manual here.
(NEW) INSTAGRAM:
FLICKR:
FLICKR GROUP:
MARKETPLACE:
FACEBOOK:
TWITTER:
Well, the camera (Fuji X-E3) has been switched to fully automatic. However, the scene, its composition and lighting, has been "fully arranged" as well. So, I could to some extent predict what the camera's algorithms would do. And here comes the rub: shooting with fully automatic camera settings requires a lot of preparation if you want to have good results. It takes time, in other words, and therefore the advantage of automatic photography, speed, is minimal. This is my last venturing out into the "automatic mode" of photography. Yes, there are some advantages and some special situations where this mode is useful. But for my kind of photography it is actually not required. I will return to manual, to pre-setting my camera or, in rare cases, to aperture priority.
Originally an 18th century hunting lodge, then a prison, this amazing building stands in a prominent position overlooking the cheshire plain.
This is my first long-exposure using the new Nikon Z 7ii and I was very impressed with some of the new features in this camera compared to my old D800. The biggest improvement is that I no longer need to plug an intervalometer into the camera as the 7ii can take long exposures of up to 15 minutes automatically.
The Z 14-30 lens is very sharp and takes stacked ND filters.
Macro Monday: #Closed
Size of the Frame: 2 cm / 0,78 inches
First official image leaked of the brand new Rainbow Engine™ in celebration of its start of production. Its prototype is currently fuelling the Starrider Bulli T2 "Woodstock" special edition model (see first comment, please) that is cruising the galaxy on an emission-(and mud)-free mission of Peace and Love. What you see here is the core of the Rainbow Engine™, an intricate, yet super simple (do I sense a contradiction here?), and incredibly elegant mechanism entirely driven by light particles, and operated by the magic phrase...
...Screeeech!!!! Which is the very unpleasant sound I hear every time I turn my little Lumix LX100 on and the flaps of the automatic lens cap (which are pushed open by the extending lens) scrrrratch along the UV filter attached to the precious Leica lens. Actually, the automatic lens cap is a very convenient thing (much nicer than the regular lens cap which you'll either lose, eventually, or will have it dangling around on a titchy ribbon). Actually. But if you want to use the original Panasonic automatic lens cap, which you want to, because, hey, you've paid for it, right?... it's original accessory, right?... you can't use a UV (or other) filter at the same time to protect the lens, because it has not been designed high enough for filters. So I had to buy a third-party automatic lens cap which is high enough for filters, but just not so for regular(ly high) filters, but a regular UV filter is what I'd bought together with the camera. Sigh. After one and a half years of torturing myself (and my camera) with that gruesome opening sound and process it's about time to finally buy an ultra slim filter, I guess... Oh, and what was it I wanted to say in the first place? It's a detail of the automatic lens cap that you see here. Which you'll probably have guessed by now.
Technicalities: I'm happy to say that this is one of the shots that actually turned out the way I had imagined them before I started shooting. And it's also the very first time I managed to use the glass prism in (almost) the exact way I had imagined it before the photo shoot as well. To capture the automatic lens cap was my first idea for the theme, but I thought that it would look a little boring just by itself. What is photography all about? Light. So I thought I'd add a little light to this. Preferably light with a special "shape", or colourful light. Because my idea was that light itself would do the magic trick of opening the lens cap, as if the camera itself was addicted to light - which in a way it is: light as an "Open Sesame!" phrase. I played around with the prism's triangular shape, and got a few nice captures of a triangular light shape that pointed right at the centre part of the opening of those three mechanical flaps of the lens cap, and the light shape almost looked like a sharp tool which could pry open the firmly closed flaps. Nice. But in the end I settled for the rainbow colours, because that's what I was aiming for in the first place. To create the rainbow I had to hold the prism really close to the lens cap which is the reason why the cap itself, which is actually silver-coloured, looks black on the photos. Black = space = space-themed capture ;-)
Processed in Luminar 3, preset "Detailed Warmth", with extra filters Detail Enhancement (only "small" at 100), Foliage, and HSL; and in Nik's Analog Efex, Preset 7, Film Preset No 2 / 1 (second from above), and vignette; back to PS where I added the four-colour frame and my name.
A Happy Macro Monday, Everyone, and have a pleasant week ahead, dear Flickr friends and macro nerds!
Deutscher Text folgt...
Haarlem, the Netherlands.
Only 23.384 C6's were ever made between 2005 and 2012.
Seulement 23.384 C6 ont été fabriquées entre 2005 et 2012.