alternativeprocesses photos on Flickr

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I had the opportunity finally!!! to shoot a bit more wP this time with a ringlight. T's friend r. came over... what a look he has. He was an absolute delight to work with.

I always wondered how a plate would look with the collodion brushed on...

copyright ModernLight 2010

Lava. Gumprint by Hans de Bruijn

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November 2009 Maderia.

Gumprint.

Paper Fabriano Artistico HP 300 gr.

1. Paris Blue

2. Gamboge Gum modern

3. Madder lake dark

4. Phthalo blue (very slight)

Eyes on You by joha evans

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Fiji | 2007

Cyanotype on Rives BFK

32" x 40"

Limited Edition of 30

www.johannaevans.com

scn024 by Ira

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Hunebed (Dolmen in Drenthe) by Hans de Bruijn

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Dolmen in the province Drenthe.

Gomdruk. Gumprint.

Paper Fabriano Artistico HP 300 gr.

Layer 1: Paris blue

Layer 2: Gamboge gum modern

Layer 3: Madder red dark

Layer 4: Phthalo blue

Wreck on Small Curaçao by Hans de Bruijn

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Very near the not working lighthouse.

Gumprint RGB, 4 layers.

Paper Fabriano Artistico CP 300gr.

Cyanotype: Image 4 by keymist's eye

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An #Anna #Atkinson inspired #cyanotype. #Hand #treated #paper.

pr_020 by Ira

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Surrounded III by joha evans

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Fiji | 2007

Cyanotype on Rives BFK

32" x 40"

Limited Edition of 30

www.johannaevans.com

DSCN0129 by Tim Russell

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Ferns by Luca Paradisi

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Contact print in platinum-palladium

Gumoil boat Gambia, red-yellow switched by Hans de Bruijn

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Gumoil, three collors, I switched the yellow-red information.

No halftones. Digital negatives.

Preusian blue, madder lake light and azo yellow light all from the Talens line Van Gogh

Solargraph by Georgina Shaw

October 1st 2010 to February 28th 2011

Victoria_3 by Jim Larimer

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Cyanotype with Gum Bichromate version 2

Lilies by Luca Paradisi

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Contact print in platinum-palladium

IMG_2338 by Ira

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special thanks to Hans de Bruijn

Van Dyke brown 02 by John Shillaw

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I participated in the 33rd Foreign Artists Exhibition in Nagoya from 30th October until 4th November. This year I exhibited prints from four 19th century processes: calotype, cyanotype, kallitype and Van Dyke Brown. This is one of the Van Dyke brown prints.

Mari • Black Glass Ambrotype @ Photo Retro by Sid Ceaser

Mari was our first paid black glass ambrotype client at @photo_retro_nh. Her mom Malissa bought her a session for her birthday and we spent a great evening making plates.

I love everything about shooting these.

I'm still learning how to balance the color of the scans of the plates against the originals, so please be forgiving with these examples.

Interested in having a portrait session on black glass, looking like you were photographed in the late 1800s by us here at Photo Retro? Shoot us a PM for details or check the website for more information: www.photoretro.biz

website • blog • workshops • fine art • facebook • twitter • youtube • instagram • podcast • photo talk fridays

Plum Blossoms by Steve Lewis

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Gold toned Kallitype on Arches Platine.

Picketts Charge by Joshua Eller

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Van Dyke Brown print on wood of the 150th reenactment of Picketts Charge during the Battle of Gettysburg

Moody Dream by Holly W

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Immerse exhibition@CACSA Project Space May 2005

Routes by Nuno Batuca

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Even alone, you'll find your way

Windmill Kreta by Hans de Bruijn

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Gumprint 6 layers:

1 Phthaloblue contrast

2 Azoyellow medium contrast

3 Madder lake light contrast

4 Gamboge Gum detail

5 Alizarin Crimson detail

6 Paris blue detail

agave2 by Mary Donato

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4x5 pinhole negative printed in traditional cyanotype on Stonehenge paper.

Liquid Emulsion by Kate Atkin

Using liquid emulsion I have printed photographs of a Flamenco dancer onto the bark of Silver Birch

Close Relation by joha evans

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Galapagos | December 2006

Cyanotype on Rives BFK

32" x 40"

Limited Edition of 30

www.johannaevans.com

Philae Gumprint by Hans de Bruijn

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Gumprint RGB, I used the positives from a gumoil and the wrong colours.

Exposition in the Agnietenkapel by Hans de Bruijn

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Overview of our exposition in the Agnietenkapel while installing.

Corner by Jim Larimer

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8 x 10 Gum over Cyanotype. Contact printed on Fabriano Artistico 140 lb Rough.

MISHA_GUM by Daniel G. Bruno

Misha holmes ...

Korona 8x10 Euryscope Nº 4 fomapan 100

Well I have to work on my gum I know : )

Curcuma by Luca Paradisi

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Contact print in platinum-palladium

Wild cucumber by turtlesilk

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Ilford Multigrade III RC Deluxe 11 x14 in.

Cyanovellum Ivy 2 by John D

Cyanotype printed on parchment using dried ivy.

1 hour exposure.

Observations from Planet 16 in the System Tau Ceti#1 by Holly W

Spaced Out exhibition@ACP 2002 , Sydney

scn033 by Ira

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Butterfly Pavillion No 2 by Steve Lewis

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New Chrysotype S on Arches Aquarelle. Starting to get subtile shades of lavendar but they are disappearing with dry down. Such a shame. Not sure what the name of the animal is, hard to figure out now that I've changed its colors.

Obscura_v1-1_Back Cover by Tristan Bowersox

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See set for description.

This is just this image reversed and made more contrasty. The right side is the spine side.

The original edition had this image for the back.

The Doors of Perception by PRC Boston

Moving into the left middle section of the gallery: works from Mark Osterman and France Scully Osterman's series "The Light at Lacock, Sun Sketches in the Twilight of Photography" (2010). All of the works are Digital pigment prints from photogenic drawing (paper) negatives.

Radiograph37 by Ambropoetica07

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1/2 plate Aluminotype

Liquid Emulsion by Kate Atkin