View allAll Photos Tagged Workflow
Explaining business model & workflow of crowdfunding platform, futuristic visual & real-time information will transfer clear methodologies behind crowdfunding.
Read more @ www.agriya.com/blog/launch-your-crowdfunding-platform-bus...
(C) Simon Perkin
This is the set-up/work flow shot for the end result, which can be seen See here.
Please respect my photography work and do not copy / use this photo without written permission. Any questions, just ask :)
Workflow Management empowers you to automate your sales, marketing and support processes. Customer records are assigned or transferred from one user to another for action, according to a set of predefined rules.
Postproducción workflows; en el marco de actividades del trigésimo cuarto Festival Internacional de Cine en Guadalajara. Participan: Andrés Marrine, Cynthia Navarro y David Rodríguez Paredes. Guadalajara, Jalisco, México. Martes 12 de Marzo de 2019. Foto: © FICG / Gonzalo García
Postproducción workflows; en el marco de actividades del trigésimo cuarto Festival Internacional de Cine en Guadalajara. Participan: Andrés Marrine, Cynthia Navarro y David Rodríguez Paredes. Guadalajara, Jalisco, México. Martes 12 de Marzo de 2019. Foto: © FICG / Gonzalo García
Photograph from Red Hat's JUDCon 2012: India held January 24-25 in Bangalore, homespun by Saltmarch Media. Only non-commercial use permitted with attribution and linkback to this page on Saltmarch's Flickr photostream. All other rights reserved.
Nancy Comelab's Photo Cluster 11 (modified)
Andrea Burns' Paper from Wild Rumpus
Tara Sroka's stamps (Remember)
Anne Dejong's Fringed Flower from Funky Playground Design's June Collab kit
Amanda Rockwell's tiedown from her Star Kit
Gina Miller's Felt swirls and Rainbrow Brite Alpha
Fonts: KGD Mozer Print and SA Cinta
Journaling reads:
When we bought you the Thomas bed from Maga’s friend, we knew we had to hide it from you until we got it up to Fort Worth...but at the last minute, you saw Daddy carrying it outside to put it in the truck.
Model: Theo Vroomans...
Workflow:
1. Non destructive
2. Preparing custom brushes
3. Selection & masking
4. Adjustment and Filters
5. Texturising
6. Lighting effects
7. Fine tuning
8. Adobe Lightroom tuning
Used technique: layers, adjustment, smart object styles, masking, clipping masking, Adobe Lightroom, Adobe Photoshop CC 2015.5, several Stock Photos, plugins.
start to end digital cinema post production workflow. color grading, visual effects, encoding for digital cinema.work for the feature film a proper name. all done at my studio. please check:http://www.bevarela.com/cat/case04b-nome-proprio/
Postproducción workflows; en el marco de actividades del trigésimo cuarto Festival Internacional de Cine en Guadalajara. Participan: Andrés Marrine, Cynthia Navarro y David Rodríguez Paredes. Guadalajara, Jalisco, México. Martes 12 de Marzo de 2019. Foto: © FICG / Gonzalo García
Located in the heart of the glamorous city of Cannes —close to the Palais du Festival and famous Croisette walk— the Vieux Port de Cannes has been a long time favourite port of call for boats of all sizes. A wooden quay in front of the Capitainerie can accommodate yachts up to 40m there (50m upon request)
[yachtinsidersguide.com]
The Promenade de la Croisette, or Boulevard de la Croisette, is a prominent road in Cannes, France. It stretches along the shore of the Mediterranean Sea and is about 2 km long. The Croisette is known for the Palais des Festivals et des Congrès, where the Cannes Film Festival is held. Many expensive shops, restaurants, and hotels (such as the Carlton, Majestic, JW Marriott Cannes, and Martinez) line the road. It goes completely along the coastline of Cannes [Wikipedia.org]
The initial 3D model of the wolf was modeled in Rhino. The points of the model were written to an external file (via Grasshopper,) and imported into Processing for manipulation/animation.
Viewers of my photostream may wonder what those renderings of weird geometric shapes are all about. Here's a hint or two. Check the notes, and then view large.
See also: 3D Maze Test #3
This is the edit from phot number one. On shooting this film, I decided to over expose the film to get the details In the shadows. And in editing i bought down the exposure and core tied the color to match the environment as it was a sunset. I added color correction and contrast to the over all images.
in an effort to stay focused i started putting close to complete tracks on the wall...
more on the subject here www.placeguntohead.com/the-real-wall-of-knives