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Experimentations with Sean Wood and Louis Commère of the Neurocomputational and Intelligent Signal Processing (NECOTIS) research group during an interdiciplinairy art, science and technologies research residency in 2015. The residency program is a collaboration between the Sporobole art center and Université de Sherbrooke.
The granular sampling system analyses and maps audio features such as the amplitude, balance, pitch, spectrum, frequencies, harmonics and percussiveness of sounds. Using a random walker algorithm, it generates endless compositions based on the relationships between the sound samples transposed in reconfigurable point clouds.
www.francois-quevillon.com/html/en/node/303
Expérimentations avec Sean Wood et Louis Commère du groupe NECOTIS (Neurosciences Computationnelles et Traitement Intelligent des Signaux ) dans le cadre d'une résidence de recherche en arts, sciences et technologies. Le programme de résidence est une collaboration entre le centre en art actuel Sporobole et l’Université de Sherbrooke.
Le système d'échantillonnage granulaire procède à l'analyse de caractéristiques sonores et à leur visualisation dans un espace à multiples dimensions. Le logiciel examine des paramètres tels que l'amplitude, l'équilibre, la hauteur, le spectre, les fréquences, les harmoniques, les passages à zéro et l'aspect percussif du son. En utilisant un algorithme de marche aléatoire (random walker), il génère ensuite des pièces infinies selon les relations entre les échantillons sonores transposés dans un nuage de points dont la structure est reconfigurable.
Just started experimenting with a magnet board, mind-mapping and algorithm to get order and an overview into my atomic to-do list. Soon ran out of magnets, so I only grouped the to-do slips roughly. I am still at the very start of this design process. But, boy, does that put fun into your task list. The inspiration came from this website alas, it is in German.
Update: this was one of the first experiment with this method. The method has been greatly refined. Please check out the Slip Method set and the serialised book on my website.
Created entirely through programming. This series is roughly based on the idea of Conway's Game of Life.
Prints of this work are available on Tyler Hobbs Art.
A screen capture from a generative animation in my first mobile game: DRIFT, the puzzle that doesn't stand still.
See more at rndsd.com/drift/
Downtown Toronto. From the 'way-back machine, some photos from 2013 that I never got around to processing.
Moderator Ana Rold (right), Publisher and CEO of Diplomatic Courier and Scott Hartley, Author and Venture Capitalist, take part in the New Economy Talk: Why the Liberal Arts Matter in an Algorithmic World on Thursday, October 12, during the 2017 IMF/World Bank Annual Meetings in Washington, D.C. Ryan Rayburn/IMF Photo
an example of mapping of colors, based on the Hungarian algorithm.
(c) 2016, Taro Yamamoto, All rights reserved.
In the performance Robots, Bass, and Hot Algorithms! AI artist Portrait XO enters the stage with Moritz Simon Geist for musical interventions featuring techno robots and an AI collaborator. Portrait XO is an award-winning independent researcher and artist who creates musical and visual works with traditional and non-traditional methods based on ongoing research in computational creativity and human-machine collaboration. Sonically obsessed with space and time, she explores how far she can take storytelling and sound traveling through latent space. Moritz Simon Geist is a music producer working with music robots. He started because he wants to invent the future of electronic music — with robots! His projects range from robotic music performances to robotic sound installations.
Photo: tom mesic
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Algorithmes Sérigraphiques
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Day 4 and we have started printing, yeah !
Algorithmes Sérigraphiques is a week long creative workshop using Processing to generate images and silk screen to print the results.
Un workshop d'une semaine avec du Processing et de la sérigraphie.
For further info/Plus d'infos : www.freeartbureau.org/blog/
Experimentations with Sean Wood and Louis Commère of the Neurocomputational and Intelligent Signal Processing (NECOTIS) research group during an interdiciplinairy art, science and technologies research residency in 2015. The residency program is a collaboration between the Sporobole art center and Université de Sherbrooke.
The granular sampling system analyses and maps audio features such as the amplitude, balance, pitch, spectrum, frequencies, harmonics and percussiveness of sounds. Using a random walker algorithm, it generates endless compositions based on the relationships between the sound samples transposed in reconfigurable point clouds.
www.francois-quevillon.com/html/en/node/303
Expérimentations avec Sean Wood et Louis Commère du groupe NECOTIS (Neurosciences Computationnelles et Traitement Intelligent des Signaux ) dans le cadre d'une résidence de recherche en arts, sciences et technologies. Le programme de résidence est une collaboration entre le centre en art actuel Sporobole et l’Université de Sherbrooke.
Le système d'échantillonnage granulaire procède à l'analyse de caractéristiques sonores et à leur visualisation dans un espace à multiples dimensions. Le logiciel examine des paramètres tels que l'amplitude, l'équilibre, la hauteur, le spectre, les fréquences, les harmoniques, les passages à zéro et l'aspect percussif du son. En utilisant un algorithme de marche aléatoire (random walker), il génère ensuite des pièces infinies selon les relations entre les échantillons sonores transposés dans un nuage de points dont la structure est reconfigurable.
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
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www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
The seven prints in the "Linkages" suite are intended as a fold-out book, potentially with many variations in the ordering and position of the elements. In the Linkages suite, de la Serra combines a purely topological exercise in dividing the picture plane with half and quarter circles with a play of proportions based on the Fibonacci series and the related Lucas series to derive a species of armature. Within this armature are embedded images from a variety of sources: the "Visible Human" project of the U.S. National Institute of Health, images from the Hubble Space Telescope, high-resolution images of the earth from various NASA space flights, and de la Serra's own images. While de la Serra has not yet provided a full explanation of her imagery, it is not out of place to suggest that she is looking for a way to engage social issues while still placing her point of departure in a formal idiom.
Linkages was exhibited by the artist Alma de la Serra at SIGGRAPH 2000.
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
www.redbubble.com/people/Motionage/shop
www.etsy.com/shop/EasternAccentsArt
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
In plain view, my daily prescription.
Tracking it for the next 2 weeks. May need to rethink how to display it... but it needs to be tatoo'ed on my front cortex.
Juhan's Day Algorithm:
Kiss my wife + kids
Eat 1 green meal
Design 1 thing
Sketch (10m)
Walk twice (20m each)
Listen to a story (20m)
Read a story (20m)
Make a story (20m)
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
www.redbubble.com/people/Motionage/shop
www.etsy.com/shop/EasternAccentsArt
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Some very early results of my contour labeling work for Maperitive. This image shows which points on contours are better for placing labels on them (blue is good, red is bad).
Two factors were taken into account: straightness of the contour segment around the point and how horizontal the segment is. The final value was calculated so that the straightness has a much higher priority over the orientation (in other words: vertical labels are better than crooked ones).
The values were calculated based on an imaginary label that's around 3 circles wide.
Made from 9 light frames (captured with a NIKON CORPORATION camera) by Starry Landscape Stacker 1.6.2. Algorithm: Median
That bright orange dot is Mars.
Algorithmic transformation of the SF skyline and the air on September 9, 2020, aiming to express a feeling rather than a realistic representation of smoke from a large wildfire to the north.
Sandia National Laboratories researchers David Montes de Oca Zapiain, left, and Hojun Lim examine data generated by the machine learning algorithm Material Data Driven Design that could provide auto manufacturing, aerospace and other industries a faster and more cost-efficient way to test bulk materials.
Learn more at bit.ly/351w4yQ
Photo by Bret Latter
Gideon Lichfield, Editor-in-Chief, MIT - Technology Review, USA, Joy Buolamwini, Researcher; Founder, Algorithmic Justice League, Massachusetts Institute of Technology (MIT) Media Laboratory, USA and Justine Cassell, Associate Dean, Technology, Strategy and Impact, .School of Computer Science, Carnegie Mellon University, USA . speaking during the Session "Compassion through Computation: Fighting Algorithmic Bias" at the Annual Meeting 2019 of the World Economic Forum in Davos, January 23, 2019. Congress Centre - Betazone
Copyright by World Economic Forum / Jakob Polacsek
1. Untitled, 2. John French Sloan's "Six O'Clock Winter" Takes Over his "City From Greenwich Village", 3. "Existential Crisis at the Baggage Claim", 4. "Catching the Neutrino", 5. "Caterwauling Carousel", 6. Happy Valentine's Day, 2019!, 7. "A Prisoner of Her Own Mind", 8. "The Einstein Special 3.0",
9. "Bamboo Tower, Cropped", 10. "Shattered Spokes, Psychedelic", 11. "The Center Does Not Hold" (in progress 2.0), 12. "The Center Does Not Hold" (in progress 1.0), 13. "Hummers, Digital Oil", 14. "Dillon, Digital Oil", 15. "Journey to the Center of the Earth 2.0", 16. "Piano Warp",
17. "That Dam Horizon Line Again", 18. "The Clouds 2.0" by Aristophanes, 19. "Variation on a Themes by Emil Nolde, Triptych in Red, Blue, and Green ", 20. "Double Thruster of a Terraformed Asteroid"--title by Bill Smith and image inspired by and dedicated to him, 21. "PANO-Typewriters in Antique Shop", 22. "Dragline at Kayenta Mine, Arizona", 23. "Cafe, Morning Light", 24. "Saguaro You Here?"--pun by Paul Ewing and Tim Lefler,
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
www.redbubble.com/people/Motionage/shop
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
I'm still deciding between 'main(){return(jesus);}' or 'SELECT * FROM earth.humans WHERE logic < 1;`
A screen capture from a generative animation in my first mobile game: DRIFT, the puzzle that doesn't stand still.
See more at rndsd.com/drift/