Automatic wrist watches
View allAll Photos Tagged automatic
Earrings:ROZOREGALIA_HAYURUZE*EARRINGS - MOM
Necklace:mintae. TH Pearl Necklace - V1.0 - MOM
Tatto Body:PREMIUM - GIVER - TATTOO - ACCESS
Shirt:flow . Sleeveless Hoodie Zipper - MAN CAVE
Backdrop: KABUTO STREET Backdrop - ACCESS
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This is from my new set, "Automatic Photography," so called because like Automatic Writing I utilize many different software programs on my realistic photographs and let Spirit lead the way into these abstractions.
See more here as the set develops:
www.flickr.com/photos/motorpsiclist/albums/72157709703855097
Copyright © by John Russell
This is from my new set, "Automatic Photography," so called because like Automatic Writing I utilize many different software programs on my realistic photographs and let Spirit lead the way into these abstractions.
See more here as the set develops:
www.flickr.com/photos/motorpsiclist/albums/72157709703855097
Copyright © by John Russell
Hair: Stealthic - Barbwire
Head: LeLutka - Prim
Skin: tres beau - elodie
Brows: Simple Bloom - Julia Earth Low Tail
Eyes: Tville - Platinum
Eye Liner: Choory
Earrings: e.marie - Marta
Lipstick: Delicata - Liz
Necklace: Rawr - Saint V
Click on the photo to view large.
This is from my new set, "Automatic Photography," so called because like Automatic Writing I utilize many different software programs on my realistic photographs and let Spirit lead the way into these abstractions.
See more here as the set develops:
www.flickr.com/photos/motorpsiclist/albums/72157709703855097
Copyright © by John Russell
This is from my new set, "Automatic Photography," so called because like Automatic Writing I utilize many different software programs on my realistic photographs and let Spirit lead the way into these abstractions.
See more here as the set develops:
www.flickr.com/photos/motorpsiclist/albums/72157709703855097
Copyright © by John Russell
MOVE! Cologne Automatic Dance HUD
Tired of looking for your dances? This hud is easy to use with 2 free dances and you can add all your favorite dances you want, it has an alphabet search. With it you can invite infinite friends to dance with you. See the user manual here.
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Copyrighted © Wendy Dobing All Rights Reserved
Do not download without my permission.
Well, the camera (Fuji X-E3) has been switched to fully automatic. However, the scene, its composition and lighting, has been "fully arranged" as well. So, I could to some extent predict what the camera's algorithms would do. And here comes the rub: shooting with fully automatic camera settings requires a lot of preparation if you want to have good results. It takes time, in other words, and therefore the advantage of automatic photography, speed, is minimal. This is my last venturing out into the "automatic mode" of photography. Yes, there are some advantages and some special situations where this mode is useful. But for my kind of photography it is actually not required. I will return to manual, to pre-setting my camera or, in rare cases, to aperture priority.
The Series Sixty-two was a model produced by Cadillac from 1940 through 1964 when it was renamed “Calais” for the 1965 model year. It was one of Cadillac’s most popular models. For the 1949 model year, the Series Sixty-two spawned the “Coupe deVille.”
For the 1953 model year the world was introduced to the very first Series Sixty-two Eldorado. The Series Sixty-two convertible was one of America’s most luxurious convertibles. Cadillac’s magnificent new design and craftsmanship were dramatically displayed in the 1957 Cadillac Series Sixty-two convertible.
Cadillac for the 1957 model year was completely redesigned. A Cadillac convertible was the celebrity among Cadillacs. There was no more gracious manner in which to enjoy open-air touring than the 1957 Series Sixty-two convertible. Its aristocratic flair was dramatic and pronounced.
Apart from the Biarritz convertible, the Series Sixty-two convertible was the most elegant convertible built in the land. It was the synthesis of two motoring worlds; it had all the panache of a ragtop and the comfort of a luxury car. Style code #6267F Series Sixty-two convertible had a base price of $5,225. (Cadillac repairs today run up tabs along these same dollar amounts…amazing)
The 1957 Cadillacs were all-new in design from the 1956 models. The 1957 cars presented a new sleekness in every line as witnessed by the Series Sixty-two convertible. They were built almost 3” lower in overall height.
The front end ensemble was boldly aggressive. It retained the “Dagmars.” The sweep of its new fender lines extended back to the redesign of the iconic Cadillac tail fins.
The convertible’s silhouette was highlighted by chrome-framed wheel openings and extended contour lines to both front and rear fenders. The fender skirts were dropped for a cleaner more contemporary look at the time.
All Cadillac bodies were built by the Fleetwood Division of Fisher Body under relentless quality control procedures. The Series Sixty-two convertible rode upon a long 129.5” wheelbase, had the luxury length of 220.9” and an 80” wide stance.
The Cadillac 6.0 litre 365 CID 16-valve V8 engine had five main bearings, intake silencer, and hydraulic lifters. It was constructed with cast iron, block and cylinder heads. The engine was equipped with a Rochester 4-bbl downdraft Quadrajet carburetor with equalized manifold, and automatic choke. It produced 300 hp @ 4,800 rpm with 542 Nm of peak torque @ 2,800 rpm. Performance was rated as 0-60 mph in 11.2 seconds, 0-100 mph in 33.1 seconds with a top speed of 119 mph. It could do the ¼ mile @ 81 mph in 18.1 seconds.
The Cadillac Series sixty-two convertible was a triumph of motoring distinction. Its unmatched comfort and spacious dignity was the finest expression of Cadillac’s dramatically new styling. In the way it looked and the way it drove, the 1957 Cadillac Series Sixty-two convertible introduced a brand new measure of excitement to modern luxury motoring…done in the manner only the “Standard of the World” could provide. This is another classic encore presentation…in the continuing saga of “As the Standard of the World Turns.”
notoriousluxury.com/2014/06/21/1957-cadillac-series-sixty...
coyotes are omnivores and will take the opportunity to eat both plant and animal food sources to survive
Macro Monday: #Closed
Size of the Frame: 2 cm / 0,78 inches
First official image leaked of the brand new Rainbow Engine™ in celebration of its start of production. Its prototype is currently fuelling the Starrider Bulli T2 "Woodstock" special edition model (see first comment, please) that is cruising the galaxy on an emission-(and mud)-free mission of Peace and Love. What you see here is the core of the Rainbow Engine™, an intricate, yet super simple (do I sense a contradiction here?), and incredibly elegant mechanism entirely driven by light particles, and operated by the magic phrase...
...Screeeech!!!! Which is the very unpleasant sound I hear every time I turn my little Lumix LX100 on and the flaps of the automatic lens cap (which are pushed open by the extending lens) scrrrratch along the UV filter attached to the precious Leica lens. Actually, the automatic lens cap is a very convenient thing (much nicer than the regular lens cap which you'll either lose, eventually, or will have it dangling around on a titchy ribbon). Actually. But if you want to use the original Panasonic automatic lens cap, which you want to, because, hey, you've paid for it, right?... it's original accessory, right?... you can't use a UV (or other) filter at the same time to protect the lens, because it has not been designed high enough for filters. So I had to buy a third-party automatic lens cap which is high enough for filters, but just not so for regular(ly high) filters, but a regular UV filter is what I'd bought together with the camera. Sigh. After one and a half years of torturing myself (and my camera) with that gruesome opening sound and process it's about time to finally buy an ultra slim filter, I guess... Oh, and what was it I wanted to say in the first place? It's a detail of the automatic lens cap that you see here. Which you'll probably have guessed by now.
Technicalities: I'm happy to say that this is one of the shots that actually turned out the way I had imagined them before I started shooting. And it's also the very first time I managed to use the glass prism in (almost) the exact way I had imagined it before the photo shoot as well. To capture the automatic lens cap was my first idea for the theme, but I thought that it would look a little boring just by itself. What is photography all about? Light. So I thought I'd add a little light to this. Preferably light with a special "shape", or colourful light. Because my idea was that light itself would do the magic trick of opening the lens cap, as if the camera itself was addicted to light - which in a way it is: light as an "Open Sesame!" phrase. I played around with the prism's triangular shape, and got a few nice captures of a triangular light shape that pointed right at the centre part of the opening of those three mechanical flaps of the lens cap, and the light shape almost looked like a sharp tool which could pry open the firmly closed flaps. Nice. But in the end I settled for the rainbow colours, because that's what I was aiming for in the first place. To create the rainbow I had to hold the prism really close to the lens cap which is the reason why the cap itself, which is actually silver-coloured, looks black on the photos. Black = space = space-themed capture ;-)
Processed in Luminar 3, preset "Detailed Warmth", with extra filters Detail Enhancement (only "small" at 100), Foliage, and HSL; and in Nik's Analog Efex, Preset 7, Film Preset No 2 / 1 (second from above), and vignette; back to PS where I added the four-colour frame and my name.
A Happy Macro Monday, Everyone, and have a pleasant week ahead, dear Flickr friends and macro nerds!
Deutscher Text folgt...
Loddon is our little river, tributary of the Thames in Berkshire. Just behind those trees (hence the mornig fog there). Stopped for 'just a second' to take a snap on the way to work and... missed my train :(
It's kind of interesting to see what tags Flickr automatically assigns to your uploads, and how accurate it can be, eh!
Gather 'round ladies and gents as I demonstrate the remarkable conveniences of my Automatic Wardrobe contraption. All one has to do is stand on the dressing platform, pull the level and the device will not only pick out a suit for you but also apply the garments itself! No more manual labor! No more thinking!
My first entry for the Bricks and Boilers competition: Hall of Wonders category. I think this might be my first ever steampunk creation. I have an idea for another entry involving a more mystical device but I'm not sure if I'll have the time to finish it before the deadline. Time will tell.
Thank you Thomas Courant & Hervé Péroteau
IFolio presentation
iFolio is an application created specifically for iPhone and iPod Touch, which aims to provide a pleasant and liquid portfolios of various artists
( Photographers, artists, graphic illustrators ...).
1) While viewing the portfolios of an artist, the "Contact" button will allow you to access information about the artist (his email, his website ...)
2) You can keep in your favorites any photographers, which will have the effect of increasing a computer fans, by photographer, and thus influence the
classification.
3) You can, if you want a photo, contact the author using the button "Send".
4) You can sort the list of authors in 4 modes:
. TOP: by ranking (number of fans)
. NEW: Registration date (can easily identify new photographers)
. MODIF: by date updated portfolios (which will see the photographers who have made recent updates)
. CACHE: ability to re-view (no Internet connection) portfolios already imported into iFolio.
Photographers and artists who are members of iFolio can manage and modify at any time their portfolios.
Therefore to facilitate consultations with news, a list by sorting the artists according to the option "Edit".
And iFolio back regularly to see the news presented.
5) You can also search an artist by name.
So if you're a member of iFolio, you can tell your customers and prospects that you are part of your work in the application iFolio, and they can easily find you by searching on your behalf.
6) There is also a display of photos with an automatic slide show playback.
7) You can also import all files of a photographer and later without Internet connection.
Thank Yannick for the text ;o))
NOCTH · Museo Dress
Fatpack & single colors →
marketplace.secondlife.com/p/NOCTH-Museo-Dress-Fatpack/27...
Hello everyone! Happy Holidays! We are terribly sorry for being absent this year. We've prepared a little gift of gratitude for every awesome person out there as well as the store wide 30% discount! Come visit Villena, Pumpkin and Eclat to partake! We are eagerly looking forward to upcoming year and all the future releases! Cheers~
Please note that the pricing on vendors is still the same.
You will get 30% automatically refunded back to you after your final purchase & no group tag needed! Doesn't apply to gacha play!
To redeem your gift please join our inworld group and click on any Promo AD for Christmas Sale at the store!
Going through old photos since musical venues are closed until the heat death of the universe. Why didn't I post this one?
If you‘ve seen some of my (unfortunately kinda rare) outside shots during the last weeks you might know that I like the Domiplan a lot! Why, you ask? Oh, you didn‘t? Well, let me tell you anyway:
Firstly, because I like underdogs, and the the Domiplan is definitely one of those. Not one of the big Meyer Optik names, none of the aura, nothing to brag about.
Secondly it offers similar bokeh to the famous Trioplan while having better coating - at least by some accounts! I can‘t compare them because I don‘t have a Trioplan, but I like the effect the Domiplan has!
I’ve read - again and again - that many of these lenses suffer from severe problems (I think seperation in the rear lens), so that may be a factor for the lack of reputation!
If you find one in good condition, I would absolutely recommend it though - it‘s a cheap and easy to use lens - that is if you can find an adapter (or a simple workaround) to keep the pin in that allows you to move the aperture manually! Perhaps the older model (labeled 'Meyer Optik' and not 'automatic lens') doesn‘t have that problem at all… I still have to do some research there! Let me know what you think, if you have used this lens!
Shot with a Meyer Optik "Diaplan 100 mm F 3.5" (projection) lens on a Canon EOS R5.