Salted print from wet plate collodion negative

Using liquid emulsion I have printed photographs of a Flamenco dancer onto the bark of Silver Birch

Gumoil Raw Sienna and a light second touch of Paynes Grey.

Paper Fabriano Arttistico HP 300 gr.

Oilpaint.

Cyanotype

2 minutes 30 seconds (sun)

6.5x8 cm

These are albumen prints of a Flamenco dancer which I have exposed onto canvas.

New Hampshire Chronicle stopped by Photo Retro (www.photoretro.biz) last week and spent all morning interviewing owner Jason Lane and me about the shop, about analog photography and about making glass plate portraits.

We also shot an ambrotype portrait of the show's cameraman, Ryan Murphy.

They were with us for close to 4 hours and it was fantastic. I can't wait to see what the do with the segment and I can't wait to see when it airs to homes all over Southern NH.

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Palladium toned kallitype on Arches Platine

We had company drinking something on a terras in Switzerland.

gumprint, paper Canson Montval 300 gr.

Pigments:

1 Paris blue

2 Madder red dark

3 Gamboge Gum modern

4 Phthalo blue

Cyanotype print of pinhole photograph.

Ilford Multigrade III RC Deluxe 11 x14 in.

Multiple layer gum bichromate print on Fabriano Artistico paper. Digital negative, 5in x 7.5in.

Van Dyke Brown print on vellum

Fiji | 2007

Cyanotype on Rives BFK

32" x 40"

Limited Edition of 30

© JOHANNA EVANS

all rights reserved

www.johannaevans.com

Galapagos | December 2006

Cyanotype on Rives BFK

32" x 40"

Limited Edition of 30

© JOHANNA EVANS

all rights reserved

www.johannaevans.com

Gumoil:

1 Paynes grey

2 Burned Sienna

Must still work on the details.

Gumprint.

1 Paris blue

2 Madder lake dark

3 Gummigut modern

Paper Canson Montval 300 gr.

Size 16 X 24 cm.

Cyanotype

2 minutes 45 seconds (direct sun)

10x12 cm

Gum Bichromate/Argyrotype

Our Wetplate collodion group gets together every year. The meeting this year was at Prifti's in Concord MA. Shown are Monty, Melitte, Prifit, Kym and meself.

Gumoil Van Dyke brown and a second touch of Paynes Grey.

Filtering pokeberry juice for future anthotypes

Cyanotype printed on parchment using fresh ivy leaves.

2 hour exposure.

Cyanotype with Gum Bichromate

Center for Alternative Photography's Salted Paper & Albumen workshop with Brenton Hamilton. Fall 2010 workshops.

Photo by Thomas Harris.

capworkshops.org

This is an unretouched (except for straightening and cropping) platinum/palladium toned Kallitype print of a 256-step grid using a digital negative made with a customized gradient in Adobe Photoshop. As you can see, the original grid came from Peter Mrhar and is available when you buy his excellent book "Easy Digital Negatives." I followed the procedure in the book to make the negative for this print.

Contact print in platinum-palladium

The making of "Veenhuizen" in Drenthe.

Gumprint, 6 layers:

1 Paris blue

2 Gamboge gum medium

3 Alizarin Crimson

4 Gamboge Gum light

5 Krapprot tief

6 Paris blue light

Enhanced colors with Photoshop

Gumprint.

1 Prussian blue

2 Madder lake dark

3 Gummigut modern

Paper Canson Montval 300 gr.

Size 18 X 24 cm.

The landscape warms the soul with the warmth that radiates in the heart with such an image of the sky.

Gumprint, pigments:

1 Paris blue

2 Gummigut modern

3 Madder lake

4 Gummigut modern

5 Alizarin Crimson

6 Phthalo blue

An Easter card I made Bridgette a few years ago, this is a new cyanotype (Ware method) photogram using four Peep bunnies. It's been hiding in her office at Sinclair Community College.

Using liquid emulsion I have printed photographs of a Flamenco dancer onto the bark of Silver Birch

Museum in Wright City, Missouri

www.freewebs.com/janelinders

jane linders

www.etsy.com/shop/jalinde

Galapagos | December 2006

Cyanotype on Rives BFK

32" x 40"

Limited Edition of 30

© JOHANNA EVANS

all rights reserved

www.johannaevans.com

Spaced Out exhibition@ACP 2002 , Sydney

Gumprint, two colors, red and green. Paper Saners Waterford 300 gr. Pigments:

1 for the red the Schmincke purple magenta, 2. for the green: Talens middle green.

I made anaglyphs. With my Sputnik I made pictures on a really expired film ( Ilford XP 400 expired on feb 2002) in the garden (here) en the street I live (comes).

I explored Google, Wiki's etc but I couldnt find which color to use for the left or right. I have spectacles red left and green at the right. But what color to give to the left? or the right? I did both. Please help, use a red/green thing and tell me what's the best.

4x5 400TX negative

Contact printed on vellum using platinum/palladium

Gold Leaf applied to the back.