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For FGR (In Tarantino We Trust).
I thought i'd pay homage to Quentin as a writer and do something from True Romance. I don't know that i love it as much as Reservoir Dogs, but it's still an awesome movie.
Meanwhile, this photo is shit. But i really wanted to play today and i didn't have a lot of time, so...well...deal with it. :)
Ooh...i can also use it for GTWL's Anniversary (Week 3: Dress Up! or Week 15: Movie Quotes/Titles)
As we walked along Arbat Street in downtown Moscow, we came across this interesting statue and we got intrigued by it. After doing a bit of research, I found out that it represents an accomplished Russian artist – poet, writer, musician, novelist and singer-songwriter – by the name of Bulat Okudzhava (Moscow 1924 - Paris 1997). He lived on Arbat Street at no 43; this is where his statue is situated.
The seat of power for both the British Government and now West Bengal Government. Built around 1840s, this is a fine example of how the British adapted their architecture to meet the cliamtic conditions of a distant land.
The sign adorning the door of The Writers Museum in Edinburgh, Scotland. The museum is located down a close from the Royal mile. You have to love a City and Country that honors its writers and thinkers.
Intermediate School students had the opportunity to work on their writing skills with author Alan St. Jean in November.
Kathmandu is full of very strange people. I've seen several times this man, who was sitting on a street without any interest to anything except his notebook.
Isolated studio shot of a businessman suffering from writers block trying again after several failed starts.
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^_^ i finally did it!! it took me a while to find all the pics.
but yeah, WE ARE THE WRITERS BLOCK! us 5 are flickr author bff's :)
from left to right:
me
Anna
Samantha
Holly
Ilse
:D
Native son of Salem, MA, the celebrated novelist of the early 19th century, author of "House of Seven Gables", "The Crucible", "The Scarlet Letter", and many other popular stories.
I took this photo in June and I think this week is a good time to post it. I'm very grateful to her for her Harry Potter books, which were the treasure of my childhood and still are my favorites, and I'm very impressed that she continues to speak about important topics now despite all these waves of hatred (which I'm NOT going to discuss here). That's the spirit of true Hermione! :)
Also I had to edit the pattern on the head, because at the moment I didn't have more suitable head, so I tried to make this one look like another. So don't worry, it's original Lego piece + Photoshop. :)
Title: Pow
Artist: Renda Writer
Size: 30” x 31”
Medium: Acrylic
This artwork is part of “Further Adventures of the Thought Coalition” exhibition at Bear and Bird Gallery in Lauderhill, Florida. Exhibition runs June 27 – August 2, 2014; visit our website www.bearandbird.com or for more information on the Thought Coalition visit www.thoughtcoalitionhq.com
The Sir John Barrow Monument, which has adorned 450ft Hoad Hill, Ulverston, since 1850. The structure is 100 feet high, with 112 narrow steps on a spiral staircase leading to the uppermost viewing gallery. After a £1.2m refurbishment in 2010, the Ulverston Town Council-owned monument has never been in better shape. Features visible from the viewing gallery on a clear day include Birkrigg Common, Blackpool Tower, Heysham power station, Ingleborough, Moel Siabod, Scafell Pike, Ulverston Canal and Whernside. Ulverston-born Sir John Barrow (1764-1848) was a naval administrator, statesman, traveller and writer.
Jennifer Armstrong, Rita Arens, Susan Goldberg before their panel, Turning Blog Posts Into Publishable Essays.
Writer, journalist, editor, playwright,
Member of the Algonquin Round Table,
Married to George S. Kaufman
"Regarded as one of the wittiest women in New York during the 1930s and 1940s, Beatrice Kaufman edited important works of modernist poetry and fiction, published short stories of her own in the New Yorker, and saw several of her plays produced on Broadway.
She was born Beatrice Bakrow in Rochester, New York, on January 20, 1895, to businessman Julius and Sarah (Adler) Bakrow. She had two brothers, Leonard and Julian. Although few direct references to her Jewishness found their way into Kaufman’s later editorial work and writings, her early life fits the description of upper-middle-class German Jews who thought of themselves as liberal, modern, and forward-looking.
She was one of only a few Jewish women admitted to Wellesley College in 1913. Perhaps she disliked it, for she transferred to her hometown’s University of Rochester, where she studied in 1914 and 1915. On March 15, 1917, she married George S. Kaufman, who was just getting his start as a journalist. The couple moved to Manhattan, where George Kaufman’s plays secured them a place at the famous Algonquin Round Table (along with Alexander Woollcott, Edna Ferber, Harold Ross, and Dorothy Parker, among others). The Kaufmans developed a reputation for their sophistication and their tempestuous relationship.
In 1918, Beatrice Kaufman began what was to be a long and successful career in editing when she became assistant to the press agent for the Talmadge sisters. A short time later, she was hired as a reader by the publisher Al Woods. She earned her most influential post in 1920, when she became the head of the editorial department for the maverick publishing company Boni & Liveright, which introduced to the publishing world the practices of giving authors large advances and using direct advertising to increase book sales. During her five years at Boni & Liveright, Kaufman solicited and edited works by many of the most important modernist poets, novelists, and playwrights, including T.S. Eliot, Djuna Barnes, William Faulkner, e.e. cummings, John Steinbeck, George S. Kaufman, and Eugene O’Neill. Her enthusiasm for Ernest Hemingway’s first book, In Our Time, helped to overcome publisher Horace Liveright’s initial objections to it. In the 1930s, Kaufman went on to other editorial positions, serving as eastern story editor for Samuel Goldwyn and as fiction editor for Harper’s Bazaar and the Viking Press. When the bombastic theater critic and Kaufman’s close friend Alexander Woollcott died in 1943, Kaufman and Joseph Hennessey brought out an edition of his letters for the Viking Press.
While she made her name as an editor, Kaufman also wrote and published short stories in the New Yorker and plays that were produced on Broadway. In the guise of light, descriptive sketches, her short stories describe the frustration of middle-class women at their husbands’ condescension and at the drudgery of their child-rearing responsibilities. Kaufman also wrote two plays, Divided by Three (with Margaret Leech) and The White-Haired Boy, both of which were produced. The former, about a woman whose ties to her husband, son, and lover result in her splitting herself into three, was called “gaily sophisticated” but “overdrawn” by the New Yorker.
As her wry observations in her story “The Social Bridge Game” attest, Kaufman was an avid bridge player, as well as an occasional member of the Thanatopsis Inside Straight and Literary Club, a group of mainly men in the Algonquin circle who gathered to play a weekly poker game. She was also a member of the Dramatists Guild and the Seeing Eye, an organization for training dogs to lead the blind.
Kaufman died at age fifty-one on October 6, 1945, at her Park Avenue home. She was survived by her husband and their daughter, Anne Kaufman Booth. Her life demonstrated that a perceptive, ironic, and acculturated Jewish woman could become a valuable contributor to New York’s literary subculture. She was influential in shaping American taste and culture in the early twentieth century."
from The Jewish Women's Archive
My first attempt at one of the challenges in the Assignment 52 group.
I've never really been into the beatles but I listened to one of their albums today for some inspiration and I loved the lyrics to 'Paperback Writer'.
My first thought for this image was of a dusty old typewriter with a stack of books but unfortunately I didn't have one of those to hand!
I decided to drag the shutter a little to bring a bit of motion blur to my hand. Is is a bit weird with one hand? I don't know but two blocked too much of the keyboard. It doesn't look like much but I took about 6 frames to get to this, tweaking the composition a little each time!
Part of a photo series about the german writer and illustrator Dieter Schaefer. Taken with a Leica Monochrom.
Ah, the writer. Mysterious in nature and many surprises up his sleeve.
Did a shoot for something to go on this writer's bio page and in his books.