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Remember Divinity
Hell on Earth is non-existent to a heavenly mind.
Supreme thoughts reign while ignorance is still in a bind.
In a bind from having to bow down, all the damn time.
Only jealous of that which is aged in fine wine, aka, the wise mind.
Aged wisdom of indigenous struggles seeing no ray nor shine.
Now realizing the sun inside you, having the source of light yet still blind.
Looking for the switch when the surge of power is still you, just shine. Can't really trust a smile because evil is always looking so dog gon' fine.
Having to depend on gut feelings to read past fake first impressions,
The free mind behind the bars of flesh is the true lesson.
The free man behind any bars keeps his own dignity second guessing,
When the lack of control on ones own mind is real psychological incarcerated oppression.
Lead by heart then by mind to avoid deception, for a fiery heart engulfs the ego in flames while igniting the gas for a wise expression.
Yellow is the sun shining in the inside, engraved with the answers to life's formulas, with a heart built to erase the miseries we are vexed in.
Yellow #2 pencils with cheap erasers are not the tools for the answer nor are the answers on the page when you turn your test in...
Your heart and mind are the tools, you are the answer,
So fly like the hidden wings you are already dressed in.
Stay diligent in mind, supreme in thought and strong at heart (no resting) - afroartivy.com
afroartivy.com
seanseyes@live.com
Mark’s thoughts
Text on the painting:
„I would give anything to be with you. I would give everything to have just one minute back on earth. I would not care if I was the most despised, deserted, diseased, hated or poorest on the earth. I would give everything to be back, for just one moment on earth. "
Jesus' answer to Mark's thoughts: „Mark, why would you want to return to earth for just one moment? "
With revered and tortured voice Mark replied: „Lord Jesus, I would give everything to go back to earth if just for one moment. I would do that to repent so I might be saved. "When the Lord heard Mark saying those words, I saw blood flowing from Jesus' wounds and tears filling His eyes. „Mark, it is too late now, for the worms have made your bed and cover your body." When the Lord had said that, Mark sank into the lake of fire forever. There is no hope for a single soul there, only us here, on earth, may repent to go to heaven to be there with Lord Jesus.
"I tell you, my friends, do not be afraid of those who kill the body and after that can do no more. But I will show you whom you should fear: Fear him who, after the killing of the body, has power to throw you into hell. Yes, I tell you, fear him.
Luke 12:4-5
Luigi De Giovanni nasce il 12 Febbraio del 1950 a Specchia (Lecce.
Sin dalla più tenera età esegue disegni ed acquerelli seguito dalla madre.
- 1967 dipinge assiduamente e fa la sua prima mostra collettiva.
- 1969 si diploma all’Istituto d’Arte di Poggiardo.
- 1970 comincia a dipingere in maniera informale usando tecniche
miste e collage.
- 1974 si diploma all’Accademia delle Belle Arti di Roma.
- 1970 / 1978 segue il Corso Libero del Nudo.
- 1973 con il maestro Avanessian inizia lo studio dell’imprimitura delle
tele e delle terre.
- 1974 si perfeziona nella tecnica ad olio.
- 1980 sperimenta la tempera all’uovo; realizza alcune opere con un
unico filo conduttore “ le scalate sociali”.
- 1988 sperimenta tecniche miste con l’uso di materiali di scarto
simbolo di “rifiuto” quali: segatura, trucioli metallici, pezzi di
gomma inservibili, carta e tessuti.
- 1988 inizia il rapporto con la Galleria “Mentana” di Firenze che lo
presenta alla Fiera Arco di Madrid.
- 1990 comincia a realizzare e ad esporre opere che hanno come filo
conduttore “l’angoscia nella società attuale” e comincia ad
usare i vecchi jeans come tele per le sue opere a carattere
sociale.
Folding after folding, the four letters of the word "PAIX" ("Peace" in french) unfold before the eyes of those who love to change the world.
Pli après pli, les quatre lettres du mot "PAIX" se dévoileront sous les yeux de celles et ceux qui aiment à refaire le monde.
Commandez ce livre prêt-à-plier ORiHONi ici :
Luigi De Giovanni nasce il 12 Febbraio del 1950 a Specchia (Lecce.
Sin dalla più tenera età esegue disegni ed acquerelli seguito dalla madre.
- 1967 dipinge assiduamente e fa la sua prima mostra collettiva.
- 1969 si diploma all’Istituto d’Arte di Poggiardo.
- 1970 comincia a dipingere in maniera informale usando tecniche
miste e collage.
- 1974 si diploma all’Accademia delle Belle Arti di Roma.
- 1970 / 1978 segue il Corso Libero del Nudo.
- 1973 con il maestro Avanessian inizia lo studio dell’imprimitura delle
tele e delle terre.
- 1974 si perfeziona nella tecnica ad olio.
- 1980 sperimenta la tempera all’uovo; realizza alcune opere con un
unico filo conduttore “ le scalate sociali”.
- 1988 sperimenta tecniche miste con l’uso di materiali di scarto
simbolo di “rifiuto” quali: segatura, trucioli metallici, pezzi di
gomma inservibili, carta e tessuti.
- 1988 inizia il rapporto con la Galleria “Mentana” di Firenze che lo
presenta alla Fiera Arco di Madrid.
- 1990 comincia a realizzare e ad esporre opere che hanno come filo
conduttore “l’angoscia nella società attuale” e comincia ad
usare i vecchi jeans come tele per le sue opere a carattere
sociale.
100 Pictures ~ #76 ~Artsy~ This often photographed sculpture is located at the Columbus College of Art and Design in Columbus, Ohio. The "A" straddles Gay Street and is probably about 100 feet tall.
Resign, Plywood and Paint, 2011
This is a wood sculpture piece from the "A Word From Our Sponsors" series.
Visit my site to see more images of word art.
Luigi De Giovanni nasce il 12 Febbraio del 1950 a Specchia (Lecce.
Sin dalla più tenera età esegue disegni ed acquerelli seguito dalla madre.
- 1967 dipinge assiduamente e fa la sua prima mostra collettiva.
- 1969 si diploma all’Istituto d’Arte di Poggiardo.
- 1970 comincia a dipingere in maniera informale usando tecniche
miste e collage.
- 1974 si diploma all’Accademia delle Belle Arti di Roma.
- 1970 / 1978 segue il Corso Libero del Nudo.
- 1973 con il maestro Avanessian inizia lo studio dell’imprimitura delle
tele e delle terre.
- 1974 si perfeziona nella tecnica ad olio.
- 1980 sperimenta la tempera all’uovo; realizza alcune opere con un
unico filo conduttore “ le scalate sociali”.
- 1988 sperimenta tecniche miste con l’uso di materiali di scarto
simbolo di “rifiuto” quali: segatura, trucioli metallici, pezzi di
gomma inservibili, carta e tessuti.
- 1988 inizia il rapporto con la Galleria “Mentana” di Firenze che lo
presenta alla Fiera Arco di Madrid.
- 1990 comincia a realizzare e ad esporre opere che hanno come filo
conduttore “l’angoscia nella società attuale” e comincia ad
usare i vecchi jeans come tele per le sue opere a carattere
sociale.
At the Home of Martha and Mary
As Jesus and his disciples were on their way, he came to a village where a woman named Martha opened her home to him. She had a sister called Mary, who sat at the Lord's feet listening to what he said. But Martha was distracted by all the preparations that had to be made. She came to him and asked, "Lord, don't you care that my sister has left me to do the work by myself? Tell her to help me!"
"Martha, Martha," the Lord answered, "you are worried and upset about many things, but only one thing is needed. Mary has chosen what is better, and it will not be taken away from her."
Luke 10:38-42
There is a time for everything, and a season for every activity under heaven.
Ecclesiastes 3:1
For a progressive challenge on Just Art
Word Art, Whispers and Wishes, Notions and Reverie by G&T Designs
Calico and Limestone by Anita
Mask and lace brush are mine
A lot of stitching and letters on this page. Opals embossing powders were used on the large ART word. 3 layers melted then stamped into.
Sutherland St. Melbourne
for the infamous chalkster/chalky or whatever derivative he's using this week, till he gets banned again :D
Remember Divinity
Hell on Earth is non-existent to a heavenly mind.
Supreme thoughts reign while ignorance is still in a bind.
In a bind from having to bow down, all the damn time.
Only jealous of that which is aged in fine wine, aka, the wise mind.
Aged wisdom of indigenous struggles seeing no ray nor shine.
Now realizing the sun inside you, having the source of light yet still blind.
Looking for the switch when the surge of power is still you, just shine. Can't really trust a smile because evil is always looking so dog gon' fine.
Having to depend on gut feelings to read past fake first impressions,
The free mind behind the bars of flesh is the true lesson.
The free man behind any bars keeps his own dignity second guessing,
When the lack of control on ones own mind is real psychological incarcerated oppression.
Lead by heart then by mind to avoid deception, for a fiery heart engulfs the ego in flames while igniting the gas for a wise expression.
Yellow is the sun shining in the inside, engraved with the answers to life's formulas, with a heart built to erase the miseries we are vexed in.
Yellow #2 pencils with cheap erasers are not the tools for the answer nor are the answers on the page when you turn your test in...
Your heart and mind are the tools, you are the answer,
So fly like the hidden wings you are already dressed in.
Stay diligent in mind, supreme in thought and strong at heart (no resting) - afroartivy.com
afroartivy.com
seanseyes@live.com
Each photo in the series (taken over a period of 30 years) has one word and one person in it.
Most were shot on film with more recent photos taken with a Nikon DSLR. This one was taken with a point and shoot digital camera he carries all the time (I think it is a lumix).
Nagler led a walkthrough of the show which is up through Dec 1 at George Krevsky at 77 geary
www.georgekrevskygallery.com/dynamic/exhibit_detail.asp?E...