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My article on creating paper abstract was published in UK's leading photography magazine Digital SLR photography Jan 2013 issue.
I f you are interested my abstract work on paper can be seen in the set : www.flickr.com/photos/bnilesh/sets/72157627462161544/
Les gens qui sont morts, de la grippe révélée pour la première fois au Mexique, ont souvent eu avant des complications respiratoires de nature non divulguée. Les épidémiologistes européens rapportent que ces décès sont dus une infection opportuniste commune. Alors qu’en France 1 milliard d’€ est fixé pour acheter 100 millions de vaccin pour l’automne 2009.
multipage article using responsive design www.filmoa.com/magazine/danny-boyle-does-hypnosis-overdos...
"Astrobiological Horticulture" - halophile bacteria being revived from saltkrystals
Joe Davis
Read more about the project here:
article.no/en/artists/2016/joe-davis
Article biennale is produced by i/o/lab
Curators for Article 2016 is Nora Vaage & Hege Tapio
Par Marie Aschehoug-Clauteaux
Article C215, "L'art des petits et des humbles”, paru dans L'Itinérant n°626 (27 Octobre 2009)
See the article and complete photo gallery of the 2011 Subaru WRX on Auto123
Photographer: Matthieu Lambert
How does your #resume compare with your competition? We tell you what works and what doesn't—FREE! t.co/ZuR86uGSF4 (via Twitter twitter.com/grammardocs/status/691776382523871232)
金包里慈護宮,繞境,遶境,台二線
金山慈護宮及金山媽祖回野柳做客
金山慈護宮俗稱「金包里媽祖廟」，是金山最具規模的廟宇，主要供奉金面媽祖，是當地信仰中心，鄉人更尊稱為「大廟」。當地人相信摸龍柱會發財，所以龍柱的舌尖與圓球早被摸得光亮，媽祖兩旁的千里眼與順風耳手拿金元寶，象徵著招財進寶。
200年歷史的金山慈護宮，不只是北海岸最重要的媽祖廟，更因為一則民間傳說，而衍生了一段金山媽祖到野柳做客的神奇姻緣。相傳清嘉慶年間（1796-1820）有「金面媽祖」神尊漂流海上，後擱淺野柳海岸石洞（今尊稱為媽祖洞），為當地莊民奉祀，後因媽祖神跡屢現，靈驗異常，參拜祈求之人接踵而至，野柳莊民想興建大廟供奉，後於嘉慶14年（1809）歲次已巳，廟宇在金山竣建而成，命名「天后宮」，由野柳恭迎媽祖神尊鎮座奉祀。
失去了媽祖的野柳人，對於媽祖一直是念念不忘，卻也莫可奈何，最後和金山人幾經協商後，金山人決定每年請媽祖回到發現媽祖的海蝕洞中做客一天，以方便野柳人的祭拜，而這正是金山媽祖到野柳做客的主要理由。
資料來自北觀國家風景區管理處
www.northguan-nsa.gov.tw/user/Article.aspx?Lang=1&SNo...
野柳(野柳地質公園)
野柳地質公園隸屬於北海岸及觀音山國家風景區,從入口到海岬的末端,總長約1.7公里,野柳地質公園的奇岩怪石可謂是世界奇觀,由於風化作用形成了奇 石樂園,風化石中例如,蕈狀石,地球石,薑石等,尚有風蝕溝,海蝕溝,風蝕崖,孔穴等,其中有些風化石又有各種形狀,唯妙唯肖如女王頭,公主頭,豆腐 石,象鼻石,仙女鞋等等,由於風化分分秒秒,野柳地質公園也時時刻刻在變,等大家親臨欣賞......
This article examines how glass and its uses in the 18th century, particularly in the production of lead crystal, embody a profound transformation of artistic, technological and social dynamics. Through the metaphorical figure of the crystal automaton man, we analyze the interconnections between craft skills, emerging industrial innovations and symbolic representations in the choreographic and decorative arts.
Against a backdrop of economic rivalry and the quest for national prestige, glassmaking became a central issue for European courts, combining science, aesthetics and economics. At the same time, court dance and its notations offered a metaphor for regularity and harmony, symbolizing a proto-cybernetic system in which body, gesture and object were integrated into a system of interaction and transmission.
na-ive [nah-eev]
adjective
1. having or showing unaffected simplicity of nature or absence of artificiality; unsophisticated; ingenuous.
2. having or showing a lack of experience, judgment, or information; credulous: She's so naive she believes everything she reads. He has a very naive attitude toward politics.
3. having or marked by a simple, unaffectedly direct style reflecting little or no formal training or technique: valuable naive 19th-century American portrait paintings.
4. not having previously been the subject of a scientific experiment, as an animal.
I am naive. Tonight I turned up at Bellshill Station and promptly set up to take a pic. I'm into long exposures and thought this angle would make a sweet view.
I was approached by a chap who worked at the station and wanted to understand what I was doing. His initial frosty demeanor warmed a wee bit when I was as nice as a slice of pie. I figured he was trying to help me and I readily accepted his help... as I said above, I lacked the appropriate knowledge about taking pics in Stations and wanted to know more.
According to him I need to ask permission or at least "be known" to staff. Whilst this initially seems very "jobsworth" it does make sense.
So anyway... I took the pic... thanked him and walked away. Armed with experience.
Anyway... I received the following link from a friend :: www.urban75.org/photos/photographers-rights-tube-railways.... The article talks of photographers rights. It would appear, from a cursory glance at this article, that my tripod was of concern as was the possibility of flash photography.
I guess I have learned something from this experience... something more than the rules. I have learned or maybe I should say it has been reinforced that being pleasant in the face of opposition does work... and that building relationships can make all the difference.
If I ever had the desire to take photos in Bellshill Station again... at least I know this chap and am armed with his advice.
Tx
Canon EOS 350D DIGITAL : f/20.0 : 25" : 19mm : ISO 400
headphonaught.blogspot.com/2010/05/30-020210-platform-1-b...
Titouan Lamazou: His vision of women around the world.
www.nytimes.com/2007/10/31/arts/31iht-lamazou.1.8125600.h...
In-depth article: japan-kyoto.de/genkoan-tempel-kyoto/
Facebook: fb.me/Japan.Kyoto.de
Copyright: ©2015, Christian Kaden
Licence: Creative Commons BY-NC-ND 4.0
ID: IMG_4673
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A photo of the pages in my old Eminem scrapbook. i started this scrapbook years ago and no longer add to this book anymore. There is a collection of images and interviews from the internet but mostly magazines.
Article on the Children's Bureau 50th Anniversary. Source of photo in newspaper was U.S. Children's Bureau.
Text: Ends Child Doom - President William Howard Taft signed the Act creating the Children's Bureau on April 9, 1912. During past 50 years, the Act signed by Taft has diminished inhumane industrial practices and has led to a dramatic decrease in infant mortality and an end to Child Labor in sweatshops, mines and fields at slave wages. The Bureau had a staff of 16 and a budget of $25,000 a year when it began under Julia Lathrop.
Photo Credit: Maternal and Child Health Library in Georgetown
This is article is part of the inspiration behind the shoot. I had another article paperclipped to this for several years and I'm just now getting around to doing it. I kind of strayed from the original idea, but it still remains my main inspiration for doing this.
Article, at bottom center of page, is believed to be the first published mention of the East Bay "mystery" wall. In the pre-internet era, some accounts of the walls referred to this story as a "yellowed clipping" that an Oakland bookseller provided to reporters.
This is a great way to start the year! I was interviewed by Rice Freeman-Zachery for an article in the 2010 Jan/Feb issue of Belle Armoire.
Its an eight page layout and interview. Im the Featured Designer!!!! (Note the capital letters) Needless to say I am very very happy about it.
Article : Krant Van Coevorden
For all photo's: Copyright Dennis Kok Fotografie. All rights reserved. Please note the following: although my pic's are published in the public domain it does not mean they are public property or free stock images. Therefore, it's use without my written consent is illegitimate.
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Less Than Zero
The dump that is no more.
Based on an article by Sonia Boonchanasukit on March 5, 2008
www.bkmagazine.com/feature/less-zero
“In June of 2006, a nameless soi (Thai word for “street”) that never officially existed disappeared as the city went through a clean and green phase in honor of HM the King’s 60th year on the throne.”
However, some “cynics” suggest it was ex Pres Thaksin who plonked up a white fence to hide the area from visiting dignitaries arriving from the Rama IV expressway on their way to their posh hotels and an APEC meeting.
The small alley under the expressway began life as a “crappy little tourist market built on wooden planks that used to rattle around when the trains passed.”
When the open-air hostess beer bars arrived it became known as Buckskin Joe’s and then Soi Zero.
“Bare, dingy, and stuck between under expressway and beside a railway; it was a cheap place to get 50 THB beer without the “you buy me colaaaah?” pressure exerted further down Sukhumvit. There was a bit of “market” action at the mouth of the soi, but nothing much.”
“Bars were raised to avoid flooding, which happened anyway, and the wooden floorboards would creak and bow under the weight of the punters skipping about to avoid the treacherous waters below. As a kind of pitch-black underbelly of Bangkok’s dark beer gut, some now credit Soi Zero with a kind of lost trashy appeal.”
I don’t credit it anything. It was a shit hole.
Polish designer and teacher Ewa Satalecka interviewed José and Veronika for the design magazine 2+3D. The six-page article covers questions about long-distance collaboration and the way of designing type faces together. It also shows some very nice examples of various available TT typefaces. Erratum, unfortunately the publisher did not properly mark the poster showing Edita, as being designed by Pilar Cano, and apologises for the mistake.