View allAll Photos Tagged alberto
Alberto Seveso redefines the term “body art” for Creative Tempest. For us, it no longer conjures images of tattoo parlors, Mardi Gras, or two-page spreads in the Sports Illustrated Swimsuit Issue, no, instead we envision Alberto’s unique work. Alberto Seveso takes the human body (generally attractive female bodies) and uses it as a canvas for his abstract designs, but since his work is digital, he is freed from the restraints of a tangible human form. He is able to disassemble like a puzzle, make translucent like a silk scarf held up to the sun, or replace like a Mr. Potato Head, parts of the bodies that he works with as the basis for his designs. In addition, more than being creative in his choice of canvas, Alberto creates finely intricate designs that would be gorgeous on their own. Find out more at www.creativetempest.com
criterium Lommel 2010
tripple winner Contador with 'wings'
10hrs after this picture was taken, Bjarne Riis told the press that 'El Pistolero' would be riding for the Sungard-Saxobank Team for the next 2 seasons
their aim: win the 3 Grand Tours with 1 rider within 1 year... so Alberto has the ambition to become legend.
bring it on!
srobist: 1 oncam-flash (manual 1/16) as fill + master for 2nd sb800 at high-left, attached to pole with Manfrotto superclamb (manual 1/4)
dragged the shutter for motion blur
Alberto Cano est né au 19 ème, et aimait beaucoup les parcs.
Quand il eu fait fortune en exploitant des mines de crayons et des mines de rien, il décida de faire un don à la ville et fit créer ce parc......
Et s'il te plaît Lucienne, tu me laisses expliquer aux gens, je suis guide international tout même !!
Quant à Bambou et Elvire, je vous laisse apprécier la beauté du lieu....
Alberto J. Almarza
Compass and straightedge, pencil and Mahogany ink on paper.
November 2013
More info:
AA13
pictionid58810624 - catalogvanity fair cartoon- men of the day no. 829 by French Georges Hum cartoon of Alberto Santos-Dumont commemorating his airship flights over paris and vicinity title- the deutsch prize date november 14 1901 bio of santos-dumont on back and descriptive plaque on front - titlearray - filename201723001cropped.tif---Image from the SDASM Curatorial Collection.Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--Repository: San Diego Air and Space Museum
This very bright old man (85 in the photo) is Dr. Alberto Granado, born in Argentina in 1922.
In 1952, with a Norton 500 motorcycle, he made a long tour across South America with another young doctor, Ernesto Guevara de la Serna, later nicknamed "Che" Guevara (but Granado still refers to him as "Ernesto").
I met him at a dinner in Imperia, and it is a pleasure to discuss with him.
Wikipedia page about Alberto Granado.
Questo arzillo signore (85 anni nella foto) è il dottor Alberto Granado, nato in Argentina nel 1922.
Nel 1952, con una moto Norton 500, ha fatto un lungo giro per il Sud America con un altro giovane medico, Ernesto Guevara de la Serna, più tardi soprannominato "Che" Guevara (ma Granado continua a chiamarlo "Ernesto").
L'ho incontrato ad una cena a Imperia, ed è stato un piacere discutere con lui.
Pagina italiana di Wikipedia su Alberto Granado.
Pagina inglese di Wikipedia su Alberto Granado (più dettagliata).
Rafael Mariano Grossi, IAEA Director General, met with HE Mr. Alberto Fernandez, President of Argentina and his delegation, in between breaks at the COP26 Climate Change Conference 2021, Glasgow, Scottish Event Campus, Scotland. 2 November 2021
Photo Credit: Diego Candano Laris / IAEA
Proyecto: Un año de personas a 35mm
Buenavista - Tenerife [18.07.2015]
Afincado en Tenerife, pero de corazón sevillano, el amor trajo a Alberto a la isla hace ya algunos años.
La fotografía cruzó nuestros caminos a través de un grupo de aficionados a este arte y desde entonces hemos coincidido en diversas actividades fotográficas. Afirma que descubrir el grupo de fotografía le ha abierto muchas puertas y no sólo porque puede practicar y compartir su afición con otros fotógrafos, sino porque en él ha hecho grandes amistades. "Descubrir el grupo de fotografía ha sido un cambio positivo en mi vida". Alberto se ha especializado en macrofotografía, poco a poco, con esfuerzo y constancia, ha ido perfeccionando la técnica y a día de hoy realiza unos trabajos espectaculares y muy interesantes en los que podemos apreciar detalles que el ojo humano no es capaz de apreciar a simple vista.
Alberto se define como apasionado, cuando inicia un proyecto se entrega a tope hasta conseguirlo.
El senderismo siempre le ha gustado, cada vez que puede se da una escapada al monte y, como no podía ser de otra manera, va acompañado de su cámara.
Le gusta el cine de intriga con finales abiertos o que se resuelven en la última escena, entre sus películas favoritas están Pulp Fiction y Blade Runner. Suele escuchar rock clásico, Héroes del Silencio ha sido siempre su grupo de toda la vida. Los gatos son su pasión, sus mascotas son seres privilegiados que casi podríamos decir que viven mejor que él :)
- Yo: Alberto, si fueras una palabra, ¿cuál serías?
- Alberto: Apasionado
Un placer haber podido contar contigo para el proyecto Alberto, gracias por tu colaboración!
Alberto Contador, vainqueur du tour de France 2010, durant le contre la montre entre Bordeaux et Pauillac,
patron saint of road safety, football, young people, bachelors, purity, the poor and destitute, politicians, cyclists
feast day: October 5
Italian layman, bachelor and civil engineer who was proactive during World War II, helping those caught up in the bombings of Rimini and the surrounding cities. He was a committed Christian known for his devotion to acts of mercy and philantropy, his personal sanctity and integrity of his life.
He died tragically in a road accident at the age of only 28.
Alberto Seveso redefines the term “body art” for Creative Tempest. For us, it no longer conjures images of tattoo parlors, Mardi Gras, or two-page spreads in the Sports Illustrated Swimsuit Issue, no, instead we envision Alberto’s unique work. Alberto Seveso takes the human body (generally attractive female bodies) and uses it as a canvas for his abstract designs, but since his work is digital, he is freed from the restraints of a tangible human form. He is able to disassemble like a puzzle, make translucent like a silk scarf held up to the sun, or replace like a Mr. Potato Head, parts of the bodies that he works with as the basis for his designs. In addition, more than being creative in his choice of canvas, Alberto creates finely intricate designs that would be gorgeous on their own. Find out more at www.creativetempest.com
Probably Mexican postcard. Ed. Artura. Ink stamped address of La Violeta, Mexico City.
Alberto Nepoti (1876-1937) was one of the leading men in Italian silent cinema, often paired with Pina Menichelli.
Born in Florence, and 'figlio d'arte' (his parents were actors too), Nepoti started out in prose theatre. He debuted in in film in 1909, at Film d'Arte Italiana, the Roman studio branch of Pathé, where had some major parts, but afterward returned to the stage. In 1912 he began at the Turin based company Savoia, where he had supporting parts, but also co-directed with Ubaldo Del Colle his first film: an adaptation of Goldoni's La locandiera (1913). In the same year he also got leads at Savoia, e.g. in Capriccio millardario. In 1914 he stepped over to Leonardo Film, where he had the lead in Il fornaretto di Venezia (1914) by Luigi Maggi. Despite a huge salary, Nepoti had a shortlived contract at the Photo-Drama company of Grugliasco, which stopped its activity when in September 1914 the First World War broke out. In 1915 Nepoti worked in Rome at the Cines company. While several sources mention he acted in Rapsodia satanica, starring Lyda Borelli, in the surviving prints he is absent.
Yet, the role that crowned the apex of Nepoti's career was that of the diplomat Giorgio Ferlita opposite Pina Menichelli as countess Natka in Giovanni Pastrone's passionate drama Tigre reale (1916), made for Pastrone's company Itala. It was the start of a series of Itala films with Menichelli, including La trilogia di Dorina (1917), La Gemma di Sant'Eremo (1918), La passaggera (1918), and La moglie di Claudio (1918). At Itala, Nepoti also acted in films with Valentina Frascaroli and Italia Almirante Manzini (e.g. Il matrimonio di Olimpia, 1918). In 1919-1920 Nepoti worked at the Neapolitan companies Polifilms and Lombardo Films in films with Leda Gys, while in 1918-22 he also worked in Rome for the companies De Giglio, Palatino and Celio. His last part Alberto Nepoti played was that of a friar in Frate Francesco (1927) by Giulio Antamoro, made by the company ICSA of his native Florence.
Sources: Aldo Bernardini, Cinema muto italiano: protagonisti, IMDb.
Senor Contador was the winner of the 2007 Tour de France. He is another of those guys who had a life threatening injury prior to winning the tour.
Il Famoso pittore Alberto Sughi.
and this...
www.albertosughi.com/f_archive/datareader.aspx?IDpainting...
and now this
www.albertosughi.com/f_exhibitions/inaugurazione_malatest...
Mir 10A 3.5/28 - Zenit TTL - film Ilford 400 ASA - scanned by photo print
More Russian lenses: www.flickr.com/photos/mattiacam/sets/72157629819466846/
Poeta argentino. 1986. Argentina
Copyright © Susana Mulé
© All rights reserved.
© Please don't use this image on websites, blogs or other media without my explicit permission
A breach of copyright has legal consequences
If you are interested in this picture, please contact me. Thanks.
susanamul@yahoo.com.ar
Museum de Fundatie Zwolle NL presents an exhibition entitled Giacometti-Chadwick, Facing Fear, to run from 22 September 2018 to 6 January 2019. The sculptures of Alberto Giacometti (1901-1966) and Lynn Chadwick (1914-2003) are manifestations of the sense of fear and disillusionment that pervaded Europe during the Cold War period. Their work bids a final farewell to pre-war romanticism and aestheticism, and lands with both feet in the raw reality of the post-war world. While Giacometti reduced the human form to its bare essentials, Chadwick created powerful archetypal images of both people and animals. The exhibition includes more than 150 works. Never before has the work of Giacometti and Chadwick been so explicitly brought together.
Their paths first crossed in 1956, when Chadwick became the youngest person ever to win the Grand Prix for Sculpture at the Venice Biennale. With only six years’ experience as a sculptor, the British artist snatched the prize from Giacometti, the hot favourite, who was thirteen years older and already a major name in Paris. Giacometti would go on to win the prize in 1962, but which of the two men was awarded it in 1956 is less significant than the fact that these two particular sculptors were the front-runners at that time. Each of them was expressing, in his own individual way, the sense of deep-seated angst that overshadowed day-to-day life in Europe in the fifties and sixties: the fear of a global nuclear disaster that would wipe out human civilisation.
Alberto Giacometti is among the most significant figures in the whole field of modern European sculpture. A member of a notable family of Swiss artists, he moved to Paris in 1922 and would remain there for the rest of his life, working as a sculptor, painter and graphic artist. After training with Émile-Antoine Bourdelle, he discovered modernism and so-called ‘primitive’ ethnographic art of Africa and Oceania. In response to these influences, his work became more abstract. In the early thirties, his Surrealist sculptures expressing subconscious emotions created a furore. From 1935, however, personal psychological tensions triggered a crisis in his life and work that led to a return to the human figure. Initially, his portraits and figures became both increasingly tiny and more and more attenuated. This thinness was to remain the most distinctive feature of Giacometti’s art. After the Second World War, he began to create the elongated, emaciated figures that would bring him worldwide fame. In all their attenuation, they reduce humanity to its very essence and appear both vulnerable and enigmatic.
In the early fifties, up-and-coming artist Lynn Chadwick managed to dislodge Henry Moore and Barbara Hepworth from their dominant position in the field of British sculpture. Born in London, Chadwick had started his career as a technical draughtsman and exhibition stand designer. He took an equally constructional approach to his sculpture: rather than model his human and animal figures in clay or wax, he constructed them by welding steel rods together to create an armature and then filling in the gaps with a kind of cement. The angularity of the work being produced by him and other young British artists was described in 1952 as ‘the geometry of fear’, a reference to the constant dread of nuclear annihilation. Chadwick’s apocalyptic Dancers and stoical Watchers gave powerful expression to this sense of angst. From the early seventies, he broadened his repertoire to include subjects that seem to restore the sovereignty of the human spirit. Sculptures like Cloaked Figure and Sitting Couple no longer look threatening, but emanate a sense of composure and invulnerability.
Giacometti’s pre-war work influenced Chadwick’s development and the two men were keenly aware of each other’s presence. In addition to the vast differences, there are also many similarities between their oeuvres. Giacometti-Chadwick, Facing Fear is the product of close cooperation with the Fondation Marguerite et Aimé Maeght in Saint-Paul-de-Vence and the Chadwick Estate and Blain|Southern gallery in London.
Alberto Seveso redefines the term “body art” for Creative Tempest. For us, it no longer conjures images of tattoo parlors, Mardi Gras, or two-page spreads in the Sports Illustrated Swimsuit Issue, no, instead we envision Alberto’s unique work. Alberto Seveso takes the human body (generally attractive female bodies) and uses it as a canvas for his abstract designs, but since his work is digital, he is freed from the restraints of a tangible human form. He is able to disassemble like a puzzle, make translucent like a silk scarf held up to the sun, or replace like a Mr. Potato Head, parts of the bodies that he works with as the basis for his designs. In addition, more than being creative in his choice of canvas, Alberto creates finely intricate designs that would be gorgeous on their own. Find out more at www.creativetempest.com