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Gideon Lichfield, Editor-in-Chief, MIT - Technology Review, USA, Joy Buolamwini, Researcher; Founder, Algorithmic Justice League, Massachusetts Institute of Technology (MIT) Media Laboratory, USA and Justine Cassell, Associate Dean, Technology, Strategy and Impact, .School of Computer Science, Carnegie Mellon University, USA . speaking during the Session "Compassion through Computation: Fighting Algorithmic Bias" at the Annual Meeting 2019 of the World Economic Forum in Davos, January 23, 2019. Congress Centre - Betazone
Copyright by World Economic Forum / Jakob Polacsek
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
A screen capture from a generative animation in my first mobile game: DRIFT, the puzzle that doesn't stand still.
See more at rndsd.com/drift/
Permutated connections and influence for the Viterbi algorithm. Diagram automatically shaped by omnigraffle.
A screen capture from a generative animation in my first mobile game: DRIFT, the puzzle that doesn't stand still.
See more at rndsd.com/drift/
8192 triangles are drawn in 3 dimensional space and used to approximate a source image. An algorithm refines the colors and positions of the vertices until the image converges on the target.
Made with Processing (processing.org)
How to Hire with Algorithms t.co/ZsoSAG7MmZ #HumanResources t.co/62MMQuqFLa (via Twitter twitter.com/AleantLLC/status/788083199863885824)
Suzy, my guitar, distorted by handheld motion and movement and using a homemade filter/mask.
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All photographs, paintings, videos, poems/poetry, recipes, and derivative works are copyright by me, John Russell, and all my rights are reserved. I take my copyright seriously: under penalty of law none of my images or other properties may be downloaded, copied, duplicated, reproduced, altered, or otherwise used in any manner whatsoever without my written permission.
Do not use any of my images, paintings, recipes, videos, photos, poems/poetry or other works of art on any websites, blogs, or in or on any other media without my written permission. Copyright © John Russell; all rights reserved.
A screen capture from a generative animation in my first mobile game: DRIFT, the puzzle that doesn't stand still.
See more at rndsd.com/drift/
ALGORITHM MARCH dance fad created in Japan. See full article at Challengeur.com - Best of Wikipedia : www.challengeur.com/best-of-wikipedia/484/ALGORITHM-MARCH...
A screen capture from a generative animation in my first mobile game: DRIFT, the puzzle that doesn't stand still.
See more at rndsd.com/drift/
Ro m theta sigma : 5 -0.02 100 1 \ T N Xo : 99.8 500 100 nboot: 160 commit 620fd5ae7cc000b105a3a3998ca2152a73460fe1
I wanted to create a short animation that illustrates the label placement algorithm for tag maps, placing labels in descending order, based on importance, and in several discrete classes on the map. Since the final tag maps visualization is still only implemented in ArcMap / ArcPro, I needed to automate the map generation.
This was done with ArcPy, a python package that allows automation of the ArcMap interface. Afterwards, the generated image sequence was combined to a video in Adobe Premiere.
By Wilkinson Eyre Architects
Installed at Canary Wharf, this egg was lit with a rotating colour display.
Part of the The Big Egg Hunt:
"The Big Egg Hunt is a plan hatched by Elephant Family and Action for Children for a record-breaking egg hunt across Central London to raise money for these two egg-cellent causes!
Over 200 uniquely crafted eggs, created by leading artists, designers, architects and jewellers, are be hidden across the capital"
[website]
Vyacheslav Polonski, Founder and Chief Executive Officer, Avantgarde Analytics, United Kingdom, David Rowan, Editor-at-Large, Wired, United Kingdom and Baohong Sun, Dean's Distinguished Chair Professor of Marketing; Associate Dean, Global Programmes, Cheung Kong Graduate School of Business, People's Republic of China during the Session: "Algorithms Make the World Go Round ? or Wrong" at the World Economic Forum - Annual Meeting of the New Champions in Dalian, People's Republic of China 2017. Copyright by World Economic Forum / Jakob Polacsek
A collaboration with onformative.com. A pixelrow of a photograph is taken and then sorted by colorvalues. Done with processing.
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This is an interesting discussion of YT Kids and the role of algorithms. This is an issue that came to light through James Bridle’s post last year.
I must admit that I still use the YT Kids app sometimes. For example, the other day my daughter wanted to watch a song from Little Mermaid. I used the app and it was interesting what I found:
A response from the YT Kids algorithm
It made me think about how that result may have been produced. I listened to the song. It was fine. It was basically a song inspired by The Little Mermaid. I just wonder why horror was allowed through.
collect.readwriterespond.com/algorithms-leave-them-kids-a...
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr search results. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment.
My websites:
Visit my portfolio sites:
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
A screen capture from a generative animation in my first mobile game: DRIFT, the puzzle that doesn't stand still.
See more at rndsd.com/drift/
Algorithms in art are no longer mere visualization tools, but rather creative partners with a considerable share of aesthetic responsibility. The universal language of algorithms is math. Students of the subject put hands-on principles of mathematics in art, get acquainted with more than 50 creative software tools (visual grammars, fractals, chaos, tessellations, etc.) and learn how to understand and critically reflect on calculated creativity.
Credit: Natália Lajčiaková
Handheld, iPhone5
In-phone, 3 exposure combination
Dramatic mode
The Ittiam High Dynamic Range (HDR) algorithm for Mobile and Cellphone cameras, Smartphones and Tablets intelligently selects the exposures of the constituent images and combines the details using advanced de-noising, anti-ghosting and tone mapping techniques to obtain high quality HDR images. The HDR algorithm is part of Ittiam's Imaging SDK. The photograph was taken using an iPhone5 application based on Ittiam's Imaging SDK. All processing for this photograph was done in phone, unless explicitly noted.
For further information, please see Ittiam's HDR Algorithm Web Page
A mosaic of some of my photos from the 2008 Dagstuhl seminar on Theory of Evolutionary Algorithms. This was made using the uncleaned images, so the white balance and color is pretty off in a few, but it was quick and dirty and worked well enough for the purposes.
1. Dinner Sunday night.
2. Working in the lab.
3. In the library.
4. During a coffee break in the seminar room.
5. Doing maths.
6. The Wednesday hike.
7. The castle.
8. Foosball in the game room.
9. Beer in the dining hall.
10. Preparing to leave.
11. The new building in the foreground, the old behind, and the bridge between.
12. Bound journals in the library.
1. Dagstuhl 2008-01-27 - 10, 2. Dagstuhl 2008-01-27 - 14, 3. Dagstuhl 2008-01-27 - 24, 4. Dagstuhl 2008-01-28 - 06, 5. Dagstuhl 2008-01-29 - 25, 6. Dagstuhl 2008-01-30 - 064, 7. Dagstuhl 2008-01-30 - 104, 8. Dagstuhl 2008-01-31 - 27, 9. Dagstuhl 2008-02-01 - 03, 10. Dagstuhl 2008-02-01 - 26, 11. Dagstuhl 2008-02-01 - 28, 12. Dagstuhl 2008-02-01 - 53
Created with fd's Flickr Toys.
Facebook Algorithmic Factory sheds light on the invisible processes that take place inside the world’s largest social network. Inside this black box, non-transparent algorithms are deciding what kind of content will become a part of our reality, what will be censored or deleted, which ideas will spread and what news will gain most visibility. They are also defining new forms of labour and exploitation.
Credit: Design Society
In the performance "Robots, Bass, and Hot Algorithms!" AI artist Portrait XO enters the stage with Moritz Simon Geist for musical interventions featuring techno robots and an AI collaborator. Portrait XO is an award-winning independent researcher and artist who creates musical and visual works with traditional and non-traditional methods based on ongoing research in computational creativity and human-machine collaboration. Sonically obsessed with space and time, she explores how far she can take storytelling and sound traveling through latent space. Moritz Simon Geist is a music producer working with music robots. He started because he wants to invent the future of electronic music — with robots! His projects range from robotic music performances to robotic sound installations.
Photo: Moritz Simon Geist