ORIGINAL FILM EXPOSURE

Anglesey, Wales

9:55am, 11/04/22

Chamonix 810V, Nikkor-W 300mm f/5.6

Ilford FP4+ 10x8, EI 125

¼” f/45, front tilt

Lee 0.3 hard GND

FILM REVERSAL DEVELOPMENT

21/04/22

DIY B&W Reversal Development to make a slide for anthotype contact-printing

Stearman SP810 daylight tray then white Paterson open tray

Ingredients:

FD: 500ml Ilford Multigrade 1+5, 0.5g hypo, 12mins 20ºC

Second Dev: 500ml Ilford Multigrade 1+9

Bleach: 3% Hydrogen peroxide 500ml, 26.2g EDTA-4Na with 9.5g sodium bicarbonate, 18.33g Citric acid crystals.

Clearing Bath: 500ml water, 12.5g sodium sulphite

Stage 1 in SP810

FD: 12mins 20ºC, standard agitation

First Wash: 5mins with 5 changes of water

Bleach: 20ºC 9mins

Remove lid from tray

Clearing Bath: 2mins, continuous agitation

Second Wash: 5mins with 5 changes of water (easier to put lid back on for this)

Transfer sheet to white Paterson tray.

Stage 2: Re-exposure: 60secs about 45cm with 100watt bulb in inspection lamp;

Stage 3 in Paterson Tray

Second Dev: 6mins 20ºC

Third Wash: Ilford wash method

Fix: 500ml Ilford Rapid Fixer 5mins

Final Wash : 10 changes of water, continuous agitation (back in SP810)

Final rinse in Ilfotol, 1 min, in Paterson tray.

PRINT:

Emulsion:

Spinach leaves blitzed with some water, strained through muslin, 3 wet coats onto Bergger Cot320 paper, then left to dry for approx. 1 hour (still damp, but it didn’t really matter!)

Exposure:

4hrs in overcast conditions (1-5pm, 23/04/22), followed by 3hrs full sun 8-11am 24/04/22, Lotus 12x16 contact-printing frame; paper in Krystal seal A3 envelope to protect the sheet of film

Digitized with Nikon D800/85PC-E (stitch of three frames)

©️ created on 140lbs Aquarelle

I'm not going to say anything, but I'll give "signs".

Silver print manipulated with mordançage technique + iron toned

www.vincenzocaniparoli.com

Cyanotype N°43 - Viré au maté / yerba maté toned

Papier - Moulin du coq

Prise de vue - Rolleicord V + foma 200@400

#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #moulinducoq #analogphoto #todaysalternative #fisheyelemag #landscape #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #streetphotography #onthestreet #rolleicord #rolleiflex #rollei #fomapan #foma #fomapan200

Gomdruk. Gum Bichromate, size ~ 24X24 cm. paper Saunders Waterford HP 356 gr. 6 layers.

See www.gomdruk.eu

Minolta 507si, Minolta 24-50/4, AGFA Aviphot PAN200, dark room, enlarger Meopta Opemus 5, author's hand lith print 24x30, Fotospeed lith developer LD20, paper Bromekspress-1

Quarter plate black trophy aluminum.

Photoshop collage of the three 10x8 toned cyanotype prints shown in the previous three posts, with details there.

The differential level of paper-staining is noteworthy - prints digitised in roughly the same conditions and colour-accuracy tested to eye; purple print paper-staining slightly greater than shown here but not by much.

Sweet Tomatoes

Chemilumen print

KENTMERE VC SELECT 5x7

Exposure about 6 hours

contactprint from 8x10’ Foma film

Printed on hahnemuehlepaper paper with kallitype process no toned

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#parconazionaleabruzzo

Gum Bichromate print on Fabriano Artistico HP 140lb - 3 layer - MYC - 11x7.5"

Gold Toned Kallitype onto Bergger COT 320, Sodiumacetat Developer

Small bushes that delight passers-by, that fill voids, that live in the cold.

Minolta 507si, Minolta 24-50/4, AGFA Aviphot PAN200, dark room, enlarger Meopta Opemus 5, author's hand lith print 24x30, Fotospeed lith developer LD20, paper Bromekspress-1

Print made 5th June 2021 / 20ºC / 50% RH

10x8 contact print from Ilford FP4+ negative on 14x11 Bergger Cot320

Paper dried 43mins, no prehumidification

3mins daylight exposure in full sun

5mins wash in 1.5l distilled water with squeeze of lemon juice

5mins wash in 1.5l tap water

3mins fix in hypo

1hr final soak

Dried flat

Digitized with 2-frame stitch, D800E and 85mm tilt-shift

Original exposure:

22nd April 2020 11:40am

Chamonix 810V

Nikkor-W 300 f/5.6

ilford FP4+ 8x10

500mm bellows extension

small amount of rear tilt forwards

1½ seconds @ f/5.6

Stearman SP810 tray, Pyrocat HD 2:2:100, 12’, 21ºC

Acetic acid stop, TF-4 Fix, Hypoclear, wash, Ilfotol rinse

Cyanotype N°265 - Tonifié au maté + acide tannique / yerba maté and tannic acid toned

Papier - Canson Montval

Prise de vue - Holga 120 GFCN - bergger pancro400

Gumprint, Gum bichromate print, gomdruk.

Original Nikon D80, digital negatives with paint shop.

Paper Fabriano Artistico HP 300 gr.

6 layers:

1: Paris blue

2: Gamboge gum (gummigut)

3: Kraprood (madder red)

4: Lazur yellow + Gamboge gum

5: Alizarin Crimson

6: Pruisisch blauw (Prussian blue)

Cyanotype print on watercolor paper from a 4x5 negative.

Gothic door at The Highland Club, Fort Augustus. Scotland.

www.highlandclubscotland.co.uk/

Kallitype print no toned

8x10' film

www.instagram.com/stefano.bernardoni/

Pinhole film camera Zero Image 2000 6×6, rolfilm 120mm Foma 200, author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1

Canon Canonet QL17 GIII / Expired film Svema A-2Sh.

Developed in Caffenol

Water 650 ml

Coffee 12 full teaspoons

Soda ash 3 full teaspoons

52 minutes/ ~25C

Old photographic film cracks from coffee or soda ash. Only this film Svema A2Sh has such an effect.

Cyanotype N°256 - Tonifié au maté + acide tannique / yerba maté and tannic acid toned

Papier - Canson Montval

Prise de vue - Holga 120 GFCN - bergger pancro400

Minolta 507si, Minolta 24-50/4, AGFA Aviphot PAN200, dark room, enlarger Meopta Opemus 5, author's hand lith print 24x30, Fotospeed lith developer LD20, paper Bromekspress-1

6"x18" palladiotype on Arches Platine. Original shot on a Kodak Panoram.

View it wider, please.

Chamonix 810V/Nikkor-W 300mm f/5.6

Printed 31.08.19/ 52ºRH /24ºC/ 18mins, 9:03am, sunlight, Lotus printing frame.

Then 5 mins in warm water/citric acid (3/4tsp and 1500ml water)

and washed twice more in warm water for 10 mins further.

New blogpost on subject:

dwfnaturephoto.wordpress.com/2019/09/03/alt-pro-argyrotyp...

Minolta 507si, Minolta 24-50/4, AGFA Aviphot PAN200, dark room, enlarger Meopta Opemus 5, author's hand lith print 24x30, Fotospeed lith developer LD20, paper Bromekspress-1

contactprint from 8x10’ Foma film

Printed on Arches paper with Ziatype process

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#parconazionaleabruzzo

5x7 palladium-toned kallitype print

Obra viva en Madrid. #solarigrafia de la serie “Construcciones transparentes” comenzada en 2004 e inspirada por el trabajo de Martí Llorens sobre los derribos preolímpicos en la ciudad de Barcelona. Tiempos de exposición: 15/02 a 01/07/2018 y 01/07 a 30/09/2018. Cámaras estenopeicas de construcción artesanal con plano focal orientado al este.

Cyanotype N°52 - Tonifié au maté + thé noir/ yerba maté + black tea toned

Papier - Bristol fabriano

Prise de vue - Rolleiflex T + portra400 (passage en NB)

Inter-négatif numérique calibration méthode EDN

#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #country #countrylife #countryside #mediumformatcamera #fuji #fujiga645 #fomapan200 #foma200

Lone tree

Tricolor gum dichromate print

Waxed paper negative separations

5 x 5 image

More on www.gomdruk.eu

Paper Fabriano Artistico,

layers:

1 paris blue

2 gamboge gum

3 madder red

4 lemon yellow

5 magenta

6 phathalo blue

Size A4

Original Nikon D80 with 18-200mm.

Canon Canonet QL17 GIII / Fomapan 200

Developed in Caffenol.

Water 650 ml.

Coffee 12 full teaspoons.

Soda ash 3 full teaspoons.

52 min / ~25C

Solarigrafía del Toro Hermógenes, escultura de Carlos Sanz Aldea.

Tiempo de exposición: 20 marzo a 20 junio 2017

Website: solarigrafia.com

Instagram: instagram.com/solarigrafia

Twitter: twitter.com/solarigrafia

Facebook: facebook.com/solarigraphy2010

From my first day with the Vandyke Brown printing process.

Digital negative made from a scan of an image shot with a Fotoman 612 camera. Printed on Stonehenge watercolor paper.

Canon EOS 3 / Expired Svema A2Sh

Developed in Wineol

Red wine: 500 ml

Soda ash: 2 full tablespoons

Vitamin C (no sugar): 2,5 gr

~24C, 46 min.

palladiotype from two frame diptych (Olympus Pen S)

Cyanotype N°46 - Viré au maté + thé noir / yerba maté + black tea toned

Papier - Moulin du coq

Prise de vue - Fuji GA645 + Foma 200@400

#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #moulinducoq #analogphoto #todaysalternative #fisheyelemag #landscape #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #streetphotography #onthestreet #fomapan #foma #fomapan200 #fujiga645 #fuji645 #mediumformatcamera #forestphotography #forest

Salted Print on Bergger 320 gold toned after fixer. beeswax&lavander coated.

Digital negative from 6x6 analog negative. Pentacon six.

www.instagram.com/stefano.bernardoni/

5" x 7" Platinum/Palladium-toned Kallitype print. Original photo made with a Nikon FM3A on Kodak Tri-X film @ ASA 800.

Platinum/Palladium print from in camera negative 5"x4". Ilford FP4. Arches Platine Paper.

Ballet class

Tricolor gum dichromate print

Waxed paper negative separations

5 x 7 image

5x7 black alumitype; Darlot wide angle lens.