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“If there is any one secret of success, it lies in the ability to get the other person's point of view and see things from that person's angle as well as from your own.”
- Henry Ford
Cavorting Monarchs
I stole a page out of Leanne Cleaveley's literal Photzy book by taking only my new MeiKe 12mm (18mm equivalent) out for a walk with my granddaughter. Leanne recommends doing this for the discipline of forcing yourself to use only a wide-angle.
I dunno... How'd I do? (The lens is fully manual but as wide as it is it can be successfully put in hyperfocal, unlike my MeiKe 85mm Macro that is positively painful to use outside of a studio on a tripod.)
Reposting the first assignment as I figured out how to create a contact sheet in Lightroom
Info for all Shots:
ISO 200
Focal Length 65mm
200th sec
SB800 bare
Angle, f stop, and power settings included in each individual caption
Canon 50D
EF 28-135mm
SB26 24mm @ 1/16
Studio Hut Wireless Trigger
Focal Length 38mm
ISO 100
Shutter 1/250
f/8
Flash high, angle ~80 right
Camera straight on.
Seattle Modern Home Tour
316 Lake Washington Blvd. S.
mads.media/robert-hutchison-architecture-316-lake-washing...
modernhometours.com/2014/01/13/robert-hutchison-architect...
Prueba perteneciente a la práctica 1 de Strobist en Español. strobistenespanol.blogspot.com/2007/06/lighting-102-unida...
Canapé d'angle en bois teinté et de couleur violine
Acheté neuf en Mars 2010 (boutique Volume+). En parfait état.
Le côté droit sur la photo est composé de 2 étagères.
L'assise capitonnée est ferme et de très bonne qualité.
4 coussins supplémentaires (pas mis sur la photo pour plus de visibilité) sont vendus avec le canapé
Dimension:
Largeur 100cm
Longeur du canapé avec étagères 220cm
Longeur du 2e canapé 240cm
Valeur TTC: 3.600 dt
EN VENTE: 2.050 dt (ou 1000 eur)
La table basse est également en vente. (detail sur la fiche "table basse" dans la galerie photo)
0716-1086-22
Bloody Angle, Crowded Ravine
Fighting at the Muleshoe Salient focused on a slight turn in the Confederate earthworks, to your right-front, known as the “Bloody Angle.” The Angle occupied a small knoll that commanded adjacent parts of the Confederate line. Whoever controlled the knoll controlled the Salient. For 22 hours Union and Confederate soldiers vied for possession of the Angle, firing across the works or engaging one another in grim, hand-to-hand combat.
During the battle Union soldiers took cover in the ravine in front of you. Time and again they rushed forward to attack the Angle, only to be beaten back. With each repulse they left the ground between the ravine and the Angle strewn with hundreds of wounded and dying men. Bodies piled up three, four, even five deep, forming what one man described as “a perfect rampart of [the] dead….” By day’s end, up to 17,000 men were killed, wounded, or captured, most within sight of where you are now standing.
The hill dropped abruptly to a branch a short ways in front of the breastworks. The Yanks could come up behind the hill and have a short distance to charge in the open. They massed under the protection of the hill and made a rush at us over their own dead and wounded.
Private David Holt, 16th Mississippi Infantry
Bottom bracket drop: 43mm
Crank arm length: 165mm
Sugino Messenger cranks on 103mm Sugino TH7420 bottom bracket. Shimano 105 pedals and 20mm Schwalbe Stelvio tires
Resulting in 44° (or so) maximum bank angle.
Borne d'angle Michelin sur la route d'Aspremont D14 entre Nice et Aspremont mais sur le territoire de la municipalité de Saint Pancrace.
Michelin angle milestone on Aspremont road D14 between Nice and Aspremont but located on the municipality of Saint Pancrace.
fr.wikipedia.org/wiki/Signalétique_Michelin
panneauxenbeton.perso.sfr.fr/page2.html
www.photoguide.cz/panneaux-michelin/bornes-d-angle-michelin/
The picture is distorted:
wikimapia.org/#lang=fr&lat=43.748750&lon=7.247610...
Another point of view:
I've decided to better myself in the realm of off camera lighting by enrolling myself in the Strobist Lighting 102 course. (It's basically a set of instructions and assignments that have been created by David Hobby that help to teach the basics of off camera lighting). Find them at strobist.blogspot.com/2007/06/lighting-102-introduction.html
This is the first assignment: Position- Angle.
Strobist: Single SB-80DX on a stand, moved from camera left to camera right at about 30 degree angles. 1/8 power, bare.