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experimento with photoshop and a variety of topaz filters applied to a 10 second movie imported in photoshop layers
Crescent Falls is on the Bighorn River in western Alberta, Canada. Photo taken on 10 June 2011. The waterfall is at the upstream end of a long canyon that it has carved in the sedimentary rock over the ages.
Cannon 30D, EF-S 10-22 mm @ 10 mm &F/8, polarizing screen. HDR Image (EV= +2, 0, -2) assembled in Photomatix and adjusted with Picture Window.
Terry, dressed as a Hooters waitress, gets his fake boobs adjusted by his wife Erin. I love Halloween
Benchmarx 84W x 42D x 32-38H with adjustable leg kit, metal loop shelf partitions, 6" steel drawer, adjustable upper shelf, full depth lower shelf, power strip, and keyboard tray/monitor arm combo.
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GRAFENWOEHR, Germany -- A British soldier with the 3rd Battalion, the Mercian Regiment, based in Fallingbostel, Germany, adjusts his weapon’s sights during a weapons qualifying range at the Joint Multinational Training Command's Grafenwoehr Training Area before taking part in Saber Junction here Oct. 15. The mission is part of U.S. Army Europe's exercise Saber Junction which trains U.S. personnel and more than 1800 multinational partners from 18 different nations ensuring multinational interoperability and an agile, ready coalition force. (U.S. Army Europe photo by Staff Sgt. Joel Salgado)
graphic for rezlife' upcoming series 'Attitude Adjustment.'
I added some thoughts on the making this here: deviantmonk.com/2011/01/06/attitude-adjustment/
The Travel-Tack portable adhesive system utilizes spray guns and tips that offer ease of use, comfort and are designed to deliver the right amount of adhesive every time. Spray guns come complete with the standard 6501 tip.
More information about this product can be found at
this will adjust from a minimum of 40" tall up to 58". The treadmill deck stands 9 inches above the floor, so the extra height range was built in
Jon's 997.1 GT3 Cup Tribute in Signal Green
APEX Wheels Forged VS-5RS in Brushed Clear
F: VS-5RS 19x9” ET50 with
245/35-19 Michelin PS4S
R: VS-5RS 19x12” ET46 with
325/30-19 Michelin PS4S
*15mm Front Spacer installed*
Body:
Signal green
997.2 rear widebody
Sunroof delete
PCM stereo delete
Porsche Motorsports North America front Cup bumper
Porsche Motorsports North America Cup fender flares
Porsche Motorsports North America Cup splitter
Demonspeed Motorsports oversized carbon fiber dive planes
Porsche Motorsports North America rear Cup bumper
Porsche Motorsports North America retractable tow hooks
Porsche Motorsports North America Cup wing
Data:
AIM MXS digital dash logger (CAN)
AIM SmartyCam
Safety:
Schroth Racing 6 point enduro harnesses
Sparco Pro 2000 competition seats, Brey-Krause seat mounts, Porsche seat sliders
Suspension:
Motion Control Suspension, remote adjustable coilovers
RSS front lower control arm
RSS rear lower control arms
RSS thrust arm bushings
RSS front toe steer / bump steer kit
RSS rear adjustable upper links (dog bones)
RSS rear toe alignment locking plates
Guard Transmission limited slip differential
Centerlock to 5 lug conversion
Tarret Engineering front and rear motorsport wheel studs
MSI Racing Products NASCAR style lugnuts
Engine:
Orbit Racing ECU tune
S•CAR•GO headers
Sharkwerks GT3 coolant pipe kit
Transmission
Porsche GT3 4.0 lightweight flywheel
Porsche GT3 4.0 clutch
Numeric Racing short throw shifter
Numeric Racing motorsport shifter cables
SRP Racing custom aluminum pedal set
Brakes:
Performance Friction 380mm, fully floating brake kit
Tarret Engineering brake caliper studs, mil-spec nuts
Porsche GT2 brake cooling ducts
Fluids:
Motul 300V 5W40 engine oil
Motul 75W90 transmission / differential fluid
PFC 665 brake fluid
First test program to control and adjust already 3 trampolines. The settings to go via 2 trampolines to an output funnel with the balls is not easy. With the right adjustments I managed to get most of the shots correct. Now I can make the position optimization of the funnels. Especially driving sharp corners in the right direction is not easy. Once the values are determined I can use them in a final program. Setting the turn table and trampoline angles is very precise. The calibration is also perfect. Because of the quadrature decoders there are no cumulative position errors.
Eerste test programma om reeds 3 trampolines te sturen en af te regelen. De instellingen om via 2 trampolines naar een output funnel te gaan met de ballen is niet eenvoudig. Mits juiste afstelling lukt het toch om de meeste shots goed over te brengen. Nu kan ik de positie optimalisatie van de funnels maken. Vooral scherpe hoeken in de juiste richting sturen is niet eenvoudig. Eens de waarden bepaald kan ik dit in een eind programma overnemen. Het instellen van de draai tafel en de trampoline hoeken gaat heel precies. De calibratie verloopt ook perfect. Door de quadrature decoders zijn er geen cumulerende positie fouten
This was my first time shooting with the lovely Jessica. She is a photographer's dream; very photogenic, great to shoot with, creative, and she takes direction well. Jessica is also one of the most sought after and respected models in the Boise area. The only problem with shooting with Jessica is you end up with so many images and it's hard to narrow it down to the top 20 favorites (so I cheated and settled on 60).
We based the theme on the work of Robert Alvarado - one of my photography role models - he is the master of modern pin-up.
I took these photos at our studio in Star, Idaho in November 2015.
A Diaper Bag with parents and baby in mind :) Space for all your and babies essentials. Lots of zipper pockets, mobile phone pocket, key fob, pacifier pouch pocket, elasticated pocket for your drinking bottle and baby's bottle/sippy cup. Strap adjusts so bag can be worn over the shoulder or cross body and made shorter to hang over the stroller handle bars. Zipper closure and flap with magnetic snap. See my profile for details
Debbie Harry, Chris Stein and Blondie appeared live, in concert at Somerset House in London, on the night of Wednesday, July 13, 2011. Debs and I were there!
Gig review from The Independent, Monday, July 18, 2011
The audience for tonight's gig includes many who were not even born when the New York band adopted their Blondie moniker in 1975, but everyone knows all of the words anyway.
In the opulent Somerset House courtyard, Debbie Harry's group perform with the same swagger that propelled them to stardom, reminding or revealing to all how they embedded themselves in our musical psyche.
The initial reception is deafening, but the first few tracks generate little momentum, greeted with respectful applause rather than outright euphoria. This being an outdoor gig in the heart of London, the speakers are turned down frustratingly low, and though we all eventually adjust, there's an odd stasis during the opening numbers as a result.
One person not lacking crowd-rousing charisma is Harry. Sashaying across the stage to an ever-increasing chorus of cheers, she retains an enigmatic, alluring aura that no one appears able to resist. By the time they close with "Heart of Glass", she's worked the crowd into a frenzy, and they erupt loudly enough to flout local noise pollution laws.
Harry's stage presence has not diminished, her voice, the heartbeat of the band's best tracks, shifting from communicative to powerful and back again. Even though she's afforded laudable support by Clem Burke's tireless drumming, and Chris Klein and Tommy Kessler's searing guitar solos, it's the vocals that will linger in everyone's minds longest, whether adding punch to "One Way or Another" or soaring through the standout "Maria".
Indeed, Blondie as a whole possess a rare gift for smoothly switching stylistic gears; the diversity of their back catalogue is often overlooked, but tonight their set encompasses a wealth of genres, all bathed in the band's trademark aloof cool. The lo-fi growls of "Atomic" are balanced with the poppier strains of "Sunday Girl", while proto-rap hit "Rapture" bounces off an irrepressible backbeat.
Equally apparent as they storm through their set is the impressive depth in quality of their music. Everyone sings joyously along to the choruses of "Call Me" and "Hanging on the Telephone", the melodies and lyrics as indelible to the crowd as birthmarks, and each time Harry asks the audience to lend their voices, she's met with a volley of responses.
It's almost 40 years since Blondie first formed and, after tonight, everyone's hoping for 40 more.
Here's Blondie's Setlist from the Paradiso in Amsterdam on July 14, 2011 - I think it mirrors the Someset House list:
1. Union City Blue
2. Dreaming
3. Atomic
4. D-Day
5. Hanging on the Telephone
6. Call Me
7. Love Doesn't Frighten Me
8. Maria
9. Girlie Girlie
10. What I Heard
11. Sunday Girl
12. China Shoes
13. Wipe Off My Sweat
14. Horizontal Twist
15. Mother
16. Rapture
17. One Way or Another
18. New Rose
19. Rip Her to Shreds
20. Heart of Glass
Adjusting the ropes.
Tree Work.
If you have ever watched someone do this,it is very interesting.They take the tree down in bits...This one was just being topped.
This is my standing desk that I made out of a Vika Artur desk from IKEA. The IKEA items cost about $100 and the kit from DIYstandingDESKkit.com $79. Works great.
"Film d'essai" (test film) of my French range-finder 35 mm camera Foca PF2B (year 1956) after the shutter new adjustments.
I used here a 36 exposure Ilford Pan100 film exposed for 100 ISO using a Minolta Autometer III with a 10° finder for selective measurements privileging the shadow areas. The Foca Oplar lens1:2.8 f=5cm was fitted with a FOCA "AUV"(Anti-UV) filter and a Genaco metal shade hood, both push-on 42mm.
Rue Burdeau, March 13, 2023
69001 Lyon
France
After exposure, the film was processed using Adox Adonal (Agfa Rodinal) developer at dilution 1+25, 20°C for 9 min.
The film was then digitalized using a Sony A7 body adapted to a Minolta Auto Bellows III and a Minolta Slide Duplicator using a lens Minolta Bellow Macro Rokkor 50mm f/3.5 at a reproduction ratio of 1:1. The reproduced RAW files obtained were processed in LR prior the the final JPEG editions.
All views of the film are presented in the dedicated album either in the printed framed versions and unframed full-size jpeg.
About the camera and the lens:
The Foca type PF2B (PF for "Petit Format") was constructed in France by the company "Optique & Precision de Levallois" (OPL) starting from 1947. It was manufactured in the Chateaudun OPL factory, route de Jallans, France, in 1956 among a late series of the PF2B. The factory, constructed in 1938, is still at the same place under the name of SAFRAN now producing precision devices for aerospace appliances.
The camera is equipped with the collapsible OPLAR lens (a Tessar formula) 1:2.8 f=5cm. The focal shutter of the PF2B has timing of 1/1000, 1/500, 1/200, 1/100, 1/50 and 1/25s plus the B pose. A slow exposure device below 1/25s could be installed by the aftermarket service and was installed in series for the FOCA PF3 type.
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Object of the adjustments :
Due to the presence the original factory seals on the shutter adjustments, I knew that the camera has never been adjusted of serviced since 1956!
Until now the 1/25s, 1/50s and 1/100s suffered from inconsistent curtains travel speeds causing band inhomogeneities in the exposure. The 1/1000, 1/500 and 1/200s were however coherent. I proceeded here as follows :
1- The shutter being on B setting, proceeding by half turns only on the adjustment screw, I increased the spring tension of the first curtain by 2 half anti-clockwise turns causing more regular and fast opening of the first curtain.
2- Then I did the same on the second curtains to get a similar speed of closure.
3- I checked visually that all speed gives homogenous opening scans from 1/25s to 1/1000 (proceed without the lens mounted).
Likely the 1/25s is still slow but I decided to see the results obtained on a test film. The exposures ae now all homogenous. Following the densities given by the Sony A7 during the digitalization, one could deduce that 1/50s gives +0,3 EV more than expected (ie 1/30s instead of 1/50s) and 1/25s gives +1.3 EV (ie 1/10s instead of 1/25s). After the test film I added 1/2 turn to the first curtains to increase the travel speed.
Having a quick pause for mirror adjustment of wing mirrors during it's first run out following lengthy restoration work is this beautiful 1928 Northern General SOS QL ("Queen"-class, Low) bus.
The Friends of Beamish Museum have spent well over twenty years restoring this magnificent "Queen"-class bus, No.338 (UP 551) of the Northern General fleet. The 37-seat bus is of a BMMO design by Brush and was the first of 65 supplied to Northern General Transport. It remained in service until 1950.
Northern General was one of the few companies outside the West Midlands to use this BMMOC-built vehicle in significant numbers and, in 1928, was the largest user of SOS buses other than Midland Red itself.
Copyright © 2011 Terry Pinnegar Photography. All Rights Reserved. THIS IMAGE IS NOT TO BE USED WITHOUT MY EXPRESS PERMISSION!