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STROBIST:
One TTL flash, tethered via an TTL cable (10 meters, for Canon, from Yongnuo).
I tried two new light formers here:
1. Traveller8: not my cup of tea (spot too small, light too hard, needs a lot of tape for fixation -- the rubber band does not hold the tool on my flash)
2. Lastolite Mini brolly, 50 cm diameter: works, the shot above was shot with that tool
www.amazon.de/gp/product/B004TB0NGM/ref=oh_details_o01_s0...
But any other brolly could do the same or better...
An example for a larger brolly, which can be collapsed and which I like better:
www.amazon.de/gp/product/B0077HMXKO/ref=oh_details_o00_s0...
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And if I really go on a journey I use a white microbrella (for the rain) with some gaffer tape (for the flash). :-()
www.source-werbeartikel.com/Microbrella+Mini+Taschenschir...
Application tracking spreadsheet, file management, stenciled envelope, photo corners, golden paper clips, 11 pages, just to apply for jobs?! Jeez.
Application tracking spreadsheet, file management, stenciled envelope, photo corners, golden paper clips, 11 pages, just to apply for jobs?! Jeez.
This is a shot of an old version of Anxiety, a dashboard widget running through Amnesty Singles that works as a simple to do list. However, I've since abandoned this version, in favor of a sleeker 100% cocoa application, which syncs with iCal and Mail; pictures of the newer version can be found in my flickr photos.
Andy Garner, IAEA Nuclear Applications Laboratory Coordinator, shows IAEA Director General Yukiya Amano the location of the new ReNuAL site during the Director General’s visit to the laboratories in Seibersdorf on 12 April 2016.
From left to right: Andy Garner, IAEA Nuclear Applications Laboratory Coordinator, Yusuke Kuno, IAEA Director of Safeguards Analytical Services (SGAS), Yukiya Amano, Raja Abdul Aziz Raja Adnan, Special Assistant to the Director General for the IAEA Department of Nuclear Applications and Sciences and Department of Technical Cooperation.
Photo Credit: Dean Calma / IAEA
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Experiment with converted IR camera using a polarizing filter and HDR software. AEB +/-2 total 3 exposures processed with Photomatix.
High Dynamic Range (HDR)
High-dynamic-range imaging (HDRI) is a high dynamic range (HDR) technique used in imaging and photography to reproduce a greater dynamic range of luminosity than is possible with standard digital imaging or photographic techniques. The aim is to present a similar range of luminance to that experienced through the human visual system. The human eye, through adaptation of the iris and other methods, adjusts constantly to adapt to a broad range of luminance present in the environment. The brain continuously interprets this information so that a viewer can see in a wide range of light conditions.
HDR images can represent a greater range of luminance levels than can be achieved using more 'traditional' methods, such as many real-world scenes containing very bright, direct sunlight to extreme shade, or very faint nebulae. This is often achieved by capturing and then combining several different, narrower range, exposures of the same subject matter. Non-HDR cameras take photographs with a limited exposure range, referred to as LDR, resulting in the loss of detail in highlights or shadows.
The two primary types of HDR images are computer renderings and images resulting from merging multiple low-dynamic-range (LDR) or standard-dynamic-range (SDR) photographs. HDR images can also be acquired using special image sensors, such as an oversampled binary image sensor.
Due to the limitations of printing and display contrast, the extended luminosity range of an HDR image has to be compressed to be made visible. The method of rendering an HDR image to a standard monitor or printing device is called tone mapping. This method reduces the overall contrast of an HDR image to facilitate display on devices or printouts with lower dynamic range, and can be applied to produce images with preserved local contrast (or exaggerated for artistic effect).
In photography, dynamic range is measured in exposure value (EV) differences (known as stops). An increase of one EV, or 'one stop', represents a doubling of the amount of light. Conversely, a decrease of one EV represents a halving of the amount of light. Therefore, revealing detail in the darkest of shadows requires high exposures, while preserving detail in very bright situations requires very low exposures. Most cameras cannot provide this range of exposure values within a single exposure, due to their low dynamic range. High-dynamic-range photographs are generally achieved by capturing multiple standard-exposure images, often using exposure bracketing, and then later merging them into a single HDR image, usually within a photo manipulation program). Digital images are often encoded in a camera's raw image format, because 8-bit JPEG encoding does not offer a wide enough range of values to allow fine transitions (and regarding HDR, later introduces undesirable effects due to lossy compression).
Any camera that allows manual exposure control can make images for HDR work, although one equipped with auto exposure bracketing (AEB) is far better suited. Images from film cameras are less suitable as they often must first be digitized, so that they can later be processed using software HDR methods.
In most imaging devices, the degree of exposure to light applied to the active element (be it film or CCD) can be altered in one of two ways: by either increasing/decreasing the size of the aperture or by increasing/decreasing the time of each exposure. Exposure variation in an HDR set is only done by altering the exposure time and not the aperture size; this is because altering the aperture size also affects the depth of field and so the resultant multiple images would be quite different, preventing their final combination into a single HDR image.
An important limitation for HDR photography is that any movement between successive images will impede or prevent success in combining them afterwards. Also, as one must create several images (often three or five and sometimes more) to obtain the desired luminance range, such a full 'set' of images takes extra time. HDR photographers have developed calculation methods and techniques to partially overcome these problems, but the use of a sturdy tripod is, at least, advised.
Some cameras have an auto exposure bracketing (AEB) feature with a far greater dynamic range than others, from the 3 EV of the Canon EOS 40D, to the 18 EV of the Canon EOS-1D Mark II. As the popularity of this imaging method grows, several camera manufactures are now offering built-in HDR features. For example, the Pentax K-7 DSLR has an HDR mode that captures an HDR image and outputs (only) a tone mapped JPEG file. The Canon PowerShot G12, Canon PowerShot S95 and Canon PowerShot S100 offer similar features in a smaller format.. Nikon's approach is called 'Active D-Lighting' which applies exposure compensation and tone mapping to the image as it comes from the sensor, with the accent being on retaing a realistic effect . Some smartphones provide HDR modes, and most mobile platforms have apps that provide HDR picture taking.
Camera characteristics such as gamma curves, sensor resolution, noise, photometric calibration and color calibration affect resulting high-dynamic-range images.
Color film negatives and slides consist of multiple film layers that respond to light differently. As a consequence, transparent originals (especially positive slides) feature a very high dynamic range
Tone mapping
Tone mapping reduces the dynamic range, or contrast ratio, of an entire image while retaining localized contrast. Although it is a distinct operation, tone mapping is often applied to HDRI files by the same software package.
Several software applications are available on the PC, Mac and Linux platforms for producing HDR files and tone mapped images. Notable titles include
Adobe Photoshop
Aurora HDR
Dynamic Photo HDR
HDR Efex Pro
HDR PhotoStudio
Luminance HDR
MagicRaw
Oloneo PhotoEngine
Photomatix Pro
PTGui
Information stored in high-dynamic-range images typically corresponds to the physical values of luminance or radiance that can be observed in the real world. This is different from traditional digital images, which represent colors as they should appear on a monitor or a paper print. Therefore, HDR image formats are often called scene-referred, in contrast to traditional digital images, which are device-referred or output-referred. Furthermore, traditional images are usually encoded for the human visual system (maximizing the visual information stored in the fixed number of bits), which is usually called gamma encoding or gamma correction. The values stored for HDR images are often gamma compressed (power law) or logarithmically encoded, or floating-point linear values, since fixed-point linear encodings are increasingly inefficient over higher dynamic ranges.
HDR images often don't use fixed ranges per color channel—other than traditional images—to represent many more colors over a much wider dynamic range. For that purpose, they don't use integer values to represent the single color channels (e.g., 0-255 in an 8 bit per pixel interval for red, green and blue) but instead use a floating point representation. Common are 16-bit (half precision) or 32-bit floating point numbers to represent HDR pixels. However, when the appropriate transfer function is used, HDR pixels for some applications can be represented with a color depth that has as few as 10–12 bits for luminance and 8 bits for chrominance without introducing any visible quantization artifacts.
History of HDR photography
The idea of using several exposures to adequately reproduce a too-extreme range of luminance was pioneered as early as the 1850s by Gustave Le Gray to render seascapes showing both the sky and the sea. Such rendering was impossible at the time using standard methods, as the luminosity range was too extreme. Le Gray used one negative for the sky, and another one with a longer exposure for the sea, and combined the two into one picture in positive.
Mid 20th century
Manual tone mapping was accomplished by dodging and burning – selectively increasing or decreasing the exposure of regions of the photograph to yield better tonality reproduction. This was effective because the dynamic range of the negative is significantly higher than would be available on the finished positive paper print when that is exposed via the negative in a uniform manner. An excellent example is the photograph Schweitzer at the Lamp by W. Eugene Smith, from his 1954 photo essay A Man of Mercy on Dr. Albert Schweitzer and his humanitarian work in French Equatorial Africa. The image took 5 days to reproduce the tonal range of the scene, which ranges from a bright lamp (relative to the scene) to a dark shadow.
Ansel Adams elevated dodging and burning to an art form. Many of his famous prints were manipulated in the darkroom with these two methods. Adams wrote a comprehensive book on producing prints called The Print, which prominently features dodging and burning, in the context of his Zone System.
With the advent of color photography, tone mapping in the darkroom was no longer possible due to the specific timing needed during the developing process of color film. Photographers looked to film manufacturers to design new film stocks with improved response, or continued to shoot in black and white to use tone mapping methods.
Color film capable of directly recording high-dynamic-range images was developed by Charles Wyckoff and EG&G "in the course of a contract with the Department of the Air Force". This XR film had three emulsion layers, an upper layer having an ASA speed rating of 400, a middle layer with an intermediate rating, and a lower layer with an ASA rating of 0.004. The film was processed in a manner similar to color films, and each layer produced a different color. The dynamic range of this extended range film has been estimated as 1:108. It has been used to photograph nuclear explosions, for astronomical photography, for spectrographic research, and for medical imaging. Wyckoff's detailed pictures of nuclear explosions appeared on the cover of Life magazine in the mid-1950s.
Late 20th century
Georges Cornuéjols and licensees of his patents (Brdi, Hymatom) introduced the principle of HDR video image, in 1986, by interposing a matricial LCD screen in front of the camera's image sensor, increasing the sensors dynamic by five stops. The concept of neighborhood tone mapping was applied to video cameras by a group from the Technion in Israel led by Dr. Oliver Hilsenrath and Prof. Y.Y.Zeevi who filed for a patent on this concept in 1988.
In February and April 1990, Georges Cornuéjols introduced the first real-time HDR camera that combined two images captured by a sensor3435 or simultaneously3637 by two sensors of the camera. This process is known as bracketing used for a video stream.
In 1991, the first commercial video camera was introduced that performed real-time capturing of multiple images with different exposures, and producing an HDR video image, by Hymatom, licensee of Georges Cornuéjols.
Also in 1991, Georges Cornuéjols introduced the HDR+ image principle by non-linear accumulation of images to increase the sensitivity of the camera: for low-light environments, several successive images are accumulated, thus increasing the signal to noise ratio.
In 1993, another commercial medical camera producing an HDR video image, by the Technion.
Modern HDR imaging uses a completely different approach, based on making a high-dynamic-range luminance or light map using only global image operations (across the entire image), and then tone mapping the result. Global HDR was first introduced in 19931 resulting in a mathematical theory of differently exposed pictures of the same subject matter that was published in 1995 by Steve Mann and Rosalind Picard.
On October 28, 1998, Ben Sarao created one of the first nighttime HDR+G (High Dynamic Range + Graphic image)of STS-95 on the launch pad at NASA's Kennedy Space Center. It consisted of four film images of the shuttle at night that were digitally composited with additional digital graphic elements. The image was first exhibited at NASA Headquarters Great Hall, Washington DC in 1999 and then published in Hasselblad Forum, Issue 3 1993, Volume 35 ISSN 0282-5449.
The advent of consumer digital cameras produced a new demand for HDR imaging to improve the light response of digital camera sensors, which had a much smaller dynamic range than film. Steve Mann developed and patented the global-HDR method for producing digital images having extended dynamic range at the MIT Media Laboratory. Mann's method involved a two-step procedure: (1) generate one floating point image array by global-only image operations (operations that affect all pixels identically, without regard to their local neighborhoods); and then (2) convert this image array, using local neighborhood processing (tone-remapping, etc.), into an HDR image. The image array generated by the first step of Mann's process is called a lightspace image, lightspace picture, or radiance map. Another benefit of global-HDR imaging is that it provides access to the intermediate light or radiance map, which has been used for computer vision, and other image processing operations.
21st century
In 2005, Adobe Systems introduced several new features in Photoshop CS2 including Merge to HDR, 32 bit floating point image support, and HDR tone mapping.
On June 30, 2016, Microsoft added support for the digital compositing of HDR images to Windows 10 using the Universal Windows Platform.
HDR sensors
Modern CMOS image sensors can often capture a high dynamic range from a single exposure. The wide dynamic range of the captured image is non-linearly compressed into a smaller dynamic range electronic representation. However, with proper processing, the information from a single exposure can be used to create an HDR image.
Such HDR imaging is used in extreme dynamic range applications like welding or automotive work. Some other cameras designed for use in security applications can automatically provide two or more images for each frame, with changing exposure. For example, a sensor for 30fps video will give out 60fps with the odd frames at a short exposure time and the even frames at a longer exposure time. Some of the sensor may even combine the two images on-chip so that a wider dynamic range without in-pixel compression is directly available to the user for display or processing.
en.wikipedia.org/wiki/High-dynamic-range_imaging
Infrared Photography
In infrared photography, the film or image sensor used is sensitive to infrared light. The part of the spectrum used is referred to as near-infrared to distinguish it from far-infrared, which is the domain of thermal imaging. Wavelengths used for photography range from about 700 nm to about 900 nm. Film is usually sensitive to visible light too, so an infrared-passing filter is used; this lets infrared (IR) light pass through to the camera, but blocks all or most of the visible light spectrum (the filter thus looks black or deep red). ("Infrared filter" may refer either to this type of filter or to one that blocks infrared but passes other wavelengths.)
When these filters are used together with infrared-sensitive film or sensors, "in-camera effects" can be obtained; false-color or black-and-white images with a dreamlike or sometimes lurid appearance known as the "Wood Effect," an effect mainly caused by foliage (such as tree leaves and grass) strongly reflecting in the same way visible light is reflected from snow. There is a small contribution from chlorophyll fluorescence, but this is marginal and is not the real cause of the brightness seen in infrared photographs. The effect is named after the infrared photography pioneer Robert W. Wood, and not after the material wood, which does not strongly reflect infrared.
The other attributes of infrared photographs include very dark skies and penetration of atmospheric haze, caused by reduced Rayleigh scattering and Mie scattering, respectively, compared to visible light. The dark skies, in turn, result in less infrared light in shadows and dark reflections of those skies from water, and clouds will stand out strongly. These wavelengths also penetrate a few millimeters into skin and give a milky look to portraits, although eyes often look black.
Until the early 20th century, infrared photography was not possible because silver halide emulsions are not sensitive to longer wavelengths than that of blue light (and to a lesser extent, green light) without the addition of a dye to act as a color sensitizer. The first infrared photographs (as distinct from spectrographs) to be published appeared in the February 1910 edition of The Century Magazine and in the October 1910 edition of the Royal Photographic Society Journal to illustrate papers by Robert W. Wood, who discovered the unusual effects that now bear his name. The RPS co-ordinated events to celebrate the centenary of this event in 2010. Wood's photographs were taken on experimental film that required very long exposures; thus, most of his work focused on landscapes. A further set of infrared landscapes taken by Wood in Italy in 1911 used plates provided for him by CEK Mees at Wratten & Wainwright. Mees also took a few infrared photographs in Portugal in 1910, which are now in the Kodak archives.
Infrared-sensitive photographic plates were developed in the United States during World War I for spectroscopic analysis, and infrared sensitizing dyes were investigated for improved haze penetration in aerial photography. After 1930, new emulsions from Kodak and other manufacturers became useful to infrared astronomy.
Infrared photography became popular with photography enthusiasts in the 1930s when suitable film was introduced commercially. The Times regularly published landscape and aerial photographs taken by their staff photographers using Ilford infrared film. By 1937 33 kinds of infrared film were available from five manufacturers including Agfa, Kodak and Ilford. Infrared movie film was also available and was used to create day-for-night effects in motion pictures, a notable example being the pseudo-night aerial sequences in the James Cagney/Bette Davis movie The Bride Came COD.
False-color infrared photography became widely practiced with the introduction of Kodak Ektachrome Infrared Aero Film and Ektachrome Infrared EIR. The first version of this, known as Kodacolor Aero-Reversal-Film, was developed by Clark and others at the Kodak for camouflage detection in the 1940s. The film became more widely available in 35mm form in the 1960s but KODAK AEROCHROME III Infrared Film 1443 has been discontinued.
Infrared photography became popular with a number of 1960s recording artists, because of the unusual results; Jimi Hendrix, Donovan, Frank and a slow shutter speed without focus compensation, however wider apertures like f/2.0 can produce sharp photos only if the lens is meticulously refocused to the infrared index mark, and only if this index mark is the correct one for the filter and film in use. However, it should be noted that diffraction effects inside a camera are greater at infrared wavelengths so that stopping down the lens too far may actually reduce sharpness.
Most apochromatic ('APO') lenses do not have an Infrared index mark and do not need to be refocused for the infrared spectrum because they are already optically corrected into the near-infrared spectrum. Catadioptric lenses do not often require this adjustment because their mirror containing elements do not suffer from chromatic aberration and so the overall aberration is comparably less. Catadioptric lenses do, of course, still contain lenses, and these lenses do still have a dispersive property.
Infrared black-and-white films require special development times but development is usually achieved with standard black-and-white film developers and chemicals (like D-76). Kodak HIE film has a polyester film base that is very stable but extremely easy to scratch, therefore special care must be used in the handling of Kodak HIE throughout the development and printing/scanning process to avoid damage to the film. The Kodak HIE film was sensitive to 900 nm.
As of November 2, 2007, "KODAK is preannouncing the discontinuance" of HIE Infrared 35 mm film stating the reasons that, "Demand for these products has been declining significantly in recent years, and it is no longer practical to continue to manufacture given the low volume, the age of the product formulations and the complexity of the processes involved." At the time of this notice, HIE Infrared 135-36 was available at a street price of around $12.00 a roll at US mail order outlets.
Arguably the greatest obstacle to infrared film photography has been the increasing difficulty of obtaining infrared-sensitive film. However, despite the discontinuance of HIE, other newer infrared sensitive emulsions from EFKE, ROLLEI, and ILFORD are still available, but these formulations have differing sensitivity and specifications from the venerable KODAK HIE that has been around for at least two decades. Some of these infrared films are available in 120 and larger formats as well as 35 mm, which adds flexibility to their application. With the discontinuance of Kodak HIE, Efke's IR820 film has become the only IR film on the marketneeds update with good sensitivity beyond 750 nm, the Rollei film does extend beyond 750 nm but IR sensitivity falls off very rapidly.
Color infrared transparency films have three sensitized layers that, because of the way the dyes are coupled to these layers, reproduce infrared as red, red as green, and green as blue. All three layers are sensitive to blue so the film must be used with a yellow filter, since this will block blue light but allow the remaining colors to reach the film. The health of foliage can be determined from the relative strengths of green and infrared light reflected; this shows in color infrared as a shift from red (healthy) towards magenta (unhealthy). Early color infrared films were developed in the older E-4 process, but Kodak later manufactured a color transparency film that could be developed in standard E-6 chemistry, although more accurate results were obtained by developing using the AR-5 process. In general, color infrared does not need to be refocused to the infrared index mark on the lens.
In 2007 Kodak announced that production of the 35 mm version of their color infrared film (Ektachrome Professional Infrared/EIR) would cease as there was insufficient demand. Since 2011, all formats of color infrared film have been discontinued. Specifically, Aerochrome 1443 and SO-734.
There is no currently available digital camera that will produce the same results as Kodak color infrared film although the equivalent images can be produced by taking two exposures, one infrared and the other full-color, and combining in post-production. The color images produced by digital still cameras using infrared-pass filters are not equivalent to those produced on color infrared film. The colors result from varying amounts of infrared passing through the color filters on the photo sites, further amended by the Bayer filtering. While this makes such images unsuitable for the kind of applications for which the film was used, such as remote sensing of plant health, the resulting color tonality has proved popular artistically.
Color digital infrared, as part of full spectrum photography is gaining popularity. The ease of creating a softly colored photo with infrared characteristics has found interest among hobbyists and professionals.
In 2008, Los Angeles photographer, Dean Bennici started cutting and hand rolling Aerochrome color Infrared film. All Aerochrome medium and large format which exists today came directly from his lab. The trend in infrared photography continues to gain momentum with the success of photographer Richard Mosse and multiple users all around the world.
Digital camera sensors are inherently sensitive to infrared light, which would interfere with the normal photography by confusing the autofocus calculations or softening the image (because infrared light is focused differently from visible light), or oversaturating the red channel. Also, some clothing is transparent in the infrared, leading to unintended (at least to the manufacturer) uses of video cameras. Thus, to improve image quality and protect privacy, many digital cameras employ infrared blockers. Depending on the subject matter, infrared photography may not be practical with these cameras because the exposure times become overly long, often in the range of 30 seconds, creating noise and motion blur in the final image. However, for some subject matter the long exposure does not matter or the motion blur effects actually add to the image. Some lenses will also show a 'hot spot' in the centre of the image as their coatings are optimised for visible light and not for IR.
An alternative method of DSLR infrared photography is to remove the infrared blocker in front of the sensor and replace it with a filter that removes visible light. This filter is behind the mirror, so the camera can be used normally - handheld, normal shutter speeds, normal composition through the viewfinder, and focus, all work like a normal camera. Metering works but is not always accurate because of the difference between visible and infrared refraction. When the IR blocker is removed, many lenses which did display a hotspot cease to do so, and become perfectly usable for infrared photography. Additionally, because the red, green and blue micro-filters remain and have transmissions not only in their respective color but also in the infrared, enhanced infrared color may be recorded.
Since the Bayer filters in most digital cameras absorb a significant fraction of the infrared light, these cameras are sometimes not very sensitive as infrared cameras and can sometimes produce false colors in the images. An alternative approach is to use a Foveon X3 sensor, which does not have absorptive filters on it; the Sigma SD10 DSLR has a removable IR blocking filter and dust protector, which can be simply omitted or replaced by a deep red or complete visible light blocking filter. The Sigma SD14 has an IR/UV blocking filter that can be removed/installed without tools. The result is a very sensitive digital IR camera.
While it is common to use a filter that blocks almost all visible light, the wavelength sensitivity of a digital camera without internal infrared blocking is such that a variety of artistic results can be obtained with more conventional filtration. For example, a very dark neutral density filter can be used (such as the Hoya ND400) which passes a very small amount of visible light compared to the near-infrared it allows through. Wider filtration permits an SLR viewfinder to be used and also passes more varied color information to the sensor without necessarily reducing the Wood effect. Wider filtration is however likely to reduce other infrared artefacts such as haze penetration and darkened skies. This technique mirrors the methods used by infrared film photographers where black-and-white infrared film was often used with a deep red filter rather than a visually opaque one.
Another common technique with near-infrared filters is to swap blue and red channels in software (e.g. photoshop) which retains much of the characteristic 'white foliage' while rendering skies a glorious blue.
Several Sony cameras had the so-called Night Shot facility, which physically moves the blocking filter away from the light path, which makes the cameras very sensitive to infrared light. Soon after its development, this facility was 'restricted' by Sony to make it difficult for people to take photos that saw through clothing. To do this the iris is opened fully and exposure duration is limited to long times of more than 1/30 second or so. It is possible to shoot infrared but neutral density filters must be used to reduce the camera's sensitivity and the long exposure times mean that care must be taken to avoid camera-shake artifacts.
Fuji have produced digital cameras for use in forensic criminology and medicine which have no infrared blocking filter. The first camera, designated the S3 PRO UVIR, also had extended ultraviolet sensitivity (digital sensors are usually less sensitive to UV than to IR). Optimum UV sensitivity requires special lenses, but ordinary lenses usually work well for IR. In 2007, FujiFilm introduced a new version of this camera, based on the Nikon D200/ FujiFilm S5 called the IS Pro, also able to take Nikon lenses. Fuji had earlier introduced a non-SLR infrared camera, the IS-1, a modified version of the FujiFilm FinePix S9100. Unlike the S3 PRO UVIR, the IS-1 does not offer UV sensitivity. FujiFilm restricts the sale of these cameras to professional users with their EULA specifically prohibiting "unethical photographic conduct".
Phase One digital camera backs can be ordered in an infrared modified form.
Remote sensing and thermographic cameras are sensitive to longer wavelengths of infrared (see Infrared spectrum#Commonly used sub-division scheme). They may be multispectral and use a variety of technologies which may not resemble common camera or filter designs. Cameras sensitive to longer infrared wavelengths including those used in infrared astronomy often require cooling to reduce thermally induced dark currents in the sensor (see Dark current (physics)). Lower cost uncooled thermographic digital cameras operate in the Long Wave infrared band (see Thermographic camera#Uncooled infrared detectors). These cameras are generally used for building inspection or preventative maintenance but can be used for artistic pursuits as well.
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Today is the last day our 2019/2020 Little Gallery application is online! All applications must be filled out and submitted to the gallery by March 31st. Good luck! degrazia.org/exhibitions/little-gallery/
IBM and Apple introduced currently that they experienced arrived at the a hundred app milestone in their cellular app partnership.
The a hundred applications cover the gamut of sixty expert roles throughout 14 industries and incorporate Apple iphone, iPad, iPad Pro, Apple Enjoy and even...
honestechs.com/2015/12/16/ibm-and-apple-company-partnersh...
(further information and pictures are available by clicking on the link at the end of section and of page!)
Synagogue St. Pölten
Exterior of the former St. Pölten Synagogue
The St. Pölten Synagogue was up to the November pogroms in 1938 the main synagogue of the Jewish Community of St. Pölten. The In the years 1912 to 1913 by the architects Theodor Schreier and Viktor Postelberg built Art Nouveau synagogue is located in the Dr. Karl Renner Promenade in St. Pölten and is now the headquarters of the Institute for Jewish History in Austria.
History
The old synagogue, which was demolished in favor of the new one
The first prayer rooms of in 1863 founded Jewish Community of St. Pölten were located in the premises of the former Kattunmanufaktur (cotton manufactory), the later Gasser factory at school ring. A building of this factory was adapted between 1885 and 1890 as a synagogue. This adaptation was associated with considerable effort, which is why the members of the Jewish community already since 1888 endeavoured to get a new building, until 1903 but this was rejected by the township. At this time, a redesign of the promenade was planned, which was only possible by demolition of the in the street course standing synagogue. After lengthy preparations, a preparatory committee was elected in April 1907, which in addition to building site and plans the necessary financing should provide.
1911, a building committee was chosen and agreed with the community a real estate exchange. At the architectural competition, which was tendered in the same year, participated among others Jacob Modern, Jacob Gartner, Ignaz Reiser and Theodor Schreier. The latter was together with his partner Viktor Postelberg by the Committee commissioned another project for a temple with room for 220 men and 150 women to submitt, which was then realized. The conditions for the planning work developed Rudolf Frass. The necessary funds were raised through collections and appeals for donations throughout the country, so that could be started with the construction in June 1912. The gilding works were carried out by Ferdinand Andri. After little more than a year of construction and 141 390 crowns total investment, the synagoge on 17 August 1913 was solemnly consecrated.
Destruction
On the night of 9th to the 10th November 1938 invaded several SS and SA members the rooms of the synagogue, smashed windows and set fire. The that night caused damage was limited, as the fire could be extinguished relatively quickly. On the following morning 300 to 400 people gathered, some in civilian clothes, in front of the building. They moved with the singing of political songs in the sacred spaces and destroyed them completely. The windows were broken, Torah scrolls, Torah shrine, benches and images burned. Even water pipes and door posts were torn from the walls. The books of the extensive library were largely thrown on the road and burned. Some people climbed the dome and tore the Star of David of the roof .
Almost all of the movable property of the Jewish community was destroyed or stolen . A limited set of books were placed in the city archives, the City Museum there's still a donation box and a painting of Emperor Franz Josef, which hung in the entrance area. A single prayer book is since 1998 owned again by the Jewish Community.
In the following years the side rooms of the building of the SA were used as an office, the interior was used among other things as furniture warehouse. 1942, the synagogue became the property of the city of St. Pölten, which used it as a detention center for Russian forced laborers. In last fightings and bombings in 1945 the building was further damaged.
1945
The Red Army used the former synagogue as a grain storage until it was in 1947 returned to the city. The application of restitution was recognized in 1952 by the city council, which then returned the synagogue to the Jewish Community Vienna. In the following years, the former house of God continued to decay as after the Holocaust no Jewish community in St. Pölten could establish. The domed roof showed severe damage, individual components were threatening to collapse completely and through the boarded windows came rain and snow into the by dovecotes populated house.
In 1975, the Jewish Community Vienna (IKG - Israelitische Kultusgemeinde Wien) offered the city of St. Pölten to purchase the synagogue, which did not accept the offer due to lack of uses. Then the Jewish Community Vienna wanted to initiate the demolition, but this was prevented by the fact that the Federal Monuments Office the building put under monument protection. Then it was renovated from 1980 to 1984. Here, for example, many wall paintings were recovered, on the other hand, some structural changes were made (especially removal of water basins for the ritual washing of the hands), since it was clear from the beginning that the building would not be used as a synagogue, but as an event center.
Since 1988 in the premises of the former synagogue the Institute for Jewish History of Austria is located, further regular events are realized. The original function the synagoge never could fulfill again, as too few Jews returned after the Holocaust to St. Pölten.
On the occasion of the 100th anniversary of the synagogue the City Museum in St. Pölten 2013/14 the building dedicates its own special exhibition. In doing so there is also shown a recently found photo of the interior before the destruction. It is also pointed out that the synagogue due to lack of funding already again is abandoned to a certain decay.
The St. Pölten rabbi
Interior of the synagogue with part of the dome ceiling, in the center of the former shrine
Name Period of office
Moritz Tintner 1863-1869
Adolf Kurrein 1873-1876
Samuel Marcus 1876-1878
Adolf Hahn 1878-1882
Jacob Reiss 1882-1889
Bernhard Zimmels 1889-1891
Leopold Weinsberg 1891-1897
Adolf Schächter 1897-1934
Arnold Frankfurt 1934-1936
Manfred Papo 1936-1938
Building description
Outside
The dominant element of the synagogue is the octagonal, completed by a large dome main building, to which the eastern and western side wings are attached. Connected to the synagogue is the former school building in Lederergasse 12.
Main tract
The main tract houses the former sanctuary. The facade is divided into a low ground floor, high upper floor and the dome. At the facade facing the street can be found in the two storeys each three windows, that are executed on the ground floor as low segmental arch windows with above running continuously cordon cornice. The windows on the upper floor, however, are high, rectangular windows, the space between them is divided by pilasters. The original stained glass windows were destroyed from 1938, today, clear glass can be found in the windows. Directly under the dome there is a large segment gable with representations of the Tablets of the Law, set in floral vines. Beneath it is written in Hebrew the text of Psalm 118, verse 19.
" פתחו לי שערי צדק אבא בם אודה יה "
"Open to me the gates of righteousness: I will enter and give thanks to God".
- Inscription under the law boards.
On the short, lateral oblique walls of the main building on the ground floor there are side entrances, in the transition to the dome there are embedded large oval windows.
Side wings
To the eastern side wing, which in comparison to the western tract is designed very narrowly, connects the former school building and was once home to the shrine. At the by segment gable and barrel roof completed tract can be found on the northern front in the upper floor a tall, rectangular window of the same type as that of the main wing. At the eastern side a round window is embedded, in the ground floor begins a connecting room to the school building.
The western side wing is identical to the east in the basic form, but it is significantly wider. In addition, in front of it there are entrance buildings. Both at the road side and on the opposite side between the main wing and the western annex are wide projecting semi-circular staircases, next to it can be found till half the height of the first upper floor each a buttress with two low windows. Road side, this buttress is preceded by a walk-in porch, which on three sides is open round-arched. The with triangular gable completed building ends in a concave enclosure, where a commemorative plaque is attached today. The west facade repeats the design of the main building, it can be found on the ground floor low segmental arch windows with above running continuously, jagged cordon cornice. On the first floor the windows are, however, significantly lower than in the main wing.
Former school building
The former school building has its main facade towards Lederergasse and there has the number 12. The road-side main facade of the two-storey building is divided into four axes. The window on the ground floor are round-arched disigned, the ones on the upper floor rectangularly. Between side wing of the synagogue and the main wing of the school building there is a tower-like, curved stairwell risalit up to the attic.
Gallery
Wall lamp
Wall ornament
Wall ornament
Wall ornament
de.wikipedia.org/wiki/Synagoge_St._P%C3%B6lten
(further information is available by clicking on the link at the end of page!)
History of the City St. Pölten
In order to present concise history of the Lower Austrian capital is in the shop of the city museum a richly illustrated full version on CD-ROM.
Tip
On the occasion of the commemoration of the pogroms of November 1938, the Institute for Jewish History of Austria its virtual Memorbuch (Memory book) for the destroyed St. Pölten Jewish community since 10th November 2012 is putting online.
Prehistory
The time from which there is no written record is named after the main materials used for tools and weapons: Stone Age, Bronze Age, Iron Age. Using the latest technologies, archaeologists from archaeological finds and aerial photographs can trace a fairly detailed picture of life at that time. Especially for the time from the settling down of the People (New Stone Age), now practicing agriculture and animal husbandry, in the territory of St. Pölten lively settlement activity can be proved. In particular, cemeteries are important for the research, because the dead were laid in the grave everyday objects and jewelry, the forms of burial changing over time - which in turn gives the archeology valuable clues for the temporal determination. At the same time, prehistory of Sankt Pölten would not be half as good documented without the construction of the expressway S33 and other large buildings, where millions of cubic meters of earth were moved - under the watchful eyes of the Federal Monuments Office!
A final primeval chapter characterized the Celts, who settled about 450 BC our area and in addition to a new culture and religion also brought with them the potter's wheel. The kingdom of Noricum influenced till the penetration of the Romans the development in our area.
Roman period, migrations
The Romans conquered in 15 BC the Celtic Empire and established hereinafter the Roman province of Noricum. Borders were protected by military camp (forts), in the hinterland emerged civilian cities, almost all systematically laid out according to the same plan. The civil and commercial city Aelium Cetium, as St. Pölten was called (city law 121/122), consisted in the 4th Century already of heated stone houses, trade and craft originated thriving urban life, before the Romans in the first third of the 5th Century retreated to Italy.
The subsequent period went down as the Migration Period in official historiography, for which the settlement of the Sankt Pöltner downtown can not be proved. Cemeteries witness the residence of the Lombards in our area, later it was the Avars, extending their empire to the Enns.
The recent archaeological excavations on the Cathedral Square 2010/2011, in fact, the previous knowledge of St.Pölten colonization not have turned upside down but enriched by many details, whose full analysis and publication are expected in the near future.
Middle Ages
With the submission of the Avars by Charlemagne around 800 AD Christianity was gaining a foothold, the Bavarian Benedictine monastery of Tegernsee establishing a daughter house here - as founder are mentioned the brothers Adalbert and Ottokar - equipped with the relics of St. Hippolytus. The name St. Ypolit over the centuries should turn into Sankt Pölten. After the Hungarian wars and the resettlement of the monastery as Canons Regular of St. Augustine under the influence of Passau St. Pölten received mid-11th Century market rights.
In the second half of the 20th century historians stated that records in which the rights of citizens were held were to be qualified as Town Charters. Vienna is indeed already in 1137 as a city ("civitas") mentioned in a document, but the oldest Viennese city charter dates only from the year 1221, while the Bishop of Passau, Konrad, already in 1159 the St. Pöltnern secured:
A St. Pöltner citizen who has to answer to the court, has the right to make use of an "advocate".
He must not be forced to rid himself of the accusation by a judgment of God.
A St. Pöltner citizen may be convicted only by statements of fellow citizens, not by strangers.
From the 13th Century exercised a city judge appointed by the lord of the city the high and low jurisdiction as chairman of the council meetings and the Municipal Court, Inner and Outer Council supported him during the finding of justice. Venue for the public verdict was the in the 13th Century created new marketplace, the "Broad Market", now the town hall square. Originally square-shaped, it was only later to a rectangle reduced. Around it arose the market district, which together with the monastery district, the wood district and the Ledererviertel (quarter of the leather goods manufacturer) was protected by a double city wall.
The dependence of St. Pölten of the bishop of Passau is shown in the municipal coat of arms and the city seal. Based on the emblem of the heraldic animal of the Lord of the city, so the Bishop of Passau, it shows an upright standing wolf holding a crosier in its paw.
Modern Times
In the course of the armed conflict between the Emperor Frederick III . and King Matthias of Hungary pledged the Bishop of Passau the town on the Hungarian king. From 1485 stood Lower Austria as a whole under Hungarian rule. The most important document of this period is the awarding of the city coat of arms by King Matthias Corvinus in the year 1487. After the death of the opponents 1490 and 1493 could Frederick's son Maximilian reconquer Lower Austria. He considered St. Pölten as spoils of war and had no intention of returning it to the diocese of Passau. The city government has often been leased subsequently, for instance, to the family Wellenstein, and later to the families Trautson and Auersperg.
That St. Pölten now was a princely city, found its expression in the coat of arms letter of the King Ferdinand I. from 1538: From now on, the wolf had no crosier anymore, and the from the viewer's point of view left half showed the reverse Austrian shield, so silver-red-silver.
To the 16th Century also goes back the construction of St. Pöltner City Hall. The 1503 by judge and council acquired house was subsequently expanded, rebuilt, extended and provided with a tower.
A for the urban history research important picture, painted in 1623, has captured scenes of the peasant uprising of 1597, but also allows a view to the city and lets the viewer read some of the details of the then state of construction. The economic inconveniences of that time were only exacerbated by the Thirty Years War, at the end of which a fifth of the houses were uninhabited and the citizenry was impoverished.
Baroque
After the successful defense against the Turks in 1683, the economy started to recover and a significant building boom began. Lower Austria turned into the land of the baroque abbeys and monasteries, as it is familiar to us today.
In St. Pölten, the change of the cityscape is closely connected to the Baroque architect Jakob Prandtauer. In addition to the Baroquisation of the interior of the cathedral, a number of buildings in St. Pölten go to his account, so the reconstruction of the castle Ochsenburg, the erection of the Schwaighof and of the core building of the Institute of the Blessed Virgin Mary (Englische Fräuleins - English Maidens) - from 1706 the seat of the first school order of St.Pölten - as well as of several bourgeois houses.
Joseph Munggenast, nephew and co-worker of Prandtauer, completed the Baroquisation of the cathedral, he baroquised the facade of the town hall (1727) and numerous bourgeois houses and designed a bridge over the Traisen which existed until 1907. In the decoration of the church buildings were throughout Tyroleans collaborating, which Jakob Prandtauer had brought along from his homeland (Tyrol) to St. Pölten, for example, Paul Troger and Peter Widerin.
Maria Theresa and her son Joseph II: Their reforms in the city of the 18th Century also left a significant mark. School foundings as a result of compulsory education, the dissolution of the monasteries and hereinafter - from 1785 - the new role of St. Pölten as a bishop's seat are consequences of their policies.
1785 was also the year of a fundamental alteration of the old Council Constitution: The city judge was replaced by one magistrate consisting of five persons, at the head was a mayor. For the first mayor the painter Josef Hackl was chosen.
The 19th century
Despite the Napoleonic Wars - St. Pölten in 1805 and 1809 was occupied by the French - and despite the state bankruptcy of 1811, increased the number of businesses constantly, although the economic importance of the city for the time being did not go beyond the near vicinity.
Against the background of monitoring by the state secret police, which prevented any political commitment between the Congress of Vienna and the 1848 revolution, the citizens withdrew into private life. Sense of family, fostering of domestic music, prominent salon societies in which even a Franz Schubert socialized, or the construction of the city theater were visible signs of this attitude.
The economic upswing of the city did not begin until after the revolution of the year 1848. A prerequisite for this was the construction of the Empress Elisabeth Western Railway, moving Vienna, Linz, soon Salzburg, too, in a reachable distance. The city walls were pulled down, St. Pölten could unfold. The convenient traffic situation favored factory start-ups, and so arose a lace factory, a revolver factory, a soap factory or, for example, as a precursor of a future large-scale enterprise, the braid, ribbon and Strickgarnerzeugung (knitting yarn production) of Matthias Salcher in Harland.
In other areas, too, the Gründerzeit (years of rapid industrial expansion in Germany - and Austria) in Sankt Pölten was honouring its name: The city got schools, a hospital, gas lanterns, canalization, hot springs and summer bath.
The 20th century
At the beginning of the 20th Century the city experienced another burst of development, initiated by the construction of the power station in 1903, because electricity was the prerequisite for the settlement of large companies. In particular, the companies Voith and Glanzstoff and the main workshop of the Federal Railways attracted many workers. New Traisen bridge, tram, Mariazell Railway and other infrastructure buildings were erected; St. Pölten obtained a synagogue. The Art Nouveau made it repeatedly into the urban architecture - just think of the Olbrich House - and inspired also the painting, as exponents worth to be mentioned are Ernst Stöhr or Ferdinand Andri.
What the outbreak of the First World War in broad outlines meant for the monarchy, on a smaller scale also St. Pölten has felt. The city was heavily impacted by the deployment of army units, a POW camp, a military hospital and a sick bay. Industrial enterprises were partly converted into war production, partly closed. Unemployment, housing emergency and food shortages long after the war still were felt painfully.
The 1919 to mayor elected Social Democrat Hubert Schnofl after the war tried to raise the standard of living of the people by improving the social welfare and health care. The founding of a housing cooperative (Wohnungsgenossenschaft), the construction of the water line and the establishment of new factories were further attempts to stimulate the stiffening economy whose descent could not be stopped until 1932.
After the National Socialist regime had stirred false hopes and plunged the world into war, St. Pölten was no longer the city as it has been before. Not only the ten devastating bombings of the last year of the war had left its marks, also the restrictive persecution of Jews and political dissidents had torn holes in the structure of the population. Ten years of Russian occupation subsequently did the rest to traumatize the population, but at this time arose from the ruins a more modern St. Pölten, with the new Traisen bridge, district heating, schools.
This trend continued, an era of recovery and modernization made the economic miracle palpable. Already in 1972 was - even if largely as a result of incorporations - exceeded the 50.000-inhabitant-limit.
Elevation to capital status (capital of Lower Austria), 10 July 1986: No other event in this dimension could have become the booster detonation of an up to now ongoing development thrust. Since then in a big way new residential and commercial areas were opened up, built infrastructure constructions, schools and universities brought into being to enrich the educational landscape. East of the Old Town arose the governmental and cultural district, and the list of architects wears sonorous names such as Ernst Hoffmann (NÖ (Lower Austria) Landhaus; Klangturm), Klaus Kada (Festspielhaus), Hans Hollein (Shedhalle and Lower Austrian Provincial Museum), Karin Bily, Paul Katzberger and Michael Loudon ( NÖ State Library and NÖ State Archive).
European Diploma, European flag, badge of honor, Europe Price: Between 1996 and 2001, received St. Pölten numerous appreciations of its EU commitment - as a sort of recognition of the Council of Europe for the dissemination of the EU-idea through international town twinnings, a major Europe exhibition or, for example, the establishment and chair of the "Network of European medium-sized cities".
On the way into the 21st century
Just now happened and already history: What the St. Pöltnern as just experienced sticks in their minds, travelers and newcomers within a short time should be told. The theater and the hospital handing over to the province of Lower Austria, a new mayor always on the go, who was able to earn since 2004 already numerous laurels (Tags: polytechnic, downtown enhancement, building lease scheme, bus concept) - all the recent changes are just now condensed into spoken and written language in order to make, from now on, the history of the young provincial capital in the 3rd millennium nachlesbar (checkable).
www.st-poelten.gv.at/Content.Node/freizeit-kultur/kultur/...
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IAEA Director General Yukiya Amano tours the facilities during his visit to the laboratories in Seibersdorf on 12 April 2016.
Photo Credit: Dean Calma / IAEA
Hey everyone, I'm back, and this time I want to show you something different. This build was built as a part of "Out of This World Space Builds" on lego ideas, and was built as a 3D model because of lack of parts. It represents a small laboratory located on Mars, or whatever other planet that you want it on. On the exterior you can see it has rounded windows, entrance and on the top a small greenhouse, while in the interior you have a computer with a litle stand for samples of stones or whatever. It also has plenty of room to fit a minifigure. This was built as a hexagonal build wich takes up 10x12 stud space. Although it is a mecabricks build, all interactions between bricks have been previously checked with phisical bricks. Overall build contains 241 bricks. I would appreciate if you would drop a like or comment on lego ideas entry. It's called "Space Laboratory", original, isn't it. Here's the link:
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Thomas More Haettenschwiller, Director, IAEA Department of Management, escorts IAEA Director General Yukiya Amano as they make their way to the location of the ReNuAl construction site.
Photo Credit: Dean Calma / IAEA
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Stanford sits beside the junction on the M20 for Hythe and the junction with the bottom of the old Roman Road of Stone Street, and is the chosen location for the massive lorry park for any Brexit-related delays/jams. Only the DoT seemed to have forgotten to include an environmental impact assessment with the application, and was withdrawn.
Could still happen I guess, and the fine fellow in mustard coloured cords seemed to think it was still a possibility.
But for the time being, Stanford is quiet enough, with a fine looking pub, The Drum, and this mostly Victorian church, which I was rather taken with.
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What a delightful church! It is almost completely Victorian with the nave and chancel being rebuilt 30 years apart. The nave is severely plain, but the west windows may be part of the medieval church re-used. The font is a most unusual piece and is either Victorian or seventeenth century. It ahs certainly been recut over the years and has no Christian iconography. The chancel is well proportioned and entered via a well carved chancel arch. The east windows are shafted and have rere-arches. The stonework over the organ is typical late nineteenth century with castellations and niches, all probably designed by Carpenter. All in all this is a lovely church with a warm feeling and magnificent proportions. It deserves to be better known.
www.kentchurches.info/church.asp?p=Stanford
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THE next parish south-eastward from Horton is that of Stanford, which takes its name both from its soil and situation, slane in Saxon signifying a stone, and ford, a rivulet. The parish of Stanford itself lies in the hundred of Stowring, but that of Westenhanger, now united to it, is within the hundred of Street.
It is, the greatest part of it, a low unpleasant situation, lying at a small distance below the down hills. The greatest part of it is pasture ground, and very wet. The soil is very clity and poor near the hill, where the ground lies higher, but lower down it becomes richer, and has some good fertile meadows in it. There is but little wood, only two small coppices in the northern part of it; the rents are about 900l. per annum. The high road along the Stone-street way from Canterbury, and over Hampton hill, leads through this parish towards Newinn-green, whence it continues strait forward to Limne, the Portus Lemanis of the Romans, and to the right and left to Ashford and Hythe. Stanford-street is built on this road, in which there is a neat modern-built house, belonging to Mr. Jones, who lives in it; the church stands on a gentle rise eastward from it. The parish is watered by the stream which rises above Postling church, being the head of that branch of the river called the Old Stour, which running from thence hither, having been joined by several smaller streams from the north-west, crosses the high road westward below Stanford-street towards Ashford. The bridge under which it runs here, being broken down anno 7 Edward I. the jury found, that it ought to be repaired by Nicholas de Criol, and not by the adjacent hundreds. At a small distance westward from this bridge, and not far from the stream, stands the antient mansion of Westenhanger, having a gloomy appearance, in a low unpleasant situation, having an extent of flat country and pasture grounds in front of it, the above stream supplying the broad deep moat which surrounds it.
The ruins of this mansion, though very small, shew it to have been formerly a very large and magnificent pile of building. The antiquity of this mansion was, no doubt, very high, and if not originally built by one of the family of Criol, was afterwards much enlarged and strengthened by them. From one of the towers still retaining the name of Rosamond's tower, where the tradition is, that fair mistress of king Henry II. was kept for some time, it should seem to have been built before his reign, or perhaps even belonging to him. Which seems the more probable from there having been found among the ruins the left hand of a well carved statue, with the end of a sceptre grasped in it; a position peculiar to this prince, one of whose seals was so made in the life time of his father. (fn. 1) The scite of the house, moated round, had a drawbridge, a gatehouse and portal, the arch of which was large and strong, springing from six polygonal pillars, with a portcullis to it. The walls were very high, and of great thickness, the whole of them embattled, and fortified with nine great towers, alternately square and round, and a gallery reaching throughout the whole from one to the other. One of these, with the gallery adjoining to it on the north side, was called, as has been already mentioned, Fair Rosamond's; and it is suppoted she was kept here some time before her removal to Woodstock. The room called her prison, was a long upper one, of 160 feet in length, which was likewise called her gallery. Over the door of entrance into the house was carved in stone, the figure of St. George on horseback, and under it four shields of arms; one of which was the arms of England, and another a key and crown, supported by two angels. On the right hand was a slight of freestone steps, which led into a chapel, now a stable, curiously vaulted with stone, being erected by Sir Edward Poynings, in the reign of king Henry VIII. At each corner of the window of this chapel was curiously carved in stone, a canopy. There were likewise in it several pedestals for statues, and over the window stood a statue of St. Anthony, with a pig at his feet, and a bell hanging to one of its ears. At the west end were the statues of St. Christopher and king Herod. The great hall was fifty feet long, with a music gallery at one end of it, and at the other a range of cloisters which led to the chapel, and other apartments of the house. There were one hundred and twenty-six rooms in it, and, by report, three hundred and sixty-five windows. In the year 1701, more than three parts of it was pulled down, for the sake of the sale of the materials, which were then sold for 1000l. After this Mr. Champneis, the purchaser of it, converted the remainder into a small neat edifice for his residence; which house, within these few years, has been again pulled down, and a yet smaller modern one built on the scite of it. All that now remains therefore of this great mansion and its extensive surrounding buildings, are the walls and two towers on the north and east sides of it, which being undermined by length of time, are yearly falling in huge masses into the adjoining moat; and the remaining ruins being covered with ivy and trees, growing spontaneously on and through the sides of every part of them, exhibit an awful scene, and a melancholy remembrance of its antient grandeur; the under part of the great entrance yet remains, the arch over it having been taken down but lately; and there are numberless fragments of carved stone-work lying scattered about. The whole was built of quarry-stone, said to have been dug in the quarries of the adjoining manor of Otterpoole, in Limne, ornamented with sculptured stone brought from Caen. The park which belonged to this mansion, extended over the east and south parts of this parish, rather on rising ground, formerly comprehending the whole parochial district of Ostenhanger, at the southern boundary of which is New-Inn-green, so called from a new inn built there in king Henry the VIIIth's time, near which there is a small hamlet built on the road leading from Hythe to Ashford. Near the western boundary of the parish is a small green, built round with houses, called Gibbins brook, situated in the borough of Gimminge, its proper name, in a very wet and swampy country.
There was an annual fair instituted in 1758, to be holden in Stanford-street on June 7, for all sorts of cattle, but it was soon left off, and there has not been any held for near twenty years past.
THE MANOR OP STANFORD was antiently part of the possessions of the family of De Morinis, whose descendants the Derings continued afterwards to possess it. Sir Richard Dering, of Hayton, was owner of it anno 22 Richard II. and then quitted the possession of it to Sir Arnald St. Leger. (fn. 2) How it passed afterwards, I have not found; but in 1659 it was the property of Richard Busbridge, of Nottinghamshire, one of whose descendants sold it in 1699 to George Hamond, of Stanford, and he in 1733 alienated it to Michael Lade, of Canterbury, who parted with it again two years afterwards to Wile, of Sandwich, from which name it came to Mr. Odiarne Coates, of New Romney, whose heirs now possess it.
THE MANOR OF BEKEHURST, alias SHORNECOURT, lay somewhere in, or near this parish; for by the Book of Aid, levied anno 20 Edward III. it appears, that the heirs of Walter de Shorne paid aid for it, as the eighth part of a knight's see, which the said Walter before held in Bokehurst of John de Criell, as of his manor of Westenhanger. In king Henry VIII.'s reign, this manor was in the possession of Humphry Gay, gent. but in 1613 it was become the property of Sir Thomas Hardres, who that year levied a fine of it; but where it is situated, or who have possessed it since, I have not, with all my eldeavours, been able to discover.
HEYTON is another manor, lying at the north-west corner of this parish, next to Horton, being frequently mentioned in antient deeds by the name of Hayte. It was in very early times possessed by a family which took its surname from it, and bore for their cognizance in antient armorials, Gules, three piles, argent. Alanus de Heyton was owner of this manor in the reign of king Henry II. in which reign he held by knight's service of Gilbert de Magminot, but dying s.p. Elveva his sister, married to Deringus de Morinis, became his heir, and entitled her husband to it, and wrote himself, as appears by several dateless deeds, Dominus de Heyton. Their son Deringus Fitz Dering, was the first who deserted the name of Morinis, whose son Richard Fitz Dering, who likewise wrote himself Dominus de Heyton, died possessed of it at the latter end of the reign of king Henry III. and left it to his son Peter Dering, whose grandson Sir Richard Dering appears to have possessed it in the 22d year of king Richard II. and that year to have quitted the possession of it to Sir Arnald Seyntleger. After which it passed into the family of Scott, of Braborne, in which it continued till the reign of queen Elizabeth, when it was alienated by one of them to Mr. William Smith, of Stanford, yeoman, in whose descendants, resident at it, this manor continued down to Mr. William Smith, gent, of Heyton, who dying s.p. by will devised it to his widow Anne, daughter of Mr. John Drake, of London, and she having in 1769 remarried with the Rev. George Lynch, he in her right became possessed of it, and for some time resided here, till on the death of his brother Robert Lynch, M. D. he removed to Ripple, where he died in 1789, s.p. and by his will devised it to his two surviving sisters, who are the present possessors of it. (fn. 3) A court baron is held for this manor.
WESTENHANGER is an eminent manor here, which was once a parish of itself, though now united to Stanford: Its antient and more proper name, as appears by the register of the monastery of St. Angustine, was Le Hangre, yet I find it called likewise in records as high as the reign of Richard I. by the names both of Ostenhanger and Westenhanger, which certainly arose from its having been divided, and in the hands of separate owners, being possessed by the two eminent families of Criol and Auberville. Bertram de Criol, who was constable of Dover castle, lord warden of the five ports, and sheriff of Kent, for several years in the reign of king Henry III. who from his great possessions in this country, was usually stiled the great lord of Kent, is written in the pipe-rolls of the 27th year of that reign, of Ostenhanger, where it is said he rebuilt great part of the then antient mansion. He left two sons, Nicholas and John, the former of whom marrying with Joane, daughter and heir of Sir William de Aubervilse, inherited in her right the other part of this manor, called Westenhanger, as will be further mentioned hereafter. John, the younger son, seems to have inherited his father's share of this manor, called Ostenhanger, of which he died possessed in the 48th year of king Henry III. as did his son Bertram de Criol in the 23d year of Edward I. leaving two sons, John and Bertram, who both died s.p. and a daughter Joane, who upon the death of the latter became his heir, and carried Ostenhanger, among the rest of her inheritance, in marriage to Sir Richard de Rokesle, seneschal and governor of Poictu and Montreul in Picardy, a man of eminent character in that time, having been created a knight-banneret by king Edward I. at the siege of Carlaverock, in Scotland. He died without issue male, leaving his two daughters his coheirs, of whom Agnes, the eldest, married Thomas de Poynings; and Joane, the youngest, first Hugh de Pateshall, and secondly Sir William le Baud, and upon the division of their inheritance, Ostenhanger was wholly allotted to Thomas de Poynings, who died anno 13 Edward III. bearing for his arms, Barry of six, or, and vert, over all a bend, gules. He left three sons, Nicholas, Michael, and Lucas de Poynings, all three summoned at different times to parliament, among the barons of this realm. The descendants of the latter being summoned as barons Poynings de St. John, which barony became vested in the late duke of Bolton. Upon the division of their inheritance, this manor was allotted to the second son Michael, who died anno 43 king Edward III. and left two sons, Thomas and Richard. Thomas de Poynings, the eldest son, possessed it on his father's death, but he died anno 49 Edward III. s.p. having bequeathed his body to be buried in the midst of the choir of St. Radigund's, of his own patronage, before the high altar, appointing that a fair tomb should be placed over his grave, with the image of a knight made thereon. Upon his death, Richard de Poynings, his youngest brother, succeeded to it, and died possessed of it in the IIth year of king Richard II. as did his son Robert anno 25 Henry VI. having had two sons, Richard de Poynings, who died in his life-time, leaving a sole daughter and heir Alianore, who married Sir Henry Percy, afterwards earl of Northumberland, and brought him a large inheritance, together with the baronies of Poynings, Bryan, and Fitzpain, now enjoyed by the present duke of Northumberland; and a second son Robert, who succeeded his father in Ostenhanger, of which he died possessed anno 9 Edward IV. (fn. 4) who, as well as his several ancestors above-mentioned, were summoned among the barons to parliament, and his son Sir Edward Poynings, who having purchased the other part of this great manor, called Westenhanger, became possessed of the whole property of it, as will be further mentioned hereafter.
To return now to that part of this eminent manor, distinguished from its situation by the name of Westenhanger, which was in the reign of king Richard I. in the possession of the family of Auberville, one of whom, Sir William de Auberville, descended from William de Ogburville, mentioned in the survey of Domesday, being one of those who attended the Conqueror in his expedition hither, resided in that reign in the borough of Westenhanger, and was founder of the abbey of West Langdon, and a benefactor to the priory of Christ church, and as appears by his seal appendant to a deed in the Surrenden library, dated 29 Henry III. bore for his arms, Parted per dancette, two annulets in chief, and one in base. His grandson, of the same name, left an only daughter and heir Joane, who marrying with Nicholas de Criol, brought him this estate as part of her inheritance. His descendant Sir John de Criol, in the 19th year of Edward III. obtained a licence to found and endow a chantry in the chapel of St. John, in Westenhanger,; and before, in the 17th year of that reign, he had a grant to embattle and make loop-holes in his mansion-house of Westenhanger. His descendant Sir Nicholas de Criol, or Keriel, died possessed of it in the 3d year of king Richard II. and from him it devolved at length by succession to Sir Thomas Keriel, for so their name was then in general spelt, who was slain in the second battle of St. Albans, in the 38th year of Henry VI. in asserting the cause of the house of York. On his death without male issue, his two daughters became his coheirs, (fn. 5) viz. Elizabeth, married to John Bourchier, esq. and Alice, to John Fogge, esq. of Repton, afterwards knighted, whose second wife she was; and on the division of their inheritance, Westenhanger was allotted to the latter. He had by her one son, Sir Thomas Fogge, sergeant-porter of Calais in the reigns of king Henry VII. and VIII. who sold his interest in it to his elder brother, (by his father's first wise Alice Haut) Sir John Fogge, of Repton, and he, about the beginning of king Henry VIII.'s reign, alienated it to Sir Edward Poynings, the possessor of the other part of this manor, who thereupon became possessed of both Ostenhanger and Westenhanger, being the entire property of the whole manor. He was a man of much eminence of that time, and greatly in favour both with king Henry VII. and VIII. being governor of Dover castle, lord warden of the five ports, and knight of the garter. He resided at Westenhanger, where he began building magnificently, but he died before his stately mansion here was finished, anno 14 Henry VIII. having married Elizabeth, daughter of Sir John Scott, of Scotts-hall, by whom he had one only child John, who died in his life time; so that thus deceasing without legitimate issue, and even without any collateral kindred, who could make claim to his estates, this manor, among the rest of them, escheated to the crown. Although Sir Edward Poynings died without legitimate issue, yet he left by four different concubines three sons, Sir Thomas, who afterwards died s. p. Sir Adrian Poynings, who died without male issue; and Edward, slain at Bologne in the 38th year of Henry VIII. and likewise four daughters.
This manor thus becoming vested in the crown, was by the king's bounty soon afterwards conferred on his eldest natural son Sir Thomas Poynings abovementioned, who was a gentleman noted for the beauty and elegance of his person, and was of equal merit; and being of remarkable strength and courage, greatly signalized himself at the justs and tournaments of those times of which the king being himself exceedingly fond, it recommended him still more to the royal favour, and he was made K. B. and was summoned to parliament as baron Poynings, of Ostenhanger. But in the 32d year of the same reign, he, with dame Catherine his wife, exchanged this manor, park, and sundry premises belonging to it, with the king, for other estates in Dorsetshire and Wiltshire. (fn. 6) Soon after which, the king seems to have intended this manor as a mansion fit for his royal residence; for he not only expended much on the completing of the unfinished state of it, but two years afterwards laid into the park a large circuit of land, inclosing many mansions, houses, and buildings of the inhabitants within the pale of it; at which time this manor seems to have been indiscriminately called by both the names of Ostenhanger and Westenhanger. After which, the manor, together with the mansion, park, and other appurtenances belonging to it, continued in the hands of the crown till the reign of Edward VI. when that prince, in his first year, granted it with its appurtenances, to John Dudley, earl of Warwick, to hold in capite by knight's service; but in the 3d year of that reign, the earl joined with dame Joane his wife, in the reconveyance of it to the king, in exchange for premises in other counties. The next year after which the king granted it, among other premises, to Edward Fynes, lord Clinton, son of Thomas, lord Clinton, by Mary, one of the four daughters of Sir Edward Poynings before-mentioned, to hold in capite by knight's service, and in the 6th year of his reign, he made a new grant to him and Henry Herdson, his trustee of it, together with the advowson of the rectory, to hold by the like service; and they not long afterwards alienated the manor of Westenhanger with its appurtenances, to Richard Sackville, esq. who died possessed of it in the 8th year of queen Elizabeth; but it should seem that he had it only for his life, or perhaps might not be in possession of the mansion of Westenhanger itself; for that queen, in the progress which she made through this county, at the latter end of the summer in the year 1573, is said in the course of it to have stayed at her own house of Westenhanger, the keeper of which was then Thomas, lord Buckhurst, son of Richard Sackville, before-mentioned, And further, for that the queen, in her 27th year, granted the manor of Eastenhanger with its appurtenances, in see to Thomas Smith, esq. He was commonly called the Customer, from his farming the customs of the port of London, and he having greatly increased the beauty of this mansion, which had been impaired and defaced by fire, with magnificent additions, resided here; and when Lambarde wrote his Perambulation in 1570, there were here two parks, which continued till one of the family of Smith disparked them both. He died in 1591, and was succeeded by his eldest son Sir John Smythe, who was of Ostenhanger, where he kept his shrievalty in the 42d year of queen Elizabeth, and died in 1609. His son Sir Thomas Smythe, K. B. resided likewise at Westenhanger, (for by both these names this place was yet at times differently called) and was in 1628 created viscount Strangford, of the kingdom of Ireland. His son Philip, viscount Strangford, conveyed it to trustees, (fn. 7) and they, at the latter end of king Charles II.'s reign, alienated this manor, with its mansion, lands, and appurtenances, to Finch, who having in 1701 pulled down by far the greatest part of this stately mansion, then passed it away by sale to Justinian Champneis, esq. The family of Champneis are descended from Sir Amyan Champneis, who flourished in king Henry the IId's reign, whose descendants settled in Somersershire; one of whom, Robt. Champneis, of Chew, in that county, was father of Sir John Champneis, lord mayor of London anno 26 king Henry VIII. who was possessed of Hall-place, in Bexley, where he resided, and in which he was succeeded by his son, the youngest and only surviving son of seven, Justinian. One of his descendants, Walter Champneis, son of William, appears by the parish register of Boxley to have lived in that parish in queen Elizabeth's reign, anno 1582. After which there is continued mention in it of them down to the burial of Justinian Champneis, esq in 1712. Justinian Champneis, the purchaser of this estate, bore for his arms, Parted per pale, argent and sable, a lion rampant, gules, within a bordure, engrailed and counterchanged, of the field. He afterwards resided here, having built a smaller house on the same scite, out of the ruins remaining of it. He was one of the five Kentish gentlemen, who in 1701, delivered the noted petition from this county to the house of commons. He died possessed of this manor and estate, far advanced in years, in 1748, leaving three sons, Justinian, William, and Henry. On his death, by the settlement made on his marriage, one sixth part of this estate devolved to the two younger sons, and the rest of it on the eldest son Justinian Champneis, esq. who dying abroad, s. p. in 1754, gave by will his interest in it to his younger brother Henry; and the remaining sixth part came by compromise wholly to the then eldest surviving brother William Champneis, esq. who resided at Vintners, in Boxley. He left by his first wife two daughters his coheirs, Frances, now unmarried, and Harrior, who married John Burt, esq. of Rochester, by whom she had two sons, WilliamHenry and Thomas, and a daughter Harriot, as will be further mentioned hereafter. On his death in 1762, his sixth part of this estate came to his two daughters and coheirs before-mentioned, the eldest of whom, in her own right, and the two sons of John Burt, esq. deceased, in right of the youngest, is at this time entitled to it. The remaining part of this estate was by Henry Champneis, esq. of Vintners, in Boxley, who died unmarried in 1781, devised to his great nephew William-Henry Burt, the eldest son of John Burt, esq. by his wife Harriot before-mentioned, for whom he had in his life-time obtained a privy seal, to take the surname and bear the arms of Champneis. Which William-Henry Champneis, esq. is now entitled to the inheritance of it.
¶The parish of Ostenbanger stood, as to its ecclesiastical jurisdiction, in the deanry of Limne and diocese of Canterbury. The church, which was a rectory, was formerly in the patronage of the owners of the manor, and came to the crown on the death of Sir Edward Poynings, in the 14th year of king Henry VIII. whence it was granted, as appurtenant to the manor, to Sir Thomas Poynings, who in the 34th year of that reign, granted it to the crown in exchange; in which year the king having laid a large circuit of land into his park here, of which the rector had received the yearly tithes, and having likewise inclosed and imparked in it many houses, barns, and glebe-lands belonging to the rectory, and injoined the parishioners and inhabitants to resort to the parish to which they lay nearest, by which means the rector was destitute of a maintenance, granted to him for life, a yearly pension of six pounds, to be had of his treasurer of the Augmentation-office. Thus this parish became, as to its ecclesiastical juridiction, united to Stanford, to which church the owners of this estate, in whom the tithes of the whole of it are vested, pay a composition of eleven shillings as an acknowledgment for the privilege the inhabitants within it enjoy of the rites of the church there.
The rectory of Eastenhanger is valued in the king's books at 7l. 12s. 6d. and the yearly tenths at 15s. 3d. which are paid to the crown receiver, and not to the archbishop.
The church of Westenhanger has been entirely pulled down, and the materials removed, several years ago. It stood at a small distance westward of the house, and of the drawbridge at the entrance to it, between the latter and the great barn, which report says, was partly built out of the ruins of it. Several skeletons have from time to time been dug up within the scite of it and adjoining to it; and in some of the graves, several sculls in one grave; and some years ago a stone coffin was dug up. The font, which was in this church, was removed to, the church of Stanford, where it now remains.
I find the names of only two of the rectors of this parish, viz. William Lambard, in the 34th year of king Henry VIII. (fn. 8) and Thomas Eaton, A. M. presented by the crown in 1636. (fn. 9)
On 19 September, 1893, the goal of women’s suffrage was realised and the Bill allowing women to vote in general elections became law. The first opportunity for women to cast their votes came only 10 weeks later on 28 November.
Six weeks later on 27 October Hoani Taipua, a Māori male parliamentarian, forwarded a letter to the Native Minister on behalf of 52 women of Ōtaki. They were eager to vote in the November elections, but their names had not been placed on the electoral roll. Instead the 52 women submitted their names by letter and request that a “roll or form should be printed in the Maori Language and then forwarded to us”.
Among the list of names, near the bottom of the second page, is a Ruiha Mere. Mary Bevan of Ōtaki, a.k.a. Mere Ruiha Hakaraia signed sheet 304 of the 1893 Women’s Suffrage Petition, and it is possible she also signed this letter using her Māori name.
A transcript of the English translation is below:
This is an appeal from us the women of the Native people residing in the West Coast of the Middle Island.
Having heard that your Parliament has passed a law whereby women can vote for the election of a member for the Parliament of the colony we therefore apply to you that is to say to the government to furnish us with rolls in order that we may sign such roll or polls and so qualify ourselves to vote for a member to represent us in the New Zealand Parliament. That roll or form should be printed in the Maori Language and then forwarded to us. This should be done as soon as possible during the coming month of November because that the time for holding the election of a Maori member is close at hand.
That is all we have to say.
Hoani Taipua M.H.R.
List of womens names:
Te Ara Takana and 51 other women
From: Hoani Taipua, MHR, Te Awahuri Date: 27 October 1893 Subject: Application from certain Maori women to have their names placed on electoral roll.
Archives reference: ACGO 8333 box 651/[17] 1893/3974
collections.archives.govt.nz/web/arena/search#/?q=R24758497
For more information use our “ask an archivist” link on our website: www.archives.govt.nz
Material from Archives New Zealand Te Rua Mahara o te Kāwanatanga
When “Madame-Sir” made it in a male world
A trail blazer in Sri Lanka’s diplomatic service, Manel Abeysekera speaks to Chandani Kirinde of many memorable moments now recalled in her new book
When Manel Abeysekera arrived in the Thai capital Bangkok to take up duties at the Sri Lanka Embassy as chargé d’affaires in 1970, she was greeted by the driver who had come to the airport with the words "Welcome, Madame-Sir”. The driver, no doubt, unaccustomed to seeing a lady diplomat had hence instantaneously coined this novel greeting. It’s this unique phrase that Mrs. Abeysekera, Sri Lanka’s first woman entrant to the Foreign Service (then Ceylon Overseas Service), has chosen as the title of her memoirs due to be released shortly.
“Madame-Sir”, a Stamford Lake publication will be launched on November 30
Her entry into the Foreign Service in 1958 came at a time when the public service was an exclusively male domain and was quite accidental. Her eye had caught a gazette notification that appeared in the newspaper that year calling for applications to join the Overseas Service, which also carried a sentence stating that “married women who apply must get special permission of the Public Service Commission”.
“Being an unmarried woman, I thought I might have a better chance and sent an application,” Mrs. Abeysekera recalls. She was called for an interview with three Permanent Secretaries chairing the panel who welcomed her as the first woman to face such an interview. But what annoyed her was the question that came next. “What if we take you and train you and then you decide to get married,” one of them had asked. Her quick thinking answer put an end to that line of questioning. “I am sorry Sir, but I don’t think there is anything in the application to say that if you get married you have to leave. What about a man? Do they leave when they get married?’ she retaliated.
The answers to the questions on international affairs which followed came easily to her and she secured herself a place in the Overseas Service, along with seven male applicants.
The foundation for her trailblazing career in the foreign service was laid in her school years at Methodist College, Colombo which she describes as the “number one girls’ college”. She secured the all island second place in her SSC (Senior School Certificate) and later gained admission to read history at Peradeniya. But being a female was an impediment to her pursuance of a higher education.
“I was a home bird. I had never been away from home a single day and was literally tied to my mother’s apron strings. She did not want me to go the 72 miles to Kandy and then I decided I would not study anymore,” she says.
But her father, a civil servant and later Senator, E.W. Kannangara, was keen that she pursues her higher education and suggested she do an external degree from the U.K. She enrolled for a course in Wolsely Hall in Oxford, did the first exam well, but lost interest thereafter. “I am not a person who can sit and study. I need company. I am a gregarious type. I like competition and challenges,” Mrs.Abeysekera says with a laugh.
That may have been the end of her academic career if not for her brother, who was studying at Oxford at the time, suggesting that she seek a place there to follow a degree course. Her parents then asked her to go to Peradeniya which she did not want to do as her classmates had already finished their first year.
Thereon she went on a tour with her parents and sister to several European countries which was very “educational in nature” and upon her return to the country, again prompted by her brother, applied to Somerville College at Oxford where she went to study modern history.
“I always wanted to follow in my father’s footsteps. He was in the first batch to join the Ceylon Civil Service. He was my hero.” As fate would have it, instead of the Civil Service, she was selected to the Foreign Service in 1958, and was sent to London to study languages- Italian being the choice for her.
Before proceeding to London for training, Mrs. Abeysekera recalled the new recruits being taken to meet the then Prime Minister S.W.R.D Bandaranaike. “Before we left my father warned me that the Premier would be in a bad mood that day due to certain political problems that had cropped up with the Federal Party (FP). Being the only woman, my colleagues would have expected me to sit next to the Prime Minister but instead I chose to sit away from him. He turned to one of the boys and asked, “What is my foreign policy?” While he fumbled for an answer, he asked the same question from the rest and having not received a satisfactory response turned to his secretary and asked him to tell the recruits to study his foreign policy and come back.’
Thus ended their first meeting with Mr. Bandaranaike but before the new recruits went on their overseas training, they met with him again. “This time my father said Mr. Bandaranike would be in a good mood as he had sorted out his political differences with the FP. And he was prophetic as the Premier was in an expansive mood that day and noted that a woman too had been recruited.”
Tragically Mr. Bandaranaike was assassinated while she was away on her overseas training and when she assumed duties at the Ministry of External Affairs, his widow Sirima Bandaranaike was Prime Minister and was someone Mrs. Abeysekera was to work closely with.
One of her most memorable experiences in the Foreign Service was the role she played as Chief of Protocol during the Non-Aligned Summit in 1976 which was attended by 92 heads of state and government.
She along with her team of officials from the External Affairs Ministry as well as assistance from the members of the Police and armed forces rehearsed for two years to see the successful conclusion of the biggest event of this nature the country had hosted. “I had allocated seven minutes for each of the VIPs to inspect the guard of honour and speak with the President and the Prime Minister and it went off perfectly. We had a lot of camaraderie and team work.”
Mrs. Abeysekera feels that the reason for the smooth conduct of the NAM summit was that there was a single chain of command at the time with the Prime Minister also being the Minister of Defence, External Affairs as well as in charge of economic affairs. “Mrs. Bandaranaike was someone who took quick decisions. It was a real pleasure to work with her.”
The other momentous event in her career took place when Mrs. Abeysekera was serving as Ambassador in Thailand when Sri Lankan national Sepala Ekanayake hijacked an Italian airliner with 169 passengers on board and threatened to blow it up on the tarmac of the Bangkok airport.
“I was in the Alitalia office in Bangkok for 38 hours negotiating with the hijacker. It was like a miracle but he did as I asked. We managed to settle the matter without anyone getting hurt,” she says.
In her memoirs, Mrs. Abeysekera deals with the “career and dilemmas of the first woman diplomat in the Sri Lankan Foreign Service” and says her belief that “God would help me in my challenges” and “my parents legacy” were the important aspects that helped her face them.
“If you overcome and meet the dilemmas and challenges, it strengthens your character; Just plain sailing without problems never strengthens you.” Her career in the Foreign Service spanning 35 years saw her in the close company of royalty, presidents and prime ministers. She recalls with fondness the former Indian Prime Minister Indira Gandhi whom she first met in 1962 when the former visited Sri Lanka with her father Jawaharlal Nehru, who was then premier, and opened the Ayurveda Hospital at Nawinna. They met again when Mrs. Gandhi attended the NAM summit in Colombo in 1976. Another such leader was the one time Zambian President Kenneth Kaunda.
A hallmark of her success was not being afraid to advise politicians when required to do so and not letting anything stress her out. “Our job is to be advisor and if they want they can take it and if they don’t want to, they won’t,” she says candidly.
One politician with whom she says she had quite a few arguments with was A.C.S. Hameed (Foreign Minister from 1977-89). However after her last protocol job, when she met with him, he had quipped, “Manel tells me lots of things I don’t want to hear but when I ponder I realize it’s for my own good,” to which she promptly replied, “Sir, that is the best compliment an official can have from a politician.”
She still keeps in touch with the driver in Thailand whose words became the inspiration for the title of her memoirs.
“When he used to drive me around when I was in Bangkok, people used to come up to him and ask him, ‘Why are you flying the flag for the ambassador’s wife?’ only to have him tell them proudly, ‘She is the Ambassador’.”
It’s such interesting anecdotes that Mrs. Abeysekera recalls with fondness as she reminisces her long career as a diplomat, a path she trod in her own forthright, humorous and affable style that made her a worthy pioneer in her chosen field.
Sunday Times (21/11/2010)
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