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A series of images deconstructing photographs of concrete using Adobe Photoshop to reveal an underlying beauty and form.
Thanks to texturelib.com
have you ever wanted to animate a still photo ??
well now you can....goto
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press the last symbol next to download for a loop
I always like that back light I see in the late part of the day. I seem to be enjoying this photoshop paint. Somehow I just like how it makes the color pop out more. I don't like that every one can make the same textures by the push of some sliders. I hope to find some new way to use this. I do hope you like the composition and subject.
Mike
EVERY WHICH WAY
I recently came across the term "pure" to describe an image captured using a particular set of parameters as applied to a type of photographic technique, Intentional Camera Movement (ICM). The inference was that this particular set of "pure" parameters is the One, True Right Way to capture and process ICM images for them to be designated as "pure" ICM.
I reject this sort of description. I have no problem with delineating styles, such as 'this image was captured with one exposure without major post-processing', but calling it "pure" is like calling any type of photography after Joseph Nicéphore Niépce "impure".
The term "pure" suggests that anything less or more is unreal, sullied, false, unchaste, corrupt. What I find interesting is that these sorts of censures and invectives were also unleashed on the Impressionists whose artistic styles those practicing ICM attempt to portray.
I feel that there are enough divisions in our world of disarray and that finding merit in each other's attempts at creating beauty should be embraced whether it fits into a concocted construct or frees those bounds and asks "what if?"
As an introduction into my latest photographic foray: all images are the result of wandering in the desert with my camera, all are created in-camera with multiple exposure, hand-held, and lightly processed in Light Room. I hope you enjoy their movement as much as I do making them.