View allAll Photos Tagged alternativeprocesses
Cyanotype N°488 - Tonifié au café / cofee toned
Papier - Canson Montval
Prise de vue - Empire junior 6x6 (Holga like) + Bergger 400
Inter-négatif numérique
Original exposure details (and see previously posted scan):
25th April 2020 3:15pm
Chamonix 810V
Nikkor-W 300 f/5.6
Ilford FP4+ 8x10
760mm bellows extension, with extension board
(Working distance 550mm)
1min 20 seconds f/16
Stearman SP810 tray, Pyrocat HD 2:2:100, 12’, 21ºC
Acetic acid stop, TF-4 Fix, Hypoclear, wash, Ilfotol rinse
Print:
31st May 2020, afternoon
28ºC, relative humidity 45%
3ml Fotospeed Argyrotype sensitizer + 1 drop of let-down Tween 20, Bergger Cot320 11x14" paper.
Paper dried for approx 30 mins before exposure.
8'15" in full sun, Lotus 12x16" frame
5mins wash in 1.5l distilled water + squeeze lemon juice
5mins wash in 1.5l tap water
3mins wash in 2% hypo (4.5tbps to 1.5l tap water)
1 hour final soak (30mins face down, 30mins face up) in 3l tap water. Dried on clothes rack for a few hours, then dried for 2 days under boards (usually a week, but unseasonably hot weather!)
Cyanotype N°438
Tonifié au maté et acide tannique / yerba maté and acid tannic tonned
Papier - Canson Montval
Prise de vue - Empire junior 6x6 (Holga like) + Bergger pancro400
Inter-négatif numérique
Film camera Minolta 507si, Minolta 24-50/4, film Fomapan 100, dark room, enlarger Meopta Opemus 5, author's hand lith print, Fotospeed lith developer LD20, paper Bromekspress-1
Canon Canonet QL17 GIII / Fomapan 200.
The former building of the old winery.
Developed in Wineol.
Red wine: 500 ml
Soda ash: 2 full tablespoons
Vitamin C (no sugar): 2,5 gr
Film Fomapan 200: temp. ~24C, 42 min.
+ Water
+ Fix
+ Water
From top to bottom:
• Pictorico Pro OHP film digital negative test sheet on top of sensitised paper (Bergger Cot320), ready to expose to UV.
• Print immediately after exposure (25mins UV), before developing.
• Print in final soak after developing (will dry down by at least a stop, and tone will shift from warm brown to very dark charcoal brown).
• My preferred choice of curve - see the middle two prints above, built manually.
Developing: 5mins in distilled water + squeeze of lemon juice; 5mins in tap water; 3mins in hypo (about 4 tsps in 1.5litres tap water); 1 hour final soak in tap water. (Pretty much following the directions in the big Christopher James book.)
For explanation and details, see previous post for Cyanotype.
The surface of the water mirrors many things.
-Masumi Kato
Died on the twenty fourth day of the second month, 1825 at the age of sixty four.
Every few years I like to reread Japanese Death Poems (compiled by Yoel Hoffman and Charles E Tuttle Company.)
The book belonged to my best friend who passed from this Earth about six years ago to a far better place.
2 layer Gum Bichromate print on Strathmore mixed media paper.
Cyanotype N°494- Tonifié au maté + acide tanique / Yerba maté and tanic acid toned
Papier - Canson Montval
Prise de vue - Rolleifleix wide + Ilford HP5+
Inter-négatif numérique
Pinhole film camera Zero Image 2000 6×6, rolfilm 120mm Foma 200, author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1
série "Trouble(s)"
Cyanotype N°455
Tonifié au maté, café et acide tannique / yerba maté, cofee and acid tannic tonned
Papier - Canson Montval
Prise de vue - Ensign Full Vue(Holga like) + ilford HP5
Inter-négatif numérique
Banne d'Ordanche (63) - Juillet 2024
Série "Cheminements volcaniques"
Cyanotype N°494- Tonifié au maté + acide tanique / Yerba maté and tanic acid toned
Papier - Canson Montval
Prise de vue - Rolleifleix wide + Ilford HP5+
Inter-négatif numérique
Film camera Minolta 507si, Minolta 24-50/4, film Fomapan 100, dark room, enlarger Meopta Magnifax 2, author's hand lith print, Fotospeed lith developer LD20, paper Bromekspress-1
With Kallitype print process on Bergger cot 320
Ammonium Citrate & Sodium Acetate 2:1
Platinum toned
8x10' analogic film
Organic foil printing
35mm Negative printed on acetate
"Carlos Alberto Chapel"
The chapel was built on the initiative of Princess Augusta of Montléart, in memory of her half-brother, the King of Piedmont-Sardinia, Charles Albert.
Chapel located in the Jardins do Palácio Cristal. (Harbor)
Cyanotype N°419 - Tonifié au maté + café / Yerba maté and cofee toned
Papier - Canson Montval
Prise de vue - Empire junior 6x6 (Holga like) + Bergger pancro400
Inter-négatif numérique
Cyanotype N°471- Tonifié au maté + acide tanique / Yerba maté and tanic acid toned
Papier - Canson Montval
Prise de vue - Minolta freedom Vista + Kodak trix400
Inter-négatif numérique
Pinhole film camera Zero Image 2000 6×6, rolfilm 120mm Foma 200, author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1
Salt print on Fabriano Artistica.
Chems: Ammonium Chloride and Potassium Citrate and two coats of Silver Nitrate.
Negative is a slightly thin Efke Ir-820 infra-red film.
IR film seems well suited for salt process due to the dramatic range... Need to do more of these come warm weather!
Original exposure and development:
8th May 2022, mid-afternoon
Chamonix 810V, Rodenstock APO-Sironar S 240mm f/5.6
Ilford FP4+ 10x8 @ 125
560mm bellows
3” f/5.6
510-Pyro 5:500, 10' 20ºC, Stearman SP810 tray
3x 30” tap water wash/stop
4min fix in Ilford Rapid Fixer (currently out of Alkaline fixer; may reinstitute 1min sodium sulphite hypoclear)
wash: 10 fill/dump 1l tap water, 10 agitations per litre
Ilfotol rinse
Print:
15th May 2022 / 22ºC / 52% RH
10x8 contact print from Ilford FP4+ negative on 14x11 Bergger Cot320
3ml Fotospeed argyrotype sensitiver, 1 drop of tween20 solution (mix of 1 drop and 5 drops distilled water)
Paper dried 4hrs20mins, no prehumidification
35mins daylight exposure, overcast/rain, 2.41pm
5mins wash in 1.5l distilled water with squeeze of lemon juice
5mins wash in 1.5l tap water
3mins fix in hypo
1hr final soak
Dried flat for 24hrs
Digitized with Nikon D800E/85PC-E, stitch of two shifted frames.
Gomdruk, Gum Bichromate
1: Phthaloblue
2: Gummigut
3: Madder lake deep
4 Gummigut
5: Madder lake light
6: Paris blue
Paper Saunders Waterford 300 gr.
There´s real black in this.
Cámara estenopeica: lata de cerveza.
Exposición: Septiembre-2017 / Septiembre 2018, 1 año.
Papel brillante Ilford RC multigrado.
Epson V370 scanner.
Gumprint, Gum bichromate print, gomdruk.
Original Nikon D80, digital negatives with paint shop.
Paper Fabriano Artistico HP 300 gr.
6 layers:
1: Paris blue
2: Gamboge gum (gummigut)
3: Kraprood (madder red)
4: Lazur yellow + Gamboge gum
5: Alizarin Crimson
6: Pruisisch blauw (Prussian blue)
Gumprint, Gum bichromate print, gomdruk.
Original Nikon D80, digital negatives with paint shop.
Paper Fabriano Artistico HP 300 gr.
6 layers:
1: Paris blue
2: Gamboge gum (gummigut)
3: Kraprood (madder red)
4: Lazur yellow + Gamboge gum
5: Alizarin Crimson
6: Pruisisch blauw (Prussian blue)
Film camera Minolta 507si, Minolta 24-50/4, film Fomapan 100, dark room, enlarger Meopta Opemus 5, author's hand lith print, Fotospeed lith developer LD20, paper Bromekspress-1
Cyanotype N°70 - Tonifié au maté + café/ yerba maté + cofee toned
Papier - Moulin du coq - le rouge
Prise de vue - Yashica mat 124G + Fuji Pro400H (conversion NB)
Inter-négatif numérique
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2012. Сyanotype, author handmade, watercolor paper Daler Rowney 300 g/m2, 20x30cm, scanner Epson 3200
Pinhole film camera Zero Image 2000 6×6, rolfilm 120mm Foma 200, author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1
Cyanotype N°403 - Tonifié au maté + café / Yerba maté and cofee toned
Papier - Canson Montval
Prise de vue - Empire junior 6x6 (Holga like) + Bergger 400
Inter-négatif numérique
Original exposure and development:
8th May 2022, mid-afternoon
Chamonix 810V, Rodenstock APO-Sironar S 240mm f/5.6
Ilford FP4+ 10x8 @ 125
560mm bellows
2” f/5.6
510-Pyro 5:500, 10' 20ºC, Stearman SP810 tray
3x 30” tap water wash/stop
4min fix in Ilford Rapid Fixer (currently out of Alkaline fixer; may reinstitute 1min sodium sulphite hypoclear)
wash: 10 fill/dump 1l tap water, 10 agitations per litre
Ilfotol rinse
Print:
15th May 2022 / 22ºC / 52% RH
10x8 contact print from Ilford FP4+ negative on 14x11 Bergger Cot320
3ml Fotospeed argyrotype sensitiver, 1 drop of tween20 solution (mix of 1 drop and 5 drops distilled water)
Paper dried 3hrs25mins, no prehumidification
20mins daylight exposure, overcast, 3.35pm
5mins wash in 1.5l distilled water with squeeze of lemon juice
5mins wash in 1.5l tap water
3mins fix in hypo
1hr final soak
Dried flat for 24hrs
Digitized with Nikon D800E/85PC-E, stitch of two shifted frames.