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coding coding and coding. I like the logic needed to structure workflows and defining data relations, but then its too much coding! hehe.
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My workflow leaves something to be desired. Here I am trying to work on produce table designs, but I keep getting sidetracked- for example, by copying a Joni Mitchell CD cover.
© István Pénzes.
Please NOTE and RESPECT the copyright.
7th., March 2010, Distagon 50mm at the closest distance.
Hasselblad 503CW
Carl Zeiss Distagon 4.0/50
Kodak T-max 100
T-max developer 8 min. @ 19 Celsius
Coolscan 9000
So this is actually kind of fun I guess. This is my C41, color film workflow so far. It's been a bit of trial and error trying to maintain a consistent 102F for 3.5 min.
This is how I do it so far. Put water in this pot just enough to cover the 250ml of liquids in the measuring cups. Put pot on stove with flame on high to get a good rolling boil. Once it gets boiling, reduce flame to medium. When the temp in cups gets to about 95F, turn off heat otherwise the temp gets too hot and it takes longer to cool off than to heat up. Remove cups from water when they reach 102F. First step is just water for 1 min to heat up film and tank. This helps maintain temp for developer. 2nd, developer for 3.5 min. Developer will cool to about 95F in that amount of time which isn't good. So I put the tank in the water pot in between agitations. Keeps the temp from falling too fast. 3rd step is the bleach/ fix (blix) for 6.5 min. The good thing is that you can be between 95 and 105F for this step. 4th is wash for 1 min followed by stabilizer for 1.5 min. Done!
Also, I have always used Kodak black and white developers like HC110, D76 and Xtol for b&w film. To shake things up a bit and keep it interesting, I got some Rodinal. Never used it before and still haven't. Good times. This is definitely a labor of love.
Update: Roll number 3 following this method turned out some funky greenish colors on Portra 160. Not sure why. I'll keep this photo updated.
Cannes is a city located on the French Riviera. It is a commune located in the Alpes-Maritimes department, and host city of the annual Cannes Film Festival, Midem, and Cannes Lions International Festival of Creativity. The city is known for its association with the rich and famous, its luxury hotels and restaurants, and for several conferences. On 3 November 2011 it hosted the 2011 G20 summit [Wikipedia.org]
Made a silly mistake in my workflow, so I had to re-up everything again.
Woke up in the middle of the night and couldn't sleep anymore. So I thought, let's drive to the IJsselmeer and try and catch the dawn. Nature didn't let me down.
Taken with a Canon EOS 5D Mark II, EF 16-35, Lee .6 ND filter and Lee .6 ND Hard grad on a Gitzo tripod.
A portrait series with Pauline in cooperation with Atelier 5b.
Check my Instagram!
Atelier 5B on Instagram.
Model's Instagram.
The brand-new Symfony development workflow unveiled by Fabien Potencier at the Symfony Live Paris 2014 conference.
After many months my new SEL50F18 Sony E-Mount lens arrived yesterday and today I had an opportunity to to use it for the first time. Some people on the NEX form on DPREVIEW have complained that it makes a grinding sound when auto focusing … I can report that the one that I have is totally silent. I should also mention that I am now using Lightroom 4 to manage my workflow.
From the Cambridge Highland games earlier this summer.
Still trying to get used to lightroom. Changing workflows is hard....
The 2nd app in my workflow I use is Photogene... More on how I use it at:
digitalchemicals.blogspot.com/2014/02/ipad-photography-wo...
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About. Me - about.me/edwardconde
Take a look at this week’s featured workflow, by Luís Miguel Braga. To be honest, this is the most comprehensive workflow we’ve seen so far (... read more)
Uploaded via tarpipe.
In working on the “寧 Serenity” series, I observe that photographing “無 nothing” often is more interesting than “有 something”. It seems counter-intuitive. But photographing “nothing” reveals patterns which are unobservable when intentionally photographing “something”
# SML Data
+ Date: 2013-01-29 16:29:46 GMT+0800
+ Camera: Canon EOS 7D
+ Lens: Canon EF 70-200mm f/4L USM
+ Dimensions: 3192 x 4789
+ Exposure: 1/250 sec at f/8.0
+ Focal Length: 122 mm
+ ISO: 100
+ Handheld
+ Flash: Did not fire
+ GPS: 22°25'9" N 114°13'25" E (SML Universe HKG)
+ Subject: 中國香港馬鞍山沙田海 Sha Tin Hoi, Hong Kong SAR, China
+ Series: 寧 Serenity
# SML Workflow
Photographed with the Canon 7D with the 70-200 f/4L lens, processed in Photoshop CS6 + Lightroom 4.
“無 Nothing > 有 Something”
/ 寧 Serenity
/ SML.20130129.7D.20734.C23.P1
I got inspired into some intense nerding this week. The above is a peek into the results. For more, check out the writeup on my blog.
Capsule summary: you can make an image have pretty much any histogram you like, with a little perl code—even a histogram that resembles the image itself. What you see here is:
1. An unaltered image of Miami.
2. The histogram of that image.
3. A new desired histogram made by tracing the silhouette of the skyline in the source image.
4. An altered version of the source image, which has the desired histogram.
Man was that fun to pull off.