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Metropolitan Detroit photographer, specializing in Natural Light, Portrait, Boudoir, Sports and Event photography
We appreciate your business and we certainly want to be the one-stop-shop for your photographic needs. We offer a full array of photographic services, from Family to Individual Portrait sessions, including Fine Art Boudoir imagery, High School Senior pictures, Sports, Event and Product photography,
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This is a shot of the enemy; The London Array, which, in time, will steal our title of biggest offshore wind farm in the world. They are building their depot next door, and each day we lose a bit more of our view of the harbour.
I guess this will be their warehouse, they have been building this for a few months, but now the piles are done and the metal frame up, it will soon be finished.
These are the LED arrays we put together this weekend...designed on Tuesday, got parts and PCBs on Thursday, assembled them Friday night and Saturday afternoon.
+++ DISCLAIMER +++
Nothing you see here is real, even though the conversion or the presented background story might be based on historical facts. BEWARE!
Some background:
The Grumman Mohawk began as a joint Army-Marine program through the then-Navy Bureau of Aeronautics (BuAer), for an observation/attack plane that would outperform the light and vulnerable Cessna L-19 Bird Dog. In June 1956, the Army issued Type Specification TS145, which called for the development and procurement of a two-seat, twin turboprop aircraft designed to operate from small, unimproved fields under all weather conditions. It would be faster, with greater firepower, and heavier armor than the Bird Dog, which had proved very vulnerable during the Korean War.
The Mohawk's mission would include observation, artillery spotting, air control, emergency resupply, naval target spotting, liaison, and radiological monitoring. The Navy specified that the aircraft had to be capable of operating from small "jeep" escort class carriers (CVEs). The DoD selected Grumman Aircraft Corporation's G-134 design as the winner of the competition in 1957. Marine requirements contributed an unusual feature to the design: since the Marines were authorized to operate fixed-wing aircraft in the close air support (CAS) role, the mockup featured underwing pylons for rockets, bombs, and other stores, and this caused a lot of discord. The Air Force did not like the armament capability of the Mohawk and tried to get it removed. On the other side, the Marines did not want the sophisticated sensors the Army wanted, so when their Navy sponsors opted to buy a fleet oil tanker, they eventually dropped from the program altogether. The Army continued with armed Mohawks (and the resulting competence controversy with the Air Force) and also developed cargo pods that could be dropped from underwing hard points to resupply troops in emergencies.
In mid-1961, the first Mohawks to serve with U.S. forces overseas were delivered to the 7th Army at Sandhofen Airfield near Mannheim, Germany. Before its formal acceptance, the camera-carrying AO-1AF was flown on a tour of 29 European airfields to display it to the U.S. Army field commanders and potential European customers. In addition to their Vietnam and European service, SLAR-equipped Mohawks began operational missions in 1963 patrolling the Korean Demilitarized Zone.
Germany and France showed early interest in the Mohawk, and two OV-1s were field-tested by both nations over the course of several months. No direct orders resulted, though, but the German Bundesheer (Army) was impressed by the type’s performance and its capability as an observation and reconnaissance platform. Grumman even signed a license production agreement with the French manufacturer Breguet Aviation in exchange for American rights to the Atlantic maritime patrol aircraft, but no production orders followed.
This could have been the end of the OV-1 in Europe, but in 1977 the German government, primarily the interior ministry and its intelligence agency, the Bundesnachrichtendienst (BND), showed interest in a light and agile SIGINT/ELINT platform that could fly surveillance missions along the inner-German border to the GDR and also to Czechoslovakia. Beyond visual reconnaissance with cameras and IR sensors, the aircraft was to be specifically able to identify and locate secret radio stations that were frequently operated by Eastern Block agents (esp. by the GDR) all across Western Germany, but primarily close to the inner-German border due to the clandestine stations’ low power. The Bundeswehr already operated a small ELINT/ECM fleet, consisting of converted HFB 320 ‘Hansa’ business jets, but these were not suited for stealthy and inconspicuous low flight level missions that were envisioned, and they also lacked the ability to fly slowly enough to locate potential “radio nests”.
The pan and the objective were clear, but the ELINT project caused a long and severe political debate concerning the operator of such an aerial platform. Initially, the Bundesheer, who had already tested the OV-1, claimed responsibility, but the interior ministry in the form of the German customs department as well as the German police’s Federal Border Guard, the Bundesgrenzschutz and the Luftwaffe (the proper operator for fixed-wing aircraft within the German armed forces), wrestled for this competence. Internally, the debate and the project ran under the handle “Schimmelreiter” (literally “The Rider on the White Horse”), after a northern German legendary figure, which eventually became the ELINT system’s semi-official name after it had been revealed to the public. After much tossing, in 1979 the decision was made to procure five refurbished U.S. Army OV-1As, tailored to the German needs and – after long internal debates – operate them by the Luftwaffe.
The former American aircraft were hybrids: they still had the OV-1A’s original short wings, but already the OV-1D’s stronger engines and its internal pallet system for interchangeable electronics. The machines received the designation OV-1G (for Germany) and were delivered in early 1980 via ship without any sensors or cameras. These were of Western German origin, developed and fitted locally, tailored to the special border surveillance needs.
The installation and testing of the “Schimmelreiter” ELINT suite lasted until 1982. It was based on a Raytheon TI Systems emitter locator system, but it was locally adapted by AEG-Telefunken to the airframe and the Bundeswehr’s special tasks and needs. The system’s hardware was stowed in the fuselage, its sensor arrays were mounted into a pair of underwing nacelles, which occupied the OV-1’s standard hardpoints, allowing a full 360° coverage. In order to cool the electronics suite and regulate the climate in the internal equipment bays, the OV-1G received a powerful heat exchanger, mounted under a wedge-shaped fairing on the spine in front of the tail – the most obvious difference of this type from its American brethren. The exact specifications of the “Schimmelreiter” ELINT suite remained classified, but special emphasis was placed upon COMINT (Communications Intelligence), a sub-category of signals intelligence that engages in dealing with messages or voice information derived from the interception of foreign communications. Even though the “Schimmelreiter” suite was the OV-1Gs’ primary reconnaissance tool, the whole system could be quickly de-installed for other sensor packs and reconnaissance tasks (even though this never happened), or augmented by single modules, what made upgrades and mission specialization easy. Beyond the ELINT suite, the OV-1G could be outfitted with cameras and other sensors on exchangeable pallets in the fuselage, too. This typically included a panoramic camera in a wedge-shaped ventral fairing, which would visually document the emitter sensors’ recordings.
A special feature of the German OV-1s was the integration of a brand new, NATO-compatible “Link-16” data link system via a MIDS-LVT (Multifunctional Information Distribution System). Even though this later became a standard for military systems, the OV-1G broke the ground for this innovative technology. The MIDS was an advanced command, control, communications, computing and intelligence (C4I) system incorporating high-capacity, jam-resistant, digital communication links for exchange of near real-time tactical information, including both data and voice, among air, ground, and sea elements. Outwardly, the MIDS was only recognizable through a shallow antenna blister behind the cockpit.
Even though the OV-1Gs initially retained their former American uniform olive drab livery upon delivery and outfitting in German service, they soon received a new wraparound camouflage for their dedicated low-level role in green and black (Luftwaffe Norm 83 standard), which was better suited for the European theatre of operations. In Luftwaffe service, the OV-1Gs received the tactical codes 18+01-05 and the small fleet was allocated to the Aufklärungsgeschwader (AG) 51 “Immelmann”, where the machines formed, beyond two squadrons with RF-4E Phantom IIs, an independent 3rd squadron. This small unit was from the start based as a detachment at Lechfeld, located in Bavaria/Southern Germany, instead of AG 51’s home airbase Bremgarten in South-Western Germany, because Lechfeld was closer to the type’s typical theatre of operations along Western Germany’s Eastern borders. Another factor in favor of this different airbase was the fact that Lechfeld was, beyond Tornado IDS fighter bombers, also the home of the Luftwaffe’s seven HFB 320M ECM aircraft, operated by the JaBoG32’s 3rd squadron, so that the local maintenance crews were familiar with complex electronics and aircraft systems, and the base’s security level was appropriate, too.
With the end of the Cold War in 1990, the OV-1Gs role and field of operation gradually shifted further eastwards. With the inner-German Iron Curtain gone, the machines were now frequently operated along the Polish and Czech Republic border, as well as in international airspace over the Baltic Sea, monitoring the radar activities along the coastlines and esp. the activities of Russian Navy ships that operated from Kaliningrad and Saint Petersburg. For these missions, the machines were frequently deployed to the “new” air bases Laage and Holzdorf in Eastern Germany.
In American service, the OV-1s were retired from Europe in 1992 and from operational U.S. Army service in 1996. In Germany, the OV-1 was kept in service for a considerably longer time – with little problems, since the OV-1 airframes had relatively few flying hours on their clocks. The Luftwaffe’s service level for the aircraft was high and spare parts remained easy to obtain from the USA, and there were still OV-1 parts in USAF storage in Western German bases.
The German HFB 320M fleet was retired between 1993 and 1994 and, in part, replaced by the Tornado ECR. At the same time AG 51 was dissolved and the OV-1Gs were nominally re-allocated to JaboG 32/3. With this unit the OV-1Gs remained operational until 2010, undergoing constant updates and equipment changes. For instance, the machines received in 1995 a powerful FLIR sensor in a small turret in the aircraft’s nose, which improved the aircraft’s all-weather reconnaissance capabilities and was intended to spot hidden radio posts even under all-weather/night conditions, once their signal was recognized and located. The aircrafts’ radio emitter locator system was updated several times, too, and, as a passive defensive measure against heat-guided air-to-air missiles/MANPADS, an IR jammer was added, extending the fuselage beyond the tail. These machines received the suffix “Phase II”, even though all five aircraft were updated the same way.
Reports that the OV-1Gs were furthermore retrofitted with the avionics to mount and launch AIM-9 Sidewinder AAMs under the wing tips for self-defense remained unconfirmed, even more so because no aircraft was ever seen carrying arms – neither the AIM-9 nor anything else. Plans to make the OV-1Gs capable of carrying the Luftwaffe’s AGM-65 Maverick never went beyond the drawing board, either. However, BOZ chaff/flare dispenser pods and Cerberus ECM pods were occasionally seen on the ventral pylons from 1998 onwards.
No OV-1G was lost during the type’s career in Luftwaffe service, and after the end of the airframes’ service life, all five German OV-1Gs were scrapped in 2011. There was, due to worsening budget restraints, no direct successor, even though the maritime surveillance duties were taken over by Dornier Do 228/NGs operated by the German Marineflieger (naval air arm).
General characteristics:
Crew: Two: pilot, observer/systems operator
Length: 44 ft 4 in (13.53 m) overall with FLIR sensor and IR jammer
Wingspan: 42 ft 0 in (12.8 m)
Height: 12 ft 8 in (3.86 m)
Wing area: 330 sq. ft (30.65 m²)
Empty weight: 12,054 lb (5,467 kg)
Loaded weight: 15,544 lb (7,051 kg)
Max. takeoff weight: 18,109 lb (8,214 kg)
Powerplant:
2× Lycoming T53-L-701 turboprops, 1,400 shp (1,044 kW) each
Performance:
Never exceed speed: 450 mph (390 knots, 724 km/h)
Maximum speed: 305 mph (265 knots, 491 km/h) at 10,000 ft (3,050 m)
Cruise speed: 207 mph (180 knots, 334 km/h) (econ cruise)
Stall speed: 84 mph (73 knots, 135 km/h)
Range: 944 mi (820 nmi, 1,520 km) (SLAR mission)
Service ceiling: 25,000 ft (7,620 m)
Rate of climb: 3,450 ft/min (17.5 m/s)
Armament:
A total of eight external hardpoints (two ventral, three under each outer wing)
for external loads; the wing hardpoints were typically occupied with ELINT sensor pods, while the
ventral hardpoints frequently carried 300 l drop tanks to extend loiter time and range;
Typically, no offensive armament was carried, even though bombs or gun/missile pods were possible.
The kit and its assembly:
This build became a submission to the “Reconnaissance” Group Build at whatifmodellers.com in July 2021, and it spins further real-world events. Germany actually tested two OV-1s in the Sixties (by the German Army/Bundesheer, not by the air force), but the type was not procured or operated. The test aircraft carried a glossy, olive drab livery (US standard, I think) with German national markings.
However, having a vintage Hasegawa OV-1A in the stash, I wondered what an operational German OV-1 might have looked like, especially if it had been operated into the Eighties and beyond, in the contemporary Norm 83 paint scheme? This led to this purely fictional OV-1G.
The kit was mostly built OOB, and the building experience was rather so-so – after all, it’s a pretty old mold/boxing (in my case the Hasegawa/Hales kit is from 1978, the mold is from 1968!). Just a few things were modified/added in order to tweak the standard, short-winged OV-1A into something more modern and sophisticated.
When searching for a solution to mount some ELINT sensor arrays, I did not want to copy the OV-1B’s characteristic offset, ventral SLAR fairing. I rather settled for the late RV-1D’s solution with sensor pods under the outer wings. Unfortunately, the OV-1A kit came with the type’s original short wings, so that the pods had to occupy the inner underwing pair of hardpoints. The pods were scratched from square styrene profiles and putty, so that they received a unique look. The Mohawk’s pair of ventral hardpoints were mounted, but – after considering some drop tanks or an ECM pod there - left empty, so that the field of view for the ventral panoramic camera would not be obscured.
Other small additions are some radar warning sensor bumps on the nose, some extra antennae, a shallow bulge for the MIDS antenna on the spine, the FLIR turret on the nose (with parts from an Italeri AH-1 and a Kangnam Yak-38!), and I added a tail stinger for a retrofitted (scratched) IR decoy device, inspired by the American AN/ALG-147. This once was a Matchbox SNEB unguided missile pod.
Painting and markings:
For the intended era, the German Norm 83 paint scheme, which is still in use today on several Luftwaffe types like the Transall, PAH-2 or CH-53, appeared like a natural choice. It’s a tri-color wraparound scheme, consisting of RAL 6003 (Olivgrün), FS 34097 (Forest Green) and RAL 7021 (Teerschwarz). The paints I used are Humbrol 86 (which is supposed to be a WWI version of RAL 6003, it lacks IMHO yellow but has good contrast to the other tones), Humbrol 116 and Revell 9. The pattern itself was adapted from the German Luftwaffe’s Dornier Do 28D “Skyservants” with Norm 83 camouflage, because of the type’s similar outlines.
A black ink washing was applied for light weathering, plus some post-shading of panels with lighter shades of the basic camouflage tones for a more plastic look. The cockpit interior was painted in light grey (Humbrol 167), while the landing gear and the interior of the air brakes became white. The scratched SLAR pods became light grey, with flat di-electric panels in medium grey (created with decal material).
The cockpit interior was painted in a rather light grey (Humbrol 167), the pilots received typical olive drab Luftwaffe overalls, one with a white “bone dome” and the other with a more modern light grey helmet.
The decals were improvised. National markings and tactical codes came from TL Modellbau sheets, the AG 51 emblems were taken from a Hasegawa RF-4E sheet. The black walkways were taken from the Mohak’s OOB sheet, the black de-icer leading edges on wings and tail were created with generic black decal material. Finally, the model was sealed with a coat of matt acrylic varnish (Italeri).
An interesting result, and the hybrid paint scheme with the additional desert camouflage really makes the aircraft an unusual sight, adding to its credibility.
The Karl G. Jansky Very Large Array (VLA), a component of the National Radio Astronomy Observatory (NRAO), in Socorro County, New Mexico. The VLA was completed in 1980. In 2011, a major upgrade of the 1970s era electronics was completed increasing the capabilities of the VLA. The site was renamed the "Karl G. Jansky Very Large Array" in 2012.
The astronomical radio observatory consists of 27 radio antennas in a Y-shaped array. Each antenna is 82 ft (25 m) in diameter. The massive telescopes can be moved by railroad tracks to one of four configurations for studies.
Antennas of the Atacama Large Millimeter/submillimeter Array (ALMA), on the Chajnantor Plateau in the Chilean Andes. The Large and Small Magellanic Clouds, two companion galaxies to our own Milky Way galaxy, can be seen as bright smudges in the night sky, in the centre of the photograph.
Thank you, in advance, to those of you who take a moment to leave a comment and/or fave my photo. I appreciate it tremendously.
Sanctuary Lamp c. 1855 - Gilt brass, manufactured by J. Hardman & Company.
Augustus Welby Northmore Pugin (British, 1812-1862)
Pugin’s promotion of a Gothic Revival Style coincided with a tremendous boom of the building of churches for England’s growing industrial centers. He rapidly became the leading architect for the Roman Catholic Church, executing designs for architecture as well as interior fittings, such as this sanctuary lamp.
Pugin’s writings on Gothic art had a great impact on artists and designers of the next generation, including William Morris.
Gilt brass is simply a brass that has a gold wash over it. This method was commonly used on drawer pulls, brass feet,and many other metal accents on furniture, mostly so that the brass would not have to be polished. The gold would always stay bright and shiny.
Gilt surfaces should not be polished. A solution of mild soap and water does all the cleaning required. Anything more harsh or abrasive will only remove the gilt finish.
The Huntington:
A private, nonprofit institution, The Huntington was founded in 1919 by Henry E. Huntington, an exceptional businessman who built a financial empire that included railroad companies, utilities, and real estate holdings in Southern California.
Huntington was also a man of vision – with a special interest in books, art, and gardens. During his lifetime, he amassed the core of one of the finest research libraries in the world, established a splendid art collection, and created an array of botanical gardens with plants from a geographic range spanning the globe. These three distinct facets of The Huntington are linked by a devotion to research, education, and beauty.
In 1919, Henry and Arabella Huntington signed the indenture that transferred their San Marino property and collections to a nonprofit educational trust, creating The Huntington Library, Art Collections, and Botanical Gardens, which hosts more than 500,000 visitors each year.
The Solar array will be used to trickle charge the lithium battery bank in the Kimberly Kamper trailer while in storage. www.kimberleykampers.com/
A future project will be to add a battery and separate MPPT charger to power a 12 v garden fountain pump and outdoor LED lighting.
Components
2 x Uni-Solar Amorphous 62 W ES-62T $420 (sourced on ebay $210 each)
1 x Heavy Duty Universal Solar Panel Pole Mount kit from affordablesolarmounts.com/ $150
2.7 m (0.7 m in the ground) galvanised pole (MGPE 32NB) (42.4 MM) from EDCON Steel www.edconsteel.com.au/ $30
2 x MC3 Solar Panel Cable Branch Connectors sourced on ebay $19
2 x MC3 Solar Panel 6' Cable 1 End Male/Stripped 12 AWG sourced on ebay $40
10m 15A auto cable and Anderson plug from Jaycar $40
3 x 20 Kg ready mix cement from Bunnings $19.5
Total $719
See an overview video @
Photos courtesy of Missouri City
A new LED message sign, monument wall and landscaping now grace the entrance of City Hall.
Missouri City’s Successes Shine Bright in 2012
Missouri City continued its march of excellence in 2012 with an array of successful fiscal, civic, business and public safety accomplishments that kept the “Show Me City” on the list of the state’s and the nation’s premier municipalities.
Safe streets, best budgets, thriving companies, dynamic diversity, pristine parks and A-plus amenities remain hallmarks of the City, and have an impact on its infrastructure projects and retail and commercial sectors.
Showcasing the richness of our cultural, educational and economic strengths, a groundbreaking Rice University study this year found Missouri City has surpassed Houston in diversity.
“Our diversity brings different ideas and traditions to the table, and we are united in the direction of our community’s future,” said City Manager Edward Broussard. “With 20 parks, two championship golf courses, first-class amenities and rich historical traditions, we encourage everyone to discover Missouri City.”
City Council continued to provide strong leadership for citizens and staff in 2012. From left are Councilmember Don Smith, District B, Councilmember Bobby Marshall, District A, Mayor Pro Tem Jerry Wyatt, At Large Position 1, Mayor Allen Owen, Councilmember Danny Nguyen, At Large Position 2, Councilmember Floyd Emery, District D, and Councilmember Robin Elackatt, District C.
Additionally, MONEY Magazine and CNNMoney named Missouri City one of 2012’s Top 10 Most Affordable Cities in the nation for homebuyers and “we are steadfast in our commitment to remain a premier location with scenic neighborhoods, low crime, top-rated schools and expanded quality recreational opportunities,” Broussard said.
And, when it comes to living healthy lifestyles; citizens are up to the challenge. Residents and staff formed a winning partnership this year to earn a second place honor in the Healthy at H-E-B Challenge, a statewide initiative aimed at getting Texans to become active and stay fit.
Another recreational accolade was earned by the award-winning Quail Valley Golf Course, which has hosted record rounds again this year. Avid Golfer ranked the El Dorado fairway as the No. 1 “Best Value Under $50”, and No. 2 among courses in the category of “Top-5 Intermediate-Priced • $36-$50”. And, the magazine ranked the La Quinta greens No. 2 among courses in the category of “Top-5 Value-Priced • $36-$50”.
QVGC is also now the third location for the First Tee of Greater Houston, a youth development program that teaches life lessons such as the importance of honesty, sportsmanship, perseverance, responsibility and judgment.
“We all know that Missouri City is a special place and these honors reinforce what those of us who live here know,” said Mayor Allen Owen. “As we move forward, our synergistic relationship with our families and business partners will continue to make Missouri City one of the best cities in America.”
Fiscal Fitness
Strong fiscal management earned the city a Double A rating for its general obligation bonds and certificates of obligation, a high rank based on sound budget policies and procedures that give the City a bright financial outlook for the future.
For more than 25 years, the City Budget and the Comprehensive Annual Financial Report have been recognized annually by the Government Finance Officers Association of the United States and Canada for their detail on City services and programs and the City’s financial condition. And, for the second year in a row Missouri City has earned a “Gold Star” award for financial transparency and online reporting from the Texas Comptroller of Public Accounts.
Maintaining fiscal excellence is a top priority for the City, with all departments focused on the effective and efficient management of financial resources.
A police officer, left, shares safety information with a resident. Firefighters, at right, perform a vehicle extrication demonstration.
Protecting the Public
Proactive public safety programs protect, educate and engage citizens, often providing a glimpse into the work of our first responders who put their lives on the line to keep us safe.
In 2012, the Missouri City Police Department hosted a series of safety seminars, including a citywide crime prevention meeting, ensuring citizens are prepared to safeguard their families and property.
And, this year brought a significant first for the Fire & Rescue Services as they hosted their inaugural annual open house. Hundreds visited Fire Station 1 and experienced how to handle a fire hose, learned about life-saving equipment, watched a vehicle extrication demonstration, toured the firehouse and practiced fire exit drills.
Another highlight was the graduation of the 26th Annual Missouri City Police and Fire Academy. This year’s class of 27 is now qualified to join the Police and Fire Auxiliary and Citizen’s Response Team after completing a free six-week training program that took them “behind-the-scenes”. The residents learned about traffic and criminal law, CPR, firearms, and the dangers associated with fighting fires and solving crimes.
The importance of Missouri City’s public safety investment in commercial areas also is demonstrated via the new Police Mini-Station on Texas Parkway. The station serves as a daily reminder to citizens that the City is dedicated to keeping them and their businesses safe.
Business is Booming
Continuing to build a sustainable business base is critical to future growth and development.
This year, Missouri City’s commitment to private-public partnerships was recognized with the prestigious 2012 Community Economic Development Award from the Texas Economic Development Council. The “Show Me City” won the distinction for its successful bid to attract Niagara Bottling Company, the second largest water bottling firm in the United States.
In making its decision, TEDC cited Missouri City’s “team effort” in partnering with the Greater Houston Partnership, the Fort Bend Economic Development Council, Fort Bend County, CenterPoint Energy Economic Development Group and Water Control and Improvement District No. 2 to interest Niagara in opening its doors in Lakeview Business Park, located near Fondren Road and Sam Houston Parkway.
The plant is expected to be fully operational in the first quarter of 2013. When complete, it will encompass more than 356,000 square feet, with water processing, bottle manufacturing, warehousing and a distribution facility.
A few miles away in the Beltway Crossing Complex on South Gessner Road, another major company is preparing to open its doors. Ben E. Keith Foods will complete the first phase of its 500,000-square-foot facility in the first quarter of 2013. When complete, the company, which was honored in 2012 by having Beltway Road renamed Ben E. Keith Way, will be the City’s largest employer.
Other new companies choosing to locate here during the past 12 months include Twin Star Bakery, Southwest Electronic Energy Corp., Fort Bend Brewing Company, Warren Alloy/Allied Fittings, Stream Realty and Bimbo Bakeries USA.
And, to create an ongoing dialogue with the business community, the City has launched Business Briefing Breakfasts. These monthly meetings focus on economic growth and development and are hosted in the City Centre at Quail Valley. For more information on the breakfasts, call 281.403.8530.
Infrastructure Improvements
Infrastructure improvements were a priority citywide. A major accomplishment was the official opening of the City’s new $50 million Regional Water Treatment Plant, the largest capital improvement project ever undertaken by the “Show Me City”. The project was the result of an unprecedented level of cooperation among 40 government and private sector groups.
The facility, which has the capacity to store 100 million gallons of water, was built to meet regulations set by the Fort Bend Subsidence District, which mandates that groundwater withdrawals must be no more than 70 percent of total water demand by Jan. 1, 2014. By January of 2025, withdrawals must be reduced to no more than 40 percent of water demand.
During a grand opening ceremony for the plant in August, partners raised their glasses—filled with water processed at the facility. Plant engineers say the quality of the refined water should exceed that of the groundwater residents currently drink with 33 types of tests conducted each day to ensure the water is safe to use. And, in recognition of its excellence, the RWTP won the Texas Public Works Association’s Project of the Year Award for “Environmental Projects at least $25 million but less than $75 million”.
Other infrastructure upgrades completed citywide include:
*Raised medians constructions on Highway 6 and Texas Parkway. The Texas Department of Transportation managed these mobility projects that improved safety for motorists and pedestrians. The projects included the installation of new traffic signals and six Dynamic Messages Signs along Highway 6, and the installation of new turn lanes along both roadways.
*Implementation of the $2.8 million Intelligent Transportation System to help synchronize traffic signals and manage traffic flow citywide.
*A showcase Missouri City monument wall was added to the entrance of the City Hall Complex, which has been revitalized with the addition of a new LED sign and landscaping. The monument wall is the latest of several new ones that now grace major thoroughfares helping to brand and beautify the area.
*Next year, Lexington Boulevard will be extended. Plans call for a decorative traffic signal at Texas Parkway, a four-lane boulevard roadway with sidewalks from Texas Parkway to Scanlin Road, as well as drainage structures. Fort Bend County has agreed to pay all costs of the $3.3 million project through the Fort Bend Mobility Bond program.
Other key infrastructure improvements include the reconstruction of El Dorado Bridge, the installment of flashing yellow arrows along major roadways and the construction of Fire Station #5, which is being fully funded by the Sienna Plantation Municipal Utility District. The station is expected to open in late 2013.
Another mobility milestone involves the METRO Park & Ride stop located in the Fort Bend Town Center at Fort Bend Parkway and Highway 6. Ridership on the service is steadily increasing, providing convenient, stress-free commutes to and from the Texas Medical Center and Houston’s central business district for hundreds of residents.
Pristine Parks
City Council followed through on its commitment to citizens that construction of the City Centre at Quail Valley and the Recreation and Tennis Center would be completed this year.
Since Missouri City’s new first-class amenities opened their doors, they have received rave reviews.
Missouri City’s premier City Centre at Quail Valley can host all of your special events.
As Fort Bend County’s premier events venue, the City Centre at Quail Valley, located at 2880 La Quinta Dr., has hosted dozens of festive occasions including weddings, business meetings, birthday parties, tournaments like the 2012 Fort Bend Chamber Challenge and an official ribbon-cutting ceremony.
To plan and schedule a function, individuals and businesses can call 281-403-8517.
Missouri City’s first-class Recreation and Tennis Center can help you stay fit with lots of fun activities.
The state-of-the-art Recreation and Tennis Center, located at 2701 Cypress Point Dr., continues to draw new members and has hosted tennis tournaments for local and regional organizations.
The Center, which was featured in the August edition of Athletic Business, has a Kid Zone, a full-size gymnasium, multi-purpose rooms, tennis courts, batting cages, the latest cardio and weight equipment, an outdoor walking trail and tennis clinics. To join, visit the City website: www.missouricitytx.gov or call 281-403-8637.
Many distinctions set Missouri City apart from other municipalities, and the City’s pristine parks are among the area’s best.
The Edible Arbor Trail, which features groves of trees and shrubs that produce edible fruits and nuts, remains a favorite. It was recognized as an innovative project this year by the Texas Recreation and Parks Society and received an Honorable Mention for “On-the-Ground Projects” from the Houston-Galveston Area Council. The trail was also featured on Ch. 13’s Hometown Live Report.
Another parks project that has been popular is the expansion of Oyster Creek Trail. The 2.31 mile pathway, an outdoor haven for residents who enjoy a scenic hike, bike, walk or jog, underwent a revitalization that added a paved bike and pedestrian trail along Oyster Creek Bayou between Dulles Avenue and Cartwright Road.
Improvements made to the Cartwright Road Bridge extended Oyster Creek Trail under the bridge and connected it to the existing trail south of Cartwright Road.
Scenes from the Snowfest Festival, left, and from National Night Out, right. Below, MCJCF founding board members kickoff the group’s golden anniversary at a VIP Reception. Pictured from left, are Michael Mouton, Councilman Don Smith, who is Founder and Chairman, Sonja Thornton, Pamela Poole, Charles Swindell and Derrick Woods.
Treasured Traditions
Annual traditions build lasting bonds citywide and this year, these successful events helped form a strong sense of civic pride:
* The 29th Annual Snowfest Festival drew more than 5,000 to the City Hall Complex and featured a tree-lighting ceremony, colorful fireworks, bicycle raffles, the world’s tallest snowman bounce house, a snow hill, a toy drive and Santa! And, the Snowfest Parade drew hundreds and featured colorful floats, local bands, community groups and trailers decorated in holiday themes.
*The July 4th Festival was a fantastic celebration in Buffalo Run Park full of fun and fireworks. Thousands of families gathered to see the sky light up with color at dusk. Children also enjoyed a moonwalk, a rock wall, and a mechanical bull.
*The Fourth Annual “Operation Thanksgiving—Stuff the Squad Car!” put the unity in community as “Show Me City” citizens, businesses and staff partnered to fill 15 police patrol cars with canned and nonperishable food items to assist area families in need. The Second Mile Mission Center, Bethel Ministry and the Powerhouse of Love Food Bank benefitted from this benevolent event.
*The Missouri City Juneteenth Celebration Foundation commemorated its 10th Anniversary with a focus on families and their core contributions to our communities. At the Community Service Awards Gala tribute, retired NBA star Charlie Ward was the guest speaker. Other special celebrations were the Scholarship Golf Tournament, Family Fun Day in the Park and Night Out, Festival Under the Stars and the One Mile of Smiles Parade.
*And, neighborhoods across Missouri City held National Night Out block parties featuring good food, fellowship and fun on the 29th annual observance of the crime prevention initiative. NNO helps neighbors get to know each other and to partner with police officers, firefighters, City Council and staff to discuss and implement measures that help combat crime.
A Bright Future
In 2012, professionals in all departments honorably represented the City with pride and were recognized by their peers in the region, in the state and across the nation. They include:
*Police Officer of the Year Jessica Berry
*Firefighter of the Year Michael Jaster
*Recreation Superintendent Shane Mize, who won the 2012 National Recreation and Park Association Rising Professional Award
*Director of Municipal Court Services Cathy Haney, who is the Texas Court Clerks Association’s 2012 Gulf Coast Chapter Clerk of the Year
*Street Technician II Lyford “Nickey” Hayes, who was recognized as Operator of the Year—Heavy Equipment by the American Public Works Association
*City Secretary Maria Gonzalez, who became President of the Salt Grass Chapter of the Texas Municipal Clerks Association, Inc.
*The Communications Team won the Texas Association of Municipal Information Officers’ Silver Star for Electronic Report, the Texas Association of Telecommunications Officers and Advisors’ second place award for Best Use of Web, the National Association of Telecommunications Officers and Advisors’ third place award for the video “Bob on Biz—LEED Certified Building”, and the group’s honorable mention award for the “Show Me Missouri City TV Website”.
*The Information Technology Team managed the installation of the Tyler Technologies Enterprise Resource Planning suite of software. It includes efficiency programs for accounting, payroll, human resources, document management, mapping, permits, licenses and code enforcement.
In 2013, Missouri City will continue to provide citizens with excellent programs and services. A committed City Council and award-winning staff will progressively move forward into the future, ensuring the “Show Me City’s” ongoing success.
Residents are encouraged to stay informed through the City’s websites: www.missouricitytx.gov and www.missouricityready.com, the “Show Me Missouri City” citizen newsletter, regular and annual homeowner association meetings, Missouri City television (Ch. 16 on Comcast and Ch. 99 on AT&T U-verse) and 1690 AM.
Families and visitors are invited to have breakfast, brunch, lunch or dinner at the City Centre and to maintain a focus on fitness at the Recreation and Tennis Center. And, to make those memorable moments in life even more special, citizens should plan to host their celebrations in one of the City Centre’s elegant rooms—the magnificent Magnolia Ballroom, the amazing Azalea Room or the beautiful Bluebonnet Grille.
Schedule your next tee time at the championship Quail Valley Golf Course.
And, golfers can always enjoy a great game at the renowned Quail Valley Golf Course. For greens fees, visit www.golfquailvalley.com or call 281.403.5910.
As the City partners with the community to start a New Year together; high-standards will continue to be set and met in the “Show Me City”.
These sailors must get ALL the channels!
In reality these are the radar illuminators used for terminal homing of many of the ship's surface to air missiles.
The Karl G. Jansky Very Large Array (VLA) is a radio astronomy observatory located about 50 miles (64 km) west of Socorro, New Mexico. The VLA consists of twenty-seven 25-meter (82 feet) diameter radio telescopes deployed in a Y-shaped array, together with all the equipment needed to process the collected data and function as an interferometer. Each of the radio telescopes is mounted along double parallel railroad tracks, which allows changing the configuration of the system. Placing the radio telescopes closer together increases surface brightness sensitivity. Spreading them out increases angular resolution. The system was built from 1973 to 1980 and is being modernized, starting in 2011.
An array of lamp shades!!
Sorry friends for not visiting your photostream. . , Very busy at home with the little ones . . . But I shall catch your stream soon!
This photo shows the buildings of the ALMA Array Operations Site in the Chilean Atacama Desert surrounded by snow. Wait a minute — there’s snow in the desert?
The Atacama Desert is one of the driest places in the world — more specifically, the driest place on Earth outside the polar regions in terms of average rainfall. The very low levels of water vapour in the atmosphere and the almost constantly clear skies make it an ideal location for astronomical observations. However, as this photo from August 2023 — wintertime in Chile — shows, snow can occasionally visit the desert.
The Atacama Large Millimeter/sub-millimeter Array (ALMA), in which ESO is a partner, is one of the largest astronomical projects in the world. The telescope’s 66 radio antennas are located at the Array Operations Site (AOS) on Llano de Chajnantor, an impressive 5000 metres above sea level and about 40 km east of San Pedro de Atacama. The large yellow truck in this picture is one of the two transporters used to periodically rearrange the antennas into different configurations.
The telescope’s signals are processed in a supercomputer in the nearby AOS Technical Building, pictured above — one of the highest-altitude buildings in the world! The digitised signals are then transmitted to the data storage facilities housed at the Operations Support Facility (OSF) site, at a more benign altitude of 2900 metres.
Credit: S. Otarola/ESO
The Solar array will be used to trickle charge the lithium battery bank in the Kimberly Kamper trailer while in storage. www.kimberleykampers.com/
A future project will be to add a battery and separate MPPT charger to power a 12 v garden fountain pump and outdoor LED lighting.
Components
2 x Uni-Solar Amorphous 62 W ES-62T $420 (sourced on ebay $210 each)
1 x Heavy Duty Universal Solar Panel Pole Mount kit from affordablesolarmounts.com/ $150
2.7 m (0.7 m in the ground) galvanised pole (MGPE 32NB) (42.4 MM) from EDCON Steel www.edconsteel.com.au/ $30
2 x MC3 Solar Panel Cable Branch Connectors sourced on ebay $19
2 x MC3 Solar Panel 6' Cable 1 End Male/Stripped 12 AWG sourced on ebay $40
10m 15A auto cable and Anderson plug from Jaycar $40
3 x 20 Kg ready mix cement from Bunnings $19.5
Total $719
See an overview video @
"JAYNE COUNTY'S MAD TEA PARTY..SEX! ART! MUSIC!"
A KYMARA 21ST CENTURY THREE DAY HAPPENING
Friday, April 9, 2010 at 8:00pm
Chelsea Hotel
New York, NY
www.punkglobe.com/jaynecountyinterview0809.html
en.wikipedia.org/wiki/Jayne_County
www.facebook.com/group.php?gid=34004014453&ref=ts
Description
KYMARA 21ST CENTURY HAPENINGS, "PUNK GLOBE MAGAZINE", THE BLUE ELEPHANT EVENTS AND CAFE HARNEY AND SONS FINE TEA, WARWICK VALLEY WINERY AND DISTILLERY AND STUDIO 54 NY SUPERSTAR PARTY HOST, MIESTORM ALONG WITH MILO ROCK AND KYMARA
STARRING THE PREMIERE EXHIBIT OF THE ARTISTIC WORKS OF JAYNE COUNTY!!!!!
ALONG WITH THE ART, MUSIC AND FILM OF BILLY NAME, ANTON PERICH, CHRISTOPHER MAKOS, MICK ROCK, PRAIRIE PRINCE,CHRISTOPHER LYNCH, MARY WORONOV, LOUIS WALDON, WALTER STEDING, GAZELLE, GORMAN BECHARD, ERIC DANVILLE, THE FLOYDIAN DEVICE, DAVE STREET AND CO. AMANDA BURNS, MARK LA FALCE, AND MANY MORE MUSICIANS AND ARTISTS...
ANNOUNCING THE WORKS OF THE "BILLY NAME ANTE ART SUPERSTARS" JAYNE COUNTY, PRAIRIE PRINCE, RUBY LYNN REYNER, ANTON PERICH, MIESTORM, MILO ROCK, FERNANDO CARPANEDA, IAN COUCH, AND KYMARA
JAYNE COUNTY WILL BE PERFORMING LIVE AT CHELSEA HOTEL ALONG WITH HER NEW BAND, "THE WAR HOLES" FEATURING
MILO ROCK, FRANK COLEMAN, BOB TOXIC AND ARENA BOUND. VINTAGE FOOTAGE OF JAYNE COUNTY'S LIVE PERFORMANCE BY THE LEGENDARY ANTON PERICH
A FABULOUS ARRAY OF JAYNE COUNTY'S HISTORIC COSTUMES WILL BE ON DISPLAY!
FASHION SHOW BY "LIVE FAST" NYC
AWARD WINNING FILM "FRIENDS WITH BENEFITS" BY INDIE FILM DIRECTOR GORMAN BECHARD FOLLOWED BY A Q&A ON SUNDAY
A PORTION OF OUR PROCEEDS BENEFITS THE LGBT COMMUNITY SERVICES CENTER 208 West 13th Street New York, NY 10011
QUESTIONS????COMMENTS?????
CALL KYMARA DIRECTLY AT..
207-286-7399
OR EMAIL KYMARA@KYMARA.COM
Biography
Born in 1947 as Wayne Rogers, County left her hometown of Dallas, Georgia in 1968 to move to New York City, where she became a regular at the Stonewall Inn and took part in the historic riots. In 1969, County was asked by Warhol superstar and playwright Jackie Curtis to appear in her play Femme Fatale at the La MaMa Experimental Theatre Club, which also starred Patti Smith. In her autobiography, County says of Curtis, "She was my biggest influence, the person who really got me started." After a successful run of Femme Fatale, County wrote her own play World - Birth Of A Nation which she also appeared in, bringing her to the attention of Andy Warhol, who cast her in his own theatrical production Pork. After a run in New York, the play, with the New York cast, was performed in London for a few months. Upon returning to New York, County appeared in another play, Island, by Tony Ingrassia, again with Patti Smith.
Then, in 1972 County got her first band, Queen Elizabeth together, one of the pioneering glam rock bands. Despite being signed to MainMan Management, David Bowie's management firm, no records were ever produced, although the company did spend over $200,000 to film the 1974 stage show "Wayne at the Trucks", no footage of which has ever been released (even in bootleg form). The show featured numerous costume changes and some of County's raunchiest material. The film remains (presumably) in Bowie's vaults, though eight live recordings from this show were released in audio form on the 2006 CD Wayne County At The Trucks on Munster Records. The show is claimed by County to be the major inspiration for Bowie's stage show for the tour supporting his Diamond Dogs album.[1] In particular, County maintains that the song "Queenage Baby" was a prototype for Bowie's song "Rebel Rebel", a claim which is supported by some rock critics.[2][3]
In 1975, with her new band "The Backstreet Boys," Wayne County recorded three tracks for the compilation Max's Kansas City: New York New Wave, which also featured Suicide, Pere Ubu and The Fast. Wayne County and The Backstreet Boys played regularly at CBGBs and at Max's Kansas City, where County was also a DJ. In 1976, she appeared in the film The Blank Generation, directed by Amos Poe and Ivan Kral. The film, the recording and the shows were the beginnings of what came to be known as punk rock, and helped define this movement for a generation of youth.
In 1977, County left New York to return to London, where the English punk scene was just emerging. Here, she formed a new band called Wayne County & the Electric Chairs. County released the EP Electric Chairs 1977, plus a single on Illegal Records. This was followed by her most famous song, "Fuck Off" recorded as a single for Safari Records, with a European tour in support of the records. While in London, County met Derek Jarman who cast her as the character "Lounge Lizard" in the seminal punk film Jubilee, which also starred Adam Ant, Toyah Willcox, Ian Charleson and Jordan. After this The Electric Chairs recorded their first self-titled album, which featured "Eddie and Sheena", and an EP named Blatantly Offensive, which contained "Fuck Off" and "Toilet Love." After touring, they followed this up with another album Storm The Gates Of Heaven. The next album, released in 1979, was Things Your Mother Never Told You which featured several songs based on County's recent experiences in Germany. After it was released, the band broke up and County (along with guitarist Eliot Michaels) returned to the U.S. in 1979. It was at this time that she officially changed her stage name to "Jayne County" and began self-identifying as a woman. The final release by County on Safari Records, Rock and Roll Resurrection (In Concert), a live album recorded in Toronto on New Year's Eve of 1979, was under this new name.
In 1983, County returned to New York where she appeared in the theatrical production Les Girls with Holly Woodlawn and other performers. After this she returned to London for the premiere of City Of Lost Souls and stayed long enough to tour and record another album Private Oyster with Warren Heighway as manager. Her band included members of various UK based rock bands, including Manchester-based guitarists Stuart Clarke, Chris Lynch and Baz Creece on drums. Following widespread media attention she then returned again to the U.S.
In the 1990s many of the earlier recordings were released, such as the early Safari tracks on a CD called Rock & Roll Cleopatra. She recorded the album Goddess Of Wet Dreams in 1993, followed by Deviation in 1995. That same year she appeared in Wigstock: The Movie and released her autobiography Man Enough To Be A Woman.
Since Deviation, several new tracks have surfaced on various compilations and through Jayne's official website. Many of these tracks, both live and studio recordings, were collected on the Ratcage Records release So New York, including collaborations with Lisa Jackson and former Electric Chairs guitarist Eliot Michaels. A thunderous live show (recorded on Jayne's birthday) was released on the 2002 CD Wash Me In The Blood (Of Rock & Roll)- Live at Squeeze Box by Fang Records, and features a duet on "California Sun" by County and former nemesis "Handsome" Dick Manitoba of The Dictators.
Zeigelsteine is German for building blocks or bricks. I use the nickname Brick Stone in many of my multiplayer online gaming titles that I enjoy.... With that, I am essentially calling myself Zeigelsteine. This has proven to be the perfect name for my new array of Hi Fidelity Audiophile PC speakers.
What's the deal here?
The design goals of this system was to allow for extremely clear, yet warm and robust, 3D positional audio in either 5.1 or 7.1 titles in a near field delivery scheme, as well as serve as a part of our multimedia experience in the family/game room area of our home. I use this worksation for video and audio editing and creation, 2D and 3D graphics development for web and video games, media and entertainment such as movies, and TV via Slingbox, Netflix, Hulu and many other sources. And, yes, I also use it for state-of-the-art hardcore video gaming as this PC currently features hardware that is at the "top-of-the-line" enthusiast level for all of the installed components. This system is custom-built by myself and is designed for maximum performance on the bleeding edge of tomorrow's tech.
Delivering the Goods...
As for audio sources, The Zeigelsteine-Array is powered currently by a single Harmon Kardon AVR1600 Receiver which has, at its heart, a Creative Sound Blaster X-Fi Titanium Fatal1ty Champion Series 24 Bit Soundcard. This device has modes of operation that accomodate specific areas of use such as Entertainment Mode, Audio Creation Mode, and the highly controversial Gaming Mode. While there are sound cards specifically designed for audio playback of 5.1 source media in a home theater environment, this X-fi has been crafted around a set of core components and features designed to augment the experience for the hardcore PC gamer.
Realistic EAX® 5.0 sound effects Hear crackling gunfire and earth-shattering explosions. EAX® 5.0 delivers realistic sound effects that will engage you in long hours of gameplay
EAX® and 3D audio restoration for Windows Vista® Using Windows Vista®? Creative ALchemy restores the surround sound effect for the same great gaming experience.
Accurate 3D positional audio Listen to 3D positional audio so accurate, you can locate your enemies through mere sound alone! Plus, the X-Fi CMSS®-3D gives you amazing surround sound even with normal stereo headphones.
Hardware accelerated performance
Get unbeatable performance with hardware accelerated audio that blows motherboard audio away.
Boost your performance even further in games like Quake 4, Battlefield 2, Prey, Unreal Tournament 3 and others that take advantage of X-RAM.
Clearer voice chats
Plug in your headset or microphone and hear the difference immediately. With high-quality input and hardware audio processing, your teammates will definitely hear you loud and clear.
We also take advantage of a host of features that cross the genre and benefit not just the PC gamer but the music and movie enthusiast as well.
24 Bit Crystalizer Restore the details and vibrance your music and movies lost during compression. X-Fi technology intelligently enhances the highs and lows so you'll hear it all-crisp cymbal crashes, wailing guitar solos, screeching tires and booming explosions.
CMSS-3D - Surround sound from your stereo music and movies? Yes! Expand your stereo music and movies into surround sound. Voices are centered in front of you. Ambient sound appears all around you... just like a live performance. Listen on a pair of desktop speakers or a full 5.1 or 7.1 speaker system.
Experience cinematic surround sound from Blu-Ray & DVD movies Watch your Media in cinematic surround sound with PowerDVD software featuring DTS™ and Dolby Digital® -EX decoding.
X-Fi Powers The Zeigelsteine-Array!
Utilizing the AVR1600's 8-channel direct in and its digital inputs in its current state, The Zeigelsteine-Array is able to shine as a true hi-fidelity "Studio Monitor" set of speakers capable of 4000 watts output in any traditional home theater/game room layout chosen - a system capable of handling anything thrown at it and able to deliver it cleanly in any setting, meeting any demand.
The Zeigelsteine-Array is made from 70% Recycled Materials!
Aside from using recycled wire from dismantled electronics, recycled pressboard for crossover mounting, recycled sofa polyester filling and recycled self adhesive sound dampening materials, we are also using vintage gear at the heart of every unit built. Utilizing the principle of the 5 R's (which we'll cover later in this segment), we can effectively recycle vintage audio gear from the 1970's and 80's for use in our current lineup. This prototype Z-Array is featuring recycled Optimus Pro LX5 Bookshelf speakers with original refurbished Linaeum DiPole Tweeters, Peerless SDS shielded drivers, specialized 2-way crossovers and original cast aluminum cabinets. We are also using recycled Minimus 7 bookself speakers with original cast aluminum cabinets, original cloth dome tweeters, custom aluminum cone drivers and specialized 2-way crossovers.
The Zeigelsteine-Array featured here builds a 5.1/7.1 system with 24 speakers across the 6 side channels. A Center Channel (currently 1 Unit with upgradeability to 4) and Subwoofer array (1 or 2 Units).
The channel array utilizes wiring in a series/parallel hybrid configuration to allow four 8 Ohm speakers to be wired together to maintain an 8 Ohm load on the Harmon Kardon.
Alterative methods. We are experimenting with using solid state chip amps on each channel and driving them separately.
The Zeigelsteine-Array featured in this article is a prototype array used for additional testing of design concepts that will lead to the future development of a retail offering that will feature custom cabinets and crossover designs that will position us within reach of the proverbial Golden Ring!
The Zeigelsteine-Array prototype will pave the way for our future products and will position us to firmly grasp a reasonable market share of the High End Audio Component niche. "High End Audio without the High Cost" - the Credo that will propel us into the 22nd Century and beyond!
Interrogative
I've spent 30 years building and testing speakers. Over that very same set of years, I have slowly built this array with components and parts that I've acquired when others have tossed them away. Really fantastic finds in my opinion for someone that can actually utilize all their hidden abilities, secrets and cost effectiveness. This is not everyone's cup of tea though. DIY Audio is a serious hobby not for the fainthearted or impatient and, though The Zeigelsteine-Array protoype is a cost effective alternative to systems costing tens of thousands of dollars, it takes some time to get everything together and then you have to learn how to do it right. That can take considerable time for some. Time that, in most cases, many of us working class folk do not even posess enough of to simply sit and enjoy a meal with each other or pray together much less take on an extremely self-engrossing hobby such as DIY Audio. This oftentimes unfair trade-off is time spent initiating one particular ritual. One that I refer to as the 5 R's. This is comprised of the time and energy it takes to Recon, Recycle, Refurb, Retrofit and Refinish the units. This is where the patience and determination play a major role in the outcome of the final product. Trust me when I say that it will all pay off in the end. Recycling these discarded ebay treasures and utilizing some science, I was easily able to create a personalized system that can be manipulated in scope and size to fit any budget or space limitations. The 24-unit array featured in our shown system, excluding the front channel and subs has a DIY build cost average of approximately $75 per bookshelf unit. With the additional DIY build cost averaging to $150 for each MTM TL 3 foot tower.
Unrivaled Versatility
Another unique feature set of The Z-Array, with its multiple amplifiers driving each channel, is the ability to break up these channels sets into completely separate bookshelf systems for nearly every room in my home. By separating the channels into smaller complete bookshelf units, 6 such individual units in fact then become available for usage in a complete multi-zone audio distribution scenario. The Zeigelsteine-Array becomes a complete audio experience for the entire home by allowing every room to have sublime audio in a smaller form factor with no additional cost to the owner and without sacrificing the original clarity and power of the main unit.
Zeigelsteine FTW!
The most exciting news is that, our recycled Z-Array is easily showing a professional-grade "Studio Quality" output from each unit that is easily toppling the performance levels of some well-known high-end audiophile systems with units that have an ownership cost usually in the $250 to $800 range for each bookshelf unit and $1000 to multiples of that can amount into unheard-of figures for larger more exotic tower units.
It gets worse. The market is driven by snobs! - What's a poor boy to do?
Believe it or not.... Some " Extreme" audiophiles would even snub a $50K system, let alone even look at a $15K system. Labeling even the big name entry-level Home Theater offerings as cheap knockoffs or downright worthless.
Keeping it Real...
Fortunately for anyone who can appreciate the recent global financial debacles and subsequent ripples that are affecting everyone, we all can surely appreciate the cost savings delivered when one considers tackling a DIY Audio project. When you are then fortunate enough to add recycling to the mix, your cost savings can increase to 300% more overall and those old under-appreciated speaker cabinets are also not ending up in land-fills.
My overall total cost for all of the units in The Z-Array was in the sensible range of $800 to $1000 total for the entire set of 30 speakers. This set was also accumulated over a 6-year time frame. One must know: I did not drop $1000 all at once. It is interesting to note, though, that if I were to have bought comparable units for this array from a "High End", high cost well-known provisioner of "Professional" studio-grade speakers...
I would have easily had a unit cost of approximately $400 each for a small bookshelf units and $750 each for the medium sized satellite units. The cost comes to an approximate $15,000 Just for speakers! and I haven't included MY 2 $150 towers which would have cost about $900 each if I had purchased them from the same provisioner.
In Closing...
I'm very proud of my $1700 (Custom speaker array, Sony sub and HK AVR1600 AV Receiver) 7.1 PC Audiophile System. It takes any home theater system that could have easily cost me $16,000 to the cleaners for a fraction of the cost. The Z-Array wins - hands down! I am so very glad I decided to go forward with my DIY aspirations. I have learned so much while traveling this path and have made some great new friends. I am thankful that I have had the patience, determination and the know-how to build The Zeigelsteine-Array!
Thanks for reading!
Around 270 of the May 2020 CTA Consortium Meeting attendees from across the globe smile for the camera for our customary meeting group picture. Two weeks of meetings brought more than 500 Consortium members together to discuss CTA science and project topics. (photo: Tiziana Abegg, CTAO)
The Long Wavelength Array, located on site, consists of numerous fixed antennae working together to explore low-frequency radio signals. We see the array here.
The Karl G. Jansky Very Large Array (VLA) is a radio astronomy observatory located about 50 miles (64 km) west of Socorro, New Mexico. The VLA consists of twenty-seven 25-meter (82 feet) diameter radio telescopes deployed in a Y-shaped array, together with all the equipment needed to process the collected data and function as an interferometer. Each of the radio telescopes is mounted along double parallel railroad tracks, which allows changing the configuration of the system. Placing the radio telescopes closer together increases surface brightness sensitivity. Spreading them out increases angular resolution. The system was built from 1973 to 1980 and is being modernized, starting in 2011.
The Solar array will be used to trickle charge the lithium battery bank in the Kimberly Kamper trailer while in storage. www.kimberleykampers.com/
A future project will be to add a battery and separate MPPT charger to power a 12 v garden fountain pump and outdoor LED lighting.
Components
2 x Uni-Solar Amorphous 62 W ES-62T $420 (sourced on ebay $210 each)
1 x Heavy Duty Universal Solar Panel Pole Mount kit from affordablesolarmounts.com/ $150
2.7 m (0.7 m in the ground) galvanised pole (MGPE 32NB) (42.4 MM) from EDCON Steel www.edconsteel.com.au/ $30
2 x MC3 Solar Panel Cable Branch Connectors sourced on ebay $19
2 x MC3 Solar Panel 6' Cable 1 End Male/Stripped 12 AWG sourced on ebay $40
10m 15A auto cable and Anderson plug from Jaycar $40
3 x 20 Kg ready mix cement from Bunnings $19.5
Total $719
See an overview video @
The Solar array will be used to trickle charge the lithium battery bank in the Kimberly Kamper trailer while in storage. www.kimberleykampers.com/
A future project will be to add a battery and separate MPPT charger to power a 12 v garden fountain pump and outdoor LED lighting.
Components
2 x Uni-Solar Amorphous 62 W ES-62T $420 (sourced on ebay $210 each)
1 x Heavy Duty Universal Solar Panel Pole Mount kit from affordablesolarmounts.com/ $150
2.7 m (0.7 m in the ground) galvanised pole (MGPE 32NB) (42.4 MM) from EDCON Steel www.edconsteel.com.au/ $30
2 x MC3 Solar Panel Cable Branch Connectors sourced on ebay $19
2 x MC3 Solar Panel 6' Cable 1 End Male/Stripped 12 AWG sourced on ebay $40
10m 15A auto cable and Anderson plug from Jaycar $40
3 x 20 Kg ready mix cement from Bunnings $19.5
Total $719
See an overview video @
City Palace, Udaipur, is a palace complex in Udaipur, in the Indian state Rajasthan. It was built over a period of nearly 400 years being contributed by several kings of the dynasty, starting by the Maharana Udai Singh as the capital of the Sisodia Rajput clan in 1559, after he moved from Chittor. It is located on the east bank of the Lake Pichola and has several palaces built within its complex. Udaipur was the historic capital of the former kingdom of Mewar in the Rajputana Agency and its last capital.
The City Palace in Udaipur was built in a flamboyant style and is considered the largest of its type in Rajasthan, a fusion of the Rajasthani and Mughal architectural styles, and was built on a hill top that gives a panoramic view of the city and its surrounding, including several historic monuments such as the Lake Palace in Lake Pichola, the Jag Mandir on another island in the lake, the Jagdish Temple close to the palace, the Monsoon Palace on top of an overlooking hillock nearby and the Neemach Mata temple. These structures are linked to the filming of the James Bond movie Octopussy, which features the Lake Palace and the Monsoon Palace. The subsequent publicity has resulted in the epithet of Udaipur as "Venice of the East". In 2009, Udaipur was rated the top city in the World's Best Awards by Travel + Leisure.
HISTORY
The city Palace was built concurrently with establishment of the Udaipur city by Maharana Udai Singh, in 1559 and his successor Maharanas over a period of the next 300 years. It is considered the largest royal complex in Rajasthan and is replete with history. Founding of the city and building of the palace complex can not be looked in isolation as the Maharanas lived and administered their kingdom from this palace.
Prior to moving their capital from Udaipur to Chittor≤≥, the Mewar kingdom had flourished initially in Nagda (30 kilometres to the north of Udaipur), established in 568 AD by Guhil, the first Mewar Maharana. In the 8th century, the capital was moved to Chittor, a hill top fort from where the Sisodias ruled for 80 years. Maharana Udai Singh II inherited the Mewar kingdom at Chittor in 1537 but by that time there were signs of losing control of the fort in wars with the Mughals. Udai Singh II, therefore, chose the site near Lake Pichola for his new kingdom because the location was well protected on all sides by forests, lakes and the Aravalli hills. He had chosen this site for his new capital, much before the sacking of Chittor by Emperor Akbar, on the advice of a hermit he had met during one of his hunting expeditions.
At his capital Udaipur, Maharana Udai Singh soon faced defeat at the hands of Mughal Emperor Akbar. He soon moved to Udaipur to the chosen location to establish his new capital. The earliest royal structure he built here was the Royal courtyard or 'Rai Angan', which was the beginning of the building of the City Palace complex, at the place where the hermit had advised Maharana to build his Capital.
After Udai Singh’s death in 1572, his son Maharana Pratap took the reins of power at Udaipur. He was successful in defeating Akbar at the battle of Haldighati in 1576 and thereafter Udaipur was peaceful for quite some years. With this, prosperity of Udaipur ensued, palaces were built on the shore and in the midst of the Pichola lake. Concurrently art, particularly miniature painting, also flourished.
But in 1736, the marauding Marathas attacked Udaipur and by the end of the century the Mewar state was in dire straits and in ruins. However, the British came to Mewar’s rescue in the 19th century and soon the State of Mewar got re-established and prospered under British protection, under a treaty signed with the British. However, the British were not allowed to replace them. Once India got independence in 1947, the Mewar Kingdom, along with other princely states of Rajasthan, merged with the Democratic India, in 1949. The Mewar Kings subsequently also lost their special royal privileges and titles. However, the successor Maharanas have enjoyed the trust of their people and also retained their ownership of the palaces in Udaipur. They are now running the palaces by creating a trust, called the Mewar Trust, with the income generated from tourism and the heritage hotels that they have established in some of their palaces. With the fund so generated they are running charitable hospitals, educational institutions and promoting the cause of environmental preservation.
LEGEND
Historical legend narrated to the selection of the site for the palace is about a hermit meeting Maharana Udai Singh when he was on a hunting trail in the Udaipur hills. The Maharana met the hermit who was meditating on top of a hill above the Pichola Lake and sought the hermit’s blessings. The hermit advised the Maharana to build his palace at that very spot and that is where the palace complex came to be established at Udaipur.
GEOGRAPHY
The city palace located in Udaipur city at 24.576°N 73.68°E, which is set with an average elevation of 598 metres.
CLIMATE
The climate of Udaipur reflects the climate at the city palace. It is tropical, with the mercury recording between a maximum of 38.3 °C and a minimum of 28.8 °C during summers. Winter is cold with the maximum temperature rising to 28 °C and the minimum dipping to 11.6 °C. The average annual rainfall is 64 cm.
STRUCTURES
The series of palaces packed in the city palace complex, facing east (as customarily appropriate for the Maharana dynasty – the Sun dynasty), behind an exquisite facade of 244 metres length and 30.4 metres height, were built on a ridge on the east of lake Pichola. They were built over a long period, from 1559 onwards, by 76 generations of Sisodia Rajputs or Suryavanshi Rajputs (worshippers of Sun god). Several Maharanas (the title Maharana is distinctly different from Maharajah, as the former connotes a warrior and the latter a ruler or a king) starting with Udai Mirza Singh II, have richly contributed to this edifice, which comprises an agglomeration of structures, including 11 small separate palaces. The unique aspect of this conglomeration is that the architectural design (a rich blend of Rajasthani, Mughal, Medieval, European and Chinese Architecture) is distinctly homogeneous and eye catching. The palace complex has been built entirely in granite and marble. The interiors of the palace complex with its balconies, towers and cupolas exhibit delicate mirror-work, marble-work, murals, wall paintings, silver-work, inlay-work and leftover of colored glass. The complex provides a fine view of the lake and the Udaipur city from its upper terraces.
Located with the picturesque backdrop of rugged mountains, beside the Pichola lake on its shore, the city palace complex painted in gleaming white color has been compared to the Greek islands, such as the Mykonos.
The famous structures or palaces viewed from the Lake Palace appear like a fort. They are interlinked inside the complex through a number of chowks or quadrangles with zigzag corridors (planned in this fashion to avoid surprise attacks by enemies). Erected in the complex, after entering through the main Tripolia (triple) gate, are the Suraj Gokhda (public address facade), the Mor-chowk (Peacock courtyard), the Dilkhush Mahal (heart’s delight), the Surya Chopar, the Sheesh Mahal (Palace of glass and mirrors), the Moti Mahal (Palace of Pearls), the Krishna Vilas (named after Lord Krishna), Shambu Niwas (royal residence now), the Bhim Vilas, the Amar Vilas (with a raised garden) that faces the Badi Mahal (the big palace), the Fateprakash Palace and the Shiv Niwas Palace (the latest addition to the complex); the last two have been converted into heritage hotels. Details of all these structures are elaborated. The vast collection of structures are termed to form ‘a city within a city’ set with facilities of post office, bank, travel agency, numerous craft shops and also an Indian boutique belonging to the World Wildlife Fund (WWF) for Nature. The entire complex is the property of the Mewar royal family and a number of trusts take care of the running and maintenance of the structures. The earliest royal structure built in the complex was the Royal courtyard or Rai Angan.
GATEWAYS
Gateways, colloquially called Pols, are set to the east of Udaipur city that was established by Maharana Udai Singh II, concurrently with the City Palace. A number of impressive gateways provide access to the palace complex.
The main entry from the city is through the 'Bara Pol' (Great Gate), which leads to the first courtyard. Bara Pol (built in 1600) leads to the ‘Tripolia Pol', a triple arched gate built in 1725, which provides the northern entry. The road between this gate and the palace is lined with shops and kiosks owned by craftsmen, book-binders, miniature painters, textile dealers and antique shops. Between these two gates, eight marble arches or Toranas are erected. It is said that the Maharanas used to be weighed here with gold and silver, which was then distributed among the local people. Following the Tripolia gate is an arena in front of the Toran Pol and the facade palace, where elephant fights were staged in the past to test their prowess before starting on war campaigns.
The main block of the city palace at Udaipur is approached through a modest door from the Ganesha Deodhi terrace. The door is flanked by whitewashed walls vibrantly painted with martial animals in the traditional Rajput style.
AMAR VILAS
Amar Vilas is the uppermost court inside the complex, which is a raised garden. It provides entry to the Badi Mahal. It is a pleasure pavilion built in Mughal style. It has cussed arcades enclosing a square marble tub. Amar Vilas' is the highest point of the City palace and has wonderful hanging gardens with fountains, towers and terraces.
BADI MAHAL
Badi Mahal (Great Palace) also known as Garden Palace and is the exotic central garden palace that is situated on a 27 metres high natural rock formation bis-a-bis the rest of the palace. The rooms on the ground floor appear to be at the level of the fourth floor in view of the height difference to its surrounding buildings. There is a swimming pool here, which was then used for Holi festival (festival of colors) celebration. In an adjoining hall, miniature paintings of 18th and 19th centuries are displayed. In addition, wall paintings of Jag Mandir (as it appeared in the 18th century), Vishnu of Jagdish temple, the very courtyard and an elephant fight scene are depicted.
The elephant fight depicted in a painting on the wall was a representation of the real elephant fights, which used to be organized by the Maharanas. It is mentioned that the elephants used to be fed hashish (opium) before arranging the fights. An interesting observation is that the word ‘assassin’ is a derivative of the word ‘hashish’. The last such fight was reported in 1995.
BHIM VILAS
Bhim Vilas has a gallery of a remarkable collection of miniature paintings that depict the real life stories of Radha-Krishna.
CHINI CHITRASHALA
Chini Chitrashala (Chinese art place) depicts Chinese and Dutch ornamental tiles.
CHOTI CHITRASHALI
Choti Chitrashali or 'Residence of Little Pictures', built in early 19th century, has pictures of peacocks.
DILKHUSHA MAHAL
Dilkhusha Mahal or ‘Palace of Joy’ was built in 1620.
DURBAR HALL
Durbar Hall was built in 1909 within the Fatepraksh Palace (now a heritage hotel) Official functions such as State banquets and meetings were held here. The gallery of the hall was used by the Royal ladies to observe the Durbar proceedings. This hall has luxuriant interior with some unusually large chandeliers. Weapons of the maharanas and also some of their unique portraits are also depicted here. The foundation stone for this hall was laid by Lord Minto, the Viceroy of India, in 1909, during the rule of Maharana Fateh Singh and was then called Minto Hall.
FATEPRAKASH PALCE
Fateprakash Palace, which is now run as a luxury hotel, has a crystal gallery that consists of crystal chairs, dressing tables, sofas, tables, chairs and beds, crockery, table fountains which were never used. There is also a unique jewel studded carpet here. Maharaja Sajjan Singh had ordered these rare items in 1877 from F& C Osler & Co of London but he died before they arrived here. It is said that the packages containing these crystals remained unopened for 110 years.
JAGDISH MANDIR
Jagdish Mandir, located 150 metres north of the city palace, was built in 1652 in Indo-Aryan architectural style. It is a large and aesthetically elegant temple where an idol of Lord Jagannath, a form of Lord Vishnu made in black stone is deified in the sanctum. The temple walls and the sikhara or tower are decorated with carvings of Vishnu, scenes from Lord Krishna’s life and figurines of nymphs or apsaras. A brass image of Garuda (half-bird, half-man image, which is Lord Vishnu’s vehicle), is placed in a separate shrine in front of the temple. Flanking the steps up the temple decoration of statues of elephants are seen. The street square, where the temple is located, is also known as Jagdish Chowk from where several roads radiate in different directions.
KRISHNA VILAS
Krishna Vilas is another chamber, which has rich collection of miniature paintings that portray royal processions, festivals and games of the Maharanas. However, there is tragic story linked to this wing of the City Palace. In the 19th century, a royal princess was unable to choose from two suitors seeking her hand in marriage, one from the royal family of Jaipur and another from Jodhpur, and hence in a state of dilemma, she poisoned herself to death.
LAXMI VILAS CHOWK
Laxmi Vilas Chowk is an art gallery with a distinctive collection of Mewar paintings.
MANAK MAHAL
The Manek mahal approached from the Manak Chowk is an enclosure for formal audience for the Udaipur rulers. It has a raised alcove inlaid completely in mirror glass. Sun-face emblems, in gleaming brass, religious insignia of the Sisodia dynasty are a recurring display at several locations in the City Palace; one of these prominent emblems is depicted on the façade of the Manak Chowk, which can also be seen from the outermost court below. The largest of such an emblem is also seen on the wall of the Surya Chopar, a reception centre at the lower level. Surya or Sun emblem of the Mewar dynasty depicts a Bhil, the Sun, Chittor Fort and a Rajput with an inscription in Sanskrit of a quotation from the Bhagavad Gita (Hindu holy scripture), which means “God Helps those who do their duty". It was customary for the Maharanas to offer obeisance to the Sun facing east, every morning before taking breakfast.
MOR CHOK
Mor Chok or Peacock square is integral to the inner courts of the palace. The elaborate design of this chamber consists of three peacocks (representing the three seasons of summer, winter and monsoon) modeled in high relief and faced with coloured glass mosaic, built into successive niches in the wall area or jharoka, These were built during Maharana Sajjan Singh’s reign, 200 years after the palace was established. The peacocks have been crafted with 5000 pieces of glass, which shine in green, gold and blue colours. The apartments in front of the Chowk are picturesquely depicted with scenes of Hindu god Lord Krishna’s legends. At the upper level, there is a projecting balcony, which is flanked by inserts of coloured glass. In an adjoining chamber, called the Kanch-ki-Burj, mosaic of mirrors adorn the walls. The Badi Charur Chowk within this chowk is a smaller court for private use. Its screen wall has painted and inlaid compositions depicting European men and Indian women. Proceeding further from the Mor-Chowk, in the Zenana Mahal or women’s quarters exquisitely designed alcoves, balconies, colored windows, tiled walls and floors are seen.
MUSEUM
n 1974, a part of the city palace and the 'Zenana Mahal' (Ladies Chamber) were converted into a museum. The museum is open for public. There is an interesting exhibit of a freaky monkey holding a lamp and also portraits of maharajas displaying a spectacular array of mustaches. ‘Lakshmi Chowk' is an elegant white pavilion in the same precinct.
RANG BHAWAN
Rang Bhawan is the palace that used to contain royal treasure. There are temples of Lord Krishna, Meera Bai and Shiva, located here.
SHEESH MAHAL
Sheess Mahal or Palace of Mirrors and glasses was built in 1716.
A shrine of Dhuni Mata is also located in the complex. This location is considered as the oldest part of the Palace, where a sage spent his entire life meditating.
THE PALACE IN FILM & TELEVISION
The palace was used as a hotel in the 1985 James Bond film Octopussy, where Bond (played by Roger Moore) stayed as he began his quest to apprehend the villainous Kamal Khan (Louis Jordan).
A 1991 documentary film directed for television by Werner Herzog is called Jag Mandir and consists of footage of an elaborate theatrical performance for the Maharana Arvind Singh Mewar at the City Palace staged by André Heller.
The palace was used for filming part of Goliyon Ki Raasleela Ram-Leela (English: A Play of Bullets: Ram-Leela) 2013 directed by Sanjay Leela Bhansali.
WIKIPEDIA
AS we move into autumn, a bright and colourful scene like this one from the late spring makes the thoughts drift back through the year and the preceding seasons that seem to have passed by so quickly…..
This effervescent array of colour was captured in the grounds of Bushbury Crematorium in my hometown of Wolverhampton in the West Midlands during a few days back there towards the end of May and really goes to show how, even amongst the obvious sadness associated with a place such as this, the inspirational wonders of Mother Nature’s beauty can still stand out to lift the heart and sooth the soul…..
3184. This is quite an exceptional photo. We have not had such an early colour image of HMAS MELBOURNE [II] and HMAS SYDNEY [III] together before, with SYDNEY still functioning as a carrier. And it is good quality colour at that. For a moment one was inclined to doubt the caption dating, but the 'Y' deck letter on the tailfins of Melbourne's aircraft confirms it as her first year or so of service.
The 'make and mend scene' on HMAS MELBOURNE's flightdeck is also full of interest: the pale skins suggesting summer is newly arrived, causing some to seek shelter beneath the wings of the Gannets while others are out working on their tans.
A pre-Speedos array of 'beachwear' is also in evidence, and a shuttlecock match underway in the background.
Photo: Credited to John Edwards via Ben Patynowski, it was donated to the Queensland Air Museum at Caloundra, Qld, many years ago, and appears on the QAM website. Approached for a permission in respect to the Unofficial RAN 1911-2011 Photostream, Museum officials agreed it might be placed here pending any approach from the original author and the donor, neither of whom could be contacted. Mr Patynowski is the author of the 2008 Mushroom Models book 'Submarine Hunter: the Fairey Gannet ASW.1 in service with the Royal Australian Navy Fleet Air Arm.' He donated a number of photos he had accumulated for the book to the QAM.
A COMPENDIUM of links to some 350 images of HMAS MELBOURNE [II] on this Photostream begins at Pic 5444 and extends over seven entries. It starts here:
www.flickr.com/photos/41311545@N05/6707592179/in/photostream
City Palace, Udaipur, is a palace complex in Udaipur, in the Indian state Rajasthan. It was built over a period of nearly 400 years being contributed by several kings of the dynasty, starting by the Maharana Udai Singh as the capital of the Sisodia Rajput clan in 1559, after he moved from Chittor. It is located on the east bank of the Lake Pichola and has several palaces built within its complex. Udaipur was the historic capital of the former kingdom of Mewar in the Rajputana Agency and its last capital.
The City Palace in Udaipur was built in a flamboyant style and is considered the largest of its type in Rajasthan, a fusion of the Rajasthani and Mughal architectural styles, and was built on a hill top that gives a panoramic view of the city and its surrounding, including several historic monuments such as the Lake Palace in Lake Pichola, the Jag Mandir on another island in the lake, the Jagdish Temple close to the palace, the Monsoon Palace on top of an overlooking hillock nearby and the Neemach Mata temple. These structures are linked to the filming of the James Bond movie Octopussy, which features the Lake Palace and the Monsoon Palace. The subsequent publicity has resulted in the epithet of Udaipur as "Venice of the East". In 2009, Udaipur was rated the top city in the World's Best Awards by Travel + Leisure.
HISTORY
The city Palace was built concurrently with establishment of the Udaipur city by Maharana Udai Singh, in 1559 and his successor Maharanas over a period of the next 300 years. It is considered the largest royal complex in Rajasthan and is replete with history. Founding of the city and building of the palace complex can not be looked in isolation as the Maharanas lived and administered their kingdom from this palace.
Prior to moving their capital from Udaipur to Chittor≤≥, the Mewar kingdom had flourished initially in Nagda (30 kilometres to the north of Udaipur), established in 568 AD by Guhil, the first Mewar Maharana. In the 8th century, the capital was moved to Chittor, a hill top fort from where the Sisodias ruled for 80 years. Maharana Udai Singh II inherited the Mewar kingdom at Chittor in 1537 but by that time there were signs of losing control of the fort in wars with the Mughals. Udai Singh II, therefore, chose the site near Lake Pichola for his new kingdom because the location was well protected on all sides by forests, lakes and the Aravalli hills. He had chosen this site for his new capital, much before the sacking of Chittor by Emperor Akbar, on the advice of a hermit he had met during one of his hunting expeditions.
At his capital Udaipur, Maharana Udai Singh soon faced defeat at the hands of Mughal Emperor Akbar. He soon moved to Udaipur to the chosen location to establish his new capital. The earliest royal structure he built here was the Royal courtyard or 'Rai Angan', which was the beginning of the building of the City Palace complex, at the place where the hermit had advised Maharana to build his Capital.
After Udai Singh’s death in 1572, his son Maharana Pratap took the reins of power at Udaipur. He was successful in defeating Akbar at the battle of Haldighati in 1576 and thereafter Udaipur was peaceful for quite some years. With this, prosperity of Udaipur ensued, palaces were built on the shore and in the midst of the Pichola lake. Concurrently art, particularly miniature painting, also flourished.
But in 1736, the marauding Marathas attacked Udaipur and by the end of the century the Mewar state was in dire straits and in ruins. However, the British came to Mewar’s rescue in the 19th century and soon the State of Mewar got re-established and prospered under British protection, under a treaty signed with the British. However, the British were not allowed to replace them. Once India got independence in 1947, the Mewar Kingdom, along with other princely states of Rajasthan, merged with the Democratic India, in 1949. The Mewar Kings subsequently also lost their special royal privileges and titles. However, the successor Maharanas have enjoyed the trust of their people and also retained their ownership of the palaces in Udaipur. They are now running the palaces by creating a trust, called the Mewar Trust, with the income generated from tourism and the heritage hotels that they have established in some of their palaces. With the fund so generated they are running charitable hospitals, educational institutions and promoting the cause of environmental preservation.
LEGEND
Historical legend narrated to the selection of the site for the palace is about a hermit meeting Maharana Udai Singh when he was on a hunting trail in the Udaipur hills. The Maharana met the hermit who was meditating on top of a hill above the Pichola Lake and sought the hermit’s blessings. The hermit advised the Maharana to build his palace at that very spot and that is where the palace complex came to be established at Udaipur.
GEOGRAPHY
The city palace located in Udaipur city at 24.576°N 73.68°E, which is set with an average elevation of 598 metres.
CLIMATE
The climate of Udaipur reflects the climate at the city palace. It is tropical, with the mercury recording between a maximum of 38.3 °C and a minimum of 28.8 °C during summers. Winter is cold with the maximum temperature rising to 28 °C and the minimum dipping to 11.6 °C. The average annual rainfall is 64 cm.
STRUCTURES
The series of palaces packed in the city palace complex, facing east (as customarily appropriate for the Maharana dynasty – the Sun dynasty), behind an exquisite facade of 244 metres length and 30.4 metres height, were built on a ridge on the east of lake Pichola. They were built over a long period, from 1559 onwards, by 76 generations of Sisodia Rajputs or Suryavanshi Rajputs (worshippers of Sun god). Several Maharanas (the title Maharana is distinctly different from Maharajah, as the former connotes a warrior and the latter a ruler or a king) starting with Udai Mirza Singh II, have richly contributed to this edifice, which comprises an agglomeration of structures, including 11 small separate palaces. The unique aspect of this conglomeration is that the architectural design (a rich blend of Rajasthani, Mughal, Medieval, European and Chinese Architecture) is distinctly homogeneous and eye catching. The palace complex has been built entirely in granite and marble. The interiors of the palace complex with its balconies, towers and cupolas exhibit delicate mirror-work, marble-work, murals, wall paintings, silver-work, inlay-work and leftover of colored glass. The complex provides a fine view of the lake and the Udaipur city from its upper terraces.
Located with the picturesque backdrop of rugged mountains, beside the Pichola lake on its shore, the city palace complex painted in gleaming white color has been compared to the Greek islands, such as the Mykonos.
The famous structures or palaces viewed from the Lake Palace appear like a fort. They are interlinked inside the complex through a number of chowks or quadrangles with zigzag corridors (planned in this fashion to avoid surprise attacks by enemies). Erected in the complex, after entering through the main Tripolia (triple) gate, are the Suraj Gokhda (public address facade), the Mor-chowk (Peacock courtyard), the Dilkhush Mahal (heart’s delight), the Surya Chopar, the Sheesh Mahal (Palace of glass and mirrors), the Moti Mahal (Palace of Pearls), the Krishna Vilas (named after Lord Krishna), Shambu Niwas (royal residence now), the Bhim Vilas, the Amar Vilas (with a raised garden) that faces the Badi Mahal (the big palace), the Fateprakash Palace and the Shiv Niwas Palace (the latest addition to the complex); the last two have been converted into heritage hotels. Details of all these structures are elaborated. The vast collection of structures are termed to form ‘a city within a city’ set with facilities of post office, bank, travel agency, numerous craft shops and also an Indian boutique belonging to the World Wildlife Fund (WWF) for Nature. The entire complex is the property of the Mewar royal family and a number of trusts take care of the running and maintenance of the structures. The earliest royal structure built in the complex was the Royal courtyard or Rai Angan.
GATEWAYS
Gateways, colloquially called Pols, are set to the east of Udaipur city that was established by Maharana Udai Singh II, concurrently with the City Palace. A number of impressive gateways provide access to the palace complex.
The main entry from the city is through the 'Bara Pol' (Great Gate), which leads to the first courtyard. Bara Pol (built in 1600) leads to the ‘Tripolia Pol', a triple arched gate built in 1725, which provides the northern entry. The road between this gate and the palace is lined with shops and kiosks owned by craftsmen, book-binders, miniature painters, textile dealers and antique shops. Between these two gates, eight marble arches or Toranas are erected. It is said that the Maharanas used to be weighed here with gold and silver, which was then distributed among the local people. Following the Tripolia gate is an arena in front of the Toran Pol and the facade palace, where elephant fights were staged in the past to test their prowess before starting on war campaigns.
The main block of the city palace at Udaipur is approached through a modest door from the Ganesha Deodhi terrace. The door is flanked by whitewashed walls vibrantly painted with martial animals in the traditional Rajput style.
AMAR VILAS
Amar Vilas is the uppermost court inside the complex, which is a raised garden. It provides entry to the Badi Mahal. It is a pleasure pavilion built in Mughal style. It has cussed arcades enclosing a square marble tub. Amar Vilas' is the highest point of the City palace and has wonderful hanging gardens with fountains, towers and terraces.
BADI MAHAL
Badi Mahal (Great Palace) also known as Garden Palace and is the exotic central garden palace that is situated on a 27 metres high natural rock formation bis-a-bis the rest of the palace. The rooms on the ground floor appear to be at the level of the fourth floor in view of the height difference to its surrounding buildings. There is a swimming pool here, which was then used for Holi festival (festival of colors) celebration. In an adjoining hall, miniature paintings of 18th and 19th centuries are displayed. In addition, wall paintings of Jag Mandir (as it appeared in the 18th century), Vishnu of Jagdish temple, the very courtyard and an elephant fight scene are depicted.
The elephant fight depicted in a painting on the wall was a representation of the real elephant fights, which used to be organized by the Maharanas. It is mentioned that the elephants used to be fed hashish (opium) before arranging the fights. An interesting observation is that the word ‘assassin’ is a derivative of the word ‘hashish’. The last such fight was reported in 1995.
BHIM VILAS
Bhim Vilas has a gallery of a remarkable collection of miniature paintings that depict the real life stories of Radha-Krishna.
CHINI CHITRASHALA
Chini Chitrashala (Chinese art place) depicts Chinese and Dutch ornamental tiles.
CHOTI CHITRASHALI
Choti Chitrashali or 'Residence of Little Pictures', built in early 19th century, has pictures of peacocks.
DILKHUSHA MAHAL
Dilkhusha Mahal or ‘Palace of Joy’ was built in 1620.
DURBAR HALL
Durbar Hall was built in 1909 within the Fatepraksh Palace (now a heritage hotel) Official functions such as State banquets and meetings were held here. The gallery of the hall was used by the Royal ladies to observe the Durbar proceedings. This hall has luxuriant interior with some unusually large chandeliers. Weapons of the maharanas and also some of their unique portraits are also depicted here. The foundation stone for this hall was laid by Lord Minto, the Viceroy of India, in 1909, during the rule of Maharana Fateh Singh and was then called Minto Hall.
FATEPRAKASH PALCE
Fateprakash Palace, which is now run as a luxury hotel, has a crystal gallery that consists of crystal chairs, dressing tables, sofas, tables, chairs and beds, crockery, table fountains which were never used. There is also a unique jewel studded carpet here. Maharaja Sajjan Singh had ordered these rare items in 1877 from F& C Osler & Co of London but he died before they arrived here. It is said that the packages containing these crystals remained unopened for 110 years.
JAGDISH MANDIR
Jagdish Mandir, located 150 metres north of the city palace, was built in 1652 in Indo-Aryan architectural style. It is a large and aesthetically elegant temple where an idol of Lord Jagannath, a form of Lord Vishnu made in black stone is deified in the sanctum. The temple walls and the sikhara or tower are decorated with carvings of Vishnu, scenes from Lord Krishna’s life and figurines of nymphs or apsaras. A brass image of Garuda (half-bird, half-man image, which is Lord Vishnu’s vehicle), is placed in a separate shrine in front of the temple. Flanking the steps up the temple decoration of statues of elephants are seen. The street square, where the temple is located, is also known as Jagdish Chowk from where several roads radiate in different directions.
KRISHNA VILAS
Krishna Vilas is another chamber, which has rich collection of miniature paintings that portray royal processions, festivals and games of the Maharanas. However, there is tragic story linked to this wing of the City Palace. In the 19th century, a royal princess was unable to choose from two suitors seeking her hand in marriage, one from the royal family of Jaipur and another from Jodhpur, and hence in a state of dilemma, she poisoned herself to death.
LAXMI VILAS CHOWK
Laxmi Vilas Chowk is an art gallery with a distinctive collection of Mewar paintings.
MANAK MAHAL
The Manek mahal approached from the Manak Chowk is an enclosure for formal audience for the Udaipur rulers. It has a raised alcove inlaid completely in mirror glass. Sun-face emblems, in gleaming brass, religious insignia of the Sisodia dynasty are a recurring display at several locations in the City Palace; one of these prominent emblems is depicted on the façade of the Manak Chowk, which can also be seen from the outermost court below. The largest of such an emblem is also seen on the wall of the Surya Chopar, a reception centre at the lower level. Surya or Sun emblem of the Mewar dynasty depicts a Bhil, the Sun, Chittor Fort and a Rajput with an inscription in Sanskrit of a quotation from the Bhagavad Gita (Hindu holy scripture), which means “God Helps those who do their duty". It was customary for the Maharanas to offer obeisance to the Sun facing east, every morning before taking breakfast.
MOR CHOK
Mor Chok or Peacock square is integral to the inner courts of the palace. The elaborate design of this chamber consists of three peacocks (representing the three seasons of summer, winter and monsoon) modeled in high relief and faced with coloured glass mosaic, built into successive niches in the wall area or jharoka, These were built during Maharana Sajjan Singh’s reign, 200 years after the palace was established. The peacocks have been crafted with 5000 pieces of glass, which shine in green, gold and blue colours. The apartments in front of the Chowk are picturesquely depicted with scenes of Hindu god Lord Krishna’s legends. At the upper level, there is a projecting balcony, which is flanked by inserts of coloured glass. In an adjoining chamber, called the Kanch-ki-Burj, mosaic of mirrors adorn the walls. The Badi Charur Chowk within this chowk is a smaller court for private use. Its screen wall has painted and inlaid compositions depicting European men and Indian women. Proceeding further from the Mor-Chowk, in the Zenana Mahal or women’s quarters exquisitely designed alcoves, balconies, colored windows, tiled walls and floors are seen.
MUSEUM
n 1974, a part of the city palace and the 'Zenana Mahal' (Ladies Chamber) were converted into a museum. The museum is open for public. There is an interesting exhibit of a freaky monkey holding a lamp and also portraits of maharajas displaying a spectacular array of mustaches. ‘Lakshmi Chowk' is an elegant white pavilion in the same precinct.
RANG BHAWAN
Rang Bhawan is the palace that used to contain royal treasure. There are temples of Lord Krishna, Meera Bai and Shiva, located here.
SHEESH MAHAL
Sheess Mahal or Palace of Mirrors and glasses was built in 1716.
A shrine of Dhuni Mata is also located in the complex. This location is considered as the oldest part of the Palace, where a sage spent his entire life meditating.
THE PALACE IN FILM & TELEVISION
The palace was used as a hotel in the 1985 James Bond film Octopussy, where Bond (played by Roger Moore) stayed as he began his quest to apprehend the villainous Kamal Khan (Louis Jordan).
A 1991 documentary film directed for television by Werner Herzog is called Jag Mandir and consists of footage of an elaborate theatrical performance for the Maharana Arvind Singh Mewar at the City Palace staged by André Heller.
The palace was used for filming part of Goliyon Ki Raasleela Ram-Leela (English: A Play of Bullets: Ram-Leela) 2013 directed by Sanjay Leela Bhansali.
WIKIPEDIA
White-Card Models
Before the actual set construction began, the Art Department created white card models. These models helped the director and production designer look at size and scale and determine camera angles. To plan shots and camera movement, filmmakers inserted a tiny lipstick camera into the model to get a perfect point of view.
People the world-over have been enchanted by the Harry Potter films for nearly a decade. The wonderful special effects and amazing creatures have made this iconic series beloved to both young and old - and now, for the first time, the doors are going to be opened for everyone at the studio where it first began. You'll have the chance to go behind-the-scenes and see many things the camera never showed. From breathtakingly detailed sets to stunning costumes, props and animatronics, Warner Bros. Studio Tour London provides a unique showcase of the extraordinary British artistry, technology and talent that went into making the most successful film series of all time. Secrets will be revealed.
Warner Bros. Studio Tour London provides an amazing new opportunity to explore the magic of the Harry Potter films - the most successful film series of all time. This unique walking tour takes you behind-the-scenes and showcases a huge array of beautiful sets, costumes and props. It also reveals some closely guarded secrets, including facts about the special effects and animatronics that made these films so hugely popular all over the world.
Here are just some of the things you can expect to see and do:
- Step inside and discover the actual Great Hall.
- Explore Dumbledore’s office and discover never-before-seen treasures.
- Step onto the famous cobbles of Diagon Alley, featuring the shop fronts of Ollivanders wand shop, Flourish and Blotts, the Weasleys' Wizard Wheezes, Gringotts Wizarding Bank and Eeylops Owl Emporium.
- See iconic props from the films, including Harry’s Nimbus 2000 and Hagrid’s motorcycle.
- Learn how creatures were brought to life with green screen effects, animatronics and life-sized models.
- Rediscover other memorable sets from the film series, including the Gryffindor common room, the boys’ dormitory, Hagrid’s hut, Potion’s classroom and Professor Umbridge’s office at the Ministry of Magic.
Located just 20 miles from the heart of London at Warner Bros. Studios Leavesden, the very place where it all began and where all eight of the Harry Potter films were brought to life. The Studio Tour is accessible to everyone and promises to be a truly memorable experience - whether you’re an avid Harry Potter fan, an all-round movie buff or you just want to try something that’s a little bit different.
The tour is estimated to take approximately three hours (I was in there for 5 hours!), however, as the tour is mostly self guided, you are free to explore the attraction at your own pace. During this time you will be able to see many of the best-loved sets and exhibits from the films. Unique and precious items from the films will also be on display, alongside some exciting hands-on interactive exhibits that will make you feel like you’re actually there.
The magic also continues in the Gift Shop, which is full of exciting souvenirs and official merchandise, designed to create an everlasting memory of your day at Warner Bros. Studio Tour London.
Hogwarts Castle Model - Get a 360 degree view of the incredible, hand sculpted 1:24 scale construction that features within the Studio Tour. The Hogwarts castle model is the jewel of the Art Department having been built for the first film, Harry Potter and the Philosopher’s Stone. It took 86 artists and crew members to construct the first version which was then rebuilt and altered many times over for the next seven films. The work was so extensive that if one was to add all the man hours that have gone into building and reworking the model, it would come to over 74 years. The model was used for aerial photography, and was digitally scanned for CGI scenes.
The model, which sits at nearly 50 feet in diameter, has over 2,500 fibre optic lights that simulate lanterns and torches and even gave the illusion of students passing through hallways in the films. To show off the lighting to full effect a day-to-night cycle will take place every four minutes so you can experience its full beauty.
An amazing amount of detail went into the making of the model: all the doors are hinged, real plants are used for landscaping and miniature birds are housed in the Owlery. To make the model appear even more realistic, artists rebuilt miniature versions of the courtyards from Alnwick Castle and Durham Cathedral, where scenes from Harry Potter and the Philosopher’s Stone were shot.