View allAll Photos Tagged alternativeprocesses
"Horizon infini" - Massif du Sancy - Juillet 2024
Cyanotype N°462- Tonifié au maté + acide tanique / Yerba maté and tanic acid toned
Papier - Canson Montval
Prise de vue - Minolta Escort Vista + Kodak trix400
Inter-négatif numérique
Hans de Bruijn
Lighthouse on Ameland.
Gum Bichromate, paper Fabriano Artistico CP 300 gr, size A4, photo courtesy J.G. Verburg.
Cyanotype N°47 - Tonifié au maté + thé noir/ yerba maté + black tea toned
Papier - Moulin du coq - Le rouge
Prise de vue - Fuji GA645 + Ilford delta 100@200
Inter-négatif numérique calibration méthode EDN
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #moulinducoq #analogphoto #todaysalternative #fisheyelemag #landscape #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #streetphotography #fujiga645 #fuji645 #mediumformatcamera #forestphotography #forest #delta100 #ilford #ilforddelta100 #ilfordfilm
They are more than towers, they are the means of warning the population, the means of news in their day, today they are really just towers.
Cyanotype print on Stonehenge watercolor paper. Digital negative made from an ONDU pinhole image.
Print toned in cheap green tea, which gave the background a nice lemony color.
Solarigrafía entre solsticios en la Estación de Ferrocarril El Cañuelo-Soria.
Tiempo de exposición: 21 de junio a 25 de diciembre 2016.
Cyanotype N°150 - Tonifié au maté + café/ yerba maté + cofee toned
Papier - Moulin du coq - le rouge
Prise de vue - Pentax SuperA + 50mm - Pan400
Inter-négatif numérique
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #filmisnotdead #dreammagazine #reponsesphoto #shootfilmunder1000 #covid_19 #church #pentax
Cyanotype N°105 - Tonifié au maté + thé noir/ yerba maté + black tea toned
Papier - Moulin du coq - le rouge
Prise de vue - Leica IIIc + elmar 3,5cm - Kentmere 100
Inter-négatif numérique
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #train #trainphotography #railway #railroad #rails #leicaphotography
Contax G1 (Carl Zeiss Biogon 28mm F2.8). Author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1.
Cyanotype N°91 - Tonification au maté + café / yerba maté and cofee toned
Papier - Moulin du coq - Le rouge
Prise de vue - Leica II couplex + kyoeï W. Acall 3,5cm - kentemere 100@200
Inter-négatif numérique
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #analogphoto #analogphotography #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #family #brother #river #riverphotography #familyphotography #riviere
Garagardo lata kamera estenopeikoa.
Ilford RC multigradu paper disdiratsua.
Exposizioa: 2018-02-15/2018-05-04, 78 egun
Epson V370 eskanerra.
Cyanotype N°482- Tonifié au maté + acide tanique / Yerba maté and tanic acid toned
Papier - Canson Montval
Prise de vue - Rolleifleix wide + papier ilfospeed
Inter-négatif numérique
Cyanotype N°75 - Tonifié au maté + café / yerba maté + cofee toned
Papier - Moulin du coq - le rouge
Prise de vue - Lomo LCA120 + Foma200at400
Inter-négatif numérique
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #arbre #trees #treephotography #lomography #lomolca
Cyanotype N°54 - Tonifié au maté + thé noir/ yerba maté + black tea toned
Papier - Bristol fabriano
Prise de vue - Fuji GA645 - Delta100@200
Inter-négatif numérique
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #mediumformatcamera #fuji #fujiga645 #delta100 #ilforddelta100 #ilforddelta #ilford #aubusson #streetphotography
Parece que algún tipo de polen o similar se ha colado por el estenopo y se ha quedado pegado en el papel, apareciendo en el resultado final en forma de manchitas negras.
Cámara estenopeica: lata de cerveza.
Exposición: 28-01-2018/27-06-2018, 150 días.
Papel brillante Ilford RC multigrado.
Epson V370 scanner.
Gum Bichromate on Fabriano Artistico. I love my mother because she is my mother; this picture is a great example of why I also like her.
Original exposure May 2019
Otmoor RSPB, Oxfordshire
Chamonix 810V
Nikkor-SW 150 f/8
Ilford FP4+ 8x10
2" f/45
Rear and front tilts forward, down angle on Arca Cube head
No filters
8x10 neg developed with Pyrocat HD 2:2:100 in BTZS tube
N-1, 8'05" (5min prewash in distilled water; 1min acetic acid stop bath; 10min fix in TF4; 1min sodium sulfite hypoclear; 30min wash). Slice taken off left-hand edge of neg (dark-slide incursion into shot!).
Argyrotype as follows, using Fotospeed sensitizer and following Christopher James AltPro bible guidance:
About 3ml argyrotype sensitiser + 1 drop of tween solution (taken from mix of 1 drop Tween 20 60% soon with 5 drops distilled water.
Jan 5th 2020, 21ºC, humidity 50%, paper dried for an hour or so before exposure but not otherwise prehumidified. Bergger Cot320 11x14” paper.
43 minutes under UV lamp, 5mins wash in 1.5l distilled water with squeeze of lemon juice, 5mins in 1.5l tap water, 3mins in 1.5l tap water with 1tbps+1heaped tbsp of hypo crystals (constant agitation for all these steps). Final wash: 30mins face down in tap water, change of water, 30mins face up, hang to dry.
Print digitized with Nikon D800E and 85PC-E tilt-shift
2012. Contax G1 (Carl Zeiss Biogon 28mm F2.8). Author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1.
Cyanotype N°90 - Tonifié au maté + café / yerba maté + cofee toned
Papier - Moulin du coq - le rouge
Prise de vue - Leica M5 + summaron 35 - agfa APX400
Inter-négatif numérique
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #todaysalternative #analogphoto #analogphotography #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #country #countrylife #countryphotography #countryliving
Cyanotype of a cliff in the vicinity of mt.Olympus. On screen printing of a digital negative
Paper: SentioArt 220gr, 20x30cm
Printer: HP deskject ink 3525
Scanner: Epson V370
Cyanotype N°471- Tonifié au maté + acide tanique / Yerba maté and tanic acid toned
Papier - Canson Montval
Prise de vue - Minolta freedom Vista + Kodak trix400
Inter-négatif numérique
Cyanotype N°360 - Tonifié au café / cofee toned
Papier - Canson Montval
Prise de vue - Empire junior 6x6 (Holga like) + Bergger 400
Inter-négatif numérique
Minolta 507si, Minolta 24-50/4, AGFA Aviphot PAN200, dark room, enlarger Meopta Magnifax 2, author's hand lith print 24x30, Fotospeed lith developer LD20, paper Bromekspress-1
-Cyanotype-
I replaced Ferric Ammonium Citrate / Ferric Ammonium Oxalate of Classic/Dr. M. Ware Formulas with potassium trisoxalatoferrate(III) (Potassium Ferrioxalate).
The Potassium Ferrioxalate photochemical reaction releases Fe2 + ions that can be conveniently employed in the production of Prussian Blue.
There are no benefits compared to the use of the classic formulas. The advantage materializes when there is as a by-product formation of potassium ferrioxalate crystals by preparing the M. Ware cyanotype sensitizing solution, which will be filtered and discarded. In this case the by-product can be advantageously re-used.
Palladium toned Kallitype on Arches Platine. This photograph was juried into the Visual Edge 2007 show at Viewpoint Gallery in Sacramento, California, SOHO Photo, New York, New York and won second place at the Tilt Gallery show, Photography Re-imagined, in Phoenix Arizona.
Mamiya RZ67ProII (Sekor Z 110mm f/2.8) 6x6 back. Author's hand print (Lith-print). Enlarger Meopta Opemus 5. Developer Fotospeed LD20. Photo paper Bromekspress-1. rolfilm Fomapan 200, Scanner Epson 3200
série "Trouble(s)"
Cyanotype N°455
Tonifié au maté, café et acide tannique / yerba maté, cofee and acid tannic tonned
Papier - Canson Montval
Prise de vue - Ensign Full Vue(Holga like) + ilford HP5
Inter-négatif numérique
Organic foil printing
35mm Negative printed on acetate
"Carlos Alberto Chapel"
The chapel was built on the initiative of Princess Augusta of Montléart, in memory of her half-brother, the King of Piedmont-Sardinia, Charles Albert.
Chapel located in the Jardins do Palácio Cristal. (Harbor)
Cyanotype N°494- Tonifié au maté + acide tanique / Yerba maté and tanic acid toned
Papier - Canson Montval
Prise de vue - Rolleifleix wide + Ilford HP5+
Inter-négatif numérique
Cyanotype N°488 - Tonifié au café / cofee toned
Papier - Canson Montval
Prise de vue - Empire junior 6x6 (Holga like) + Bergger 400
Inter-négatif numérique
Cyanotype N°137 - Tonifié au maté + café/ yerba maté + cofee toned
Papier - Moulin du coq - le rouge
Prise de vue - Contax 167 + yashica 35mm - trix
Inter-négatif numérique
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #argentique #analoguephoto #blueprint #ishootfilm #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #vintagephotography #filmisnotdead #dreammagazine #reponsesphoto #oldschoolphotography #shootfilmunder1000 #kids #kidsphotography
Cyanotype N°111 - Tonifié au maté + thé noir/ yerba maté + black tea toned
Papier - Moulin du coq - le rouge
Prise de vue - fuji xe2 + ?
Inter-négatif numérique
#cyanotypes #cyanotype #cyanotypeprint #cyanotypeprocess #alternativeprinting #alternativephotography #blueprint #alternativephotographicprocesses #alternativeprocesses #alternativeprocessphotography #analogphoto #analogphotography #todaysalternative #fisheyelemag #blackandwhite #blackandwhitephotography #cianotipia #cianotipo #experimentalphotography #fog #fogphotography #brouillard #winter #winterphotography #hiver #fujifilmxe2 #fujixe2 #fujixseries
I know, I know -- I've still got a lot of work to do in getting my exposure curve right. But still exciting to get something the first time out. I've got some (slightly) better ones hanging as I type.
Zero Image 612B pinhole.
Final digitised version
Print: 26th March 2022 / 22ºC / 43% RH
10x8 contact print from Ilford FP4+ negative, trimmed slightly, on 14x11 Bergger Cot320
3ml Fotospeed sensitiver, 1 drop of tween20 solution (mix of 1 drop and 5 drops distilled water)
Paper dried 1hr5mins, no prehumidification
8’30” daylight exposure in full sun, 1:35pm
5mins wash in 1.5l distilled water with squeeze of lemon juice
5mins wash in 1.5l tap water
3mins fix in hypo
1hr final soak
Original exposure:
2nd June 2021, 2.15pm
Chamonix 810V, Rodenstock Apo-Sironar S 240mm f/5.6
Ilford FP4+ 125 (EI 64) 10x8
400mm bellows extension
11” f/5.6, Lee #23A light red filter
Stearman Press SP810, Pyrocat HD 2:2:100, 8’53” for N, 21ºC
Acetic acid stop, TF4 Fix, Hypoclear
Digitised with Nikon D800E and 85PC-E tilt-shift, stitch of two frames.
Cyanotype N°482- Tonifié au maté + acide tanique / Yerba maté and tanic acid toned
Papier - Canson Montval
Prise de vue - Rolleifleix wide + Ilford HP5+
Inter-négatif numérique
Contact printing 5”x7’ negatives direct to BFK Reves paper which I’ve pre-coated and dried. An exploratory session because the Part A and Part B liquid chems are three years expired. So far, although the UV sensitivity seems to be a little reduced, all appears OK. I have double coated for the next test.