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Title: Pow
Artist: Renda Writer
Size: 30” x 31”
Medium: Acrylic
This artwork is part of “Further Adventures of the Thought Coalition” exhibition at Bear and Bird Gallery in Lauderhill, Florida. Exhibition runs June 27 – August 2, 2014; visit our website www.bearandbird.com or for more information on the Thought Coalition visit www.thoughtcoalitionhq.com
My first attempt at one of the challenges in the Assignment 52 group.
I've never really been into the beatles but I listened to one of their albums today for some inspiration and I loved the lyrics to 'Paperback Writer'.
My first thought for this image was of a dusty old typewriter with a stack of books but unfortunately I didn't have one of those to hand!
I decided to drag the shutter a little to bring a bit of motion blur to my hand. Is is a bit weird with one hand? I don't know but two blocked too much of the keyboard. It doesn't look like much but I took about 6 frames to get to this, tweaking the composition a little each time!
Part of a photo series about the german writer and illustrator Dieter Schaefer. Taken with a Leica Monochrom.
Ah, the writer. Mysterious in nature and many surprises up his sleeve.
Did a shoot for something to go on this writer's bio page and in his books.
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La casa di Giulietta, dicono che scrivere porti bene... chissà poi perché, vista la fine che ha fatto lei....
La foto è mossa (1/8s....) ma l'effetto non mi dispiace!
My writer's group disbanded because so many members retired and moved to their second homes in Mendocino, Santa Cruz or Hawaii. We used to meet every first Monday of the month, thus we were called the Monday Night's Writers Group. This reunion was called forth because of two literary events which we made happen over the same weekend. Connie at the head of the table. This is her house. Painting by her aunt of the Great Depression behind her.
Pithiest conversations were about why four of us (two gay and two straight) choose not to marry our long time partners. Sandy said she didn't like the idea of loosing her freedom. Henri said she just wasn't the marrying sort. Connie didn't really say why and I said I thought marriage was an invasion of privacy because both the state and your family had a stake in such a formalized relationship.
Description: Possum Controls Ltd. Moon Writer, Royal National Institute for the Blind, England. Beige plastic and metal machine with black carrying case. Moon type is an embossed writing system for the blind created by William Moon in 1847.
For more information please see: Possum Moon-Writer,
Museum of the American Printing House for the Blind
Date: 1984
Format: 3D object
Digital Identifier: AG94-0020
Rights: Samuel P. Hayes Research Library, Perkins School for the Blind, Watertown, MA
book covers of all the 2011 published writers at the Writers Room party at McNally Jackson tonight. Nova's book is above Men Undressed. :)
Anne Shannon, Belfast and Carmel Jenning, Sligo, at a reading by author and poet Mary Branley, accompanied by flautist Grégoire Raab, in the House of Waterford Crystal. (pic-photozone)
Drohobych, Ukraine.
The birthplace of a famous Polish writer and fine artist - Bruno Schulz.
© Mieszko Stanislawski / Babel Images
William, watson, mywriterheart, my writer heart, luz, amor, transmutar, camino, elevarse, crecer, renunciar, libertad, librarse, extender, amarse, amar, esencia, ser
(more pictures or information you can receive by going to the end of page!)
House of the Teutonic Order
The House of the Teutonic Order was as a Viennese commandry of the in 1198 in Acre founded Teutonic Order under Duke Leopold VI in the early years of the 13th Century built. The German Order was next to the Hospitallers and the Templars the third major order of knights of the Middle Ages. Duke Leopold gave him the large area between Stephansplatz, Churhausgasse, Singerstraße and blood alley (Blutgasse). Documentarily proven is the existence of the house from 1222. Here resided the Landkomtur (province commanders) of the Bailiwick of Austria, to which the commandries Vienna, Wiener Neustadt, Graz, Friesach and Groß-Sonntag (Krain) belonged. In the great fire of 1258 all the religious buildings except the church tower burned down. In the Middle Ages the complex of the German monastic house was limited to the area along the Singerstraße and Blutgasse. 1309 exchanged the Order part of the land that was needed for the extension of Stephen's cemetery against a neighboring area. The sprawling building had in its, the Stephansplatz adjacent part a large farm yard, which was surrounded by stables. Since 1526 the Head of the Order bore the title "Grand and German master (Hoch- und Deutschmeister)". The famous Viennese house regiment of the same name by the way in 1696 emerged from those Truppenkontigenten (contigent of troops) which the Order for the Turkish war had provided. After the first Turkish siege of Vienna, numerous residents of the suburbs whose houses had been burned were housed here. From 1667 the already dilapidated buildings were torn down with the exception of the church under the Landkomtur (province commander) Gottfried Freiherr von Lambert and provided by Carlo Canevale with three-storey new buildings. As plasterers Jacob Schlag and Simon Alio were mentioned. 1679/82 increased Canevale and Johann Bernhard Ceresola the complex.
Sala terrena. In the years 1720-1725 the German religious house under the Landkomtur Guidobald Starhemberg by Anton Erhard Martinelli was further extended and baroquised. In 1785 it received under Landkomtur Alois Graf Harrach by placing a fourth storey its present shape. In the 18th Century several fires caused major damages. Especially those of 1735 raged for three days, because the urban fighting personnel the entry was denied by the German Order of Knights. Among the prominent residents of the German religious house, which in the 18th and 19th century first also as a guest house of the Order served and then was largely rented, included Wolfgang Amadeus Mozart (1781), Johannes Brahms (1863 - 1865) and the comedy writer Cornelius Hermann Paul von Ayrenhoff. At the beginning of the 19th Century on Stephansplatz the German Order Cellar (Deutschordenskeller) was opened. Was in its place in the second half of the 20th Century the Restaurant "Deutsches Haus". Since 1809 the German religious house is the residence of the Grand Master of the Teutonic Order. Until then, this one resided in Mergentheim (Baden-Württemberg). From 1864 the Landkomtur Eugen Graf von Haugwitz the church by the cathedral architect from Gran, Josef Lippert, partially had re-gothicised. At that time at the gable above the church windows the already damaged pinnacles and figures were removed. Only the Grand Master coat of arms was left. 1929 the community of the German Teutonic Knights was transformed into a purely religious order. It is one of the very few religious institutions whose top management is not located in Rome. First Grand Master living in Vienna was Archduke Anton Viktor (1804 - 1835).
Church - interior. The House of the Teutonic Order is now a sprawling complex of buildings, grouped around two courtyards. The façade at the Blutgasse is the oldest. Those at the Singerstraße stems from the 17th Century. It represents today the face side of the building. The structuring of the façade by high Baroque inonic giant pilasters followed around 1720. The ground floor is grooved. The two early-Baroque round-arched portals are framed with Tuscan pilasters. The simple façades of the courtyards are held in the style of the 17th Century. On the west side of the pentagonal courtyard on the ground floor walled arched arcades as well as glazed Pawlatschen (access galleries) from the 19th Century on the first floor can be seen. In the courts were various, in 1903 discovered grave plates placed. The ground floor rooms are vaulted, early Baroque lunette barrels and groin vaults prevailing. Among them is the Sala terrene, a with a flat dome vaulted central room which is decorated with illusionistic wall paintings of the late 18th Century. The wall and ceiling frescoes depict mythological scenes and figural ornaments. The hall was once opened to the garden through a portal, but this was later reworked into a window. The tract between Stephansplatz and Blutgasse encloses two two-aisled halls. While the cross vault of the first ones is resting on sturdy pillars is those of the other ones supported by Tuscan columns. In the partially with Rococo and Neoclassical stucco ceilings provided rooms of the first floor are located the library and archives of the Order with documents and books dating back to the 12th Century. Some beautifully crafted wood cabinets were personally manufactured by the Grand and Deutschmeister Archduke Eugen. In the treasure chamber on the second floor are in addition to religious insignias and paintings, inter alia, parts of the Kunstkammer (Art chamber) of the Grand Master Archduke Maximilian III of Austria from the time about 1600 exposed.
Church - Empore. Attention getter and center of the tract at the Singerstraße are the three tall lancet windows of the church of the Teutonic Order. The first chapel already in 1258 fell victim to a town fire. From 1326 it was replaced by Jörg von Schiffering by a new building yet today the core of the Church of the Teutonic Order forming. At that time this one was still but free on three sides. In 1375 it was dedicated to St. Elizabeth. Guidobald Starhemberg 1720/22 the Chapel had remodelled in the Baroque style and flanked at both longitudinal sides by newly built religious houses, by which the three stained glass windows became the central projection of the House of the Teutonic Order. Presumably Anton Erhard Martinelli also was involved in the planning. The quite gothical appearing church facade is a beautiful example of the baroque tinge of the time after the Gothic period of 18th Century, unique in Austria. In the neo-Gothic restoration of 1864/68 the Baroque dome of the narrow and high tower was replaced by a pointed Gothic helmet. After the church was severely damaged in 1945 by bomb hits, followed its restoration 1946/47. Its vaults possess Gothic stucco decorations. In the Baroque reconstruction in the corners eight galleries were built-in, which are accessible from the apartments situated behind. The Dutch polyptych (1520) comes from Mechelen, but was until 1864 in the St. Mary's Church of Danzig. The altarpiece was created in 1667 by Tobias Pock. In the four corners of the room Evangelists Statues by Johann Hutter (1864) replace the missing sculptures by Giovanni Giuliani from the year 1721. On the walls hang several grave slabs, including an epitaph of the scholar Johannes Cuspinian (1515) and the by Jacob Schletterer created grave monument of the Landkomtur Josef Philipp Graf Harrach. Most of the more than eighty coats of arms of German knights, covering the upper part of the walls were designed by Johann Andreas Frank 1722.
Location / Address : 1010 Vienna, Singerstraße 7
Viewing: with the exception of the church and the museum allowed only outside
Edmond About (1828-1885), écrivain, journaliste et critique d’art, auteur de « l'Homme à l'oreille cassée » est représenté assis, sur sa tombe. C'est une statue en bronze, grandeur nature, par Gustave Crauk (1827-1905), Prix de Rome de sculpture en 1851.
Like a constant ellipse, penetrating rays of a new beginning, a new aurora that gradually transcends from pitch black into a burnished sidereal day. How tedious it seems for some, how blistering for so many. Not so baffling to translate and discern where I place myself. I question and marvel how many can associate with the similar feeling, comparable beliefs, equivalent impression and selfsame notion. Often, it appears like an incessant struggle; a battle between the good and the evil, an unceasing conflict to perfect myself, one more step, nearer to destruction; bitter sweet end. Seems like the only thawing sweetness left, comes from the most unpredictable places; “Words”.
- An Extracted Paragraph from "WORDS" (part1) by Abdullah Haris
Details: Self-Portrait