View allAll Photos Tagged abstractexpressionism

Alan Rauch is a master painter n teacher

82 yrs old

has da vitality and energy of a 40-year-old

youthful energies n sprit

I'm so glad to have met him

I love his style

I look in his eyes and see a young man

Sometimes new perspectives open up different ways of seeing through a dark journey.

brought to my knees

by da potency

cough cough

I found remnants of a scuffle between either a predator or the gale force winds from last week's storm. Feathers and tufts of fluff were scattered along the creek where I was photographing.

I came upon this image this morning after reviewing the weather forecast and thought how it resembeled the crazy wind coming at us from every which way blowing the front door open, the cold and rain/snow bearing down from the north, the smoke blocking views of the mountains, spits of rain on the window, and little fires everywhere.

South State street Chicago Loop

While people are passing next to me down the stairs I waited, and I waited for someone, anyone with a colorful outfit to pass by...... I must wander back to this subway entrance and try again..

 

Serie, Dia de Bueyes...- Series, Day of Oxen.... N 10

 

Gracias por las visitas, amables comentarios e invitaciones

Thank you for the visits, kind comments and invitations

 

Many of the midcentury Abstract Expressionists found inspiration in the forest.

wit humble appreciation n heartfelt thanks fer da 4.9 million views

This year has been particularly smokey in southeast Utah. Fires belching smoke from California, Arizona, Colorado, and within Utah have kept us indoors several days. Last night as we drove in to Moab for groceries and pears to can, we noticed a fire crawling up the side of South Mountain, 3 miles from our house. It wasn't raging and the wind was fairly calm coming from the southwest which was a good sign. It was also burning up an alluvial fan that burned 7 years ago so there wasn't much fuel. There are still some smoke coming from the steep canyons, but no active fire is visible. I am thankful for my husband who has worked tirelessly the last couple of years to chop and mow a defensible space around our house amidst the dry, dry grasses and sagebrush. Sending out a global hug to all those who have been impacted by the disasters of flood, fire, earthquakes, and disease.

 

All elements shot with an iPhone6 and ProCamera app.

Edited on iPad with Leonardo app, ProcCreate and BlurFX.

 

To learn more about creative photography processes and art on an iPhone you might be interested in my book co-written with Bob Weil:

 

www.amazon.com/The-Art-iPhone-Photography-Creating/dp/193...

 

and website: www.iphoneographycentral.com

This photo was selected by Feature Shoot for a curated gallery show at the Foley Gallery in NYC held in the summer of 2021:

www.featureshoot.com/2021/03/the-print-swap-is-returning-...

Inspired by Harry Callahan

This is a tribute to one of my favorite artworks of a similar name by the artist, Paul Klee.

 

In the past, I have done a fair amount of travel to visit my sons and other family, but recent circumstances may significantly decrease or change my future travel.

 

So I've come to recognize this new artistic tangent as a way for me to travel into other worlds and visions without sitting for long periods.

 

Thanks for joining me on this ride!

Digital Manipulation Art

Serie, Dia de Bueyes...- Series, Day of Oxen.... N 9

 

Gracias por las visitas, amables comentarios e invitaciones

Thank you for the visits, kind comments and invitations

DIGITAL CAMERA

workin n creatin a nu Artform

9" x 12" Oil on hardboard

Macro of a tablecloth, my cat and a fisheye in aftershot.

Suprematism is an early twentieth-century art movement focused on the fundamentals of geometry (circles, squares, rectangles, triangles). The term itself refers to a form of abstract art based on the supremacy of pure artistic expression rather than on a visual or literal depiction of objects. It is entirely subjective and gives room for the artist to present what they think or perceive versus what they may see.

1 2 ••• 7 8 10 12 13 ••• 79 80