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Blogged in The Woodwork: Unsupported RAW workflow in Apple Aperture
Blogged in The Woodwork: 2010-01-16 Melanie’s Birthday
Morgan
Martuni’s, The Mission, San Francisco, California
Olympus E-P2, M.ZUIKO Digital ED 14-42mm 1:3.5-5.6
Adobe Camera Raw, Topaz DeNoise 3, Topaz Adjust, nik Viviza, nik Color Efex Pro 3 (darken/lighten center, film effects), BorderFX
1/3sec, iso 160, 14mm (28mm)
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Melanie’s Bday
Editing notes: This image was push processed two stops from an ISO 1600 MFT image. In other words, there wasn’t much to recover. I tried. If only I had the 40mm f1.7 instead!
Click for original photograph (If you cannot view this, add me to your contacts and I’ll add you to my friends. If you are already a contact of mine then just jet me a message and I'll fix your status.)
I get asked a lot how I made the Burning Hand Shot. Here is basically my workflow from camera to finished project omitting the flames added between steps 2 and 3
you can see the final here::
A simple workflow for converting a Digital Object Identifier 10.1093/nar/gkl320 into a PubMedID (16845108) using the NCBI eSearch utitlity.
NCBI services consume and produce complex data types. In Taverna, inputs (e.g. Database name, DOI, Return type in this example) have to be merged into a single string using the perversely named "Input Splitter". Outputs have to be split using the Output Splitter, which appear when you right click on the service in Taverna.
Workflow available from www.cs.man.ac.uk/~hulld/workflows/DOI2PMID.xml and via a simpler RESTian style: eutils.ncbi.nlm.nih.gov/entrez/eutils/esearch.fcgi?db=Pub...
This workflow was created and runs in www.taverna.org.uk/
© István Pénzes.
Please NOTE and RESPECT the copyright.
7th., March 2010, Distagon 50mm at the closest distance. I'm developing a bad habit to fill the last few pictures of every roll with camera porn. I'm sorry....
Hasselblad 503CW
Carl Zeiss Distagon 4.0/50
Kodak T-max 100
T-max developer 8 min. @ 19 Celsius
Coolscan 9000
The Halloween workflow involves making a series of sketches, which are subjected to a complex and secret review process, then the winner is rendered in pumpkin flesh. During the design phase, stock of candy has been known to dwindle. Alcohol is not to be consumed until one actually has a knife in hand.
This screenshot deconstructs by 365 day 31... I've never worked with textures before, but I decided that this image would benefit a textural addition.
1. I opened the original image in Ps, increased the exposure to make it a bit brighter (cancelled out by the new textures so it came back to its original exposure).
2. Opened the texture I got online and pulled it onto my image, using the soft light blending mode. I created a mask and masked off my face to keep it relatively clear (the brush had a 40% opacity I believe)
3. After doing that, I felt it looked better with a bit more contrast, so I made an S-Curve in the curves layer, and bumped the vibrance because I wanted to try the overlay blend on top on the soft light texture.
4. Same texture on the top, only in overlay blending mode, at 70% opacity, then masked out my face again on the forehead and "front" of the face to make it look like I was emerging. Again used a lower opacity on the masking brush, about 50%.
Final Shot here.
Hope this helps! I'm not claiming to be any sort of expert, that was just how I did it. This is far more processing that I usually do, I like Zack Arias' philosophy (well, I heard it from him) that you gotta get it right in camera.
...and if you have any ideas/feedback on how you'd do it, I'd love to hear!
Have you ever wondered how the articles get from print to you? Check out this awesome behind-the-scenes view of the JSTOR archive production process, in a comic drawn by one of our own staff members, Patrick Goussy.
Here I hone in the mildly interesting and really interesting shots. If I've taken multiple shots of the same subject in rapid succession, then I'll choose the best of the litter. I'll begin to start editing and cropping here and it's very often at this state that a style or theme emerges. In this particular case I started thinking about a series of square crops. I'm left with 26 photos.
Shot in RAW then edited with a full featured photo editor (on a mobile device), does this count as phone photography?
Uploaded this new version June 30, 2021. Reworking some old photos with a new workflow:
1) import original 8 MP CR2 file into Dx0 PureRaw for sharpening, noise reduction and lens correction and save as a DNG file.
2) import into either Affinity Photo or Pixelmator Pro and make desired edits. In this case Pixelmator Pro where the 8 MP image was also converted to a higher resolution image with the ML Super Resolution function. The edited image was then export as TIFF file.
3) The TIFF file was then imported into Luminar AI (which I use as my DAM).
4) some additional enhancements were performed in Luminar and the image was exported as the JPEG shown here.
Take a look at this week’s featured workflow, by Luís Miguel Braga. To be honest, this is the most comprehensive workflow we’ve seen so far (... read more)
Uploaded via tarpipe.
Are you gonna be at SXSW this year? Do you wish you could grab your cell phone, take a picture, and have it automatically published on Flickr and twitter with all the right tags? (... keep reading)
DISCLAIMER: The SXSW logo is © 1995 - 2009 SXSW, Inc. All other logos, mentions or names are considered trademarks of their respective owners. tarpipe is not affiliate with the SXSW Festival nor is this workflow generator considered an official SXSW tool.
Uploaded via tarpipe.
How to process "stuff". Organizing and implementing the David Allen "Getting Things Done" method (gtd.) Taken from the DA website at davidco.com/tips_tools/tip32.html. I use it as a screensaver.
Screenshot of Day CQ5 WCM Version 5.1 Released November 14th, 2008
Showing the web-based workflow editor. Design publication processes, manage tasks, orchestrate actions..
WORKFLOW , lomics.co/l/MstwKj4joi
Download Lomics:
IOS - m.onelink.me/de143c61
Android - m.onelink.me/5301f4f0
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From top to down, left to right, the screen snapshots of the workflow I used in the iPad Air for the Housecleaning cartoon.
1. Scan pencil sketch in grayscale jpeg, save to Dropbox. Open iDraw in iPad, select Import from Dropbox.
2. Open file, add layers for panels, lettering and inks. The pencil sketch image is the bottom layer.
3. The file dimensions.
4. After the ink work is done, hide the image layer to make the pencil sketch disappear from view. Exit to iDraw's gallery, touch the Share icon, and select Save to Dropbox.
5. Select jpeg and 300 dpi, then Save.
6. Open Procreate, tap Import, Dropbox.
7. Open the file, select the image layer and change it from Normal to Multiply. That will make the layer transparent. Add a layer below the image layer and start painting.
The problem with the size of this 300 dpi file in Procreate is that layers are limited to 4 maximum. Also Procreate crashes now and then, but its frequent auto file saves means I don't lose much.
When I'm satisfied with a paint job, I merge it into a previously painted layer and start a fresh layer.
The file's dimensions and size are in Canvas Metadata.
8. When the paintwork is done, tap Share, Export to Dropbox.
9. Tap JPEG.
10. Dropbox shows the b/w file from iDraw at 2.3 MB; the painted file from Procreate is 8.2 MB.
If I'm going to email the cartoon, 1 MB or less is a better file size for sharing. To reduce the file size, I upload the file to my Flickr account using the app FlickStackr in my iPad. Flickr offers an option to download the file in different sizes. I pick one of the smaller sizes and download it to Photos for sharing.
Being the newest iPad to date, the Air runs the above apps pretty well with no lagging, other than Procreate's occasional crash and its 4 layers limit. The iPad 2 I still have would probably be slower, and it has a poor screen display compared to the Air's retina.
An attempt to create a visual representation of this:
wiki.github.com/ginatrapani/thinktank/developer-guide-get...
On a related note, Google Docs' drawing too isn't too shabby.