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This major work of Abstract Expressionism was purchased by the Whitlam government in 1973.
The lack of recognisable symbolism in Blue Poles is deliberate. Much of Pollock’s work was about externalising his seemingly troubled internal states.
Housed at the National Gallery of Australia in Canberra.
2.1 m x 4.86 m
© All rights reserved.
a Sacred gatherin of Fractal High Shamanz chantin a new frac inna existence...beautiful sight....potent n powerful
www.flickr.com/photos/psychoactivartz/7733642018/sizes/l/...
Gracias por las visitas, amables comentarios e invitaciones
Thank you for the visits, kind comments and invitations
Serie, Dia de Bueyes...- Series, Day of Oxen.... N 6
Gracias por las visitas, amables comentarios e invitaciones
Thank you for the visits, kind comments and invitations
Untitled 1955
Oil on linen
41 by 36 in.
Charles Cajori is included in the collections of the Hirshhorn Museum and the Corcoran Gallery of Art both in Washington, DC.
Permission by Charles Cajori
acrylic, colourfix primer, graphite, soluble graphite, soluble crayon, ink, marble dust, and oil pastel on fabriano paper
32.7 x 25.1 cm
Jan de Baat (1921-2010) Dutch artist, reknowned for his sculptures typed as abstract expressionistic.
This phenomenal sculpture (placed in Zeist, NL) is entitled De Zee (The Sea) and dates from 1964.
Claude-Marie Dubufe 1790-1864
da code of da cosmos is embedded in da feminine
da cosmic code is da fabric of da cosmos n reality
da cosmos is digital in nature
quantum waves of energy n information
past n future
impulses n electrons
Night of lightning,Impression painting,Hand painting,wall art，Interior decoration,Natural scenery,The scene of the night,Trees
Overview
Handmade item
Height: 70 Centimeters
Width: 180 Centimeters
Material: canvas
$510.30
www.etsy.com/listing/625574036/impression-paintinghand-pa...
Serie, Dia de Bueyes...- Series, Day of Oxen.... N 1
Gracias por las visitas, amables comentarios e invitaciones
Thank you for the visits, kind comments and invitations
Beach Oil Painting,Coastal Beach Art,Abstract Beach Decor Art,Large Seaside Canvas Art,Beach Wall Art
Overview
Handmade item
Subject: Beach & tropical
Framing: Unframed
Height: 30 Inches
Width: 40 Inches
Materials: Canvas, Hand Painting, Oil Painting, Art Gift, Home Decor, Canvas Art
$172.80+ (On Sale)
www.etsy.com/listing/641618348/original-seaside-landscape...
www.flickr.com/photos/psychoactivartz/6072835676/sizes/l/...
my bro after spendin too much time explorein da frac verse
available for prints and for sale -------- -------- www.saatchiart.com/art/Painting-AWORL/884190/2978473/view
8x10 inches acrylic painting on thick paper
This is another work in a Long Series Of Artists and their Art, Local n Out of Town Artists, Administrative Folks of Museums and Arts Centers, Board Members of SAMA. Fellow Allied Artists in our little tribe.
A collection of my new Friends and Supporters as I learn how to be a Public Artist. Plus, I'm sure, others I'll meet along the way.
I view this collection as a future project to be seen on the walls of museums n art centers a few years from now.
This is my reconstruction of an analog artist using and engaging in the ancient Artistic medium of drawing into a 21st.-Century Digital Fractal Painting Visual.
Matthew Paquette
He was an intelligent n engaging artist to talk too. I had fun n enjoyed meeting him.
This snap of him took place at The Bottle Works Arts
Five Solo Shows
SEEING BEYOND: New York City in Cambria City
Bottle Works Arts on 3rd Ave.
October 14 – November 17, 2017
Marcia Annenberg • Marcene Glover • Carole Richard Kaufmann • Carolyn Monastra • Matthew Paquette
Five NYC based Artists each take a different approach to the theme of Seeing Beyond, sharing an intriguing array of insights, and thought provoking outlooks, executed in a range of medium, styles, and subject matter. These include emerging, to nationally awarded, established international artists.
Matthew Paquette:
Lower East Side
SEEING BEYOND: Matthew’s ink drawings conjure elements of the physical world, to let ourselves experience what might be, or what might be imagined. If you look at any one thing for a long enough time it will start to look like nonsense. Something simple like a shirt’s pleat or a tree branch can turn into a closed mouth or a long chitinous finger with the right amount of focus. Following this principle, a subject goes from a likeness to a misinterpretation to an alien construct only familiar to the artist.
“Wanting to illustrate this process quickly and with little tension, I use ink (my personal love for the medium does play into it too). Having to make the choice between careful, time expensive marks and quick unforgiving ones (both of which are indistinguishable once a piece is finished) allows me to work as automatically as the process in which I see my subject transforms it. At this point, if I’m able to focus intently enough there is little to no disconnect between what I see and what appears on the page.”