Canon 5Ds and 5DsR Workflow
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A 4X5 crop that includes 3 pillars and creates the perspective that leads the eye to the distant bathers. A slight rotation was made to correct the horizon.
What you’re looking at is a starless edit of IC2944, an emission nebula in the Centaurus constellation, around 6500 light years from earth.
While I normally almost never do starless edits (they generally don’t appeal to me), I’m making an exception for this one. As part of my editing workflow, I always split nebulosity from star fields and edit them separately (what makes stars look their best doesn’t necessarily apply to nebulae and vice versa). In this case, the resulting nebula appealed to me so much, I decided to not put the stars back in.
So what is it that’s so interesting/appealing then? If you look closely at some of the larger structures in the image, you’ll be able to make out some fine detail/patterns. This is actually the result of gravitational and stellar radiation interactions within the system, shaping the interstellar gas/dust. You can compare it to wind sculpting dunes over time, just on a much larger scale.
Setup:
Planewave CDK24
Moravian C3-61000 Pro
Planewave L-600
Image acquisition details:
22x900" HA
27x900" OIII
29x900" SII
Someone asked me how I processed my photos which led me to write my workflow out on my "About" page. After some confusion, I decided to do a visual as you see in the attached image.
During the pandemic, I've been using my cell phone for almost all my pictures. I just wanted to pass along my workflow for others who haven't tried their phones yet. Just remember that a RAW file gives you much more room to adjust contrast.
Do you have a photo-taking workflow?
Before I pull out the “big camera,” I sometimes snap a quick iPhone pic to check composition and lighting. Sometimes it tells me everything I need to know, like whether to shift left, crouch down, or just give up and go get some eggs benedict for brekky at a cafe. And when my wide-angle lens isn’t quite wide enough, it's iPhone panorama to the rescue! It’s quicker than taking multiple shots with the OM-1 and stitching later. Lazy or efficient? You decide.
Fun Fact Time - The Goldfish Edition!
Have you ever wondered how long goldfish live? Most pet goldfish clock in around 5–10 years. But some have gone the distance......
The oldest was Goldie (45 yrs). A very solid name choice in my opinion. He never made it into the Guinness Book of Records due to a lack of official paperwork. While he was alive, Goldie garnered international media attention, and his family the Evans family donated any money earned by Goldie’s appearances to charity to help children with physical disabilities. How cool is that, a philanthropist goldfish!
Other notable characters in the geriatric goldfish club include:
Tish (1956-1999) – the official Guinness title holder at 43 years old. In 1988 Tish had a brush with death when he leapt out of his bowl and landed on the carpet. His mum Tilda wasn't home but luckily, when she found him & placed him back into the water, he resumed swimming as if nothing had happened. I wonder if he remembered or if every trip around the goldfish bowl was new to him! Over the years, as he aged, Tish’s scales turned from bright orange to silver, matching the colour of Hilda’s hair. That's kinda sweet.
Fred (42) and George (44). Keith & Mary Allies from Worcester UK won the pair of fish at a fair in 1974, when they were only dating. Since then, the married couple kept the goldfish, who outlived two of their dogs. They passed in 2017 & 2019. Fred & George that is, not Keith & Mary! My takeaway - a couple who raise goldfish together, stay together!
Splash (38) and Splish (36) - Haley and Matthew Wright never did anything particularly special to care for Splash. He swam around his tank all day, ate regular fish food, and fed on live plants in his tank. Splish and Splash were funfair prizes won by the Wrights in 1977 (bit of a common theme there). Mr. Wright believes that Splash mourned for Splish when he was no longer around. PS If it is annoying I listed splash before splish you may be OCD ;)
Sharkey (24) – I reckon best name, hands down! Another goldfish who survived a near death experience. His owner Paul's mother found him belly up in his bowl. She thought he was dead and flushed him down the toilet. However, Sharky was still alive and swam back up the pipe and was saved in time. I guess he felt a bit shitty about that ;)
Bob (20) from the UK – well, it's a solid name for sure. I wonder if it is because he "Bobbed" up and down in his bowl? Bob experienced his 15 minutes of fame in 2017 when his family noticed that he was struggling to swim and developed a lump on his fin. They decided to spend $250 on an operation to save his life. I'm pleased to report the operation was successful and Bob fully recovered. The doc said that his family was very pleased with the outcome as Bob was older than their children and considered part of their family.
I hope these goldfish ramblings brighten your day. Thanks kindly for any likes/comments, they are always appreciated.
Waterscape 34/100 in 2025
- Thanks to everyone who looked at my picture, favors and have commented. Please press "L" or "Z" for a large view - an absolute must to fully enjoy this picture!
Said Bear has had a word with me about improving my workflow - whatever that means - and we published this picture directly from within Shotwell (a photo manager for Linux).
Said Bear has definitely settled into his new home, and I think he is actually taking over. No bad thing tbh.
... And here it is another shot from my archives (Summer 2016). I had thought to process it so many times, but I was deterred by some blown out highlights in the sky. Not worth the effort. However I have made up my mind at last and, after recovering what was recoverable, I have decided to accept some blown out highlights instead of give up forever.
What I like in this scene is how the two twin, arching series of low waves create a kind of (frozen) dance. They are trying to touch each other and dance together, but a minimal rise of the sand in between prevents them from embracing. Not for long however, since the tide was quietly rising and the sea was taking its little secrets back again in its womb. We can be sure that soon they have been able to reunite.
It was my second sunrise session at Rosolina mare - not really as good as the first one, to be sure (here it is an example): the sky was overcast, the light was hard, and a high-altitude sheet of clouds gave uniform highlights where the sun was. I was a bit tired - more on the morale side than physically, since I had walked some 23 km only to take a mere handful of second-rate photos. As I was returning to the "civilised" part of the beach, at last the sky started turning into something really interesting. Lots of clouds of different shapes and sizes, and piercing sunbeams at leisure. I took some photos, but my discouraged outlook resulted in self-defeating choices - no tripod, no exposure bracketings, no real concentration on framing and exposure. While processing this shot with Darktable I created a "virtual" exposure bracketing from a single RAW, and this helped a lot to get a decent result (including some details gained in the blown-out areas).
I have obtained this picture by blending a "virtual" exposure bracketing [-1.3/0/+1.3 EV] by luminosity masks with the Gimp (EXIF data, as usual, refer to the "normal exposure" shot), then I added some final touches with Nik Color Efex Pro 4. RAW files processed with Darktable. Denoising with Dfine. Smart resize (stretched to 16:9 format) with Chasys Draw IES Artist.
I used the inverted RGB blue channel technique described by Boris Hajdukovic as a final contribution to the processing of the lighter parts. While this technique (which, its imposing name notwith standing, is pretty simple to implement) often holds interesting results in full daylight landscapes, its effects on a low-light capture (e.g. a sunrise) are utterly unpredictable, so at the end of my workflow I often give it a try to ascertain its possibilities.
hybrid workflow Mint SLR670S/instant Lab, Polaroid bw 600 film film, Bonn Germany, day one 1/2
Happy PolaroidWeek to you all! so looking forward to see your great polas this week. this community is so inspiring, glad to be a part of it.
don't forget to join the polaroidweek 2025 group:
and please follow Polaroid Week on Bluesky:
- bsky.app/profile/polaroidweek.bsky.social
you can find me or my work here:
Image published in the September 2025 edition of Sky and Telescope magazine.
Image:
This image is comprised of Ha and OIII band data, and for the first time I have a target where the OIII signal is far stronger than the Ha signal. In my rendering of this image that I posted a week ago, I could barely, if at all, see any evidence of the Ha in the image.
I altered my PixInsight workflow three ways to improve the original image and obtain this result. Before mapping the Ha and OIII to the RGB channels, I applied LinearFit to increase the intensity of the Ha data to match the OIII. After mapping Ha and OIII to the RGB channels, I applied SPCC, this time with Ideal QE Curve selected, and using Photon Flux for the Whte Reference. And lastly, I selected OIII as luminance when I mixed the colors in NarrowbandNormalization.
As a result of the alternate processing, I can see Ha depicted as a goldish color in the outlying wispy areas, and within the target object.
Equipment:
ZWO ASI6200MM-P/EFW 2" x 7 (HO)
TeleVue NP101is (4" f/4.3)
Losmandy G11
Software:
Captured in NINA
Processed in PixInsight
Finished in Affinity Photo
Integration:
Ha 20 x 600s = 3:20
OIII 26 x 600s = 4:20
Total integration: 7:40
The Haus der Kulturen der Welt (House of the Cultures of the World) is an arts venue, exhibition and cultural centre which has been operating since 1989. Situated in the Tiergarten area, between the park's green meadows and the banks of the Spree, its varied all-year-round programme includes exhibitions, talks, lectures and seminars, concerts and festivals. Its mission is to bring to Berliners an authentic, consistent fare of challenging, contemporary art and culture from around the world.
Equipment=Nikon D750
Lens Used=Tokina 17-35mm Lens
Exposures=7
Location=Berlin, Germany
Workflow=(Luminosity Masks)
Adobe Lightroom 5,
On One Photo 10=Enhance Sky, Angel Glow and Increase Color,
Luminar 2018=Fix Dark Landscape, and Mood Enhancer
Sometimes I wish I had recorded my workflow especially when the results are like this. I tried very hard to replicate it with another similar image but got nowhere near.
Selati Game Reserve
Gravelotte
Limpopo
South Africa
My new BW post processing video tutorial is now ready for download, for a limited time get all 9 videos for the price of 1
Video 1 My Complete BW Workflow
Video 2 Mastering BW Conversions
Video 3 Fine Art Architecture
Video 4 Fine Art Landscape
Video 5 Fine Art Seascape
Video 6 Fine Art Cityscape
Video 7 Fine Art Long Exposure
Video 8 Fine Art Street
Video 9 Minimal Photography
also included are my photoshop files and post processing notes!
An extremely comprehensive post processing tutorial for fine art BW photography
www.vulturelabs.photography/product-page/b-w-post-process...
I didn't have anything new to upload today so I am reuploading an old shot. This was actually one of my first Disney shots on Flickr. After seeing a few excellent photographs recently taken on Astro Orbiter, I decided to revisit my version and edit it using my current software and workflow. Since I uploaded it to my stream as private, it's available for me to upload from work. I hope uploading old shots isn't bad form or anything...lol
My new BW post processing video tutorial is now ready for download, for a limited time get all 6 videos for the price of 1
www.vulturelabs.photography/product-page/b-w-post-process...
Video 1 My Complete BW Workflow
Video 2 Mastering BW Conversions
Video 3 Fine Art Architecture
Video 4 Fine Art Landscape
Video 5 Fine Art Seascape
Video 6 Fine Art Cityscapes
also included are my photoshop files and post processing notes!
An extremely comprehensive post processing tutorial for fine art BW photography
My new BW post processing video tutorial is now ready for download, for a limited time get all 9 videos for the price of 1
Video 1 My Complete BW Workflow
Video 2 Mastering BW Conversions
Video 3 Fine Art Architecture
Video 4 Fine Art Landscape
Video 5 Fine Art Seascape
Video 6 Fine Art Cityscape
Video 7 Fine Art Long Exposure
Video 8 Fine Art Street
Video 9 Minimal Photography
also included are my photoshop files and post processing notes!
An extremely comprehensive post processing tutorial for fine art BW photography
www.vulturelabs.photography/product-page/b-w-post-process...
VISIT OUR NEW STREET PHOTOGRAPHY WEBSITE
FOLLOW US ON INSTAGRAM
www.instagram.com/atstreetlevelphotography/
As street photographers, we are only too well aware of the devastation wreaked on the high street by Covid-19. With most retail being forced to close as wave-after-wave of restrictions have been imposed, foot traffic has fallen off a cliff. People are in the most part nowhere to be seen. If they are, it is scurrying to the supermarkets and food shops masked and keen to avoid the eye of anyone they meet.
Although initially the pain of cinemas was shared in the press, for the most part, their pain has been relegated to the back pages of the business section, as other larger and more visible businesses cry out for help. Unfortunately, any business, local or global within the hospitality sector has been particularly hard hit. Cinemas with their business model relying on packing in as many customers into a confined space for several hours have virtually nowhere to go. Even after the restrictions are lifted, people are going to be highly reticent for some time yet to spend several hours in darkness within inches of unknown strangers.
In North London, we had been blessed with a number of independent cinema groups, who invested heavily to innovate and offer unique film going experiences. Whether in the food they offered, the range of films shown or the comfort and luxury of the cinemas themselves. Prices while slightly higher than the mass-market cinema chains were not exorbitant and business was good.
They now lie forlorn and in darkness on the high street. Almost as if a display of defiance, the Arthouse cinema in Crouch End continued to light its façade, perhaps sending out the message that it had not given up and intended one day to return to its former glory. I felt I wanted to capture its pain as it remained under enforced closure.
When photographing the cinema, I looked to isolate the building from the surroundings, which were either unattractive or on the adjacent side, a building site. To achieve this I exposed for the highlights and allowed parts of the building to fall into shadow. At f11 I was able to create a small sunburst from the main light just above the statue. The 6400 ISO did not appear to create a significant amount of noise and with image stabilisation, I was able to achieve a relatively sharp image at 1/10s handheld.
In post-production, I used Adobe Camera Raw for my initial workflow and firstly worked to bring out the maximum amount of detail in the colour shot. I then imported the final DNG into Photoshop for some cleaning up and curve adjustments before importing into Silver Effex to create deeper shadows and more definition in the highlights.
Gegen 21:15 und windig war ich am 2.7. unterwegs. Was jetzt noch tun? Zum Glück war da die Schnepfenfliege auf einem kaum bewegten Brennesselblatt, die sich gut stacken ließ (58'er-Stack).
Einen kompletten Workflow zeige ich zu dem Bild in der nächsten Makrowelt Nr.4 von A-Z (Aufnahme und Stack).
www.traumflieger.de/reports/Makro-Fotografie/Traumflieger...
I'll be appearing on the next episode of The Two Hosers Photo Show, and they've given me the weekly photo challenge.... "the longest day" (in honour of the summer solstice). Wide open to interpretation, and this is what I've come up with.
This image is photographed at The Wildflower Farm, a favourite location of mine to go shoot flower, insects and water droplets. Closed to the public, but they still let me poke around. One of the interesting things they have are these strange bicycle-based lawn mower contraptions. The front wheel is replaced with a grass-cutting blade apparatus, surely intended to make lawn mowing a faster task.... but it looks painfully labour intensive and time consuming.
Imagine cutting an entire field with a tool such as this? I think it would be the longest day of my life. Right behind this apple tree is a fledgling meadow, but the foreground grass is carefully manicured. I hope they aren't using these bikes to get the job done!
Oh, and this is a false-colour infrared image, shot with a modified camera. In infrared light, anything capable of photosynthesis typically glows brightly, giving a ghostly surreal look to the scene. The sky in this spectrum is often dark, and I was trying to frame the bright tree in the dark sky. This required me to set my tripod at nearly ground-level (thank you Gitzo for a removable center column) to find the right angle.
When shooting infrared, the camera will only capture the deepest reds in the visible spectrum, and also capture colours beyond our visual perception. These colours can be remapped into a range more natural to the way we see the world, usually done by swapping the red and blue colour channels as a starting point. I think I'll write a tutorial on my workflow in the near future. :)
My Portfolio: www.donkom.ca | Google+