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www.kumbal.com/category/cinemahttp://www.kumbal.com/categ... kalaingar kumbalkumbal-politicskumbal.com kumbal gallery kumbal medicinekumbal news kushboo sasikumarseeman invite to jayalalithaa seeman kalyanamsuntv tamil cinema newstamil cinema seithigaltamil daily news tamil dinakaran news tamil seitigalthalaivaa release date thalaiva case Vijay vijay vikatan cinema vikatan news vikraman
The Alabama Hills are a range of hills and rock formations near the eastern slope of the Sierra Nevada in the Owens Valley, west of Lone Pine in Inyo County, California.
Though geographically separate from the Sierra Nevada, they are part of the same geological formation. The rounded contours of the Alabamas contrast with the sharp ridges of the Sierra Nevada to the west. Though this might suggest that they formed from a different orogeny, the Alabamas are the same age as the Sierra Nevada. The difference in wear can be accounted for by different patterns of erosion.
Dozens of natural arches are among the main attractions at the Alabama Hills. They can be accessed by short hikes from the Whitney Portal Road, the Movie Flat Road and the Horseshoe Meadows Road. Among the notable features of the area are: Mobius Arch, Lathe Arch, the Eye of Alabama and Whitney Portal Arch.
The Alabama Hills were named for the CSS Alabama, a Confederate warship deployed during the American Civil War. When news of the ship's exploits reached prospectors in California sympathetic to the Confederates, they named many mining claims after the ship, and the name came to be applied to the entire range. When the Alabama was finally sunk off the coast of Normandy by the USS Kearsarge in 1864, prospectors sympathetic to the North named a mining district, a mountain pass, a mountain peak, and a town after the Kearsarge.
The Alabama Hills are a popular filming location for television and movie productions, especially Westerns set in an archetypical "rugged" environment. Since the early 1920s, 150 movies and about a dozen television shows have been filmed here, including Tom Mix films, Hopalong Cassidy films, The Gene Autry Show, The Lone Ranger and Bonanza. Meanwhile, Classics such as Gunga Din, The Walking Hills, Yellow Sky, Springfield Rifle, The Violent Men, Bad Day at Black Rock (1955), the Budd Boetticher/Randolph Scott "Ranown" westerns, part of How the West Was Won, and Joe Kidd. In the late 1940s and early 50s the area was also a popular location for the films of B-western actor Tim Holt.
Source: Wikipedia
The Thing from Another World 1951
Watch the skies, everywhere! Keep looking. Keep watching the skies!
—Ned “Scotty” Scott
www.youtube.com/v/T5xcVxkTZzM Trailer
This is one of the major classics of 50s sci fi movies. Released in April of 1951, it was the first full-length film to feature a flying saucer from outer space, which carried a hostile alien. The budget and the effects are typical B-grade stuff, but the acting and pacing are well above the usual B levels. Kenneth Toby and Margaret Sheriden star. James Arness (more known for his westerns) plays The Thing.
Howard Hawks' early foray into the science fiction genre took advantage of the anti-communist feelings of the time to help enhance the horror elements of the story. McCarthyism and the Korean War added fuel to the notion of Americans stalked by a force which was single of mind and "devoid of morality." But in the end, it is American soldiers and scientists who triumph over the evil force - or the monster in the case of this film. Even today, this is considered one of the best of the genre.
Film review by Jeff Flugel. June 2013
There's not a lot new or particularly insightful I can offer when it comes to discussing the seminal sci-fi flick, The Thing from Another World that hasn't been written about ad naseum elsewhere. One of the most famous and influential of all 1950s creature features, it kicked off more than a decade of alien invasion and bug-eyed monster movie mayhem, inspired a host of future filmmakers (one of whom, John Carpenter, would go on to direct his own version of the story in 1982), and remains one of the best-written and engaging films of its kind.
Loosely (and I do mean loosely) adapted from John W. Campbell's novella, "Who Goes There?," The Thing is legendary director Howard Hawks' lone foray into the science fiction/ horror genres, but it fits comfortably into his filmography, featuring as it does Hawks' favorite themes: a group of tough professionals doing their job with ease, good-humored banter and practiced finesse; a bit of romance with a gutsy dame who can easily hold her own with the boys; and lots of overlapping, razor-sharp dialogue. Featuring a script by Charles Lederer and an uncredited Ben Hecht, The Thing is easily the most spryly written and funniest of all 50s monster movies. In fact, it's this sharpness in the scripting, and the extremely likeable ensemble cast of characters, rather than the now-familiar story and somewhat unimaginative monster design, that makes the film still feel fresh and modern to this day.
There's likely few people out there reading this who don't know the story of The Thing like the back of their hand, but here goes...When an unidentified aircraft crashes close to a remote research station near the North Pole, Captain Pat Hendry (Kenneth Tobey, in the role of his career) and his squad are dispatched there to investigate. Dr. Carrington (Robert Cornthwaite) heads the scientific contingent there, and he informs Hendry that he thinks the downed craft is possibly "not of this earth." A joint team of soldiers and scientists head out to the crash site and find an actual, honest-to-goodness flying saucer lying buried under the ice.
The spaceship is destroyed while the men try to melt the ice around it with thermite bombs, but they find a lone, 8-foot-tall extraterrestrial occupant frozen nearby and bring the body back to the outpost in a block of ice. Dr. Carrington and his crew of eggheads want to study the thing, but Hendry is adamant that it should be kept as is until he gets word from his superior in Anchorage, General Fogerty. It wouldn't be a monster movie without something going pear-shaped, of course, and before you know it, a careless mistake results in the creature being thawed out of his iceberg coffin and going on a bit of a rampage, taking out a number of sled dogs and a few unsuspecting scientists along the way. The rest of the film details the tense battle between the surviving humans and the coldly intelligent, remorseless alien invader, which seems virtually unkillable, impregnable to cold, bullets and fire...
The set-up for the film, and how everything eventually plays out, might seem overly familiarly nowadays, but in 1951, this was cutting-edge stuff, at least in cinemas. The Thing plays as a veritable blueprint of how to make a compelling "alien monster-on-the-loose" movie. Howard Hawks not being particularly well-versed, or even interested in, science fiction per se likely worked to its benefit, as he ended up making, as he so often did in his other films, what is first-and-foremost a well-oiled entertainment, rather than simply a genre exercise.
Typical of a Hawks film, The Thing is meticulously designed, composed and shot, but in such a way as to appear offhand. Hawks almost never went in for showy camera angles or flashy effects. His technique was nearly invisible; he just got on with telling the story, in the most straightforward, unfussy way. But this easy, seemingly effortless style was very carefully considered, by a shrewd and knowing mind. As Bill Warren, author of one of the best (and certainly most encyclopedic) books about 1950s sci-fi filmmaking, Keep Watching the Skies, notes in his detailed analysis of the film:
As most good movies do, The Thing works in two areas: sight and sound. The locale is a cramped, tunnel-like base; the men are confined within, the Thing can move freely outdoors in the cold. Compositions are often crowded, with more people in the shot than seems comfortable, reinforcing the idea of confinement After the Thing escapes, only the alien itself is seen standing and moving alone.
This feeling of a cold, hostile environment outside the base is constantly reinforced throughout the film, and a real tension mounts when, towards the climax, the highly intelligent Thing, itself immune to the subzero arctic conditions, turns off the compound's heating, knowing the humans inside will quickly die without it. (The freaky, otherworldly theremin-flavored music by Dimitri Tiomkin adds a lot to the eerie atmosphere here.)
As groundbreaking and well-structured as the plot of The Thing was (and is), what makes the film play so well today is the great script and the interaction of a bunch of seasoned character actors, who toss off both exposition and pithy bon mots in such a low-key, believable manner. This is a truly ensemble movie, and the fact that it doesn't feature any big name stars really adds to the overall effect; no one really hogs all the limelight or gets the lion's share of good lines. Hawks was a director who usually worked with the biggest names in the business, but, much as in the earlier Air Force, he was equally at home working with a cast of rock-solid character actors.
All this talk of Howard Hawks as director, when it's actually Christian Nyby who is credited with the job, has long been a source of speculation with fans of the film. Todd McCarthy, in his bio Howard Hawks: The Grey Fox of Hollywood, seems to clear the issue up once and for all (though really, after viewing enough Hawks films, the results speak for themselves):
The perennial question surrounding The Thing From Another World has always been, Who actually directed it, Christian Nyby or Howard Hawks? The sum of participants' responses make the answer quite clear. Putting it most bluntly, (associate producer) Ed Lasker said "Chris Nyby didn't direct a thing. One day Howard was late and Chris said,'Why don't we get started? I know what the shot should be.' And I said, 'No, Chris, I think we'll wait until Howard gets here." Ken Tobey testified, "Chris Nyby directed one scene. Howard Hawks was there, but he let Chris direct one scene. We all rushed into a room, eight or ten of us, and we practically knocked each other over. No one knew what to do." Dewey Martin, Robert Cornthwaite and Richard Keinen all agreed that Hawks was the director, and Bill Self said, "Chris Nyby was a very nice, decent fellow, but he wasn't Howard Hawks."
Nyby had been Hawks' editor on a number of films, and Hawks apparently decided to help his collaborator establish a name for himself by allowing him directorial credit on the film. This seemingly altruistic gesture didn't mean that Hawks wasn't involved in virtually every aspect of the making of the film, however, and ultimately, The Thing did little for Nyby's directing career, at least on the big screen (he did go on to a long and busy career directing for numerous television programs, however.)
Bill Self was told at the time that Hawks didn't take directing credit on The Thing because it was planned as a low-budget film, one in which RKO didn't have much confidence. But, as critics have been saying ever since it was released, The Thing is a Howard Hawks film in everything but name. The opening scene of various members of the team bantering is so distilled as to be a virtual parody of Hawksian overlapping dialogue. Even more than Only Angels Have Wings, the picture presents a pristine example of a group operating resourcefully in a hermetically sealed environment in which everything in the outside world represents a grave threat. (3)
In addition to all the masculine camaraderie and spooky goings-on, one of the best aspects of The Thing is the fun, charming little tease of a romance between Capt. Hendry and Nikki (top-billed Margaret Sheridan). Nikki works as Prof. Carrington's assistant and is not merely the requisite "babe" in the film. True to the Hawksian norm, she's no pushover when it comes to trading insults with the men, nor a shrinking violet when up to her neck in perilous situations. Unlike most actresses in 50s monster movies, she doesn't utter a single scream in The Thing
and in fact, it's her practical suggestion which gives Bob, Hendry's ever-resourceful crew chief (Dewey Martin), the notion of how to finally kill the monster. Lederer and Hecht's screenplay hints at the backstory to Nikki and Pat's relationship in humorous and oblique ways, and their flirtation amidst all the chaos adds sparkle to the film but never gets in the way of the pace of the story. One nice little throwaway exchange near the finale encapsulates their verbal give-and-take, as Nikki playfully pokes the temporarily-befuddled Hendry, as his men scurry about, setting Bob's plan in motion.
Nikki: Looks as if the situation's well in hand.
Hendry: I've given all the orders I'm gonna give.
Nikki: If I thought that were true, I'd ask you to marry me.
Sheridan, a former model signed to a 5-year contract by Hawks, is quite good here, but after The Thing her career never really caught fire and she retired from acting a few years later. The closest thing to a star turn in the film is Kenneth Tobey as Capt. Hendry. Tobey racked up an impressive number of credits throughout his nearly 50-year-long career, generally as gruff, competent military men or similar types, and he was always good value, though it's as Capt. Hendry in The Thing that he truly shines. He consistently humanizes the no-nonsense, take charge man of action Hendry by displaying an easygoing approach to command. Most of Hendry's men call him by his first name, and delight in ribbing him about his budding romance with Nikki, and he responds to all this joshing in kind. When things get hairy, Tobey's Hendry doesn't have to bark his orders; it's clear that, despite the friendly banter, his men hold him in high esteem and leap to do his bidding at a moment's notice.
Many of the other members of the cast, while none of them ever became household names, will likely be recognizable from countless other roles in both film and television. Hawks gave Dewey Martin co-star billing in The Big Sky a few years later. Robert Cornthwaite kept busy for decades on stage and television, as well as in supporting roles in films such as Monkey Business, Kiss Me Deadly and Whatever Happened to Baby Jane? John Dierkes (Dr. Chapman) and Douglas Spencer (Scotty) both had juicy roles in the western classic Shane, as well as many other movies too numerous to name. Sharp-eyed viewers will also recognize Eduard Franz, Paul Frees (he of the famous voice) and Groucho Marx's right-hand man on You Bet Your Life, George Fenneman, in pivotal roles. And of course we mustn't forget 6' 7" James Arness (years before becoming renowned as Marshall Matt Dillon on Gunsmoke) as the hulking Thing.
A quick note on the "remake": John Carpenter's The Thing (1982), a bleak, grisly and brilliant take on the story, was a box-office dud when first released, but has since attained well-deserved status as a modern classic. While most fans seem divided into two camps - those who love the more restrained, old-fashioned thrills of the original, and those who prefer the more visceral, paranoiac Carpenter version - I happen to treasure both films equally and revisit each of them often. The Carpenter version is by far the gutsier, unsettling one, emphasizing as it does the "trust no one," shape-shifting "the alien is one of us" scenario imagined by John W. Campbell, but the Hawks' film is the most fun, with a far more likeable array of characters, working together to defeat an implacable menace. Each has its own clear merits. I wouldn't want to do without either film, and frankly see no need to choose one over the other.
"Every one of you listening to my voice...tell the world. Tell this to everybody, wherever they are: Watch the skies. Everywhere. Keep looking. Keep watching the skies.”
Acting Credits
Margaret Sheridan - Nikki Nicholson
Kenneth Tobey - Captain Patrick Hendrey
Robert Cornthwaite - Professor Carrington
Dewey Martin - Crew Chief
Douglas Spencer - Ned "Scotty" Scott
Eduard Franz - Dr Stern
Robert Nichols - Lieutenant Ken Erickson
William Self - Colonel Barnes
Sally Creighton - Mrs Chapman
John Dierkes - Dr. Chapman
James R. Young - Lieutenant Eddie Dykes
Norbert Schiller - Dr. Laurenz
William Neff - Olson
Allan Ray - Officer
Lee Tung Foo - Cook
Edmund Breon - Dr. Ambrose
George Fenneman - Dr. Redding
Tom Steele - Stuntman
James Arness - The Thing
Billy Curtis - The Thing While Shrinking
Street performers on Yonge St during the Toronto Buskerfest in Toronto Ontario on Friday August 22 2014.
Canon EOS 60D body with a Sigma 17-70mm f2.8 DC Macro OS lens.
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Actors
[between ca. 1915 and ca. 1920]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.28569
Call Number: LC-B2- 4885-4
Mingle Media TV's Red Carpet Report host AJ Hamilton were invited to come out to cover the 42nd Annual Annie Awards at Royce Hall on the Campus of UCLA honoring the field of animation.
Honorees
Juried Award recipients of the Winsor McCay lifetime achievement award were Joe Ranft (posthumously), Phil Roman and Isao Takahata given to an individual(s) in the animation industry in recognition for career contributions to the art of animation
Don Hahn received the June Foray award recipient honoring an individual who has given significant and benevolent contributions to the art and industry of animation
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About the Annie Awards
The Annie Awards honor overall excellence as well as individual achievement in a total of 36 categories ranging from best feature, production design, character animation, and effects animation to storyboarding, writing, music, editing and voice acting. Find out more at www.annieawards.org
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How I wish to get hold of some clothes like this, some model and do a Noir set! Actually this actor had the perfect face (I have never seen him before though).
•Actor Shaam
•tamil movie 6
•12-B
•Simran
•Jothika
•Srikanth Deva
•director Durai
•Actress Priyamani
•Actor Shaam
•Actress Poonam
•6 candles
•Prakashraj
•Payanam
•Nenjirukkum Varai
•director S.A. Chandirasekaran
•Naren
•Mugavari
•Thotti Jaya
•Nepali
•Sri Kanth Deva
•Actor Shaam
•6 tamil movie
•Bangkok
•director V Z Durai
•English actor Christian Bale
•Srikanth Deva
•editor Antony
www.kumbal.com/category/cinemahttp://www.kumbal.com/categ... kalaingar kumbalkumbal-politicskumbal.com kumbal gallery kumbal medicinekumbal news kushboo sasikumarseeman invite to jayalalithaa seeman kalyanamsuntv tamil cinema newstamil cinema seithigaltamil daily news tamil dinakaran news tamil seitigalthalaivaa release date thalaiva case Vijay vijay vikatan cinema vikatan news vikraman
Irving Rameses "Ving" Rhames (born May 12, 1959) is an American actor best known for his work in Pulp Fiction, Baby Boy, Don King: Only in America, and the Mission: Impossible film series.
Strobist info: el fhas enrrasado con la pared, apuntando al techo a maxima potencia, la habitacion era completamente blanka, por lo ke kreaba un fondo, asi como luz de relleno.
Presenting an diverse repertoire of on-camera charm and presence, Actor Kim Jurek Lukasik spent a Sunday afternoon creating head shots, editorial and portrait photos with the DKS Media Solutions' studio. Please see his portfolio site at: www.modelmayhem.com/2324354 (July 24, 2011 - In Studio and On Location at Historic West Adams Blvd., Los Angeles, CA - USA | Copyright 2011 - DKS Media Solutions -- www.dksmediasolutions.com -- Email: info@dksmediasolutions.com )
Tony Award-winning actor Annaleigh Ashford joined fellow Broadway Coloradans Beth Malone ("Fun Home") and Mara Davi ("Dames at Sea" for "United in Love," a special concert event benefiting the Denver Actors Fund on April 30 at the Lone Tree Arts Center. The three were "back to give back," joined by powerhouse singer, actor and First Lady of Denver Mary Louise; Broadway’s Jodie Langel ("Les Misérables"); composer Denise Gentilini ("I Am Alive") and Denver performers Jimmy Bruenger, Eugene Ebner, Becca Fletcher, Clarissa Fugazzotto, Robert Johnson, Daniel Langhoff, Susannah McLeod, Chloe McLeod, Sarah Rex, Jeremy Rill, Kristen Samu, Willow Samu, Thaddeus Valdez, and the casts of both "The Jerseys" (Klint Rudolph, Brian Smith, Paul Dwyer and Randy St. Pierre), and the all-student cast of the upcoming "13 the Musical" (Rylee Vogel, Josh Cellar, Hannah Meg Weinraub, Hannah Katz, Lorenzo Giovannetti, Maddie Kee, Kaden Hinkle, Darrow Klein, Evan Gibley, Conrad Eck and Macy Friday). The purpose of the evening was to spread a message of love and hope while raising funds for the Denver Actors Fund, which has made $90,000 available to local theatre artists facing situational medical need. The concert was presented by presented by Ebner-Page Productions. Photos by RDG Photography, Gary Duff and DCPA Senior Arts Journalist John Moore, also the founder of the Denver Actors Fund. For more information, go to www.denveractorsfund.org
BIG 2/7 DAY....;) LOVE TO MAMAN JACKIE (1st and foremost) who has been so supportive over the w-h-a-t FIVE SEVEN years?! (LUCKY ADDA for sure! )
BIG HUGS all my FLICKR pals who have been so kind and sweet over my FLICKR years...
Shout out to all my FLICKR VIEWERS who really make ADDA smile when my VIEW-COUNT goes over the top....(12 million and going up, up, and more up)
and to the rest of the TWO SEVENS...MY BOO BEST-IES JOSE & MARTIKI
and
Charles dickins...writer
David bryan.........keyboard in Bon Jovi
Tina Majorino......b actress
Robyn lively.........b actress
Bill horst...............cartoonist
Larry buster crabbe...the original flash gordon actor
Alfred adler..........psychologist
Sujit kymar............india actor
Sully erna...............band godsmack
Miguel ferrer.........b actor
James spader........actor
Laura ingalls wilder..author .little house on praire'
Sinclair lewis..........favorite author
Eddie izzard...........english comedian
Ashton kutcher......mr demi moore..ex
Charles dickens.....I mean really...you know which one
Matthew stafford...detroit lions something
John deere.............yes, that john deere tractor guy
Garth brooks.........country hick super star
David Garrick (19 February 1717 – 20 January 1779) was an English actor, playwright, theatre manager and producer who influenced nearly all aspects of theatrical practice throughout the 18th century and was a pupil and friend of Dr Samuel Johnson. He appeared in a number of amateur theatricals, and with his appearance in the title role of Shakespeare's Richard III audiences and managers began to take notice. Impressed by his portrayals of Richard III and a number of other roles, Charles Fleetwood engaged Garrick for a season at the Theatre Royal, Drury Lane. He remained with the Drury Lane company for the next five years and purchased a share of the theatre with James Lacy. This purchase inaugurated twenty-nine years of Garrick's management of the Drury Lane, during which time, it rose to prominence as one of the leading theatres in Europe. At his death, three years after his retirement from Drury Lane and the stage, he was given a lavish public funeral at Westminster Abbey where he was laid in Poets' Corner.
As an actor, Garrick promoted realistic acting that departed from the bombastic style that was entrenched when Garrick first came to prominence. His acting delighted many audiences and his direction of many of the top actors of the English stage influenced their styles as well. Furthermore, during his tenure as manager of Drury Lane, Garrick sought to reform audience behaviour. While this led to some discontent among the theatre-going public, many of his reforms eventually did take hold. In addition to audiences, Garrick sought reform in production matters, bringing an over-arching consistency to productions that included set design, costumes and even special effects.
Garrick's influence extended into the literary side of theatre as well. Critics are almost unanimous in saying he was not a good playwright, but his work in bringing Shakespeare to contemporary audiences is notable. In addition, he adapted many older plays in the repertoire that might have been forgotten. These included many plays of the Restoration era. Indeed, while influencing the theatre towards a better standard he also gained a better reputation for theatre folk. This accomplishment led Samuel Johnson to remark that "his profession made him rich and he made his profession respectable."
Continue reading at : en.wikipedia.org/wiki/David_Garrick
Date of Birth: 03-Feb-1985
Place of Birth: Chennai, Tamil Nadu, India
Profession: Film Director, Songwriter, Playback Singer, Actor, Film Producer, Lyricist, Screenwriter, Voice actor, Dancer
Nationality: India
Silambarasan , known as Silambarasan and also called Simbu or S. T. R., is an Indian ...
Edited Rijksmuseum print by Tsukioka Kôgyo , titled Scene from the Noh play Aoinoue Aoinoue (title on object) Play a hundred Noh (series title) Nogaku hyakuban (series title on object).
Original caption: Noh actor in the role of demon. The actor, with mask with horns, stick in right hand, stands in front of a kimono thrown on the floor.
Image source: hdl.handle.net/10934/RM0001.COLLECT.377380