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On request with extra Prussian blue.
Gumoil paper Fabriano Artistico HP
Burnt Sienna
Paynes grey
Prussian blue
Gomdruk, 6 lagen, maat 24X16,5,
Papier Canson Montval 300gr.
Laag 1: Parijs blauw
Laag 2: Gummigut modern
Laag 3: Krapprood
Laag 4: Kadmium geel
Laag 5: Permanent Karmijn
Laag 6: Phthalo blauw
Lumen print made as a demo for the Visual Art Photography 330 class (alternative photo) using gingko leaves collected outside the new Studio 238 facility at College Park Center.
These are cyanotypes exposed under a UV bed for about 25 minuets. The negatives were printed on Pictorico.
For the month of February I am showing in two group shows and one major show where I will be hanging 30+ prints! I put this book together for the occasion. The book can be previewed here:http://www.blurb.com/bookstore/detail/533921
Leguaan, iguana,
They are big and very tasty, especially in soup.
Gomdruk, gumprint, 6 layers:
1: Paris blue
2: Gamboge gum
3: Madder lake dark
4: Cadmium yellow
5: Permanent Carmine
6: Phthalo blue
Size: 24 X 16 cm.
Ryan.
Film printed and developed by me and then put in a variety of chemicals.
Making weird stuff in Alternative Processes.
Three color gumoil. I used Cerulean blue phtalo, madder lake light and azo yellow light all from the Talens line Van Gogh.
I am not sure to be the first to do a three color gumoil like this, with lith like negatives (no half tones) but I sure did explore the Internet and I found none.
I did things like this with coloring Lith positivs and put them in register for large slides in 1968. I will put one here someday.
These are cyanotypes exposed under a UV bed for about 25 minuets. The negatives were printed on Pictorico.
Slootje in Gouda.
Ditch in Gouda.
Gomdruk. Gumprint.
Paper Fabriano Artistico HP 300 gr.
Layer 1: Paris blue
Layer 2: Gamboge gum modern
Layer 3: Madder red dark
Layer 4: Phthalo blue
Dolmen in the province Drenthe.
Gomdruk. Gumprint.
Paper Fabriano Artistico HP 300 gr.
Layer 1: Paris blue
Layer 2: Gamboge gum modern
Layer 3: Madder red dark
Layer 4: Phthalo blue
Just a dirt road in Curaçao.
Gomdruk, gumprint, 6 layers:
1: Paris blue
2: Gamboge gum
3: Madder lake dark
4: Cadmium yellow
5: Permanent Carmine
6: Phthalo blue
Size: 24 X 16 cm
Gum print on Strathmore cold-press watercolor paper. Experimenting with dilute acrylic matte medium as sizing. 5" x 7"
Visiting Liverpool in Oct. 2008. The Albert Docks are a must. Very massive warehouses, now living quarters for the few.
Gumprint, paper Fabriano Artistico HP 300 gr.
1. Prussian blue
2. Alizarin Crimson
3. Gamboge Gum modern
4. Phthalo blue
Galapagos | December 2006
Cyanotype on Rives BFK
32" x 40"
Limited Edition of 30
© JOHANNA EVANS
all rights reserved
Gomdruk, gumprint, 6 layers:
1: Paris blue
2: Gamboge gum
3: Madder lake dark
4: Cadmium yellow
5: Permanent Carmine
6: Phthalo blue
Size: 24 X 15 cm.
Owl and horse
Gomdruk. Gumprint.
Paper Fabriano Artistico HP 300 gr.
Layer 1: Paris blue
Layer 2: Gamboge gum modern
Layer 3: Madder red dark
Layer 4: Phthalo blue
Hand-coated Canson Montzval watercolor paper exposed to the sun for approximately eight minutes using a digital internegative. Original photo made with a Fuji X-T1.
Center for Alternative Photography's Salted Paper & Albumen workshop with Brenton Hamilton. Fall 2010 workshops.
capworkshops.org
Gumprint 16x24 cm on Saunders Waterford 300 gr.
Madeira nov. 2008.
1 Paris blue
2 Purple magenta
3 Gamboge Gum Modern
4 Madder lake medium
5 Phthalo blue
Sixth Annual Alternative Processes Exhibition at SOHO Photo Gallery
The sixth incarnation of the alternative process photography competition opens tonight at Soho Photo Gallery. Both "Two Leaf Stems" and "Sting / Ray Kite" (honorable mention) included in the works by 40 artists from all over the world of alternative and historical process photography.
Vandyke Brown Print, 2009
Mister blue-eyes. So sweet.
On Madeira, November 2008.
Gumprint on Fabriano Artistico HP 300 gr.
Gum over Cyano.
1. Cyano
2. Gamboge gum modern.
3. Alizarin Crimson medium
4. Paris blue.
uploaded 11/21/11
© humon photography, all rights reserved, inquire about use/licensing:
alternative imaging: enamel on clear glass. Collaboration with London alternative process photographer