I participated in the 33rd Foreign Artists Exhibition in Nagoya from 30th October until 4th November. This year I exhibited prints from four 19th century processes: calotype, cyanotype, kallitype and Van Dyke Brown. This is one of the Van Dyke brown prints.

Mari was our first paid black glass ambrotype client at @photo_retro_nh. Her mom Malissa bought her a session for her birthday and we spent a great evening making plates.

I love everything about shooting these.

I'm still learning how to balance the color of the scans of the plates against the originals, so please be forgiving with these examples.

Interested in having a portrait session on black glass, looking like you were photographed in the late 1800s by us here at Photo Retro? Shoot us a PM for details or check the website for more information: www.photoretro.biz

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Gold toned Kallitype on Arches Platine.

Gumprint 6 layers:

1 Phthaloblue contrast

2 Azoyellow medium contrast

3 Madder lake light contrast

4 Gamboge Gum detail

5 Alizarin Crimson detail

6 Paris blue detail

4x5 pinhole negative printed in traditional cyanotype on Stonehenge paper.

Using liquid emulsion I have printed photographs of a Flamenco dancer onto the bark of Silver Birch

Gumprint RGB, I used the positives from a gumoil and the wrong colours.

Overview of our exposition in the Agnietenkapel while installing.

8 x 10 Gum over Cyanotype. Contact printed on Fabriano Artistico 140 lb Rough.

Cyanotype printed on parchment using a dried ginkgo leaf.

30 minute exposure.

Cyanotype

12cmx12.5cm

3 minutes (Direct Sun)

Misha holmes ...

Korona 8x10 Euryscope Nº 4 fomapan 100

Well I have to work on my gum I know : )

Ilford Multigrade III RC Deluxe 11 x14 in.

Spaced Out exhibition@ACP 2002 , Sydney

Galapagos | December 2006

Cyanotype on Rives BFK

32" x 40"

Limited Edition of 30

© JOHANNA EVANS

all rights reserved

www.johannaevans.com

New Chrysotype S on Arches Aquarelle. Starting to get subtile shades of lavendar but they are disappearing with dry down. Such a shame. Not sure what the name of the animal is, hard to figure out now that I've changed its colors.

See set for description.

This is just this image reversed and made more contrasty. The right side is the spine side.

The original edition had this image for the back.

Nice exhibition@Adelaide Fringe 2004

1/2 plate Aluminotype

All Images Copyright Steve Wilson Photography 2007

Using liquid emulsion I have printed photographs of a Flamenco dancer onto the bark of Silver Birch

Contact print in platinum-palladium

special thanks to Hans de Bruijn

November 2009 Maderia.

Gumprint.

Paper Fabriano Artistico HP 300 gr.

1. Paris Blue

2. Gamboge Gum modern

3. Madder lake dark

4. Phthalo blue (very slight)

Shy owl

Gomdruk. Gumprint.

Paper Fabriano Artistico HP 300 gr.

Layer 1: Paris blue

Layer 2: Gamboge gum modern

Layer 3: Madder red dark

Layer 4: Phthalo blue

Moving into the left middle section of the gallery: works from Mark Osterman and France Scully Osterman's series "The Light at Lacock, Sun Sketches in the Twilight of Photography" (2010). All of the works are Digital pigment prints from photogenic drawing (paper) negatives.

Van Dyke Brown

Galapagos | December 2006

Cyanotype on Rives BFK

32" x 40"

Limited Edition of 30

© JOHANNA EVANS

all rights reserved

www.johannaevans.com

Jesseca discusses cyanotypes

Momentum exhibition@Artspace 2007

Spaced Out exhibition@ACP 2002 , Sydney

Experimenting with cyanotype prints for a project.

Center for Alternative Photography's Salted Paper & Albumen workshop with Brenton Hamilton. Fall 2010 workshops.

capworkshops.org

The Photographic Art Form exhibition@Pepper St Gallery

August 2004

SOLD

Ohio Village, Columbus, Ohio

Platinum/Palladium-toned Kallitype print (8x10 inches)

Nice exhibition@Adelaide Fringe 2004

Gum print, entrance of the field house at USAO (Chickasha, OK).

Cyanotype printed on parchment using dried ivy.

1 hour exposure.

Kremnica Slovakia,

Gumprint, pigments:

1 Paris blue

2 Gummigut modern

3 Madder lake

4 Gummigut modern

5 Alizarin Crimson

6 Phthalo blue

November 2009 Maderia.

Gumprint.

Paper Fabriano Artistico HP 300 gr.

1. Paris Blue

2. Gamboge Gum modern

3. Madder lake dark

4. Phthalo blue (very slight)

Momentum exhibition@Artspace 2007

Galapagos | December 2006

Cyanotype on Rives BFK

32" x 40"

Limited Edition of 30

© JOHANNA EVANS

all rights reserved

www.johannaevans.com

Polaroid transfer,

Abandond mansion. I have a colorshift.

Gumprint RGB, 5 layers.

Paper Fabriano Artistico CP 300gr.