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With Biscione&Associati S.r.l.: an infographic explaining the commercial offer from INAZ, part of a larger work
FULL EDITORIAL available at: www.miguelmartin.es/stories/what_to_wear_tonight/
model: María S. @Pasarella Image Agency
mua & hair: Javier Romero
photo & edit: Miguel Martín
Practicando un nuevo workflow de procesado. ¿Qué os parece el resultado? (imprescindible verla en grande).
Strobist info: 41cm white beauty dish 1,2m from model @ 1/4.Reflector para rellenar en la parte de abajo.
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New retouching workflow. Fancy the results? (Please watch it fullsize!!).
Strobist info: 41cm white beauty dish 1,2m from model @ 1/4 . Reflector down for fill.
Processed with my Classic Workflow Lightroom Preset (golden warmth)
I can't believe how beautiful Autumn is. The leaves are red, yellow or orange and it warms up the cold air. This one was taken at my local park, complete with a river, squirrels, lots of autumn trees and swans! I love it there. I wasn't originally planning to go but I'm so glad I did.
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- Lady Tori
The Notre-Dame-d'Espérance church (Eglise du Suquet) is a Catholic parish church located in the town of Cannes, France.
It is dedicated to Notre-Dame on the Place de la Castre in the Suquet district, and has been classified as a historical monument since July 28, 1937 [Wikipedia.org]
Olivier Duong of Inspired Eye Magazine kindly hosted a post where I share my current Lightroom workflow approach. If interested, you can check it out at
www.theinspiredeye.net/street-photography-lightroom-workf...
My workstation melted so rather than be sad, i decided to see how viable the ipad is as a mobile editing solution. The apps have come a long way, but theyre still not as nice as a desktop apps. By that i mean the algorithms seem a bit sloppier than desktop versions.However it works in a pinch and would be an excellent solution for a traveling photographer who wants to travel light. If youre an instagram photographer, then its a perfect fit.
for recognize the fine ambiance, please press L-key and enjoy the full-size view
the subject was captured with a tilt-shift lens. I have used a lateral tilt at open aperture. You can see the close focus range of the diagonally running across all three leaves.
post processing workflow: lying on the couch next to my TV looking wife. I have loaded the RAW file direct into the IPAD2. Open it with NIK-Snapseed. Its like a child play to work with color, contrast and texture layer here.
Since 2004 I use this workflow. This workflow stay since 2006 on my pbase account:
By changing frequence, amplitude and waveform other figures are created. Many examples stay on my pbase account but a few are now also on this flickr site.
This flowchart is based on David Allen´s GTD and a flowchart which I found on the web made by the company "FreeAssociates". You can find the original chart here: freeassociates.files.wordpress.com/2009/07/gtd-processing...
Nikon F5
Carl Zeiss ZF.2 2/28 Distagon T*
Kodak Gold 200@400
Developed & scanned by Carmencita Film Lab in Valencia, Spain
Infographic that illustrates a comparison between an existing workflow, and a more collaborative and "agile" project workflow.
Discover My New Portrait Editing Workflow!
In this series, I’m sharing the before and after of my portraits to show how my editing process has evolved.
The RAW photo: I always start with a clean, well-lit image to have a solid base.
Editing with Evoto AI: Then I use Evoto to refine the skin naturally and efficiently, preserving texture and authenticity.
Final touches in Photoshop: Finally, I make color adjustments and fine-tune the look for a harmonious result.
If you’d like to learn more about my experience with Evoto, you can read the full article on my blog.
I hope this inspires you and gives you new ideas for your own portrait retouching!
blog.stephanemosse.com/2025/10/27/evoto-ai-comment-jai-di...
Got my mini travel photo editing process set up and tested today. Shoot with the m4/3 Panasonic GX8, transfer to iPad Mini via SD adapter, edit with Lightroom mobile, upload to web via whatever means necessary.
(except the tagging interface on the Flickr iPad app is atrocious)
Not sure whether this will interest any of you or not, but just felt like sharing some of my thoughts through the post-processing stage of photography as have been getting a few emails from people lately about this.
The key to any post-processing is a good canvas on which to start from - this means you need to get it as "right" as you can in camera. Of course, using RAW formats make this a lot more forgiving, but I still believe it's a good thing to aim for! The less post-processing you do, the better quality your photo is also. Of course, that also depends on how creative you want to get. I'm not saying my images are anywhere near "right" in camera - actually I think there's still a long way for me to go there and I do get lazy quite often! It's still something I try to aim for anyway. Composition's probably the one thing you can't get away so easily with being lazy on :)
Left to Right, the top photograph is the original RAW photo without any adjustments. In my opinion (for what I like) the photo is flat and there's very little contrast between the bamboo and the middle tree, which is something I wanted to highlight, as when I was there, it's what struck me the most about the scene. The photo on the right was my first attempt at post-processing this image and I didn't like it. The colours just didn't do it for me, and the more I did, the worse it got! I also felt it was all too busy as the bamboo is a very strong feature with too much detail. The image just feels a bit uninteresting - there's nothing in particular that intrigues the viewer. I decided to leave the image and come back to it later, starting again from scratch.
The bottom two images are the ones I've posted on this photostream. The B&W attempt was born out of having been so disappointed with my first colour attempt. I felt I needed to just try something completely different as wasn't sure how to make the most of the bamboo without it being totally overpowering. I think this B&W stage helped me reorganise and refresh my outlook on processing a colour version (I find B&W tends to do that, for me at least). The final colour image is what I've finished with - it's not as "realistic" as it could maybe have been, but I've decided that this interpretation gives the effect I wanted. For me, it's intriguing and enchanting, which is honestly what I felt, being there (even though it didn't exactly look like that!). This image ended up being a lot more complex to process than I first thought - probably a lot to do with the weird lighting the bamboo gives, and the texture of it.
View large on B l a c k M a g i c
My parents' Sony RX100 next to my Microsoft Surface Pro. The perfect "Portable yet Powerful" combination for a photographer!
Photograph as seen on The Hugehog Blog.
The fact an SVG image is an xml document comes handy. In the past our workflow has been defined by the icon theme spec. We worked on individual files for every icon size. That becomes problematic when you tweak an aspect of an icon and you have to keep the change in sync with the other versions (It shows itself in the tango-icon-theme emoticons, where you have clearly different colors between the various sizes).
During the suse hackweek I've cooked up a php script that would take a two-layer SVG, where in one layer there would be rectangles defining the size and the other the actual artwork and call inkscape to render the objects into PNGs.
And since I'm now working in a team that deals with ROR a lot, I've found a scripting language that I very much like, ruby. I'm no hacker, but man do I love the simplicity of it.
Need to see it On Black!
So I bit the bullet and decided after invoices came in for a couple of weddings to purchase the VSCO film emulations for ACR. I need to do alot more trial and error with them before I incorporate them into my workflow, but I'm happy to say they are very nice.
This was an impromptu shoot with my wife back when I first enjoyed some 135L goodness...
Enjoy!