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The neon advertising 'Wicked' completely dominates the street and has become iconic.
Walking London (Apollo Victoria Theatre). C-type print. Copyright Margaret Sharrow, 2010.
Cyanotype printed on parchment using a fresh honeysuckle vine.
5 hour exposure.
Toned black using a multi-stage process. 6.4% tannic acid, sodium carbonate, tannic acid again, hydrogen peroxide and a final tannic bath.
Madeira, november 2008
Gumprint, 6 layers. Paper Fabriano Artistico HP 300gr.
1. Prussian blue
2. Gamboge gum modern
3. Alizarin
4. Lemmon yellow
5. Purple magenta
6.Paris blue
Van Dyke brown print of pinhole photograph. Digital transparency negative; image is about 5.5" x 6".
Gumprint,
1-Paris blue
2- Madder lake
3-Gummigut modern
4- Phthalo blue for contrast.
Every few years in Goude we have the harbour days, old ships come in and it is a feast. Also old handcrafts.
Scanned image of gerbera daisies contact printed on SUN ART cyanotype paper for 1 1/2 hours (before rinsing).
Nikon FM | Nikkor-H 50mm f/2 | Ilford HP5 Plus [Exp. 2006] | E.I. 160 ASA | Caffenol-C-M-(+i)
Dev.: Caffenol-C-M-(+i)
250ml Distilled Water
13.5g Sodium Carbonate
4g L-Ascorbic Acid
10g Instant Coffee (Nescafe Sunrise - Coffee 60% + Chicory 40%)
2.5g Iodised Salt
19°C | 15' 30" - 10 inversions - 1st minute + 1 inversion every minute
Stop: Tap Water (Potable/Treated) + Pinch of Citric Acid - 3'
Fix: Tap Water (Potable/Treated) + Hypo - 10'
Wash: Plain Water (Untreated) + Ultra-diluted Gylcerine - 15'
Scan: Epson V700 | 16-bit B&W | 1200 dpi | Minimal cleaning & Re-sizing.
Cyanotype printed on parchment using a dried ginkgo leaf.
30 minute exposure.
Toned in super-concentrated black tea for 2 hours.
Been doing something a little different and having a go at cyanotypes and trying different papers to see what effects I get, if any!! Printed digital negatives from digital files and then coated different papers in the darkroom with cyanotype solution.
These 2 out of 4 negatives came out the best. For Big Ben I used a bought pre-coated paper and for St Pauls I used a watercolour paper I had coated myself. Its very hit and miss but good fun as you never know what you're gonna get
el negativo anterior en papel Foma fomatone 132 (mate) y coloreado al óleo.
Previous negative printing in Foma fomatone 132 ( matt) and oil colored.
Original 30x40 cm.
El nombre de Mediobromo proviene de otra técnica más conocida llamada Bromóleo. En el Mediobromo se emplea también una tinta grasa (óleo) y un papel bromuro ( aunque se puede usar cualquier tipo de papel fotográfico) pero no se hacen las operaciones intermedias de blanqueo especial que requiere el bromóleo. A este proceso se le llama tambien "coloreado al óleo" o "iluminado al óleo", pero en su época histórica se referian al mismo como "mediobromo" por ser éste un término más técnicamente fotográfico.
a wet plate image of my lovely daughter Robin...
this is robin trying to be still...
i m p o s s i b l e...
copyright ModernLight 2010
Opvoeding: "Education".
Veenhuizen, in the late 1800 and early 1900 a colony in the province of Drenthe, where very poor people and tramps were send to in order to be away from the cities and to learn to work. They had to work hard in the landreclaiming. In these houses the attendants lived.
Gumprint, 6 layers:
1 Paris blue
2 Gamboge gum medium
3 Alizarin Crimson
4 Gamboge Gum light
5 Krapprot tief
6 Paris blue light
Galapagos | December 2006
Cyanotype on Rives BFK
32" x 40"
Limited Edition of 30
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