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Just a phone grab for now. Will update this with a scan, and hopefully also post the consequent anthotype.
ORIGINAL EXPOSURE
2.30pm, 23/04/22
Subject on white baking parchment
Chamonix 810V, Rodenstock APO-Sironar S 240mm f/5.6
Ilford FP4+ 10x8, EI 64
7" f/5.6, 440mm bellows extension, no movements
Metered +2EV off bright paper.
FILM REVERSAL DEVELOPMENT
26/04/22
DIY B&W Reversal Development to make a slide for anthotype contact-printing
Stearman SP810 daylight tray then white Paterson open tray
Ingredients:
FD: 500ml Ilford Multigrade 1+5 (no hypo addition for EI64), 12mins 20ºC
Second Dev: 500ml Ilford Multigrade 1+9
Bleach: 3% Hydrogen peroxide 500ml, 26.2g EDTA-4Na with 9.5g sodium bicarbonate, 18.33g Citric acid crystals.
Bleach lasts for 3 films only: now exhausted.
Clearing Bath: 500ml water, 12.5g sodium sulphite
Stage 1 in SP810
FD: 12mins 20ºC, standard agitation
First Wash: 5mins with 5 changes of water
Bleach: 20ºC 9mins, constant agitation
Remove lid from tray
Clearing Bath: 2mins, continuous agitation
Second Wash: 5mins with 5 changes of water (easier to put lid back on for this)
Transfer sheet to white Paterson tray.
Stage 2: Re-exposure: 60secs about 45cm with 100watt bulb in inspection lamp;
Stage 3 in Paterson Tray
Second Dev: 6mins 20ºC
Third Wash: 2x rinses with ±750ml water
Fix: 500ml Ilford Rapid Fixer 5mins
Final Wash : 10 changes of 750ml water, continuous agitation (back in SP810)
Final rinse in Ilfotol, 1 min, in Paterson tray.
Will attempt an anthotype soon, using a suitable colour of emulsion, perhaps blackberry.
Film camera Minolta 507si, Minolta 24-50/4, film Fomapan 100, dark room, enlarger Meopta Opemus 5, author's hand lith print, Fotospeed lith developer LD20, paper Bromekspress-1, scanner Epson 3200
Film camera Minolta 507si, Minolta 24-50/4, film Fomapan 100, dark room, enlarger Meopta Opemus 5, author's hand lith print, Fotospeed lith developer LD20, paper Bromekspress-1
Canon Canonet QL17 GIII / Fomapan 200.
Developed in Wineol
Red wine: 500 ml
Soda ash: 2 full tablespoons
Vitamin C (no sugar): 2,5 gr
Film Fomapan 200: temp. ~24C, 42 min.
2012. Сyanotype, author handmade, paper Daler Rowney 300 g/m2, 20x30cm, shift change on a digital camera Canon 5D
Thoughts: So far really liking the Bergger Cot 320 paper. Has a nice feel and color and seems easy to work with.
Tech: Salt Print
Bergger Cot 320 coated with gelatin.
Graflex Crown Graphic with Schneider-Kreuznach Super-Angulon 90mm f/8
Green Hoya X-1 filter
2 minutes at f45
Arista EDU 100 Black and White 4x5 film.
HC-110 1:100, stand
Platinum/Palladium-toned Kallitype print (5x7"). Original photo made with a Nikon FM3A and Agfa APX film
Film camera Minolta 507si, Minolta 24-50/4, film Fomapan 100, dark room, enlarger Meopta Opemus 5, author's hand lith print, Fotospeed lith developer LD20, paper Bromekspress-1
Cyanotype
Here I used a paper negative then toned in tea as it was rather faded looking in blue.
This was exposed for 30 minutes under UV Lamp.
Printed on water colour hot pressed 300 gsm.
Packed the car the night before my second field trip so I could get set up before the morning fog burned off.
5x7 alumitype; J. C. Somerville St. Louis # 2 lens.
Cyanotype print on watercolor paper from a 4x5 negative.
Gothic windows at The Highland Club, Fort Augustus. Scotland.
Cyanotype N°94 - Tonification au maté + café / yerba maté and cofee toned
Papier - Moulin du coq - Le rouge
Prise de vue - Pentax MZ7 + DA 40mm - HP5 + studional
Inter-négatif numérique
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #analogphoto #analogphotography #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #children #childrenphoto #goldfish
Pinhole film camera Zero Image 2000 6×6, rolfilm 120mm Foma 200, author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1
Print made 5th June 2021 / 20ºC / 50% RH
10x8 contact print from Ilford FP4+ negative on 14x11 Bergger Cot320
3mm Fotospeed sensitiver, 1 drop of tween20 solution (mix of 1 drop and 5 drops distilled water)
Paper dried 43mins, no prehumidification
3mins daylight exposure in full sun
5mins wash in 1.5l distilled water with squeeze of lemon juice
5mins wash in 1.5l tap water
3mins fix in hypo
1hr final soak
Dried flat
Digitized with 2-frame stitch, D800E and 85mm tilt-shift
Original exposure:
22nd April 2020 11:40am
Chamonix 810V
Nikkor-W 300 f/5.6
ilford FP4+ 8x10
500mm bellows extension
small amount of rear tilt forwards
1½ seconds @ f/5.6
Stearman SP810 tray, Pyrocat HD 2:2:100, 12’, 21ºC
Acetic acid stop, TF-4 Fix, Hypoclear, wash, Ilfotol rinse
Wet Cyanotype
Water colour hot pressed 300gsm.
Exposure 2 days...bright but overcast with light cloud.
Vinegar and water.
Platinum/palladium-toned Kallitype test print, 5.5" x 8.5", on Hahnemuhle Platinum Rag paper. In this series of test prints I'm trying to perfect my digitial negatives before I start to make large prints.
Exposed this week, 12hrs over 2 days in a sunny position in my back porch.
Distilled vinegar and Viakal.
10 sec dip in diluted HARPIC WHITE BLEACH before washing...this makes for a deep blue print.
Watercolour hot pressed smooth 300 gsm.
Chemilumen Contact Print
Ilford Multigrade RC Deluxe Pearl.
Sprayed with limescale remover and water.
Exposure 6 hours.
Fixed in dishwasher salt over night.
Cyanotype N°114- Tonification au maté + café / yerba maté and cofee toned
Papier - Moulin du coq - Le rouge
Prise de vue - konica hexar af + tmax3200
Inter-négatif numérique
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #analogphoto #analogphotography #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #konicahexaraf #train #trainphotography #lecture #voyage #bnwminimalism #incredible_minimal #tmax3200 #kodaktmax
Platinum/Palladium-toned Kallitype, 5x7", on Hahnemuhle Platinum Rag paper. Original photo made with a Fuji X-T1.
Gumprint RGB, paper Saunders Waterford, pigments Paris blue, Krapprot tief, Gummigut modern.
Small Curaçao is a small island east from Curaçao. It has an abandoned lighthouse. Olympus Penn EE2, holidays year 2000.
On Saturday I made a new batch of six Platinum/Palladium-toned Kallitype prints on Hahnemuhle Platinum Rag paper, four of which came out good enough to show. This is the first of the series. I made the original photo with a Fujifilm X-T1 and Fujinon XF16mm f/1.4 lens.
Cyanotype N°109 - Tonifié au maté + café/ yerba maté + cofee toned
Papier - Moulin du coq - le rouge
Prise de vue - fuji xe2 + skopar 35mm
Inter-négatif numérique
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #blueprint #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #kid #kids #kidphotography #fuji #fujixe2 #voigtlander
Minolta 507si, Minolta 24-50/4, AGFA Aviphot PAN200, dark room, enlarger Meopta Opemus 5, author's hand lith print 24x30, Fotospeed lith developer LD20, paper Bromekspress-1
…refining more and more this fascinating alternative print technique, saltprint
8x10 film printed on Berggercot320 paper
Borace gold toned
Properly digitised. Exposed quite soon after sensitiser application - enhanced brown look. If I left it to dry longer but then humidified it I think it would look slightly more like a silver gelatin print.
This was from a negative exposed for scanning not argyrotype but there's plenty of density. At some point I'll do a comparison of scenes shot as doubles to see what exactly the differences are when processed as argyrotypes in the same way.
Cyanotype N°83 - Tonifié au maté + café / yerba maté + cofee toned
Papier - Moulin du coq - le rouge
Prise de vue - Lomo LCA120 + Ilford HP5
Inter-négatif numérique
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #analogphoto #analogphotography #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #arbre #trees #treephotography #canopee #arbres #lomography #lomolca
Film camera Minolta 507si, Minolta 24-50/4, film Fomapan 100, dark room, enlarger Meopta Magnifax 2, author's hand lith print, Fotospeed lith developer LD20, paper Bromekspress-1
Film camera Minolta 507si, Minolta 24-50/4, film Fomapan 100, dark room, enlarger Meopta Opemus 5, author's hand lith print, Fotospeed lith developer LD20, paper Bromekspress-1
Canon Canonet QL17 GIII / Fomapan 200
Developed in Caffenol.
Water 650 ml.
Coffee 12 full teaspoons.
Soda ash 3 full teaspoons.
52 min / ~25C
Cyanotype N°66 - Tonifié au maté + café puis ciré/ yerba maté + cofee toned and waxed
Papier - Moulin du coq - le rouge
Prise de vue - Mamiya C220 + 55mm + foma200@400
Inter-négatif numérique
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #citroen #citroentypeh #mamiya #mamiyac220 #ilfordhp5
Original Photograph and Development:
May 3rd 2023
Mamiya RZ67 Pro II, 110mm f/2.8, bellows extended
Ilford HP5+ at 400
1/125 f/16
Caffenol C-L/S 60' stand, 20ºC
DIY TF-2 fixer
Digital Negative:
Digitized film negative with custom Argyrotype curve in Photoshop
Printed at 12.5x10” on A3+ Innova Pictorico Pro OHP Ultra Transparency Film with Canon Pro-300 Inkjet
Argyrotype Print:
Exposure and Development 14th May 2023
Hahnemühle Platinum Rag 11x15” Paper
Masked margins before coating with yellow Frog Tape, removed after drying (paper dried 1hr10mins)
18.7ºC RH 57%
3ml sensitiser + 2 drops Tween20 mix
3mins daylight exposure, 1:30pm, bright/sun, margins masked with Ruby Lith
5mins first wash, distilled water + squeeze of lemon juice
5mins second wash, tap water
3mins hypo fix
1hr final soak
Dried 24hours; digitised with Nikon D800E and 85 tilt-shift, stitch of three frames