View allAll Photos Tagged algorithmic
I was playing with Alan Turing's Reaction-Diffusion algorithm for modeling morphogenesis the other day. It's a way of explaining how certain organic shapes grow.. for example, versions of it can generate random patterns that are just like leopard spots, or a different one makes stripes. I really wanted to implement the leopard spot algorithm, but I just couldn't find enough details on it.
Anyway, my work announced a contest to make images using our software which can be printed into big posters and framed to decorate the walls. I modified Turing's algorithm so that the image would develop multiple levels of substructure. I'm pretty happy with the image as my submission, except I'm thinking I may need to redo the color mapping.
Python Algorithms: Mastering Basic Algorithms in the Python Language by Magnus Lie Hetland
(I have the author's book Beginning Python, which is quite good)
Book sleuthing in the science section of the University of Washington bookstore.
039
Politique des algorithmes - Les métriques du web
Réseaux 2013/1 (n° 177)
www.cairn.info/revue-reseaux-2013-1.htm
Tous les articles de ce n° de la revue “Réseaux“ sont téléchargeables en PDF :
www.cairn.info/revue-reseaux-2013-1.htm
Notamment :
Dans l'esprit du PageRank
Une enquête sur l'algorithme de Google
Dominique Cardon
Dans Réseaux 2013/1 (n° 177), pages 63 à 95
Doodle on table at Huntsman while studying for the last exam in my computer science major, CSE 320, Algorithms.
Algorithmically generated image created entirely from random numbers run through mathematical equations.
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
www.redbubble.com/people/Motionage/shop
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www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
A screen capture from a generative animation in my first mobile game: DRIFT, the puzzle that doesn't stand still.
See more at rndsd.com/drift/
By (author) Thomas H. Cormen, By (author) Charles E. Leiserson, By (author) Ronald L. Rivest, By (author) Clifford Stein.
MIT Press, Paperback 1312 pages.
A screen capture from a generative animation in my first mobile game: DRIFT, the puzzle that doesn't stand still.
See more at rndsd.com/drift/
I thought the juxtaposition was worth saving as a screenshot.
I still don't understand why this feature exists.
Personally, I haven't found it useful.
A screen capture from a generative animation in my first mobile game: DRIFT, the puzzle that doesn't stand still.
See more at rndsd.com/drift/
Scott Hartley, Author and Venture Capitalist, gives his presentation during the New Economy Talk: Why the Liberal Arts Matter in an Algorithmic World on Thursday, October 12, during the 2017 IMF/World Bank Annual Meetings in Washington, D.C. Ryan Rayburn/IMF Photo
Permutated connections and influence for the Viterbi algorithm. Diagram automatically shaped by omnigraffle.
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
www.redbubble.com/people/Motionage/shop
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Moderator Ana Rold, Publisher and CEO of Diplomatic Courier introduces Scott Hartley, Author and Venture Capitalist, during the New Economy Talk: Why the Liberal Arts Matter in an Algorithmic World on Thursday, October 12, during the 2017 IMF/World Bank Annual Meetings in Washington, D.C. Ryan Rayburn/IMF Photo
A screen capture from a generative animation in my first mobile game: DRIFT, the puzzle that doesn't stand still.
See more at rndsd.com/drift/
Image created using particles obeying certain "gravitational" laws. Mostly variations on "accelerate toward/away from some particle unless some condition is met, in which case move toward/away from some other particle".
Made with processing (processing.org).
Eric Schurenberg (Amplify Publishing Group), Angelika Sharygina (Techfugees), Michael Richards (U.S. Chamber of Commerce), Sean O hEigeartaigh (AI: Futures and Responsibility Programme)
A screen capture from a generative animation in my first mobile game: DRIFT, the puzzle that doesn't stand still.
See more at rndsd.com/drift/
The difference between algorithms and newspapers is that newspapers are legally responsible for what they print and citizens generally understand their editorial positions.
Algorithms, however, give the impression of being neutral and can't be held to account - even though the YouTube algorithm alone shapes what 1.5 billion users are likely to see, which is more than every newspaper in the world combined. --Jamie Bartlett
See en.wikipedia.org/wiki/Jamie_Bartlett_(journalist) in The People vs Tech: How the internet is killing democracy (and how we save it)