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Alberto Contador, vainqueur du tour de France 2010, durant le contre la montre entre Bordeaux et Pauillac,
Alberto was born in Bogotá 70 years ago. He learned how to dance salsa in Cali, and later he also studied in Cuba. He dances on the streets of Bogotá 5 to 7 hours every day. Tonight he was dressed with a mexican 'pachuco' outfit. December 2016
Alberto es bogotano, aprendió a bailar salsa en Cali, y años después en Cuba. Tiene 70 años. Todos los días baila entre cinco y siete horas. Me lo encontré hoy en la Ciclovía nocturna de Bogotá, con un traje de "pachuco" mexicano. De la serie "100 rostros de Bogotá" .15 de diciembre de 2016
seen once on Explore at page 45 on April 8th 09
Soon in the "Celebrity" set www.myspace.com/albertonelli
Please no multiple invites in the same comment & NO BLUERIBBON invitation and NO Glitter graphics!!!
Alberto Seveso redefines the term “body art” for Creative Tempest. For us, it no longer conjures images of tattoo parlors, Mardi Gras, or two-page spreads in the Sports Illustrated Swimsuit Issue, no, instead we envision Alberto’s unique work. Alberto Seveso takes the human body (generally attractive female bodies) and uses it as a canvas for his abstract designs, but since his work is digital, he is freed from the restraints of a tangible human form. He is able to disassemble like a puzzle, make translucent like a silk scarf held up to the sun, or replace like a Mr. Potato Head, parts of the bodies that he works with as the basis for his designs. In addition, more than being creative in his choice of canvas, Alberto creates finely intricate designs that would be gorgeous on their own. Find out more at www.creativetempest.com
Alberto Arroyo, “pioneer of the jogging trend” and “Mayor of Central Park” poses with his medal from the City of New York.
Brandon Jennings / c.2005
gothamist.com/2010/03/27/alberto_arroyo_mayor_of_central_...
Mir 10A 3.5/28 - Zenit TTL - film Ilford 400 ASA - scanned by photo print
More Russian lenses: www.flickr.com/photos/mattiacam/sets/72157629819466846/
Alberto Seveso redefines the term “body art” for Creative Tempest. For us, it no longer conjures images of tattoo parlors, Mardi Gras, or two-page spreads in the Sports Illustrated Swimsuit Issue, no, instead we envision Alberto’s unique work. Alberto Seveso takes the human body (generally attractive female bodies) and uses it as a canvas for his abstract designs, but since his work is digital, he is freed from the restraints of a tangible human form. He is able to disassemble like a puzzle, make translucent like a silk scarf held up to the sun, or replace like a Mr. Potato Head, parts of the bodies that he works with as the basis for his designs. In addition, more than being creative in his choice of canvas, Alberto creates finely intricate designs that would be gorgeous on their own. Find out more at www.creativetempest.com
Il Famoso pittore Alberto Sughi.
and this...
www.albertosughi.com/f_archive/datareader.aspx?IDpainting...
and now this
www.albertosughi.com/f_exhibitions/inaugurazione_malatest...
Alberto Seveso redefines the term “body art” for Creative Tempest. For us, it no longer conjures images of tattoo parlors, Mardi Gras, or two-page spreads in the Sports Illustrated Swimsuit Issue, no, instead we envision Alberto’s unique work. Alberto Seveso takes the human body (generally attractive female bodies) and uses it as a canvas for his abstract designs, but since his work is digital, he is freed from the restraints of a tangible human form. He is able to disassemble like a puzzle, make translucent like a silk scarf held up to the sun, or replace like a Mr. Potato Head, parts of the bodies that he works with as the basis for his designs. In addition, more than being creative in his choice of canvas, Alberto creates finely intricate designs that would be gorgeous on their own. Find out more at www.creativetempest.com
Probably Mexican postcard. Ed. Artura. Ink stamped address of La Violeta, Mexico City.
Alberto Nepoti (1876-1937) was one of the leading men in Italian silent cinema, often paired with Pina Menichelli.
Born in Florence, and 'figlio d'arte' (his parents were actors too), Nepoti started out in prose theatre. He debuted in in film in 1909, at Film d'Arte Italiana, the Roman studio branch of Pathé, where had some major parts, but afterward returned to the stage. In 1912 he began at the Turin based company Savoia, where he had supporting parts, but also co-directed with Ubaldo Del Colle his first film: an adaptation of Goldoni's La locandiera (1913). In the same year he also got leads at Savoia, e.g. in Capriccio millardario. In 1914 he stepped over to Leonardo Film, where he had the lead in Il fornaretto di Venezia (1914) by Luigi Maggi. Despite a huge salary, Nepoti had a shortlived contract at the Photo-Drama company of Grugliasco, which stopped its activity when in September 1914 the First World War broke out. In 1915 Nepoti worked in Rome at the Cines company. While several sources mention he acted in Rapsodia satanica, starring Lyda Borelli, in the surviving prints he is absent.
Yet, the role that crowned the apex of Nepoti's career was that of the diplomat Giorgio Ferlita opposite Pina Menichelli as countess Natka in Giovanni Pastrone's passionate drama Tigre reale (1916), made for Pastrone's company Itala. It was the start of a series of Itala films with Menichelli, including La trilogia di Dorina (1917), La Gemma di Sant'Eremo (1918), La passaggera (1918), and La moglie di Claudio (1918). At Itala, Nepoti also acted in films with Valentina Frascaroli and Italia Almirante Manzini (e.g. Il matrimonio di Olimpia, 1918). In 1919-1920 Nepoti worked at the Neapolitan companies Polifilms and Lombardo Films in films with Leda Gys, while in 1918-22 he also worked in Rome for the companies De Giglio, Palatino and Celio. His last part Alberto Nepoti played was that of a friar in Frate Francesco (1927) by Giulio Antamoro, made by the company ICSA of his native Florence.
Sources: Aldo Bernardini, Cinema muto italiano: protagonisti, IMDb.
May I present to you: The brothers Bujar (12) and Alberto (14) from the country of Montenegro.
I met these two, very friendly boys today on their way to the super store. Both didn't understand much of what I said, so we used an translation app. So that worked out pretty good.
Both boys are here since 30 days and had to flee from their homeland, becaused they and their family suffered racial defamation back there.
As I know that in these days a great deal of Germans like #Pegida (and many others, that don't go to demonstrations) are against refugees in our country, I hope that Bujar and Alberto won't have to flee again. From here.
Keep on, guys. You are the best. Stay strong, whatever may come.
Decided to sell my Alberto set. In the end I decided against purchasing the doll this was meant for and none of of my other boys suit it so...
I am the second owner of this set. The box is a little dented but the contents are perfect condition. I've tried it on my doll Edan once.
The mask and Cape set will be sold separately.
The mask was painted by the original owner.