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The Anglers' Tavern is a bar and bistro located on the banks of the Maribyrnong River in the Melbourne suburb of Maribyrnong, Victoria, Australia.

 

HDR photo taken on a Canon EOS 350D and merged using 3 exposures 2.0 EV apart.

 

(http://www.photologium.com/melbourne_buildings_night/anglers_tavern.html)

DITA Dancer Hannah in a rendering of the skirt piece, at SiTE:LAB, during one of the final exhibitions of "Angle of Repose" - the Dance in the Annex (DITA) juror-nominated ArtPrize entry.

 

vimeo.com/77060246

Perspective: light at 90 degrees right of subject

Turner street, Manchester.

Mass Turnpike, Prudential Center & Hancock Building from Kenmore Square, Boston

Strobist 102 2011 Unit 1.1 - Position (Angle).

 

1308 - reference shot ie exposure selected.

1309 - 1312 - moving the flash from straight on to 90 degrees camera left.

1314 - same position as 1312 but flash raised and aiming downwards.

1315 - flash at 45deg, camera at 0deg.

1316 - flash and camera at 45deg.

 

Strobist: 580EXII @ 1/16 power, ASA200, f6.7

Take a guided angling trip with the knowledgeable guides of Angler's Covey

OLYMPUS DIGITAL CAMERA

Nature's angles in the coastal rock. Prestonpans, Scotland.

Camera i think i finally decided on to get when i get the money.

  

Product Features and Technical Details

Product Features

8.1-megapixel CCD captures enough detail for photo-quality 16 x 22-inch prints

18x wide-angle image-stabilized optical zoom; 2.5-inch LCD display; 0.44-inch electric viewfinder

Intelligent Auto Mode with Face Detection and Intelligent Scene Selector

Shooting at ISO 1600 in normal recording mode; 6 autofocusing modes

Stores images on SD memory cards (includes 27MB of internal memory; powered by lithium-ion battery (battery and charger included)

Technical Details

Sensor: 1/2.5" type CCD; 8.3 million pixels total; 8.1 million effective pixels

Image sizes: 3264 x 2448; 2560 x 1920; 2048 x 1536; 1600 x 1200; 1280 x 960; 640 x 480; 3264 x 2176 (3:2); 2560 x 1712 (3:2); 2048 x 1360 (3:2); 3264 x 1840 (16:9); 2560 x 1440 (16:9); 1920 x 1080 (16:9)

Movie clips: 640 x 480 and 30 / 10 frames per second (fps); 320 x 240 and 30 / 10 fps; 848 x 480 and 30 / 10 fps (16:9)

File formats: JPEG Exif v2.2; DPOF; QuickTime Motion JPEG

Lens: 18x optical zoom; 28-504 mm (35mm equiv); Leica DC Vario-Elmarit; f2.8 to f4.2

Image stabilization: Mega O.I.S. (Mode1 / Mode2)

Conversion lenses: Yes

Digital zoom: Up to 4x

Focus modes: AF-Macro On/Off, AF/MF Switchable, Manual Focus (Joystick), One Shot AF, Continuous AF On/Off

Focus distance: Normal: 30 centimeters to infinity (wide); 200 centimeters to infinity (tele); Macro: 1 centimeter to infinity (wide); 200 centimeters to infinity (tele 6-11x); Tele Macro (at 12-18x): 100 centimeters to infinity

AF area modes: Face / 1-point / 1-point high speed / 3-point high speed / Multi-point / Spot

AF assist lamp: Yes

Metering: Intelligent Multiple; Center-weighted; Spot

ISO sensitivity: Auto; ISO 100; ISO 200; ISO 400; ISO 800; ISO 1250; ISO 1600; High Sensitivity mode, Auto (ISO 1600-6400)

Exposure compensation: +/- 2 EV in 1/3 EV steps

Exposure bracketing: +/- 1/3 EV -1 EV step, 3 frames

Shuttter speed: Program AE: 1 to 1/2000 second; Aperture Priority AE / Shutter Priority AE: 8 seconds to 1/2000 second; Manual: 60 seconds to 1/2000 second; Starry Sky Mode: 15, 30, 60 seconds

Aperture: f2.8-8 (wide) f3.1-8 (telephoto)

Modes: Intelligent AUTO; Program AE; Aperture Priority AE; Shutter Priority AE; Manual; Custom; Portrait mode; Scenery mode; Sports mode; Night portrait mode; Scene; Motion picture; Print; Playback

Scene modes: Food; Party; Candle Light; Sunset; High Sensitivity; Baby1; Baby2; Pet; Panning; Starry Sky; Fireworks; Beach; Snow; Aerial photo

Advanced scene mode: Portrait mode: Normal, Soft Skin, Outdoor, Indoor, Creative; Scenery mode: Normal, Nature, Architecture, Creative; Sports mode: Normal, Outdoor, Indoor, Creative; Night Portrait: Night Portrait, Night Scenery, Illuminations, Creative

White balance: Auto; Daylight; Cloudy; Shade; Halogen; Flash; White Set 1/2

White balance fine tune: 2-axis adjustable, +/-9 steps each, Blue/Amber and Magenta/Green bias

Self timer: 2 or 10 seconds, 10 seconds / 3 images

Continuous shooting: Full-Resolution: 3 frames per second or 2 frames per second, maximum 7 images (Standard mode), maximum 5 images (Fine Mode)

Image parameters: Contrast; Sharpness; Saturation; Noise Reduction; 3 levels (low, standard, high)

Flash: Auto; Auto / Red-eye reduction; Forced On; Forced On / Red-eye Reduction; Slow Sync / Red-eye reduction; Forced Off; Flash output adjustment 1/3 EV step, +/-2 EV; Range: 0.3 meter to 6.0 meters (wide) 1.0 to 4.0 meters (tele)

Viewfinder: 0.44-inch color EVF (188K pixels); field of view: approximately 100%

LCD monitor: 2.5-inch Polycrystalline TFT; 207,000 pixels; Auto Power LCD mode, Power LCD mode, High-angle mode

Connectivity: DC in; AV out; USB

Print compliance: PictBridge

Storage: SD/SDHC/MMC card; internal memory (27MB)

Power: Li-ion battery pack; optional AC adapter

Weight (no batt): 360 grams (12.7 ounces)

Weight (with batt): 407 grams (14.4 ounces)

Dimensions: 4.6 x 3.0 x 3.5 inches (117.6 x 75.3 x 88.2 millimeters)

 

“If there is any one secret of success, it lies in the ability to get the other person's point of view and see things from that person's angle as well as from your own.”

 

- Henry Ford

Nikon FE2, 50mm 1.4 S, Kodak Ultramax 400

Big Sur McWay Falls Julia Pfeiffer State Beach California Fine Art Landscape Nature Fuji GFX100 Sunset Photography! Dr. Elliot McGucken dx4/dt=ic California Master Fine Art Fuji GFX 100 Medium Format Photographer! Wide Angle Lens!

 

All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .

 

Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q

 

"Between every two pine trees there is a door leading to a new way of life." --John Muir

 

Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism

 

“The clearest way into the Universe is through a forest wilderness.” --John Muir

 

Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey

 

“The mountains are calling and I must go.” --John Muir

 

Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:

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Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz

 

Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!

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Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!

 

Some of my epic books, prints, & more!

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Exalt your photography with Golden Ratio Compositions!

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Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!

  

Epic Landscape Photography:

geni.us/TV4oEAz

A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)

 

All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)

 

The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)

 

Season of mists and mellow fruitfulness

Close bosom-friend of the maturing sun

Conspiring with him how to load and bless

With fruit the vines that round the thatch-eves run;

To bend with apples the moss'd cottage-trees,

And fill all fruit with ripeness to the core;

To swell the gourd, and plump the hazel shells

With a sweet kernel; to set budding more,

And still more, later flowers for the bees,

Until they think warm days will never cease,

For Summer has o'er-brimm'd their clammy cells. --To Autumn. by John Keats

Canon 50D

EF 28-135mm

SB26 24mm @ 1/16

Studio Hut Wireless Trigger

Focal Length 38mm

ISO 100

Shutter 1/250

f/8

Flash high, angle ~80 right

Camera straight on.

Do or do not, there is no try

 

I'm diving headfirst into off-camera flash after picking up some lightstands last weekend and I've embarked on the excellent Strobist 102 series from David Hobby. I'm fairly limited space-wise for 'studio' work, and my wife's patience for working with the flash only goes far enough to tolerate the new gear, not to sit as a model.... so my wise friend Yoda will have to step in!

 

This exercise is intended to get you accustomed to your gear and see the way that moving the lightsource from on-camera axis (far left) around your subject impacts the character of the light and shadow. I threw in the extra row of shots with the 43" shoot-thru umbrella because I just got it and wanted to play with it too!

Alexanderplatz subway station

Åbenrå bugt

The Simpsons from my perspective.

 

Playing with my new 18-200 Canon lens and external flash.

Composed of 4 separate benches that can be moved and rearranged: 32W x 24D x 30H, Corner 46 x 46 x 24 x 24 x 30H, 42W x 24D x 30H, and 36.5W x 24D x 30H with semi-circular island projection.

strobist: Lighting 102: Unit 1.1, yn640 1/64th power, 50mm lens @f5.6, shutter 1/180th

May 8th 2015

 

I went into town this morning for my hair appointment. As usual, it was lovely and sunny when I walked into the hairdresser's, but within half an hour of walking out, it started to rain.

 

I decided to grab a shot of the cheese grater car park on my way back to my car.

Perspective: from the light source

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