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The club champion of the senior class of the Harima country club(2009)
10月25日に播磨カントリークラブのクラブチャンピオン（シニア）になった厚見さんのスローモーションビデオです
*平成17年度 関西アマチュアゴルフ選手権 兵庫C地区予選競技1位通過など、インタークラブ、兵庫県アマチュアゴルフ選手権で活躍中（JGA official HDCP 2.9）
www.kgu.gr.jp/data/2005/pdf/re20050512_hyogo_c.pdf
Target Bird Golf 三木 歴史の森 一覧はこちらです
www.flickr.com/photos/pinboke/sets/72157607223150270/detail/
（動画は一覧から画像をクリックして選択し、再生ボタンをクリックしてください、3Dステレオanaglyphは赤青メガネが必要です）
HIGH SPEED EXILIM
The church has stained glass on various windows and openings, but many windows remain unfinished.
The ones done by the stained glass maker Joan Vila-Grau since 1999 are outstanding; they are made of panes of different colours fixed with lead and concrete. In these pieces of stained glass, Vila-Grau symbolises specific themes through the masses of colour.
"La Sagrada Família" or the
"Atonement Temple of the Sacred Family"
Barcelona, Spain
Cluster analysis or clustering is the assignment of a set of observations into subsets (called clusters) so that observations in the same cluster are similar in some sense.
(en.wikipedia.org/wiki/Cluster_analysis)
cluster analysis has long tradition: times ago the clusters in randomly thrown bones or stones were already analysed (cluster-predictive anaysis). Now the technique is creatively devloped.
Analyse mégapragmatique des liens de parenté
Dans la sphère sociale non étatique, la définition des identités est l’objet d’une constante discussion. On parle de méga-pragmatique, car c’est dans l’usage même des termes de parenté, de communauté, de nationalité, d’individualité qu’on réfléchit à leur sens, et qu’on discute des obligations et droits qui y sont liés et détermine qui sont les personnes qui peuvent ou ne peuvent pas les incarner. La conséquence est une grande souplesse des identités informelles.
Ainsi, appeler quelqu’un « mon frère » requiert parfois l’explicitation de la relation que cela implique : est-ce simplement amical ou est-ce un lien indéfectible ? Au niveau communautaire, on peut refuser de dire de quelqu’un qu’il y appartient simplement parce qu’il ne correspond pas à l’idée qu’on se fait de cette religion ou de cette nation. Il y a donc discussion sur le critère d’appartenance. On peut enfin au niveau de l’individualité refuser même de voir en quelqu’un la même personne s’il a changé, par exemple Karim : « tu n’es pas le Karim que je connais ».
Dialogue méga-pragmatique
S. est anthropologue, il vit depuis plus d’un an dans la famille A. L’enfant du fils, encore petite, découvre le langage. Un jour…
La petite, désignant S :
- Khayé, Khayé !
Le père :
- Vous avez entendu, elle sait parler !
Le grand frère :
- Bof, elle dit n’importe quoi, S. n’est pas son frère.
Le père :
- Bien sûr c’est son frère, il vit avec nous, il mange la nourriture que prépare ta mère.
L’oncle :
- D’ailleurs, tu l’appelles comment,
Le grand-frère :-
Oncle S.
La grand-mère :
- D’ailleurs, tu te souviens, qui m’a amené chez le dentiste ? C’est S., toi tu étais bien trop occupé avec tes copains.
الهوية الاجتماعية
التحليل البراجماتي الانعكاسي للعلاقات الأُسرية
إن تحديد الهوية في مجتمع ما قبل الدولة والتنظيم الإداري موضوعٌ مفتوحٌ للنقاش بشكل مستمر، ونسمّي هذا النقاش نقاشًا براجماتيًا انعكاسًيا لأنه يتضمن إعادة التفكير في مصطلحات الهوية – القرابة والطائفة والأمة والفردانية – من خلال استعمالتها اليومية، التي تُمكننا فيه تحديد معانيها ومعاييرها ومدلولاتها . وينتج عن ذلك مرونة في توزيع الهويات غير الرسمية.
على سبيل المثال، حينما ندعو شخصًا ما بـ"يا أخي" فإن ذلك الاستعمال يتطلب في بعض الأحيان توضيح جوانب علاقة "الأخوة" تلك، هل المقصود بها مجرد صداقة ؟ أم أنها علاقة لا عليه كسرها كعلاقات الدم؟ ينطبق الأمر ذاته على العلاقات داخل الطائفة الواحدة – الدين أو الوطن – حيث إن الأفراد الطائفة قد يستبعدون شخصًا ما في بينهم لكونه غير ملائم لفكرتهم عن ذلك الدين أو الوطن. مميؤكد على أن معايير الانتماء قابلة للنقاش. ومثال ثالث وأخير على فكرة إعادة مساءلة مصطلحات الهوية هو قولنا لمن حدث تغيرًا في شخصيته "انت لم تعد الشخص الذي عهدناه".
حور براجماتي عاكسي
(س) عالم أنثروبولوجيا يسكن مع أسرة فلسطينية في معسكر ببيروت. في الأسرة طفلة صغيرة تبدأ في تعلم الحديث..
البنت، وتشير إلى س: خيي، خيي!
الأب: شفت، صارت تحكي!
الأخ الكبير: أيه عم تحكي شو ما كان. (س) مش خيها.
الأب: أكيد خيها، عايش معنا بيأكل من أكل أمك.
العم: ليه! انت شو بتعيطه؟
الأخ الكبير: عمو (س) طبعا.
الجدة. بالمناسبة، من أخدني عند حكيم الأسنان؟ ابني س، انت كنت كتير مشغول مع أصحابك.
My first output from 'Sound Profiles" project, and my first visualization of audio samples. This graph shows the overlay of several short samples. I still have a lot to learn, but am very much enjoying this research and coding.
20 May 2019 - 2019 OECD Forum: Asian Century … on a Knife-Edge. A 360 Degree Analysis of Asia’s Recent Economic Development
John West, Co-Founder and Executive Director of Asian Century Institute, and Andreas Schaal, Director, Global Relations Secretariat, OECD, to discuss the new geopolitical landscape and whether the anticipated Asian Century indeed rests on a knife-edge.
OECD Headquarters, Paris.
Photo : Mariano Bordon/OECD
An Event for Wound Licking
February 6, 2-4pm (wound licking from 2-4pm, performance by Nonnsha at 3pm)
Baik Art
Utilizing the healing properties of dog saliva, An Event for Wound Licking will be a participatory event pairing wounds with dogs. Experimental in nature, participants will bring their wounds and participants will bring their dogs. Ideally, we can get the dogs to lick some of the wounds. Wounds of all types are requested (including wounds of the psychic variety), as well as dogs of all breeds (mutts especially).
In ancient Greece, the saliva of trained dogs and non-venomous snakes were utilized in Asclepieia (healing temples) to help treat the afflicted. Following in this tradition (and in a controlled manner), a kingsnake and albino cornsnake will be on-site. Due to the experimental nature of this event, liability waivers must be signed by all participants.
The event will culminate with a performance from Shannon Simbulan, aka Nonnsha, at 3pm.
Nonnsha is a Lo-Fi musician who enjoys grocery shopping. Chin up, chin up.
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EYE-DEE-QUE (Something Like an Asclepeion)
Matt Wardell
January 9 - February 13, 2016
Baik Art presents EYE-DEE-QUE (Something Like an Asclepeion), a solo installation and series of events by Los Angeles artist Matt Wardell.
For the exhibition, Wardell will present an immersive environment of images and objects by channeling ‘something like’ an ancient Greek temple of healing. Using Baik Art’s unique architecture, viewers experience a literal (and perhaps figurative) katabasis (‘to go down’ as in a descent of some type), but more importantly, and ideally, a catharsis (‘cleansing’ or ‘purification’).
Numerous objects, found and constructed, engage with the verticality of Baik Art’s shaft-like space, surrounded by an installation of wall works including drawings, collages, and repurposed images. Several fabric sculptures fill the gallery functioning as apotropaic totems. These Guardian Figures suggest a ‘presence’, ideally something beyond the object.
Daytime and evening events will further activate the gallery a space for healing. Practitioners from a variety of fields will be on hand for consultation. Music for Healing or What You Need will present a sonic cleansing. Incubation and Dream Analysis will be an overnight event of guided sleep followed by dream analysis with a professional. Utilizing the healing properties of dog saliva, An Event for Wound Licking will be a participatory event pairing wounds with dogs. For the date and time of each event, please contact the artist at shonufwardell@hotmail.com.
In ancient Greece and Rome, an asclepeion was a healing temple, sacred to Asclepius, the Greek God of Medicine. These temples were places in which patients would visit to receive either treatment or some sort of healing, whether it was spiritual or physical. Epidaurus was the first place to worship Asclepius as a god, beginning sometime in the 5th century BCE.
Starting around 350 BCE, the cult of Asclepius became increasingly popular. Pilgrims flocked to asclepieia to be healed. They slept overnight (“incubation”) and reported their dreams to a priest the following day. He prescribed a cure, often a visit to the baths or a gymnasium. Since snakes were sacred to Asclepius, they were often used in healing rituals. Non-venomous snakes were left to crawl on the floor in dormitories where the sick and injured slept.
Matt Wardell seeks to prolong a sense of wonder while placing the viewer in a lingering position of active assessment. He is interested in how we choose to live and in introducing work that facilitates these investigations. Wardell enjoys walking on fences, answering wrong numbers, and giving directions to places he does not know. Uncomfortable laughter, confusion, and irritation tend to be the byproducts of Wardell’s works.
Wardell has exhibited his work at venues throughout the United States and Mexico, including the Museum of Modern Art in San Francisco (SFMOMA), Claremont Museum of Art in Claremont, Los Angeles Contemporary Exhibitions (LACE), REDCAT, PØST, Human Resources, Black Dragon Society, Mark Moore Gallery, and Commonwealth and Council, all in Los Angeles. Wardell is a founding member of the artist collective 10lb Ape.
Baik Art
2600 S. La Cienega Blvd., Los Angeles, California 90034
310.842.3892
Researcher Michael Wang works on Argonne's GREET model. The auto industry and governmental agencies maintain that GREET has become the "gold standard" for well-to-wheel analyses of vehicle and fuel systems.
Photo by Wes Agresta / Courtesy Argonne National Laboratory.
When looking at a Certificate of Analysis, or COA, there are a few things to keep in mind. The first is that the report is generated by a third-party testing facility, which means that it is objective. The second is that the report shows the quantity of cannabinoids in a hemp product. This is important because it can help you determine the strength of the product.
Read more details here at korasana.com/blogs/news/how-to-read-a-certificate-of-anal...
With the support of the Glenn Gould Foundation and pianists, Yamaha is pursuing the development of the world’s first AI piano solution capable of analyzing and playing in the style of a human pianist while interacting with human musicians in a music ensemble, achieved by training the AI with a combination of both automatic analysis of Glenn Gould’s recordings and expert musicians’ skills.
Credit: vog.photo
June 28-30, 2011 in Bainbridge Island, WA, USA, the Global Impact Study held a project-wide workshop. Research partners from all around the world participated in this workshop after two years of working separately on fieldwork. This workshop kicked off the next phase of our study, data analysis & integration.
The analysis of gait and running styles is becoming more and more important in sports therapy and orthopedics. In addition to bio-mechanical basis research, the analyses of injuries causes or premature joint wear are only two of the myriad reasons and areas of activity for an analysis laboratory. Take advantage of our experience gained from several thousand movement analyses and many completely equipped running and gait laboratories. We assemble your laboratory according to your needs and provide consultation on the optimal products necessary to form a perfect unity. For more information visit our website www.currex.de/