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Cyanotype N°87 - Tonifié au maté + café / yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Rolleiflex old standard K622 - foma200

Inter-négatif numérique

#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #arbres #arbre #tree #trees #treephotography #rolleiflex #rollei

Solarigrafía entre solsticios en la Estación de Ferrocarril El Cañuelo-Soria.

 

Tiempo de exposición: 21 de junio a 25 de diciembre 2016.

 

www.solarigrafia.com

 

Mordançage. 13x18cm Ilford RC paper

Original picture: Venus transit ( june 08 2004)

Canon Canonet QL17 GIII / expired Svema A2Sh

 

Developed in Caffenol.

 

Water 650 ml

Coffee 12 full teaspoons

Soda ash 3 full teaspoons

52 min / ~25C

Kallitype print 20x28cm on Arches platine 300gr

gold toned before fix and selenium toned after fix

 

Soviet photographic film black-and-white negative, isopanchromatic Micrat-isopan was designed for microfilming black-and-white and color dashed originals with low and medium multiplicities.

The initial ISO of the film is 2.5 units.

 

Canon EOS 3 / Canon EF 50mm f1.8 stm / Expired Tasma Mikrat Isopan (1990).

12 ISO.

Developer R09 1/100 30 min.

Cyanotype N°429 - Tonifié au café / cofee toned

Papier - Canson Montval

Prise de vue - Empire junior 6x6 (Holga like) + Bergger 400

Inter-négatif numérique

salt print

8x10 film printed on Arches paper 180gr

Borace gold toned

  

www.instagram.com/stefano.bernardoni/

Cyanotype N°88 - Tonifié au maté + café / yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Bessa L + 21mm + Agfa apx400

Inter-négatif numérique

#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #analogphoto #analogphotography #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #arbre #trees #treephotography #arbres #forest #foret #forestphotography

Cyanotype N°139 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Leica M5 + ultron 28mm - Ilford Pan400

Inter-négatif numérique

#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #vintagephotography #filmisnotdead #dreammagazine #reponsesphoto #oldschoolphotography #shootfilmunder1000 #urbex #vintagecar #vintagecars

Watercolor over argyrotype on Canson Mi Tientes. Original shot in b&w on a Horizon S3-Pro

 

Cyanotype N°47 - Tonifié au maté + thé noir/ yerba maté + black tea toned

Papier - Moulin du coq - Le rouge

Prise de vue - Fuji GA645 + Ilford delta 100@200

Inter-négatif numérique calibration méthode EDN

#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #moulinducoq #analogphoto #todaysalternative #fisheyelemag #landscape #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #streetphotography #fujiga645 #fuji645 #mediumformatcamera #forestphotography #forest #delta100 #ilford #ilforddelta100 #ilfordfilm

Platinum-toned Kallitype on hand-coated Arches Aquarelle watercolor paper (5 x 7 inches), contact-printed using a digital internegative made with Adobe Photoshop, and printed on Pictorico Ultra Premium OHP transparency film using an Epson P600 printer. Original photo made with a Fuji X-T1 with a Fujinon 18mm lens and post-processed with Adobe Lightroom.

Cyanotype N°137 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Contax 167 + yashica 35mm - trix

Inter-négatif numérique

#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #vintagephotography #filmisnotdead #dreammagazine #reponsesphoto #oldschoolphotography #shootfilmunder1000 #kids #kidsphotography

2012. Сyanotype, author handmade, paper Daler Rowney 300 g/m2, 20х30cm, scanner Epson 3200

Papier albuminé.

Dissident stories, on a bench, on a hot summer night.

Cyanotype N°78 - Tonifié au maté + café / yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Bessa L + 21mm - agfa APX400

Inter-négatif numérique

#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #analogphoto #analogphotography #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #country #countrylife #countryphotography #countryliving #bessa #voigtlander #voigtländer

Garagardo lata kamera estenopeikoa.

Ilford RC multigradu paper disdiratsua.

Exposizioa: 2018-02-15/2018-05-04, 78 egun

Epson V370 eskanerra.

 

Contax G1 (Carl Zeiss Biogon 28mm F2.8). Author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1.

8 x 10 Gum over cyanotype contact printed on Fabriano Artistico 140 lb HP

Lith Print on expired Kodak Polycontrast single weight paper.

 

Cyanotype N°90 - Tonifié au maté + café / yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Leica M5 + summaron 35 - agfa APX400

Inter-négatif numérique

#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #analogphoto #analogphotography #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #country #countrylife #countryphotography #countryliving

 

Chemilumen print coated with honey after placing leaves.

 

KENTMERE VC SELECT 5x7

 

Exposure about 4 hours

Solarigrafía de un Toro de Osborne (XXXI) de la serie “Toros al sol”. Tiempo de exposición: 17/07/2017 a 30/03/2018. Cámara estenopeica de fabricación artesanal de proyección cilíndrica en posición de trabajo vertical y orientada a sur.

 

Video de la colocación y recogida de cámaras : www.flickr.com/photos/solarigrafia/35847619911/in/datetaken/

 

www.solarigrafia.com

www.instagram.com/solarigrafia

Cyanotype N°75 - Tonifié au maté + café / yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Lomo LCA120 + Foma200at400

Inter-négatif numérique

#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #arbre #trees #treephotography #lomography #lomolca

Cyanotype N°54 - Tonifié au maté + thé noir/ yerba maté + black tea toned

Papier - Bristol fabriano

Prise de vue - Fuji GA645 - Delta100@200

Inter-négatif numérique

#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #mediumformatcamera #fuji #fujiga645 #delta100 #ilforddelta100 #ilforddelta #ilford #aubusson #streetphotography

In 1974, while still at school, I experimented with various techniques to produce “abstract” photographs. This example was created using Agfacontour, a technical film made to create equidensities. It has both negative and positive components, which, according to the exposure given produce black and white images of a given density. For example three separations could be made for each of the light, dark and intermediate tones.

This was a time consuming business, and the film was discontinued once it became possible to make separations digitally.

Having made the separations, I went on to add colour, giving each layer a different hue. I did this in two ways, first by making black and white negatives on lith film, and using the Tetenal toning chemicals to replace the black silver image with a dye layer. Later I used 24 x 36mm images together with a slide duplicator and added different coloured light for each layer. This was done by keeping the shutter open and working in the dark.

This particular image is a recent reworking using fresh scans.

Cyanotype N°105 - Tonifié au maté + thé noir/ yerba maté + black tea toned

Papier - Moulin du coq - le rouge

Prise de vue - Leica IIIc + elmar 3,5cm - Kentmere 100

Inter-négatif numérique

#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #train #trainphotography #railway #railroad #rails #leicaphotography

Parece que algún tipo de polen o similar se ha colado por el estenopo y se ha quedado pegado en el papel, apareciendo en el resultado final en forma de manchitas negras.

 

Cámara estenopeica: lata de cerveza.

Exposición: 28-01-2018/27-06-2018, 150 días.

Papel brillante Ilford RC multigrado.

Epson V370 scanner.

 

Cyanotype N°482- Tonifié au maté + acide tanique / Yerba maté and tanic acid toned

Papier - Canson Montval

Prise de vue - Rolleifleix wide + papier ilfospeed

Inter-négatif numérique

Original exposure May 2019

Otmoor RSPB, Oxfordshire

 

Chamonix 810V

Nikkor-SW 150 f/8

Ilford FP4+ 8x10

2" f/45

Rear and front tilts forward, down angle on Arca Cube head

No filters

 

8x10 neg developed with Pyrocat HD 2:2:100 in BTZS tube

N-1, 8'05" (5min prewash in distilled water; 1min acetic acid stop bath; 10min fix in TF4; 1min sodium sulfite hypoclear; 30min wash). Slice taken off left-hand edge of neg (dark-slide incursion into shot!).

 

Argyrotype as follows, using Fotospeed sensitizer and following Christopher James AltPro bible guidance:

 

About 3ml argyrotype sensitiser + 1 drop of tween solution (taken from mix of 1 drop Tween 20 60% soon with 5 drops distilled water.

 

Jan 5th 2020, 21ºC, humidity 50%, paper dried for an hour or so before exposure but not otherwise prehumidified. Bergger Cot320 11x14” paper.

 

43 minutes under UV lamp, 5mins wash in 1.5l distilled water with squeeze of lemon juice, 5mins in 1.5l tap water, 3mins in 1.5l tap water with 1tbps+1heaped tbsp of hypo crystals (constant agitation for all these steps). Final wash: 30mins face down in tap water, change of water, 30mins face up, hang to dry.

 

Print digitized with Nikon D800E and 85PC-E tilt-shift

Cyanotype N°150 - Tonifié au maté + café/ yerba maté + cofee toned

Papier - Moulin du coq - le rouge

Prise de vue - Pentax SuperA + 50mm - Pan400

Inter-négatif numérique

#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #filmisnotdead #dreammagazine #reponsesphoto #shootfilmunder1000 #covid_19 #church #pentax

Cyanotype N°91 - Tonification au maté + café / yerba maté and cofee toned

Papier - Moulin du coq - Le rouge

Prise de vue - Leica II couplex + kyoeï W. Acall 3,5cm - kentemere 100@200

Inter-négatif numérique

#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #analogphoto #analogphotography #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #family #brother #river #riverphotography #familyphotography #riviere

2012. Contax G1 (Carl Zeiss Biogon 28mm F2.8). Author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1.

With Kallitype print process on Arches platine 300gr

Dev. Combo

Platinum toned

8x10' analogic film

  

www.instagram.com/stefano.bernardoni/

Classic cyanotype from 10x8" film negative

 

Contact Print:

Hahnemühle Platinum Rag, coated 28ºC 41% RH, dried 2hrs 30

Full sun/some cloud 2.15pm 16/08/26, 6’45”

Classic cyanotype, bleached after initial development for 26½hrs overnight in distilled water with added 0.75g Calcium Carbonate, then toned in purple smoke bush tea for 26minutes

  

Original Negative:

 

22nd April 2020 11:45am

Chamonix 810V

Nikkor-W 300 f/5.6

ilford FP4+ 8x10

500mm bellows extension

small amount of rear tilt forwards

11 seconds @ f/5.6

 

Stearman SP810 tray, Pyrocat HD 2:2:100, 12’, 21ºC

Acetic acid stop, TF-4 Fix, Hypoclear, wash, Ilfotol rinse

Cyanotype N°149- Tonifié au maté + acide tannique / yerba maté and tannic acid toned

Papier - Canson Montval

Prise de vue - Holga 120 GFCN - bergger pancro400

instax wide, mixed media 4x5

Palladium toned Kallitype on Arches Platine. This photograph was juried into the Visual Edge 2007 show at Viewpoint Gallery in Sacramento, California, SOHO Photo, New York, New York and won second place at the Tilt Gallery show, Photography Re-imagined, in Phoenix Arizona.

Cyanotype N°470

Tonifié au maté, café et acide tannique / yerba maté, cofee and acid tannic tonned

Papier - Canson Montval

Prise de vue - Vredeborch Stafetta-Duo (Holga like) + Rollei RPX400

Inter-négatif numérique

Minolta 507si, Minolta 24-50/4, AGFA Aviphot PAN200, dark room, enlarger Meopta Magnifax 2, author's hand lith print 24x30, Fotospeed lith developer LD20, paper Bromekspress-1

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