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El único resto in situ es la torre de la iglesia, de planta cuadrada de cinco metros de lado por ocho de altura, posee gruesos muros de maniposterÃa de más de un metro de espesor reforzados por sillares angulares.
As a side note, why can I never take pictures outside without the damn sky turning out pure white? Apparently either my camera sucks or I do. Or both.
Best viewed large or original, right click and select large or original...to view on black, left click...
Thomas Heatherwick's superb sculpture near St Paul's, London. March 2011.
Canon Demi, expired cheap film, scan from print.
You can tell I'm a child of the 1980s. My favorite cars back then were the Ford Taurus and the Cadillac De Ville. I also liked the angularity of the Dodge Spirit.
I do not know if the title of this image makes sense, but that is how I felt when standing next to the Bloch Building at the Nelson Atkins. Every way you walked, your eye would be presented with another combination of angles. Crouching lower or moving in closer all made a difference in perspective. The reflection in the window was what really struck my eye in this image. I have a collection of images just from this side of the building that I may share in the near future.
The steep walls of this unnamed crater allow the ejecta material to travel further as a ground hugging flow, than if it had landed on a flat surface. At the distal edges of these ejecta deposits we see angular flow features, likely formed by locally accelerated flow conditions due to steep slopes. Unlike the flat and smooth mare surfaces, the slope-rich bumpy highlands create various flow conditions, which result in distinctive morphologies that help lunar scientists understand resurfacing processes on the Moon. Especially the importance of ground hugging flows.