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Nikon F5
Carl Zeiss ZF.2 2/28 Distagon T*
Kodak Gold 200@400
Developed & scanned by Carmencita Film Lab in Valencia, Spain
From Altimeter Group Report: "The Converged Media Imperative: How Brands Must Combine Paid, Owned and Earned Media," by Rebecca Lieb and Jeremiah Owyang. Download the report at www.altimetergroup.com/research/reports
Used thumbs+ to replace some colors, Have not worked out if the a6k can do an in-camera key colour
from C:\Users\User\Pictures\My Pictures\Dell 2020\07 Jul 15 general
see camera lens search www.goat.vision/search/SONY/ILCE-6000/
DRI Processing - 7 shot 1EV brackets, fused and blended with Hugin. Overlayed the enfusion with a Fattal layer from Luminance overlay mode at 50% opacity.
I have posted a tutorial of my workflow here: Pano Workflow
Workflow: Negs processed by apetureuk.com
Raw file scanned with Reflecta RPS 10m @ 2,500dpi
Imported to Lightroom, then 'edit copy in Photoshop' selected. Colorperfect filter applied in Photoshop then saved. Colour, sharpness and N/R applied in Lightroom.
With Biscione&Associati S.r.l.: an infographic explaining the commercial offer from INAZ, part of a larger work
The end result of this madness is that, while shooting in the studio, photos can be immediately reviewed on the ipad, projected on the wall, uploaded to flickr and entered into my lightroom library, all by just pressing the shutter on my camera.
A funny aspect of this is that it only covers the workflow that involves ingesting photos into lightroom. The workflow from lightroom to the thunderbolt raid, followed by cloud backup, is just as amusing.
The Notre-Dame-d'Espérance church (Eglise du Suquet) is a Catholic parish church located in the town of Cannes, France.
It is dedicated to Notre-Dame on the Place de la Castre in the Suquet district, and has been classified as a historical monument since July 28, 1937 [Wikipedia.org]
FULL EDITORIAL available at: www.miguelmartin.es/stories/what_to_wear_tonight/
model: María S. @Pasarella Image Agency
mua & hair: Javier Romero
photo & edit: Miguel Martín
Practicando un nuevo workflow de procesado. ¿Qué os parece el resultado? (imprescindible verla en grande).
Strobist info: 41cm white beauty dish 1,2m from model @ 1/4.Reflector para rellenar en la parte de abajo.
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New retouching workflow. Fancy the results? (Please watch it fullsize!!).
Strobist info: 41cm white beauty dish 1,2m from model @ 1/4 . Reflector down for fill.
Since 2004 I use this workflow. This workflow stay since 2006 on my pbase account:
By changing frequence, amplitude and waveform other figures are created. Many examples stay on my pbase account but a few are now also on this flickr site.
My workstation melted so rather than be sad, i decided to see how viable the ipad is as a mobile editing solution. The apps have come a long way, but theyre still not as nice as a desktop apps. By that i mean the algorithms seem a bit sloppier than desktop versions.However it works in a pinch and would be an excellent solution for a traveling photographer who wants to travel light. If youre an instagram photographer, then its a perfect fit.
Just experimenting with a some little video clips that show a before and after and how my workflow gets me where I want to go...
Infographic that illustrates a comparison between an existing workflow, and a more collaborative and "agile" project workflow.
Got my mini travel photo editing process set up and tested today. Shoot with the m4/3 Panasonic GX8, transfer to iPad Mini via SD adapter, edit with Lightroom mobile, upload to web via whatever means necessary.
(except the tagging interface on the Flickr iPad app is atrocious)
Not sure whether this will interest any of you or not, but just felt like sharing some of my thoughts through the post-processing stage of photography as have been getting a few emails from people lately about this.
The key to any post-processing is a good canvas on which to start from - this means you need to get it as "right" as you can in camera. Of course, using RAW formats make this a lot more forgiving, but I still believe it's a good thing to aim for! The less post-processing you do, the better quality your photo is also. Of course, that also depends on how creative you want to get. I'm not saying my images are anywhere near "right" in camera - actually I think there's still a long way for me to go there and I do get lazy quite often! It's still something I try to aim for anyway. Composition's probably the one thing you can't get away so easily with being lazy on :)
Left to Right, the top photograph is the original RAW photo without any adjustments. In my opinion (for what I like) the photo is flat and there's very little contrast between the bamboo and the middle tree, which is something I wanted to highlight, as when I was there, it's what struck me the most about the scene. The photo on the right was my first attempt at post-processing this image and I didn't like it. The colours just didn't do it for me, and the more I did, the worse it got! I also felt it was all too busy as the bamboo is a very strong feature with too much detail. The image just feels a bit uninteresting - there's nothing in particular that intrigues the viewer. I decided to leave the image and come back to it later, starting again from scratch.
The bottom two images are the ones I've posted on this photostream. The B&W attempt was born out of having been so disappointed with my first colour attempt. I felt I needed to just try something completely different as wasn't sure how to make the most of the bamboo without it being totally overpowering. I think this B&W stage helped me reorganise and refresh my outlook on processing a colour version (I find B&W tends to do that, for me at least). The final colour image is what I've finished with - it's not as "realistic" as it could maybe have been, but I've decided that this interpretation gives the effect I wanted. For me, it's intriguing and enchanting, which is honestly what I felt, being there (even though it didn't exactly look like that!). This image ended up being a lot more complex to process than I first thought - probably a lot to do with the weird lighting the bamboo gives, and the texture of it.
View large on B l a c k M a g i c