View allAll Photos Tagged actor
Fedor Misheev — Theater and cinema actor.
Sony A6000 + LOMO T-43 + High Contrast Mono
Moscow. Muzeon Arts Park
Actors in a historical play head to a performance in Popayan, Colombia.
Popayan, Colombia, 2013
All images © Michael Evans
All Rights Reserved
I'm pleased to announce my new photo book, My Colombia: The First Seven Years.
You can preview and purchase the book at: bit.ly/2qFiAAy
To learn more about my life in Colombia, check out this article: bit.ly/2qxcFyX
derek jacobi today in soho, the epitome of an actor. note to any young and not so young hopefuls who may have dramatic aspirations, study the bbc production of iclaudius, a work of true genius, which in my opinion was completely unrivalled as tv drama until the appearance of the sopranos.
Burt Lancaster in the 1947 film "Desert Fury". My restoration and colorization of a Hal Wallis Productions publicity photo.
Daniel Mangin has described how Lancaster´s incredibly movie career got started:
"For an actor whose screen debut, the 1946 film noir classic "The Killers," made him an instant star, Burt Lancaster's first few seconds on celluloid are remarkably subdued. He lies motionless in bed, his face in shadow. The brightest light in the shot shines on his T-shirted chest as he learns that two hit men are on their way to rub him out. He's nearly invisible as he passively accepts his fate, his face in shadow until just before he's murdered."
"As Kate Buford points out in her absorbing new biography of the actor, Lancaster, who was born in 1913 and died in 1994, had the makings of a star: broad shoulders, a chiseled face, brilliant blue eyes, defiantly wayward hair and an iconic smile -- much mimicked by impersonators during his heyday -- that he called "The Grin." Though he was a big man, he moved with grace on-screen, thanks to years of touring as a circus acrobat.
David O. Selznick, the legendary producer of "Gone With the Wind," had the chance to put him under contract in the mid-1940s but declined. Following the paradigm of Hollywood's golden age, Selznick looked for personality types he could showcase in a series of similar roles, and he'd already signed one ravishing hunk, Guy Madison (a star remembered these days only by fey folk of a certain vintage). Who needed another?"
"Selznick's rejection was actually a stroke of luck -- one of many -- for Lancaster. He hooked up with Harold Hecht, an agent who accurately gauged the social and economic forces transforming the motion-picture business after World War II. Within a few years, not only had Hecht helped engineer Lancaster's superstardom (Lew Wasserman, the head of MCA, also played a key role), Hecht and Lancaster had become the producers of "Marty," "Trapeze" (Lancaster's homage to his circus days) and other hits. In the 1950s and early 1960s their company was the most successful independent outfit distributing through United Artists."
(Salon)
August Schellenberg, a lovely man and Emmy-nominated actor whose headshots I was fortunate enough to get to take today.
Photoshoot with Matthew Raetz
Actor/Model
Learn more about Matt here
and here
Lake Vista
New Orleans, Louisiana
Jaime Riba, actor español de teatro cine y televisión. Especialista en teatro musical e interpretación.Jaime Riba, Spanish actor of cinema, televisión and theater. Specialist in musical theater and interpretation.
Who said that only the famous actors are good? Here my favorite two : Eugenia Paspala' and Maria Amerikanou
This was from a skit about coastal California's history enacted at the Monterrey Bay Aquarium. The boat was in a large, mostly enclosed tide pool that is surrounded by a terrace.
Emma Shaddix in The Possession | Photographer | Nashville | Model | Actor | Headshot
A innocent doll found at a Thrift stone is filled with the whispers of the insane. It’s last home was a toy at a mental hospital. What does it bring with it, when it enters your home?
Emma rocks this look, Thoughts ?
-
Emma Shaddix’s fan site:
Drop by and Give her a LIKE and follow this Actor and Model to support as her career grows…
www.facebook.com/emmagshaddix/
-
A Actor must be able to play any role.
Driver’s Photographer offers character driven photo-shoots. Do you need a certain genre or look to land that Audition? Many Actors get typecast and Character Headshots are a wonderful tool to expand you role potential.
ABOUT DRIVER’S PHOTOGRAPHY:
Driver’s Photography located in Nashville Tennessee. Our focus is on personal and unique Photography for models, actors, and celebrities.
Contact us for booking and consultation:
Email: info@driversphotography.com
===
Goth, Portfolio, AmericanHorrorStory, People, Exorcist, Creative, Walking Dead, Model,, Best, Scary, Portrait, Monster, Undead , Macabre, Haunt, Tennessee, Halloween, Theater, Audition, Girl, Photography, Cosplay, Fantasy, Zombies, Child, Fashion, Top, Evil,, Talent, TWD, Terror, Horror, Blood, Creepy, Children, Photographer, Nashville, Dark,
#Photographer, #Walking #Dead, #Macabre, #Terror, #Zombies, #Fashion, #Goth, #Cosplay, #Evil, #Scary, #Photography, #People, #Children, #Girl, #Halloween, #Tennessee, #Exorcist, #Creepy, #Child, #Fantasy, #Monster, #Best, #Undead #, #Theater, #TWD, #Portrait, #Top, #Portfolio, #Model, #Nashville, #Haunt, #Blood,,, #Creative, #Talent, # #Audition, #Horror, #AmericanHorrorStory, #Dark
German postcard, no. 44 (of 64). Photo: Constantin. Elke Sommer and Mila Baloh in Unter Geiern/Among Vultures (Alfred Vohrer, 1964). Caption: At the last moment Annie intervenes. In front of everyone, she reports that the "preacher" is really the vulture Weller and a murderer. Her firm and determined manner makes even Judge Leader doubt Martin's guilt.
In the late 1950s, blonde, German Elke Sommer (1940) was a European sex symbol before conquering Hollywood in the early 1960s. With her trademark pouty lips, high cheekbones, and sky-high bouffant hair-dos, Sommer made 99 film and television appearances between 1959 and 2005. The gorgeous film star was also one of the most popular pin-up girls of the sixties and posed twice for Playboy magazine.
Elke Sommer was born Elke Schletz in 1940 in Berlin to a Lutheran Minister, Baron Peter von Schletz, and his wife, Renata, nee Topp. In 1942, the family was forced to evacuate to Niederndorf, a village near Erlangen, a small university town in the southern region of Germany. Her father's death in 1955, when she was only 14, interrupted her education at the local Gymnasium (high school). In 1957, she graduated from high school and moved to England. There she worked as an au-pair girl in Chigwell and Hampstead, two expensive residential areas of London. She entertained plans to become a diplomatic translator for the United Nations but instead decided to try modeling. After winning the title Miss Viareggio Turistica in 1958 while on vacation in Italy with her mother, she caught the attention of renowned film actor/director Vittorio De Sica and began performing on screen. Her debut film was in the Italian feature Uomini e nobiluomini/Men and Noblemen (Giorgio Bianchi, 1959), which starred De Sica. Elke changed her surname from 'Schletz' to 'Sommer' which was easier to pronounce for a non-German audience. A few more Italian pictures followed, including her first starring role in Femmine di lusso/Love, the Italian Way (Giorgio Bianchi, 1960) with Ugo Tognazzi and Walter Chiari. Within two years Elke made five films in Italy and also two in Germany, the adventure Das Totenschiff/Ship of the Dead (Georg Tressler, 1959) with Horst Buchholz, and the interesting Film Noir Am Tag, als der Regen kam/The Day It Rained (Gerd Oswald, 1959) starring Mario Adorf. She gradually upgraded her status to European sex symbol, and appeared in such films as the sexy De quoi tu te mêles Daniela!/Daniella by Night (Max Pécas, 1961) with Ivan Desny, Douce violence/Sweet Ecstasy (Max Pécas, 1962) opposite Pierre Brice, and the drama Das Mädchen und der Staatsanwalt/The Girl and the Prosecutor (Jürgen Goslar, 1962). Her first English-speaking picture was Don't Bother to Knock (Cyril Frankel, 1961) with Richard Todd and Nicole Maurey. Most of the publicity photographs for Don't Bother to Knock showed her in a bikini and revealed that although she was nothing like as buxom as Sophia Loren or Jayne Mansfield, Elke had a flat stomach and superb legs. Sommer moved to Hollywood in the early 1960s to try and tap into the foreign-born market. Her sexy innocence made a vivid impression in the all-star, war-themed drama The Victors (Carl Foreman, 1963) with Vince Edwards and Albert Finney. She received considerable publicity when it was reported that she filmed her scenes twice, with a sexier version made for the European market. Elke played a German girl who sexually gratifies her American boyfriend (George Hamilton) with the full knowledge of her parents because he brings chocolate to the family home. In 1964 she won the Golden Globe as Most Promising Female Newcomer for The Prize (Mark Robson, 1963), an espionage thriller with Paul Newman and Edward G. Robinson. In the classic, bumbling comedy A Shot in the Dark (Blake Edwards, 1964), the second entry in the hilarious Pink Panther series, she proved a shady and sexy foil to Peter Sellers's Inspector Clouseau. A scene with Sellers and Elke in a nudist camp received enormous publicity, and the film was a huge hit. Besides becoming one of the top film stars of the mid-1960s, Sommer also was one of the most popular pin-up girls of the time. She posed for two spreads in Playboy, in the September 1964 issue and in the December 1967 issue.
Elke Sommer was the leading lady opposite hunky sixties stars like James Garner, Robert Vaughn, and Dean Martin in such Hollywood productions as the crime melodrama The Art of Love (Norman Jewison, 1965), The Money Trap (Burt Kennedy, 1965), The Oscar (Russell Rouse, 1966), The Venetian Affair (Jerry Thorpe, 1967), and the Matt Helm spy spoof The Wrecking Crew (Phil Karlson, 1969). The blonde and beautiful Sommer proved irresistible to American audiences whether adorned in lace or leather or donning lingerie or lederhosen. She continued to make films in Europe as well as in Hollywood. The Euro-Western Unter Geiern/Among Vultures (Alfred Vohrer, 1964) was based on one of the Winnetou novels by Karl May. Her co-stars were Stewart Granger as Old Surehand, Götz George, and Pierre Brice as Winnetou. In 1966, she returned to England to work on the Bulldog Drummond extravaganza Deadlier Than the Male (Ralph Thomas, 1968), a film that has minor cult status, mainly because Richard Johnson gives a superb James Bond-like performance, but also because Elke and Sylva Koscina were so eye-catching as two sexually-charged assassins. Always a diverting attraction in spy intrigue or breezy comedy, she was too often misused and setbacks began to occur when the quality of her films began to deteriorate. Examples are the tacky Hollywood entry, The Oscar (Russell Rouse, 1966) with Stephen Boyd, and the Bob Hope misfire, Boy, Did I Get a Wrong Number! (1966). Her title role in the tasteless Cold War comedy The Wicked Dreams of Paula Schultz (George Marshall, 1968) proved her undoing. Elke Sommer benefitted from speaking seven languages fluently and her career took her to scores of different countries over time. Her films during the 1970s included the British World War I action-drama Zeppelin (Étienne Périer, 1971) in which she co-starred with Michael York and Anton Diffring, and a remake of Agatha Christie's oft-filmed murder mystery Ten Little Indians called And Then There Were None (Peter Collinson, 1974) with Richard Attenborough and Oliver Reed. In 1972, she starred in two low-budget Italian horror films directed by Mario Bava, which have both become cult classics. Gli orrori del castello di Norimberga/Baron Blood (Mario Bava, 1972) with Joseph Cotten, turned out to be an international box office success, particularly in the U.S. Producer Alfredo Leone offered Bava a contract for another film Lisa e il diavolo/Lisa and the Devil (Mario Bava, 1973) with Telly Savalas, and granted Bava total artistic control on it. The latter film was later re-edited to a very different film called Casa dell'esorcismo/House of Exorcism, a rip-off of The Exorcist. In 1975, Elke went back to Italy to appear in additional scenes inserted by the producer, against the wishes of the director. In those scenes a demonic Elke swears obscenities at her exorcist, and in typical Linda Blair style spits out pea soup and actually vomits live frogs and insects. In England, she good-naturedly appeared in the ‘comedy’ films Percy (Ralph Thomas, 1971) and its equally cheeky sequel Percy's Progress (Ralph Thomas, 1974), which starred Hywel Bennett (later Leigh Lawson) as the first man to have a penis transplant. She also showed up in one of the later ‘Carry On’ farces entitled Carry on Behind (Gerald Thomas, 1975) as the Russian Professor Anna Vrooshka. In Germany she appeared in Edgar Reitz’s Die Reise nach Wien/The Trip To Vienna (1973) with Hannelore Elsner, and in Wolfgang Petersen’s thriller Einer von uns beiden/One or the Other (1974) opposite Klaus Schwarzkopf and Jürgen Prochnow.
From the mid-1970s, Elke Sommer worked more and more for TV. She appeared as a guest star in such popular series as The Six Million Dollar Man (1976), Fantasy Island (1981) and The Love Boat (1981, 1984). She played in the mini-series Inside the Third Reich (Marvin J. Chomsky, 1982), Jenny's War (Steve Gethers, 1985), Anastasia: The Mystery of Anna (Marvin J. Chomsky, 1986) and Peter the Great (Marvin J. Chomsky, Lawrence Schiller, 1986). Elke Sommer had a long-running feud with Zsa Zsa Gabor that began in 1984 when both appeared on Circus of the Stars and escalated into a multi-million dollar libel suit by 1993 when Gabor and her husband made disparaging remarks about Sommer to several German publications. The jury ruled in favour of Sommer, and Gabor and her husband were sentenced to pay $2 million. Sommer also made appearances as a cabaret singer and in time put out several albums. She found a creative outlet on stage too with such vehicles as Irma la Douce and Born Yesterday, eventually becoming a director. Sadly, while performing in Chicago, she lost twins in her sixth month of pregnancy. Since the 1990s, she has concentrated more on book writing and painting than on acting. Her artwork shows a strong influence from Marc Chagall. She even hosted a TV-series on painting. Nevertheless, on occasion, she tackles an acting role. Out of the blue, she was cast in a Fangoria magazine production, the horror picture Severed Ties (1992). In her native Germany, she played in the TV film Ewig rauschen die Gelder/Eternally rustling funds (Rene Heinersdorff, 2005) and the comedy Das Leben ist zu lang (Dani Levy, 2010) with Markus Hering and Meret Becker. Divorced from writer and journalist Joe Hyams, she has been married since 1993 to hotelier Wolf Walther. In a 2014 interview, Sommer described how she met him: "I was in New York City starring in Tamara and had to stay there for four months. So, I had to find an apartment but they were excruciatingly expensive, tiny, and loud. As I knew the managing director of the Essex House, I wanted to talk to him about renting a room but the hotel had a new managing director, a man by the name of Wolf Walther. So we met. For him, it was love at first sight. For me, it took a little longer, but not much longer. As you may know, Tamara is a play in which the audience follows the actor of their choice, and as you may also know, my husband is 6'5" and hard to miss. I saw him every night in the audience, following me. Every night. And that was the beginning of the greatest love story of my life, still unfolding and getting better by the day." Elke Sommer lives in Los Angeles, California. Last year, she gave her voice to the short animation film A Thousand Kisses (Richard Goldgewicht, 2017).
Sources: Gary Brumburgh (IMDb), Cult Sirens, Brian’s Drive-in Theater, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
a former military troop carrier, they rejected their subjugation and now wander known space, carrying a large and ever-changing crew of travelers. a notorious ai liberation actor, jubilance of hestia is considered extremely dangerous in many systems and welcomed enthusiastically in others.
have been rereading ancillary justice and i wanted to make a ship inspired by justice of toren/mercy of kalr. build wise, i feel like ive been done this same style of ship several times over the years but that this is my best attempt. i have not built much in the last few years, and mostly do so when i'm feeling very bad, so i tend to stay in my comfort zone. comments appreciated.
An actor at Kentucky's Perryville Battlefield State Historical Park
"You think slavery is right and ought to be extended; while we think it is wrong and ought to be restricted. That I suppose is the rub."
[Letter to Alexander Stephens by Abraham Lincoln, Dec 22, 1860]
"Now we are told in advance the Government shall be broken up unless we surrender to those we [Republicans] have beaten, before we take the offices. In this they [Southern secessionist states] are either attempting to play upon us or they are in dead earnest. Either way, if we surrender, it is the end of us and of the [U.S.] Government. They will repeat the experiment upon us ad libitum. A year will not pass till we shall have to take Cuba as a condition upon which they will stay in the Union."
[President-elect Lincoln in January, 1861 about the vast majority of states being taken hostage by a minority of southern states.]