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Agfa APX 100, Zeiss Ikon Contessa 35 folding camera, Zeiss hellgelb light yellow filter. Ballard, Seattle, Washington, May, 2014.
Imagen tomada en alguno de los talleres de la calle Particular de Izaurieta. Estos talleres forman un conjunto de tejados en forma de diente de sierra que, por la estreched de la calle que los conecta, forman un paisaje industrial peculiar desde una mirada artística. Alfonso Batalla
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Had I taken more time to get better focus in some spots, this could have been a little better, but I enjoyed it enough to put it up.
Mortarmen put together the mortar tube before the Slovenian Armed Forces assault on a town held by opposing forces (OPFOR), played by the Slovak Armed Forces. This situational training exercise lane or STX is being evaluated by U.S. Army Observer Controllers (OCs) from the Joint Multinational Readiness Center along with OPFOR OCs, Slovenian OCs and Slovak OCs. In the following weeks Slovenian and Slovak armed forces will partner with U.S. and Polish soldiers to add a much larger international presence in the 173rd Airborne Brigade Combat Team's Full Spectrum Training Event being held at Hohenfels Germany. US Army Europe Public Affairs photo by Richard Bumgardner.
après une orage le ciel se degage pour decouvrir l'alignement de volcan Nyiragongo situé RD Congo, Karisimbi et Gahinga situés au Rwanda. tous à plus de 300Km
Camera: QSI583wsg
Optics: Celestron C14; Optec F7.1 Telecompressor
Mount: Astro-Physics AP1200 GTOCP3
Guiding: C14 via integrated QSI OAG using PHD2
Capture: SGP
RGB each 6x120Sec. All bin 2x2, plus Bias, Darks and Flats (using LED light panel)
Processing: Calibrated, aligned, stacked and post processing using ImagesPlus IP6.5
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[caption id="attachment_232" align="alignleft" width="300" caption="Smart Tan"][/caption]
UV Tanning TipsLooking forward to a consultation of indoor UV tanning for a rich golden brown tan? Then going during the UV tanning guidelines in this article, may well be of substantial lend a handTanning is a mechanism in which the frame protects itself from the dangerous effects of the sun sunlight contains ultraviolet (UV) rays that are of 3 types UVA, UVB and UVC. among those 3 types of rays, UVC is harmful for our skin and lead tos sunburns or even cancer of the outside the other rays lead to no harm and a moderate quantity of exposure to these rays is used for indoor UV tanning.
However what lead tos tanning?Our skin has 3 layers epidermis epidermis and hypoepidermis. The epiepidermis contains cells termed as melanocytes which, on exposure to UV rays of the sun free up a pigment referred to as melanin. The selection of melanocytes in the skin varies among other folks from other portions of the arena The more the selection of melanocytes for your skin, the deeconsistent with the tan you get. at the same time as you'll be able to always shower in the sun for a herbal sun tan, there are certain advantages of a tanning bed.
On a tanning bed, you are exposed to a controlled quantity of UV radiation and whats more, you'll be able to even adjust the temconsistent withature as consistent with your convenience additionally an indoor UV tanning bed filters out the dangerous UVC rays and hence are safer than tanning in the suneach and every time you propose to get a tan, keep in mind that those UV tanning guidelines. Following those simple guidelines will allow you to get a wealthy and safe tan on every occasion on the other hand it is best suggested that you consult your doctor sooner than getting a UV tan.
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A series of photos I took before Christmas, on a day wandering around the South Bank, and in particular around the National Theatre/Royal Festival Hall.
It is a brilliant maze of paths around the area and plenty of brutalist architecture. My aim for the day was to get better at 'seeing' photos, not sure if I did, but there are lots of good images.
exhibition opening
Filodrammatica Gallery, Korzo 28/1, Rijeka
10 November, 2022
ON VIEW UNTIL 29 NOVEMBER, 2022
Visualizing the fragmentary nature of our digital lives, the "All-Aligned" project ask: what is a society in which we, as users of digital systems, identify ourselves with automatically generated symbols, a society whose identities are driven by algorithms? What does the standard repertoire of national symbols, such as the flag, motto, coat of arms and anthem, represent today, at the time of the proliferation of digital capital, the accelerated doubling of memetic fronts and the general inflation of meaning?
The core of the project is a custom made random flag generator for infinite identity building, a software system based on applied artificial intelligence (AI), named Fractal Nations.
Ideas and concepts (pirate, Balkan, libertarian, ecological, dark, etc.) are being mapped onto graphic elements (colors, layouts, symbols, new shapes, etc.). By generating flags, the system also generates an infinite number of micro-identities, which multiply in a fractal manner, dividing themselves ad infinitum.
The exhibition shows various visual outputs from the described software system, primarily flags, which are displayed as real, physical, cloth or silk flags, as prints on the gallery wall, and as part of an interactive site, exhibited in the gallery, which allows visitors to generate their personal, individual – truly individualistic – symbolic identity on the spot (and for that exact moment in time, because the very next moment their own flag would look different).
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UROŠ KRČADINAC (b. 1984) is a Belgrade-based digital artist, technologist, writer, and educator. His transmedia practice involves computer programming, writing, designing, animating, and mapmaking. His research was published by IEEE scientific journals, his artworks presented at re:publica, Emily Car University, SASA Academy Gallery, Serbian Museum of Science and Technology, and many more. He received his PhD in Informatics from the University of Belgrade. Currently, he works as an Assistant Professor of Digital Art and Computing at the Faculty of Media and Communications in Belgrade.
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Photos by: Tanja Kanazir / Drugo more
U.S. Army Col. Mark Johnson, 3rd Combat Aviation Brigade commander, and U.S. Army Command Sgt. Maj. Terri Clavon, 3rd CAB command sergeant major, visited with Soldiers of Task Force Marauder at Fort Hood, Texas Sept. 18, 2017 to brief leaders as they prepare for the deployment and conduct a patch ceremony where TF Marauder members took on the 3rd Infantry Division patch. Task Force Marauder, which is aligned under the 3rd Combat Aviation Brigade for deployment, is composed of Soldiers from the South Carolina National Guard, Pennsylvania National Guard, Illinois National Guard, and Iowa National Guard and provides aviation capabilities with AH-64 Apaches, UH-60 Black Hawks, and CH-47 Chinooks. (U.S. Army National Guard photo by Capt. Jessica Donnelly)
exhibition opening
Filodrammatica Gallery, Korzo 28/1, Rijeka
10 November, 2022
ON VIEW UNTIL 29 NOVEMBER, 2022
Visualizing the fragmentary nature of our digital lives, the "All-Aligned" project ask: what is a society in which we, as users of digital systems, identify ourselves with automatically generated symbols, a society whose identities are driven by algorithms? What does the standard repertoire of national symbols, such as the flag, motto, coat of arms and anthem, represent today, at the time of the proliferation of digital capital, the accelerated doubling of memetic fronts and the general inflation of meaning?
The core of the project is a custom made random flag generator for infinite identity building, a software system based on applied artificial intelligence (AI), named Fractal Nations.
Ideas and concepts (pirate, Balkan, libertarian, ecological, dark, etc.) are being mapped onto graphic elements (colors, layouts, symbols, new shapes, etc.). By generating flags, the system also generates an infinite number of micro-identities, which multiply in a fractal manner, dividing themselves ad infinitum.
The exhibition shows various visual outputs from the described software system, primarily flags, which are displayed as real, physical, cloth or silk flags, as prints on the gallery wall, and as part of an interactive site, exhibited in the gallery, which allows visitors to generate their personal, individual – truly individualistic – symbolic identity on the spot (and for that exact moment in time, because the very next moment their own flag would look different).
---
UROŠ KRČADINAC (b. 1984) is a Belgrade-based digital artist, technologist, writer, and educator. His transmedia practice involves computer programming, writing, designing, animating, and mapmaking. His research was published by IEEE scientific journals, his artworks presented at re:publica, Emily Car University, SASA Academy Gallery, Serbian Museum of Science and Technology, and many more. He received his PhD in Informatics from the University of Belgrade. Currently, he works as an Assistant Professor of Digital Art and Computing at the Faculty of Media and Communications in Belgrade.
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Photos by: Tanja Kanazir / Drugo more