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Kristi Dean (l) and Susan O'Dea from Chicago Tube and Iron Co. the networking, dinner and Keynote Speaker at Drury Lane in Oak Brook for Technology Manufacturing Aligned (TMA) on 11-14-13
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Ce mardi 8 septembre, Aligna, sculpteur botaniste de Chars (Val d’Oise) teste le site d’Aveny pour sa future installation du dimanche 27 septembre 2009, à l’occasion de le fête annuelle de la voie verte Gisors-Gasny ;
En savoir plus sur ce "Gentleman Flower", "esthète ferrailleur", cueilleur de sourires : www.aligna.fr
L'artiste Aligna ( www.aligna.fr ) vient à la salle de mairie d'Authevernes pour nous démontrer ses techniques florales. Tous les bénévoles ayant bien participés à l'installation "Fete de la peinture" reflet impressionnisme Ile de France-Haute Normandie" sont récompensés, peuvent créer pour eux des fleurs en métal sur aides d'Aligna. Prochaine séance à Saint Clair sur Epte, salle de l'Atelier du Pommier, jeudi 30 mai de 14h à 17H
Neat-o tool used with Linotype mats, to somehow trimm or burnish the edges and make them cast evenly with the other mats in a line. Not quite sure hwo it works, but I get the gist.
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On and off the Mat
The New Year brings with it a fresh start. A reboot. An opportunity to refresh your daily agenda. A chance to change directions. An excuse to Re:Align.
Work less. Eat better. Travel more. Start a business. Volunteer. Save Money. Get Organized. Read more often. Learn a new language. Lose weight. Master Photoshop. Get a promotion. Reconnect with old friends. Run a marathon. Write a book. Launch an app.
No matter what 2014 has in store for you, we wanted to help make that happen. Re:Align wasn't a program for the faint of heart. It was an opportunity for kickass women with big dreams to hit the ground running. And that they did!
Congratulations ladies!
exhibition opening
Filodrammatica Gallery, Korzo 28/1, Rijeka
10 November, 2022
ON VIEW UNTIL 29 NOVEMBER, 2022
Visualizing the fragmentary nature of our digital lives, the "All-Aligned" project ask: what is a society in which we, as users of digital systems, identify ourselves with automatically generated symbols, a society whose identities are driven by algorithms? What does the standard repertoire of national symbols, such as the flag, motto, coat of arms and anthem, represent today, at the time of the proliferation of digital capital, the accelerated doubling of memetic fronts and the general inflation of meaning?
The core of the project is a custom made random flag generator for infinite identity building, a software system based on applied artificial intelligence (AI), named Fractal Nations.
Ideas and concepts (pirate, Balkan, libertarian, ecological, dark, etc.) are being mapped onto graphic elements (colors, layouts, symbols, new shapes, etc.). By generating flags, the system also generates an infinite number of micro-identities, which multiply in a fractal manner, dividing themselves ad infinitum.
The exhibition shows various visual outputs from the described software system, primarily flags, which are displayed as real, physical, cloth or silk flags, as prints on the gallery wall, and as part of an interactive site, exhibited in the gallery, which allows visitors to generate their personal, individual – truly individualistic – symbolic identity on the spot (and for that exact moment in time, because the very next moment their own flag would look different).
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UROŠ KRČADINAC (b. 1984) is a Belgrade-based digital artist, technologist, writer, and educator. His transmedia practice involves computer programming, writing, designing, animating, and mapmaking. His research was published by IEEE scientific journals, his artworks presented at re:publica, Emily Car University, SASA Academy Gallery, Serbian Museum of Science and Technology, and many more. He received his PhD in Informatics from the University of Belgrade. Currently, he works as an Assistant Professor of Digital Art and Computing at the Faculty of Media and Communications in Belgrade.
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Photos by: Tanja Kanazir / Drugo more
the aligned images (as opposed to the unaligned in the next picture in the set/photostream) has much more apparent ghosting
ANEW event sponsored by Bentley Prince Street, held at the Smog Shoppe on March 15, 2012. Photo credit: Diana Cabrera