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Back up your work. My workflow includes:
* Back up my month or big projects to a USB stick. I don't trust external hard drives any more, and don't want to shell out for a solid state drive.
* I then back everything up to a DropBox folder. With an app on my phone I can access DropBox, too.
* All my phone photos automatically get backed up here, on Flicker. But if I edit them in Snapseed, I then upload the final here, download it to the stick, then upload to Dropbox.
I've had external hard drives fail, and internal hard drives crash. I've had to spend $$$ to get a couple of hard drives rescued. This is a very pedantic work flow system for me, but I haven't lost anything in the two years of running it.
© Mark V. Krajnak | JerseyStyle Photography | All Rights Reserved 2020
Postproducción workflows; en el marco de actividades del trigésimo cuarto Festival Internacional de Cine en Guadalajara. Participan: Andrés Marrine, Cynthia Navarro y David Rodríguez Paredes. Guadalajara, Jalisco, México. Martes 12 de Marzo de 2019. Foto: © FICG / Gonzalo García
Claudia Vitolo (ECMWF) addressing delegates at ECMWF's workshop on Building reproducible workflows for Earth sciences.
Recordings and presentations at Building reproducible workflows for earth sciences.
Cannes is a city located on the French Riviera. It is a commune located in the Alpes-Maritimes department, and host city of the annual Cannes Film Festival, Midem, and Cannes Lions International Festival of Creativity. The city is known for its association with the rich and famous, its luxury hotels and restaurants, and for several conferences. On 3 November 2011 it hosted the 2011 G20 summit [Wikipedia.org]
The Promenade de la Croisette, or Boulevard de la Croisette, is a prominent road in Cannes, France. It stretches along the shore of the Mediterranean Sea and is about 2 km long. The Croisette is known for the Palais des Festivals et des Congrès, where the Cannes Film Festival is held. Many expensive shops, restaurants, and hotels (such as the Carlton, Majestic, JW Marriott Cannes, and Martinez) line the road. It goes completely along the coastline of Cannes [Wikipedia.org]
Not all co-op advertising programs are created equal. Especially when using co-op marketing funds or Market Development Funds (MDF) to differentiate you from your competitors, simply offering a program doesn’t ensure success. More importantly, when you are selling your program through a sales channel that has the choice to participate in your competitors co-op marketing programs, how can you cut through the noise?
In our last blog-post – noted here – we identified the top reasons why local partners say they don’t participate in co-op marketing opportunities. Here are some basic and not so basic things you can do to increase adoption and be a winner in your channel marketing efforts.
Best Practices – Basic
Over-communicate and publicize – although common sense, most of your local sales channels are bombarded with the daily issues of running a business. Make sure the program is clearly visible and mentioned as often as possible. Publicize it in areas your local partners frequent – whether its web chat rooms, a local intranet site, web banners or industry forums. Use e-mail and/or direct mail to push the program in-front of your partners.
Plan - If you wait to the last minute, you can’t communicate the program properly.
Keep it Simple - As you probably already know with your local partners, anything too complex kills adoption. Make the program and rules easy to understand. Make it easy to sign-up for the program.
Best Practices – Not So Basic
Eliminate Reimbursement Programs – Requiring your local partner to “front” the money for your share of the co-op fund allotment decreases adoption. The size of the marketing expenditure, the sales cycle and the working capital of your business partner all impact how important this is. Anytime you are asking your local partners to submit a “co-op” claim, it means they are out-of-pocket for the length of your claims process. By marrying the marketing procurement process up with co-op funds, you can eliminate an archaic processes all together. Software enables you to automate these workflows preventing your partners from having to front your share.
Be Fair - Not all co-op is equal. Consider the marketing asset or program being sponsored. If your brand is getting 90% of the coverage compared to the brand of your local partner, a 25% share in the spend probably won’t cut it. We see this scenario a lot. A national brand wants to control the branding and coverage on the majority of the asset, but wants to be the minority in paying for the marketing spend. What kind of incentive is that?
Create Fund Types Proportional to your Brand Restrictions - A 50% split of a co-op enabled program is not the same as a credit fund. A percentage split requires a partner to pay for their share of the spend. If you are heavily controlling coverage of your brand, consider building a credit fund (a piggy-bank) for your partner tied to their sales levels. This fund can then pay for 100% of any co-op marketing activity. By capping the fund, you can stay within the same budgets already allocated while dramatically improving adoption.
Throw in a Trial Freebie - Throw in a freebie to your partners. Create a program you know will drive meaningful impact for your network, and tease them with a trial. Your co-op marketing spend can pay for a small portion of the program. Your partners can get their feet wet, and once it works, they’ll jump further in.
Although the above just identifies a few of the things to keep in mind, partnering with the right company can automate many of these key points – and drive successful co-op and MDF strategy to increase success and adoption of your programs.
bit.ly/usnSKF - www.sproutloud.com - Distributed Marketing, Marketing Resource Management
Collaboration: New Ways of Working Together Require New Workflows. An Author's Experience: Kathrin Passig, Author
Just a little bit about how I row.
1. Equipment, I love to shoot with Nikon, I put my life on it, I shoot RAW+ Fine Jepg.
2. Capture, smell the scene and press the shutter, capture the moment.
3. Downloading, use Sandisk Imagemate only, because it is fast and reliable.
4. Pick the good ones
5. Backup/ Archive, back up on 3 external HDD.
6. Editing the shoot with Aperture 2.1.1
7. Post- Production with CS3, using a Wacom 12inch drawing tablet.
8. Output.
Explaining business model & workflow of crowdfunding platform, futuristic visual & real-time information will transfer clear methodologies behind crowdfunding.
Read more @ www.agriya.com/blog/launch-your-crowdfunding-platform-bus...
(C) Simon Perkin
This is the set-up/work flow shot for the end result, which can be seen See here.
Please respect my photography work and do not copy / use this photo without written permission. Any questions, just ask :)
i got this notepad in Barcelona, back in 2012.
i named it after jamesvictore because i was there to see him talk at OFFF and i got this orange sticker from him.
today this notepad reaches an end and that is it. now i am looking for a new one.
Postproducción workflows; en el marco de actividades del trigésimo cuarto Festival Internacional de Cine en Guadalajara. Participan: Andrés Marrine, Cynthia Navarro y David Rodríguez Paredes. Guadalajara, Jalisco, México. Martes 12 de Marzo de 2019. Foto: © FICG / Gonzalo García
Copyright © Dave DiCello 2012 All Rights Reserved.
The super moon is seen over Pittsburgh from PNC Park, home of the Pittsburgh Pirates.
As always, you can read about the processing I've done on this shot and all my images on on my website.
New blog post today, I love a rainy night! Check it out if you have a chance!
My website: HDR Exposed Photography
My zenfolio: HDR Exposed - Zenfolio
Find me on Google+!
I use two devices. My iPhone and my Macbook Pro.
I use a few web services. All of them "mainstream":
* Twitter + yfrog
* Flickr
* Google Reader
* Gmail
* Posterous
* and now Buzz.
The above picture describes my current information flow. Now the question is, is Buzz an addition to the service ecology, or a replacement?
Based on my information flow, it looks like posterous is a candidate for removal, to be replaced by Buzz.
Postproducción workflows; en el marco de actividades del trigésimo cuarto Festival Internacional de Cine en Guadalajara. Participan: Andrés Marrine, Cynthia Navarro y David Rodríguez Paredes. Guadalajara, Jalisco, México. Martes 12 de Marzo de 2019. Foto: © FICG / Gonzalo García
Postproducción workflows; en el marco de actividades del trigésimo cuarto Festival Internacional de Cine en Guadalajara. Participan: Andrés Marrine, Cynthia Navarro y David Rodríguez Paredes. Guadalajara, Jalisco, México. Martes 12 de Marzo de 2019. Foto: © FICG / Gonzalo García
Workflow:
1. Non destructive
2. Preparing custom brushes
3. Selection & masking
4. Adjustment and Filters
5. Texturising
6. Lighting effects
7. Fine tuning
8. Adobe Lightroom tuning
Used technique: layers, adjustment, smart object styles, masking, clipping masking, Adobe Lightroom CC, Adobe Photoshop CC 2018...