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Untitled (early 1950s )

Oil stick on woven paper

18-1/16 x 24-1/16 inches

 

Courtesy of Spanierman Modern, New York

 

www.spaniermanmodern.com

 

This is a reproduction of Jackson Pollock's studio at The National Museum of Modern Art, Tokyo.

This is abstract EXPRESSIONISM. What the fuck is wrong with kids now? Drunken parties, rape, photos & videos of the victim, people standing by doing ABSOLUTELY NOTHING. Hey, kids, you wanna be grown-ups so fast? Then effing grow up. You are a bunch of arrogant babies. Did you learn ANYTHING from Greek tragedy in school (besides how to have a Dionysian orgy)? Subtitle for my piece: "Splat! Goes your body when the sun melts your wing-glue". You should sit, wingless (and phoneless!) awhile with your shame and remorse.

Jackson Pollock, Autumn Rhythm (Number 30), 1950, enamel on canvas, 266.7 × 525.8 cm (The Metropolitan Museum of Art), © The Pollock-Krasner Foundation

Learn More on Smarthistory

One of the leading figures in the first generation of Abstract Expressionists, Clyfford Still (1904-1980) was unusual in that he exerted really insane amounts of control over his career. He developed a new, powerful approach to painting in the years immediately following World War II and has been credited with laying the groundwork for the Abstract Expressionist movement,. He withdrew from New York scene in the 1950’s, moved to Maryland and worked in isolation. He had already gained prominence but maintained control of his image by controlling what he sold and gifted to only esteemed institutions. He didn’t feel artists should have to cowtow to gallerists and museums. He felt they, the image makers, should be in control.

 

Still's paintings are non-objective, and largely concerned with arranging a variety of colors in different formations. However, while Rothko or Newman organized their colors in a relatively simple way, Still's arrangements are less regular. His jagged flashes of color give the impression that one layer of color has been "torn" off the painting, revealing the colors underneath.

 

This Still painting is untitled and was photographed on exhibit at the San Francisco Museum of Modern Art.

Jackson Pollock, Autumn Rhythm (Number 30), 1950, enamel on canvas, 266.7 × 525.8 cm (The Metropolitan Museum of Art), © The Pollock-Krasner Foundation

Learn More on Smarthistory

Through the Fire;

ARTIST Mirza Ajanovic MOTION Photography,.

FROM GRAND OPUS: Painting with light, .

Rhythm and Movement Painting, .

Action Painting, ART Avant-garde, .

Abstract Expressionism,.

Perception beyond Appearances, Symbolism,.

Hidden meaning of shadow, edge of perception, .

Observation of psychological reality, Mystical Expressionism,.

Art that raises subjective feelings above objective observations, .

Brought a new level of emotional intensity, TransExpressionism;.

Hidden doors of perception, Mystical Photography;.

Mirza Ajanovic Expressive Photography,.

These are Unaltered Images. Not cropped..

 

Untitled (1950)

Oil on canvas

h: 12 x w: 26.2 in

 

Courtesy of Vincent Vallarino Fine Art, New York

 

www.artnet.com/gallery/424639601/vincent-vallarino-fine-a...

 

www.vallarinofineart.com/page/abstract-expressionist.html

[Willem de Kooning/ by Dena.], ca. 1965 / Dena, photographer. Photographic print : 1 item : b&w ; 43 1/2 x 33 1/2 cm. Miscellaneous photograph collection. Archives of American Art.

This is a reproduction of Jackson Pollock's studio at The National Museum of Modern Art, Tokyo.

Soutine type of landscape

Jackson Pollock, Autumn Rhythm (Number 30), 1950, enamel on canvas, 266.7 × 525.8 cm (The Metropolitan Museum of Art), © The Pollock-Krasner Foundation

Learn More on Smarthistory

Bank parking lot, Julian Ave. + 16th St.

Estudio Sobre una Flor y un Insecto 3

Study On a Flower and a Bug

 

Gracias por las visitas, amables comentarios e invitaciones

Thank you for the visits, kind comments and invitations

Print artist Kim Hartman Colligan discusses her studio with visitors.

Jackson Pollock, Autumn Rhythm (Number 30), 1950, enamel on canvas, 266.7 × 525.8 cm (The Metropolitan Museum of Art), © The Pollock-Krasner Foundation

Learn More on Smarthistory

Sketches for an algorithmic "all over" composition style

Isamu Noguchi (野口 勇, Noguchi Isamu, November 17, 1904 – December 30, 1988) was a Japanese-American artist and landscape architect whose artistic career spanned six decades, from the 1920s onward.[1] Known for his sculpture and public artworks, Noguchi also designed stage sets for various Martha Graham productions, and several mass-produced lamps and furniture pieces, some of which are still manufactured and sold.

 

In 1947, Noguchi began a collaboration with the Herman Miller company, when he joined with George Nelson, Paul László and Charles Eames to produce a catalog containing what is often considered to be the most influential body of modern furniture ever produced, including the iconic Noguchi table which remains in production today.[2] His work lives on around the world and at the Noguchi Museum in New York City.

 

en.wikipedia.org/wiki/Isamu_Noguchi

Willem DeKooning is most well known for his abstract expressionist paintings. This piece is an extraordinary transformation of his vision to three dimensions.

 

en.wikipedia.org/wiki/Willem_de_Kooning

The warmth and generosity of the artists and friends I made in St Petersburg captured my heart and made me feel like I was home.

    

"The smallest things which are done for us can fill the biggest part of our heart" - Ingrid Lee

    

This painting is in an abstract expressionism style to express the feeling of being embraced by all the wonderful people I encountered in St

Petersburg. I listened to the music of Aleksandr Borodin's Opera of Prince Igor as my muse and as a subliminal motivation, as I saw this opera during my visit at the Mariinsky Theatre.

This is a reproduction of Jackson Pollock's studio at The National Museum of Modern Art, Tokyo.

Original Painting Ink on paper. 18"x24" 2017 Lightfast, waterproof ink on acid-free watercolor paper Learn more at www.CrowRising.com/gallery.

Print artist Kim Hartman Colligan discusses her studio with visitors.

Monastero del Salvatore (1996)

Oil on canvas

h: 56.7 x w: 59.6 in

 

Courtesy of Galerie Biedermann, Munich

 

www.artnet.com/Galleries/Home.asp?G=&gid=157&whic...

Untitled (1950s)

Charcoal on paper

18.5 by 24.5 in.

 

Courtesy of Lohin-Geduld Gallery, New York

 

www.artnet.com/Galleries/Home.asp?G=&gid=423885474&am...

acrylic on canvas, 48" X 77", 2009

Neural Network - Photographer Russell McNeil PhD (Physics) lives in Nanaimo, British Columbia where he works also as a writer and a personal trainer.

From a series of top 10 movie explosions. This composition was made with custom software that captures the color and form of explosions in action films. The source of this composition was Armageddon by director Michael Bay.

 

More information about Top 10 Movie explosions is available here: www.mantissa.ca/projects/actionpainting.php

 

From a series of top ten movie explosions. This image was made with custom software that creates new compositions using the colors and forms from explosions in action films. The source of this image was Collateral Damage.

From a series of top ten explosions. This image was made with custom software that shows the colors and forms from explosions in action films. The source of this image was Armageddon.

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