View allAll Photos Tagged actor
August Schellenberg, a lovely man and Emmy-nominated actor whose headshots I was fortunate enough to get to take today.
William Eythe, giving the lens a rather intense - stare. Probably a portrait taken for "Mr. Reckless", 1948
A picture of a long lost friend from Barcelona. Milton is/was a voice over actor for Spanish film and TV. Hoping you are doing well old friend.
Burt Lancaster in the 1947 film "Desert Fury". My restoration and colorization of a Hal Wallis Productions publicity photo.
Daniel Mangin has described how Lancaster´s incredibly movie career got started:
"For an actor whose screen debut, the 1946 film noir classic "The Killers," made him an instant star, Burt Lancaster's first few seconds on celluloid are remarkably subdued. He lies motionless in bed, his face in shadow. The brightest light in the shot shines on his T-shirted chest as he learns that two hit men are on their way to rub him out. He's nearly invisible as he passively accepts his fate, his face in shadow until just before he's murdered."
"As Kate Buford points out in her absorbing new biography of the actor, Lancaster, who was born in 1913 and died in 1994, had the makings of a star: broad shoulders, a chiseled face, brilliant blue eyes, defiantly wayward hair and an iconic smile -- much mimicked by impersonators during his heyday -- that he called "The Grin." Though he was a big man, he moved with grace on-screen, thanks to years of touring as a circus acrobat.
David O. Selznick, the legendary producer of "Gone With the Wind," had the chance to put him under contract in the mid-1940s but declined. Following the paradigm of Hollywood's golden age, Selznick looked for personality types he could showcase in a series of similar roles, and he'd already signed one ravishing hunk, Guy Madison (a star remembered these days only by fey folk of a certain vintage). Who needed another?"
"Selznick's rejection was actually a stroke of luck -- one of many -- for Lancaster. He hooked up with Harold Hecht, an agent who accurately gauged the social and economic forces transforming the motion-picture business after World War II. Within a few years, not only had Hecht helped engineer Lancaster's superstardom (Lew Wasserman, the head of MCA, also played a key role), Hecht and Lancaster had become the producers of "Marty," "Trapeze" (Lancaster's homage to his circus days) and other hits. In the 1950s and early 1960s their company was the most successful independent outfit distributing through United Artists."
(Salon)
______
This days I was very busy with too many things. Last weeks I was learning a little bit about filming shots using video creation and stop-motion with people very interesting. These projects have been very funny and I've known something about this world. This dog is a infiltrated and spontaneous actor that it was posing a few seconds in our modest set filming.
______
Estos días he estado muy ocupado con muchas cosas. Las pasadas semanas estuve aprendiendo un poco sobre el rodaje de cortos usando video creación y stop-motion con gente muy interesante. Estos proyectos han sido muy divertidos y me han permitido conocer algo sobre este mundillo. Este perro es un espontáneo actor que se coló unos segundos en nuestro modesto set de rodaje.
Actor head shots. Thanks for the inspiration from Shineylewis, Regina Pagles.
Lighting: AB800 in medium softbox CR, AB800 with grid, fill with 64" PLM with cover for fill.
Jaime Riba, actor español de teatro cine y televisión. Especialista en teatro musical e interpretación.Jaime Riba, Spanish actor of cinema, televisión and theater. Specialist in musical theater and interpretation.
Who said that only the famous actors are good? Here my favorite two : Eugenia Paspala' and Maria Amerikanou
You can see the finished product here. 308.peugeot.com.cn/ Directed by Antony Hoffman
This was from a skit about coastal California's history enacted at the Monterrey Bay Aquarium. The boat was in a large, mostly enclosed tide pool that is surrounded by a terrace.
American postcard by American Postcard Company, no. 3900, 1998. Photo: New Line Cinema. Publicity still for Polyester (John Waters, 1981). Caption: Divine as "Francine Fishpaw," and STIV BATORS as "Bo-Bo Belsinger" in John Waters' Polyester, 1981. The film introduced "ODORAMA" which allowed the audience to share in 10-of the more penetrating odors that plagued poor "Francine".
Harris Glenn Milstead, better known by his stage name Divine (1945-1988), was an American actor, singer, and drag queen. He was closely associated with the independent filmmaker John Waters. Divine became the international icon of bad taste cinema.
Harris Glenn Milstead was born in 1945 in Baltimore, Maryland to a conservative middle-class family. His parents were Harris Bernard Milstead and Frances Milstead (née Vukovich). Their only child, his parents lavished almost anything that he wanted upon him, including food. He became overweight, a condition he lived with for the rest of his life. Divine preferred to use his middle name, Glenn, to distinguish himself from his father, and was referred to as such by his parents and friends. When he was 17, his parents sent him to a psychiatrist, where he first realised his sexual attraction to men as well as women, something then taboo in conventional American society. In 1963, he began attending the Marinella Beauty School, where he learned hair styling and, after completing his studies, gained employment at a couple of local salons, specialising in the creation of beehives and other upswept hairstyles.
Milstead developed an early interest in drag while working as a women's hairdresser. He eventually gave up his job and for a while was financially supported by his parents, who catered to his expensive taste in clothes and cars. They reluctantly paid the many bills that he ran up financing lavish parties where he would dress up in drag as his favourite celebrity, actress Elizabeth Taylor. By the mid-1960s he had embraced the city's countercultural scene. His friend from high school, John Waters gave him the name 'Divine' and the tagline of 'the most beautiful woman in the world, almost'. Waters later remarked that he had borrowed the name Divine from a character in Jean Genet's novel Our Lady of the Flowers (1943). Along with his friend David Lochary, Divine joined Waters' acting troupe, the Dreamlanders (which also included Mary Vivian Pearce and Mink Stole), and adopted female roles for their experimental short films. The first was Roman Candles (John Waters, 1966), which was shown 'triple projected' on three 8mm projectors running simultaneously but was never released commercially. Divine starred in drag as a smoking nun. Other short films were Eat Your Makeup (John Waters, 1968), and The Diane Linkletter Story (John Waters, 1969), filmed on Sunday afternoons. Again in drag, he took a lead role in Waters' first full-length film, Mondo Trasho (John Waters, 1969) Divine as an unnamed blonde woman who drives around town and runs over a hitchhiker. In their review of the film, the Los Angeles Free Press exclaimed that "The 300-pound (140 kg) sex-symbol Divine is undoubtedly some sort of discovery." In 1970, he travelled to San Francisco, California, a city which had a large gay subculture that attracted Divine, who was then embracing his homosexuality. Divine played the role of Lady Divine, the operator of an exhibit known as The Cavalcade of Perversion who turns to murdering visitors in Waters's film Multiple Maniacs. The film contained several controversial scenes, notably one which involved Lady Divine masturbating using a rosary while sitting inside a church. In another, Lady Divine kills her boyfriend and proceeds to eat his heart; in actuality, Divine bit into a cow's heart which had gone rotten from being left out on the set all day. At the end of the film, Lady Divine is raped by a giant lobster named Lobstora, an act that drives her into madness; she subsequently goes on a killing spree in Fell's Point before being shot down by the National Guard. Due to its controversial nature, Waters feared that the film would be banned and confiscated by the Maryland Censor Board, so avoided their jurisdiction by only screening it at non-commercial venues, namely rented church premises. Multiple Maniacs was the first of Waters's films to receive widespread attention, as did Divine; KSFX remarked that "Divine is incredible! Could start a whole new trend in films." Following his San Francisco sojourn, Divine returned to Baltimore and participated in Pink Flamingos (John Waters, 1972). Designed by Waters to be an exercise in poor taste, the film featured Divine as Babs Johnson, living in a pink trailer with her egg-eating grandmother, chicken-loving son and voyeuristic daughter. Babs claims to be 'the filthiest person alive' and she is forced to prove her right to the title from challengers, Connie (Mink Stole) and Raymond Marble (David Lochary). In one scene, the Marbles send Babs a turd in a box as a birthday present, and in order to enact this scene, Divine defecated into the box the night before. The final scene in the film proved particularly infamous, involving Babs eating fresh dog feces; Divine later told a reporter, "I followed that dog around for three hours just zooming in on its asshole," waiting for it to empty its bowels so that they could film the scene. The scene became one of the most notable moments of Divine's acting career, and he later complained of people thinking that "I run around doing it all the time". The film proved a hit on the U.S. midnight movie circuit, became a cult classic, and established Divine's fame within the American counterculture.
Divine returned to San Francisco, where he and Mink Stole starred in a number of small-budget plays at the Palace Theater as part of drag troupe The Cockettes, including Divine and Her Stimulating Studs, Divine Saves the World, Vice Palace, Journey to the Center of Uranus and The Heartbreak of Psoriasis. In 1974, Divine returned to Baltimore to film Waters's next motion picture, Female Trouble, in which he played the lead role. Divine was unable to appear in Waters's next feature, Desperate Living (John Waters, 1977), despite the fact that the role of Mole McHenry had been written for him. This was because he had returned to working in the theatre as the scheming prison matron Pauline in Tom Eyen's play Women Behind Bars and its sequel, The Neon Woman. While in London in 1978, Divine attended as the guest of honour at the fourth Alternative Miss World pageant, a 'mock' event founded by Andrew Logan in 1972 in which 'drag queens' – including men, women and children – competed for the prize. The event was filmed by director Richard Gayer, whose subsequent film, entitled Alternative Miss World, premiered at the Odeon in London's Leicester Square as well as featuring at the Cannes Film Festival, both events which were attended by Divine. Continuing his cinematic work, he starred in Polyester (John Waters, 1981) as Francine Fishpaw. Unlike earlier roles, Fishpaw was not a strong female but a meek and victimized woman who falls in love with her dream lover, Todd Tomorrow, played by Tab Hunter. The film was released in 'Odorama', accompanied by 'scratch 'n' sniff' cards for the audience to smell at key points in the film. In 1981, Divine embarked on a career in the disco industry by producing a number of Hi-NRG tracks, most of which were written by Bobby Orlando. He achieved international chart success with hits like 'You Think You're a Man', 'I'm So Beautiful', and 'Walk Like a Man', all of which were performed in drag. The next Divine film, Lust in the Dust (Paul Bartel, 1985), reunited him with Tab Hunter and was Divine's first film not directed by John Waters. Set in the Wild West during the nineteenth century, the film was a sex comedy that starred Divine as Rosie Velez, a promiscuous woman who works as a singer in saloons and competes for the love of Abel Wood (Tab Hunter) against another woman (Lainie Kazan). A parody of the Western Duel in the Sun (King Vidor, 1946), the film was a moderate critical success. Divine followed this production with a very different role, that of gay male gangster Hilly Blue in Trouble in Mind (Alan Rudolph, 1985), starring Kris Kristofferson and Keith Carradine. The script was written with Divine in mind. Although not a major character in the film, Divine had been eager to play the part because he wished to perform in more male roles and leave behind the stereotype of simply being a female impersonator. Reviews of the film were mixed, as were the evaluations of Divine's performance. The he reunited with John Waters for Hairspray (John Waters, 1988), which represented his breakthrough into mainstream cinema. Set in Baltimore during the 1960s, Hairspray revolved around self-proclaimed "pleasantly plump" teenager Tracy Turnblad (Ricki Lake) as she pursues stardom as a dancer on a local television show and rallies against racial segregation. As he had in Female Trouble, Divine took on two roles in the film, one of which was female and the other male. The first of these, Edna Turnblad, was Tracy's loving mother; the other was the racist head of the station that airs the Corny Collins show. Hairspray was only a moderate success upon its initial theatrical release, earning a modest gross of $8 million. However, it managed to attract a larger audience on home video in the early 1990s and became a cult classic. Divine's final film role was in the low-budget comedy horror Out of the Dark (Michael Schroeder, 1989), produced with the same crew as Lust in the Dust. Appearing in only one scene within the film, he played the character of Detective Langella, a foulmouthed policeman investigating the murders of a killer clown. Out of the Dark would be released the year after Divine's death. On 7 March 1988, three weeks after Hairspray was released nationwide, Divine was staying at the Regency Plaza Suites Hotel in Los Angeles. He was scheduled to film a guest appearance the following day as Uncle Otto on the Fox network's television series Married... with Children in the second season wrap-up episode. Shortly before midnight, he died in his sleep, at age 42, of an enlarged heart (according to Wikipdia or respiratory failure caused by sleep apnea (according to IMDb). It was probably a combination. Described by People magazine as the 'Drag Queen of the Century', Divine has remained a cult figure, particularly within the LGBT community, and has provided the inspiration for fictional characters, artworks, and songs. Various books and documentary films devoted to his life have also been produced, including Divine Trash (1998) and I Am Divine (2013), written by Divine's manager and friend Bernard Jay. Frances Milstead subsequently cowrote her own book about Divine, entitled My Son Divine (2001), with Kevin Heffernan and Steve Yeager. His mother's continued relationship with the gay community was later documented in a film Frances: A Mother Divine (Tim Dunn, Michael O'Quinn, 2010)
Sources: Wikipedia and IMDb.
My photography teacher taught me that a lot of pictures become more interesting when a person/actor is present.
That was missing here :-)
HSS!
Actor/Director/Model
Learn more about Ryan here:
and here:
www.facebook.com/ryananthonywilliamsofficial/?pnref=story
Audubon Park
Uptown
New Orleans, Louisiana
French postcard by Studio Erving, Paris, no. 696. Photo: Lucasfilm Ltd. Harrison Ford in Star Wars - Episode IV - A New Hope (George Lucas, 1977).
American film actor Harrison Ford (1942) specialises in roles of cynical, world-weary heroes in popular film series. He played Han Solo in the Star Wars franchise, archaeologist Indiana Jones in a series of four adventure films, Rick Deckard in the Science Fiction films Blade Runner (1982) and Blade Runner 2049 (2017), and secret agent Jack Ryan in the spy thrillers Patriot Games (1992) and Clear and Present Danger (1994). These film roles have made him one of the most successful stars in Hollywood. In all, his films have grossed about $5.4 billion in the United States and $9.3 billion worldwide.
Harrison Ford was born in Chicago, Illinois, in 1942. His parents were former radio actress Dorothy (née Nidelman) and advertising executive and former actor John William "Christopher" Ford. Harrison graduated in 1960 from Maine East High School in Park Ridge, Illinois. His voice was the first student voice broadcast on his high school's new radio station, WMTH, and he was its first sportscaster during his senior year. He attended Ripon College in Ripon, Wisconsin, where he was a philosophy major and did some acting. After dropping out of college, he first wanted to work as a DJ in radio and left for California to work at a large national radio station. He was unable to find work and, in order to make a living, he accepted a job as a carpenter. Another part-time job was auditioning, where he had to read out lines that the opposing actor would say to an actor auditioning for a particular role. Harrison did this so well that he was advised to take up acting. He was also briefly a roadie for the rock group The Doors. From 1964, Ford regularly played bit roles in films. He was finally credited as "Harrison J. Ford" in the Western A Time for Killing (Phil Karlson, 1967), starring Glenn Ford, George Hamilton, and Inger Stevens. The "J" did not stand for anything since he has no middle name but was added to avoid confusion with a silent film actor named Harrison Ford, who appeared in more than 80 films between 1915 and 1932 and died in 1957. French filmmaker Jacques Demy chose Ford for the lead role of his first American film, Model Shop (1969), but the head of Columbia Pictures thought Ford had "no future" in the film business and told Demy to hire a more experienced actor. The part eventually went to Gary Lockwood. He had an uncredited, non-speaking role in Michelangelo Antonioni's film Zabriskie Point (1970) as an arrested student protester. His first major role was in the coming-of-age comedy American Graffiti (George Lucas, 1973). Ford became friends with the directors George Lucas and Francis Ford Coppola, and he made a number of films with them. In 1974, he acted in The Conversation (Francis Ford Coppola, 1974) starring Gene Hackman, and played an army officer named "G. Lucas" in Apocalypse Now (Francis Ford Coppola, 1979, co-produced by George Lucas. Ford made his breakthrough as Han Solo in Lucas's epic space opera Star Wars: Episode IV: A New Hope (George Lucas, 1977). Star Wars became one of the most successful and groundbreaking films of all time and brought Ford, and his co-stars Mark Hamill and Carrie Fisher, widespread recognition. He reprised the role in four sequels over the course of the next 42 years: Star Wars: Episode V: The Empire Strikes Back (Irvin Kershner, 1980), Star Wars: Episode VI: Return of the Jedi (Richard Marquand, 1983), Star Wars: Episode VII: The Force Awakens (J. J. Abrams, 2015), and Star Wars: Episode IX: The Rise of Skywalker (J.J. Abrams, 2019).
Harrison Ford also worked with George Lucas and Steven Spielberg on the successful Indiana Jones adventure series playing the heroic, globe-trotting archaeologist Indiana Jones. The series started with the action-adventure film Raiders of the Lost Ark (Steven Spielberg, 1981). Like Star Wars, the film was massively successful and became the highest-grossing film of the year. Ford went on to reprise the role throughout the rest of the decade in the prequel Indiana Jones and the Temple of Doom (Steven Spielberg, 1984), and the sequel Indiana Jones and the Last Crusade (Steven Spielberg, 1989), which co-starred Sean Connery as Indy's father, Henry Jones Sr. and River Phoenix as young Indiana. In between the successful film series, Ford also played very daring roles in more artistic films. He played the role of a lonely depressed detective in the Sci-Fi film Blade Runner, (Ridley Scott, 1981) opposite Rutger Hauer. While not initially a success, Blade Runner went on to become a cult classic and one of Ford's most highly regarded films. Ford received an Oscar nomination for Best Actor for the crime drama Witness (Peter Weir, 1985) with Kelly McGillis, and also starred for Weir as a house-father in the survival drama The Mosquito Coast (Peter Weir, 1986) with River Phoenix as his son. In 1988, he played a desperate man searching for his kidnapped wife in Roman Polanski's Frantic. For his role as a wrongly accused prisoner Dr. Richard Kimble in the action thriller The Fugitive (Andrew Davis, 1993), also starring Tommy Lee Jones, Ford received some of the best reviews of his career. He became the second of five actors to portray Jack Ryan in two films of the film series based on the literary character created by Tom Clancy: the spy thrillers Patriot Games (Phillip Noyce, 1992) and Clear and Present Danger (Phillip Noyce, 1994). He then played the American president in the blockbuster Air Force One (Wolfgang Petersen, 1997) opposite Gary Oldman. Later his success waned somewhat and his films Random Hearts (Sydney Pollack, 1999) and Six Days Seven Nights (Ivan Reitman, 1998) both disappointed at the box office. However, he did play a few special roles, such as an assassin in the supernatural horror-thriller What Lies Beneath (Robert Zemeckis, 2000) opposite Michele Pfeiffer, and a Russian submarine captain in K-19: The Widowmaker (Kathryn Bigelow, 2002) with Liam Neeson. In 2008, he reprised his role as Indiana Jones in Indiana Jones and the Kingdom of the Crystal Skull (Steven Spielberg, 2008) with Cate Blanchett. The film received generally positive reviews and was the second highest-grossing film worldwide in 2008. Later Ford accepted more supporting roles, such as in the sports film 42 (Brian Helgeland, 2013) about baseball player Jackie Robinson (Chadwick Boseman), the first black athlete to play in Major League Baseball. Ford reprised the role of Han Solo in the long-awaited Star Wars sequel Star Wars: The Force Awakens (J.J. Abrams, 2015), which became massively successful like its predecessors. He also reprised his role as Rick Deckard in Blade Runner 2049 (Denis Villeneuve, 2017), co-starring Ryan Gosling. Harrison Ford has been married three times and has four biological children and one adopted child. From 1964 to 1979, Ford was married to Mary Marquardt, a marriage that produced two children. From 1983 to 2003, he was married to Melissa Mathison, from which marriage two more children were born. In 2010, he married actress Calista Flockhart, famous for her role in the TV series Ally McBeal. He owns a ranch in Jackson Hole (Wyoming). Besides being an actor, Ford is also an experienced pilot. Ford survived three plane crashes of planes he piloted himself. The most recent accident occurred in 2015 when he suffered an engine failure with a Ryan PT-22 Recruit and made an emergency landing on a golf course. Among other injuries, Ford sustained a broken pelvis and ankle from this latest accident. In 2003, he received a star on the Hollywood Walk of Fame.
Sources: Wikipedia (Dutch and English), and IMDb.
And, please check out our blog European Film Star Postcards.
German postcard by Ross Verlag, no. 5020/1, 1930-1931. Photo: Universal. Publicity still for The Galloping Kid (Nat Ross, 1922).
Hoot Gibson (1892-1962) was a rodeo champion and pioneering cowboy star of silent Westerns. With his easy combination of light, breezy, boyish charm comedy and riding abilities, Hoot filled a gap between the austere William S. Hart and the flamboyant Tom Mix and appealed both to adults (especially women) and kids. During the 1920s, he was one of the most popular children's matinée heroes, ranking second only to Mix, and one of Universal's top paid stars. In his real life, however, he had an expensive love for fast cars, motorcycles and airplanes and lead a rather painful rags-to-riches-and-back-to-rags career.
Hoot Gibson was born Edmund Richard Gibson in 1892, in Tekamah, Nebraska. As a child he grew up 'horse crazy' and received his first pony at the age of two and a half. His family moved to California when he was seven. At age 13 the adventurous youth ran away from home and joined a circus for a time. At B-Westerns.com, Hoot recalled: "First job I got was on the Postal Telegraph. I was then 15. I rode that for about three months and liked it fairly well. I got a job at the Owl Drug Co., delivering drugs and packages to the different homes throughout southern California or that part of Los Angeles. That is where I got the name of Hoot. It came from Owl and later the boys started calling me Hoot Owl, then it got down to Hoot and Hoot has stuck with me ever since." Later work included punching cows in both Wyoming and Colorado. While working as a horse wrangler, Hoot developed a strong, active interest in the rodeo scene. In 1907 he signed a four-year contract with the Dick Stanley-Bud Atkinson Wild West Show, which toured throughout the US and later Australia. By 1910 Hoot started his film career with the Selig Polyscope Co. as one of the industry's first stuntmen. He was paid $2.50 for performing stunts, training horses and doubling for Selig stars. Director Francis Boggs was looking for experienced cowboys and stunt doubles to appear in his Western short Pride of the Range (Francis Boggs, 1910) starring Tom Mix. Gibson and pal Art Acord did riding and stunting jobs for the film. Gibson made a second film for Boggs The New Superintendent (Francis Boggs, 1911) with Herbert Rawlinson. Hoot lost a solid Hollywood contact in Boggs, however, when the director and his working partner, producer William Nicholas Selig, were both shot in October, 1911, by a mentally disturbed employee. Selig was injured, but Boggs was killed. Gibson also found stunt work in such prolific Western shorts as The Two Brothers (David Wark Griffith, 1910), starring Henry Walthall, and His Only Son (Jack Conway, 1912). Acting for Gibson was then a minor sideline, and Hoot continued to forge a name for himself on the rodeo circuit with his pal Art Acord. In 1912, at age 20, he won the title 'All-Around Champion Cowboy' at the famed annual Pendleton (Oregon) Round-Up. He also won the steer-roping World Championship at the Calgary Stampede. While on the circuit, he met fellow rodeo rider Rose August 'Helen' Wenger. They eventually married and she took on the marquee name of Helen Gibson. She even found film stunt work herself and eventually was chosen to replace Helen Holmes as star of the popular movie serial The Hazards of Helen (J. Gunnis Davis a.o., 1914) during mid-filming. Hoot himself had the job doubling Helen Holmes and doing the stunts from horses to trains in the Universal cliffhanger. Hoot picked up new connections in the film industry with Western star Harry Carey and director John Ford. With Ford, Gibson developed a lasting friendship and working relationship. Gibson gained some momentum as a secondary player in a few of their films, including Cheyenne's Pal (1917), Straight Shooting (1917), The Secret Man (1917) and A Marked Man (1917). With the outbreak of World War I, however, Gibson's film career was put on hold. He joined the US Army, eventually attaining the the rank of sergeant while serving with the Tank Corps, and was honorably discharged in 1919. He returned immediately to Universal and was able to restart his career.
At Universal, Hoot Gibson quickly worked his way up to co-star status in a series of short Westerns, often directed by John Ford. The two-reelers usually co-starred either Pete Morrison or Hoot's wife Helen, or sometimes both. Films such as The Fighting Brothers (John Ford, 1919), The Black Horse Bandit (Harry Harvey, 1919), Rustlers (John Ford, 1919), Gun Law (John Ford, 1919), The Gun Packer (John Ford, 1919) and By Indian Post (John Ford, 1919) eventually led to his solo starring success. During this prolific period, he was also directed by George Holt in The Trail of the Holdup Man (1919), Phil Rosen in The Sheriff's Oath (1920) and Lee Kohlmar in The Wild Wild West (1921). Around this time, Hoot and Helen divorced. In the early 1920s, Hoot went on to marry another Helen, vaudeville actress Helen Johnson. They had one child, Lois Charlotte Gibson, born in 1923. The couple divorced in 1927. By 1921, the demand for cowboy pictures was so great, Gibson began receiving offers for leading roles. Superstardom came with the Western Action (John Ford, 1921), which was taken from The Three Godfathers story. It starred Hoot, Francis Ford and J. Farrell MacDonald as a trio of outlaws on the lam who find a baby. Action propelled Gibson to fame and fortune and he remained at Universal for the next 10 years. Boyd Magers and Bill Russell at B-Westerns.com: "What made Gibson so popular over the years? He was not what one might call handsome, being a little on the homely side, nor did he cut a dashing figure on horseback, although he could ride like a demon. Neither was he a polished scrapper of the Bob Steele school of fisticuffs, but could mix it up with the best of them. He mostly never wore a gun in the standard cowboy hero way, instead shoved it in his belt or boot. So what made this cowboy hero one of the greats? You could call it character, a certain boyish charm, or simply a naturalness that appealed to the western fan. He had a contagious smile, and while most heroes had a sidekick who provided the comedy routine, Hoot was his own best sidekick." During his Universal years, Gibson starred in such classics as the exciting The Ridin' Kid from Powder River (Edward Sedgwick, 1924) , the humorous Chip of the Flying U (Lynn Reynolds, 1926) and the more serious and dramatic The Flaming Frontier (Edward Sedgwick, 1926) with Dustin Farnum, he would occasionally step out of his Western roles for a non-Western feature. By 1925 Hoot Gibson was making approximately $14,500 a week and spending it about as fast as he was making it.
Hoot Gibson successfully made the transition to talkies and, in 1930, married popular Jazz-era actress Sally Eilers, a third party to his previous divorce. The couple made three features together: The Long, Long Trail (Arthur Rosson, 1929), Trigger Tricks (B. Reeves Eason, 1930) and Clearing the Range (Otto Brower, 1931). When she found celluloid success on her own with the Oscar-winning Bad Girl (Frank Borzage, 1931), Sally decided to split from Hoot professionally and personally. They divorced in 1933. Hoot lost his Universal contract in 1930, which signified the start of his decline. During the early 1930s, he secured contracts with the Poverty Row outfits Allied Pictures and First Division Pictures, but the quality of his films suffered. Hoot had already begun to feature race cars and airplanes in his films such as The Flyin' Cowboy (B. Reeves Eason, 1928) and The Winged Horseman (B. Reeves Eason, Arthur Rosson, 1929). Gary Brumburgh at IMDb: "Airplanes in particular became a large, expensive passion of his. In 1933 he crashed his biplane during a National Air Race in Los Angeles, which had pitted him against another cowboy star, Ken Maynard. Fortunately, he survived his injuries." With the advent of talking films, singing cowboys such as Gene Autry and Roy Rogers were becoming the new rage, and both Hoot and Tom Mix felt the kick. Yet he managed a couple of comebacks by pairing up with others stars. He joined old silent film teammate Harry Carey and 'Guinn Big Boy Williams' in the 'Three Mesquiteers' Western Powdersmoke Range (Wallace Fox, 1935), and was billed second to Ray Corrigan in the Republic serial The Painted Stallion (Alan James, Ray Taylor, William Witney, 1937). Gary Brumburgh: "Hoot left films and toured with the Robbins Brothers and Russell Brothers circuses during 1938 and 1939 before retiring from show business altogether. His multiple divorces and reckless spending habits had taken their toll on his finances. For a time he found work in real estate before Monogram Pictures offered the stocky-framed actor a chance to return in 1943. Hoot teamed up with cowboy star Ken Maynard in the popular 'Trail Blazers' series, and the duo were later joined by Bob Steele. Chief Thundercloud replaced a difficult Maynard on a couple of the films, but by the end of the series Gibson and Steele were riding alone together." The nearly dozen films in the series began with Wild Horse Stampede (Alan James, 1943) and ended with Trigger Law (Vernon Keays, 1944), the latter being his last hurrah in films. Hoot then returned to real estate. By the time he appeared as a surprise guest on the popular sitcom I Married Joan (1952) starring Joan Davis, his Western features of the 1930s and 1940s, as well as those of Maynard, Steele and others were a large staple of films seen by a TV audience that couldn't get enough Western fare. He did a favour for old friend John Ford by appearing in a cameo role in the director's The Horse Soldiers (John Ford, 1959), starring John Wayne and William Holden. His last movie spotting was a guest cameo in the 'Rat Pack' film Ocean's Eleven (Lewis Milestone, 1960). Hoot married a fourth and final time in 1942, to 22 year old yodeler and actress Dorothea Dunstan. This marriage took hold and lasted for 20 years until his death. By the 1960s Gibson was on the verge of financial collapse after a series of bad investments. Gary Brumburgh: "Diagnosed with cancer in 1960, rising medical costs forced him to find any and all work available. He was relegated at one point to becoming a greeter at a Las Vegas casino and, for a period, worked at carnivals. It was an unhappy end for a cowboy who brought so much excitement and entertainment to children and adults alike." In 1962, Hoot Gibson died of cancer at the Motion Picture Country Home in Woodland Hills, California, just a couple of weeks after his 70th birthday. He was interred in the Inglewood Park Cemetery in Inglewood, California.
Sources: Gary Brumburgh (IMDb), Boyd Magers and Bill Russell (B-Westerns), Wikipedia and IMDb.
An actor at Kentucky's Perryville Battlefield State Historical Park
"You think slavery is right and ought to be extended; while we think it is wrong and ought to be restricted. That I suppose is the rub."
[Letter to Alexander Stephens by Abraham Lincoln, Dec 22, 1860]
"Now we are told in advance the Government shall be broken up unless we surrender to those we [Republicans] have beaten, before we take the offices. In this they [Southern secessionist states] are either attempting to play upon us or they are in dead earnest. Either way, if we surrender, it is the end of us and of the [U.S.] Government. They will repeat the experiment upon us ad libitum. A year will not pass till we shall have to take Cuba as a condition upon which they will stay in the Union."
[President-elect Lincoln in January, 1861 about the vast majority of states being taken hostage by a minority of southern states.]
Actor John Joseph Quinlan - Former Cruiser Weight Boxing Champion of The World Character on Set Live Filming Prep @ Dullea's Boxing via Boston Film/Series with Trainer Greg Rich.
12/19/2015
www.johnjosephquinlan.com/actor-john-joseph-quinlan-forme...
#JohnQuinlan