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...bei der Sichtung und Auswahl von besonders guten und sonderlich schlechten Bildern kommt es im üblichen Gebrauch von Lightroom fast täglich zur Zensur. Die Frage ist immer, was ist ein "P" und was ist ein "X"
This images is of the Duke University Libraries Verne and Tanya Roberts Conservation Lab. The lab was opened in August 2008.
For more information see library.duke.edu/about/depts/preservation/conservation/in...
The Promenade de la Croisette, or Boulevard de la Croisette, is a prominent road in Cannes, France. It stretches along the shore of the Mediterranean Sea and is about 2 km long. The Croisette is known for the Palais des Festivals et des Congrès, where the Cannes Film Festival is held. Many expensive shops, restaurants, and hotels (such as the Carlton, Majestic, JW Marriott Cannes, and Martinez) line the road. It goes completely along the coastline of Cannes [Wikipedia.org]
Sometimes with difficult curves I revert to pencil and paper. The ampersand is a rather complicated shape and I usually end up with the head flopping over one way or another, and the diagonal stroke too prominent.
1 With similar glyphs on the page, sketch a rough outline. The similar glyphs will give the stroke weight and proportions. Here I started with a numeral 8.
2 Repeat, this time tracing a better sketch with result of the previous step on the page behind. Here I made the whole thing rather wider and made all the curves smoother.
3 Scan, straighten and convert to monochrome.
4 Paste into FontLab and push the control points around a bit.
5 Hey presto! The outline looks smooth.
(6 Test in text, repeat step 4 until fully harmonised)
Cannes is a city located on the French Riviera. It is a commune located in the Alpes-Maritimes department, and host city of the annual Cannes Film Festival, Midem, and Cannes Lions International Festival of Creativity. The city is known for its association with the rich and famous, its luxury hotels and restaurants, and for several conferences. On 3 November 2011 it hosted the 2011 G20 summit [Wikipedia.org]
I wanted to show my work creating process. Really, I believe, that for each painting need to be born a completely new process. This is dark variation of this process. Enjoy :) Yours truly, Yuliya.
This is a rough workflow sketch.
This is part of a set of early ideas we explored in Notable. Many of the ideas have stood the test of time.
ZURB is a close-knit team of interaction designers and strategists that help companies design better (www.zurb.com).
Back up your work. My workflow includes:
* Back up my month or big projects to a USB stick. I don't trust external hard drives any more, and don't want to shell out for a solid state drive.
* I then back everything up to a DropBox folder. With an app on my phone I can access DropBox, too.
* All my phone photos automatically get backed up here, on Flicker. But if I edit them in Snapseed, I then upload the final here, download it to the stick, then upload to Dropbox.
I've had external hard drives fail, and internal hard drives crash. I've had to spend $$$ to get a couple of hard drives rescued. This is a very pedantic work flow system for me, but I haven't lost anything in the two years of running it.
© Mark V. Krajnak | JerseyStyle Photography | All Rights Reserved 2020
i got this notepad in Barcelona, back in 2012.
i named it after jamesvictore because i was there to see him talk at OFFF and i got this orange sticker from him.
today this notepad reaches an end and that is it. now i am looking for a new one.
Für alle, die es interessiert, wie der Weg zum finalen Foto aussieht, habe ich den Workflow zum Bild "Kjarkur - Schulterblick" in diesem Beitrag zusammengefasst:
Postproducción workflows; en el marco de actividades del trigésimo cuarto Festival Internacional de Cine en Guadalajara. Participan: Andrés Marrine, Cynthia Navarro y David Rodríguez Paredes. Guadalajara, Jalisco, México. Martes 12 de Marzo de 2019. Foto: © FICG / Gonzalo García
Wolfen NP100 underexposed.
I really don't know whats wrong with me lately, but again I had problems with proper exposure. Luckily the scanner was able to get images from negatives that look not only thin but basically blank, which is amazing. I never thought I could recover that much. I already noticed, for scanning lighter negatives are sometimes less of a problem than dense ones. The hybrid workflow really has it's own rules and I need to investigate. Possibly I can underexpose 1 stop and get better scans. I need to keep that in mind. But these here seem to be 2 or 3 stops underexposed. Still, regarding the moodyness, not too bad. Although much grain for 100 speed film.
I use two devices. My iPhone and my Macbook Pro.
I use a few web services. All of them "mainstream":
* Twitter + yfrog
* Flickr
* Google Reader
* Gmail
* Posterous
* and now Buzz.
The above picture describes my current information flow. Now the question is, is Buzz an addition to the service ecology, or a replacement?
Based on my information flow, it looks like posterous is a candidate for removal, to be replaced by Buzz.