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PictionID:40985964 - Catalog:Array - Title:Array - Filename:Ben Cloud Collection Image_00001.TIF - Image from the Ben Cloud Special Collection---Captain Benjamin Cloud was a U.S. Navy pilot who worked in reconnaissance at various stages of his long career, including on the cusp of the Vietnam War. Eventually he would be assigned command of that unit making him one of the first African-American officers to command a squadron. ---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
An array of dimensional designs stitched on sheer organza makes a dramatic feature for the back of a purchased cardigan.
The installation of the new Advance Technology Demonstrator Dual Polarization Phased Array Radar, also known as the ATD, began July 9 in Norman, Oklahoma, with up to the next eight weeks consisting of the 76 panel installation on the array frame along with other components. The ATD will undergo several weeks of integration before being powered on and will be followed by functional tests, safety exercises, design verification tests, and calibration exercises will be conducted. The ATD is expected to be fully operational for data collection by early 2019.
This NOAA and FAA jointly funded project cost $38 million over five years and supports Section 103 of The Weather Act: the Tornado Warning Improvement Extension Program. The ATD is the first full-size, S-band, dual-polarization phased array radar designed specifically for weather applications. The ATD will help researchers evaluate polarimetric phased array radar performance research questions, and provide insight on calibration processes necessary to calibrate polarization performance of a planar phased array radar. Media rollout and plan expected with the installation of this new equipment.
Looking far down from one of the bridges, we noticed an art like framework within the mud flat at low tide. The array of wildlife (most birds) footprints, along with the crab(s), created an interesting subject matter with fascinating texture to photograph. This is the result of cropping greatly to zoom in on the crab, itself, so unlike the far away shot (1 of 2) previous to this, the footprints are not visible.
Mill Creek Marsh, with its vast array of wildlife, never ceases to amaze visitors of nature’s wonders, right here in the great metropolis. Seasonal changes always keep things interesting and fresh, with the wide range of migratory birds, furry critters, reptiles, insects, and plants appearing at different times of the year. What makes the central landscape so unique is the fact that it was once a thriving white cedar forest centuries ago, only to be altered by man, but leaving the resilient stumps, hauntingly protruding from the marsh waters, while dramatically altering the scenery depending on the tide level and weather conditions. It is one of the most fascinating landscapes for photographers and nature enthusiasts. The main circuit trail is slightly over a mile in length, and the view of the aforementioned is always present. Golden hour—early in the morning or later in the day—is simply magnificent here, and the views toward any direction are unlike anything else. In addition, the New York City skyscrapers to the east can also be quite rewarding, with varying moods at any given time. Check out some of the SETS related to the Meadowlands, including Mill Creek Marsh, Richard DeKorte Park, and Laurel Hill Park.
Mit dem Sunbeam Line Array können bis zu 4 Sticks vertikal über- oder bis zu 30 Sticks untereinander installiert werden. Das Line Array besteht aus 3 Teilen: dem Line Array Bracket, dem Line Array Floor Stand und der Line Array Top Bar. Das System kann also gestellt und geflogen werden.
A mountain caracara flies in front of one of the ALMA antennas at the Array Operations Site, 5000 metres above sea level.
Amazing Tiles Floor Collection for Kitchen and Bathroom Tiles Design Daily Kitchen Interior Design Info
The east end of the choir preserves much of its original stained glass, believed to have been installed c1340. The two easternmost clerestorey windows on the north and south sides respectively are more or less complete and contain an array of sainted figures beneath rich canopies.They are less well known than the more famous east window but are important survivals in their own right.
Wells Cathedral is a magical place to me, having cast a spell over me from the very first time I laid eyes on it as a seven-year old when it started to be a regular break on our journeys south west for childhood holidays. Although it wasn't the first cathedral I'd encountered it was the first I'd seen after developing a more conscious interest in church art and architecture and it seemed to me like something from another world (which in many ways it is). I never forgot the impression it made, its beauties inside and out, and having not visited for nearly three decades I decided getting reacquainted was long overdue.
Described as England's 'Queen amongst cathedrals' it is not as huge as some but it is as beautiful as any, and its setting within the enclosure of a charming cathedral close that constitutes a large part of this modestly-sized but picturesque cathedral-city just adds to its qualities. Its three towers beckon the visitor through the turreted gates that connect the close to the market place and to walk through these and behold the west facade for the first time is an unforgettable experience. The central tower is a beautiful example of Somerset's pinnacled late Gothic masterpieces, and yet it almost disappears, practically forgotten, when one encounters the rich display between the two western towers with their curiously flat parapets. These towers are also mainly 15th century work, but below them, and built two centuries earlier, the facade unfolds like a huge screen covered with niches, most of which remarkably retain their original statues, the largest display of medieval sculpture surviving in England.
Currently visitors are directed to enter via the cloisters on the south side rather than through the surprisingly small, almost apologetic doorways burrowed through the base of this astonishing facade, so it is important to spend some time absorbing it before entering the building. Once inside the effect is rather calmer than the riot of ornamentation on the west front, and the scale a little more intimate and inviting than many cathedral interiors. Most of it is early 13th century and harmonious in style, but it is a later addition that draws the eye looking down the nave, the unique 'scissor arches' installed to brace the crossing in order to stabilise the central tower following signs of movement. The transepts beyond are of the same date and design as the nave, whilst further east the more ornate choir is a little later, being completed in the early 14th century. Beyond this the retrochoir and polygonal Lady Chapel with their delicate pillars and vaults form one of the most delightful and visually satisfying of English medieval interiors.
Furnishings and features of interest are plentiful as one explores the church admiring the beauty of its architecture, with much medieval glass surviving at the east end, the east window and the adjoining clerestories having survived almost intact (more survives in the choir aisles and lady chapel though aside from the traceries most is in a fragmentary state). Many medieval bishops effigies are to be seen (many forming a posthumous 13th century commemoration of earlier Saxon bishops) along with three chantry chapels. In the north transept is the famous medieval astronomical clock with its painted dials and jousting knights marking the quarter hours.
One of the most exquisite features is the chapter house also on the north side, approached via a delightfully timeworn staircase and covered by a particularly attractive vaulted ceiling. It is one of the highlights of the building and shouldn't be missed. The cloisters on the south side are also a delight to wander through and were one of the last major additions to the cathedral.
Wells Cathedral is without a doubt one of the country's greatest treasures and in my mind one of the most beautiful churches anywhere and even its surroundings are a joy to explore. It is sad to think of it closed at present owing to the current lockdown, it deserves to be visited and enjoyed again by all once the present crisis is over.
The Combined Array for Research in Millimeter-wave Astronomy (CARMA) was an astronomical instrument comprising 23 radio telescopes. These telescopes formed an astronomical interferometer where all the signals are combined in a purpose-built computer (a correlator) to produce high-resolution astronomical images. The telescopes ceased operation in April 2015 and were relocated to the Owens Valley Radio Observatory for storage.
This is the Solar Array, the two Current Limiting Inverters are connected to. It's a poor photo, but I assure you it is level :)
Right now, it's not at its optimum angle to the Sun. I have to dig
holes for the front posts to sit into. But at least for now, the solar panels are not down in the mud, when it rains.
Three panels per inverter.
In the coming weeks/months I will have to develop a battery bank to off load energy not needed.
Not to be confused with the Very Large Array (VLA), which consists of 27 antennas all at one location, the Very Long Baseline Array (VLBA) consists of 10 radio telescopes located as much as 5000 miles apart. The distance between any two stations is known as their baseline and the longer the baseline, the greater the resolution they are able to capture. These ten radio antennas work together as an array that forms the longest system in the world. Each dish is 82 feet across and weighs approximately 218 tons.
Antenna locations are:
Pie Town – New Mexico (pictured above)
Kitt Peak – Arizona
Owens Valley – California
Brewster – Washington
Mauna Kea – Hawaii
St. Croix – U.S. Virgin Islands
Hancock – New Hampshire
North Liberty – Iowa
Fort Davis – Texas
Los Alamos – New Mexico
Watch a brief video of the antenna rotate as it is repositioned
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